Thứ Năm, 9 tháng 3, 2017

Youtube daily Mar 9 2017

Battlefield 1 RSC 1917 optical.

Welcome to the rsc 1917 optical.

Today I will disclose everything that you need to know to dominate the Battlefield with

this new rifle for the medic class.

The Fusil Automatique Modèle 1917, also called the RSC M1917 was a semi-automatic, gas-operated,

infantry rifle that the French Army placed in service in 1918.

In total, the French produced 86,000 RSC 1917 rifles and the production run ended in late

November 1918.

However very few have survived in fully functional, semi-automatic condition and those have become

highly sought-after collectibles.

Let's start with the statistics because this will allow you to adjust your play style and

strategy.

53 damage up to a range of 44 meters, like most guns in Battlefield 1 this damage will

drop and it will still cause 38 damage at 59 meters.The rsc 1917 optical can fire 164

rounds per minute which is the slowest rate of fire of all medic class weapons.

The muzzle velocity is relatively good with 720 meters per second, only the selbstlader

and the mondragon do better with 800 meters per second.

I'm sure that you also realized that you will only need 2 bullets to kill up to 44

meters.

If you combine all of these statistics then you will know that it will only take you 0.371

seconds to kill your enemy.

At our 20 meters reference point this time to kill is 0.396 seconds.

Only the Autoloading 8 does slightly better.

When you deploy on the battlefield, with your shiny new rifle, you will start off with 6

bullets in your magazine and you will carry another 54 for later.

The reload times are pretty good, 3.3 seconds for an empty reload and 2.7 seconds for a

reload with bullets left.

The deploy time is 0.9 seconds which is slightly worse than all other medic class weapons and

it has a standard bullet drop of 12 meters per second squared.

In Battlefield 1, the rsc 1917 optical comes equipped with a lens sight and a vertical

foregrip.

You can select one of the standard reticles, the highest magnification that you can select

is a 2.5 times magnification and you have the option to attach a bayonet.

If you want to get your hands on this new rifle for the medic class then you will have

to get 15 kills with the Autoloading 8 .35 Factory, just make sure that you do this in

one single round, and you will have to perform 75 heals.

The heals are super easy and a great player like yourself will only need about half a

rounds to get 15 kills.

So again, you have no excuse not to unlock the rsc 1917 optical.

So what is the verdict?

The rsc is an good weapon for the medic class that has a great time to kill because it can

deal a lot of damage up to a range of 44 meters.

Only 6 bullets in your magazine and the slowest rate of fire of all medic class weapons.

It's super easy to unlock because it only takes half a round.

By the way, guys the Youtube likes and shares are very helpful to me.

If you think that this video is worthy, would you mind taking a moment to like this video

and to share it with all you buddies?

This was FOG of GAMING, thanks for watching and I will see you on the Battlefield!

For more infomation >> Battlefield 1 RSC 1917 OPTICAL! A NEW GUN for the MEDIC Class! - Duration: 2:54.

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The Fate of the Furious Trailer 2 REACTION - Duration: 6:51.

A three minute trailer?!

New York City, my hometown?!

Oh boy! Let's take a look...

For more infomation >> The Fate of the Furious Trailer 2 REACTION - Duration: 6:51.

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Eine neue E-Mail für euch - Duration: 0:53.

For more infomation >> Eine neue E-Mail für euch - Duration: 0:53.

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Despacito | Las Mas Bailadas 2017 - Duration: 3:14.

For more infomation >> Despacito | Las Mas Bailadas 2017 - Duration: 3:14.

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F. Lee Bailey Paved The Way for Criminal Justice Rights - Duration: 7:24.

My next guest is certainly well known for representing O.J. Simpson during the trial

of the century, which captivated television viewers across the nation.

Throughout his career, he's been involved in many other high-profile cases from the

Patty Hearst bank robbery trial to the Sam Sheppard murder case, not to mention his countless

other cases that have received far less attention.

His innovation and legendary trial skills have improved the chances for all Americans

to get a fair trial in a criminal case.

Joining me now to discuss the impact of that is F. Lee Bailey.

Lee, I have to ask you at least one question about the O.J. trial, even though it's been

covered ad nauseam.

What impact do you think that trial had on how the media covers legal cases considering

24-hour news networks these days?

What's your thought?

Well, I'm sorry to say I think the bulk of the fallout from the news coverage of the

Simpson case was poor.

First of all, the old line of experienced courtroom criminal reporters had pretty much

died out by the time that trial went on, with one very prominent exception, and she worked

for the Associated Press.

She'd been around a long time.

She got it right on a daily basis.

As far as the other stations, they were all over the place.

Court TV did a pretty good job.

NBC did okay when Jack Ford was on, not so good when others were on, but Johnnie Cochran

and I used to sit around and watch the news and say, "What courtroom were these people

in?"

They just kept missing what the day was about.

Lee, let me move on from O.J. Simpson.

Let me move on from O.J. Simpson.

You're working on a book right now that describes some of the cases that the media didn't pick

up.

These were cases, in my review of what you've done in your career, you've changed the way

that criminal cases are handled in our courtrooms for the better.

You've given people that have been charged with criminal offenses a better chance to

present their case.

Give us a rundown on some of the cases you'd like to talk about that maybe mainstream media

or corporate media have not been talking about.

What's your thought?

Well, in their day, they were much publicized on an international basis.

The two most important cases from my perspective as part of my career accomplishments were

the retrial of Dr. Sam Sheppard, known better to the public as the TV show and movie The

Fugitive, and the trial of Captain Ernest Medina, the commander of the My Lai four invasion

in Vietnam, which is one of the darkest moments in American military history.

There we had a lieutenant and a couple of sergeants with machine guns just gunning down

women, children, babies, and elderly people because they had the wrong information and

were not using their eyes.

Lawyers, or really anybody who's followed your career, want to ask this question.

If I were to ask you what do you think was the most positive impact that you've had in

your career, where it came to giving a person a fair shot, that's all they can ask for,

giving a person a fair shot in the courtroom, what would you say you've done that you think

... that you've helped impact the legal world?

Well, I think the Sheppard case, which came out of the US Supreme Court after he had lost

11 appeals.

That was the condition of the case when I got it.

I brought suit in federal court, a habeas corpus petition.

I won it at that level.

The Sixth Circuit overturned me two to one.

The Supreme Court flipped it again eight to one and created the landmark case that said

the courts have to be aware of pretrial publicity and prejudice in the courtroom, particularly

at the outset of a case when a jury's being picked.

That had never really been established before Sheppard against Maxwell back in 1966, so

I put a feather in the cap for that one at least.

Yeah, well you have a lot to put a feather in your cap about, Lee.

I wrote a book one time about Clarence Darrow and I realized that as I was writing about

Darrow, I looked at his career, and he had accomplished so much for the average person

out there that he in a lot of ways became a target.

I mean, you had establishment going after Clarence Darrow at every turn, because he

represented people in courtrooms that ordinarily wouldn't get his quality of representation.

Have you felt like that from time to time as your career's proceeded?

Do you feel like you've been treated fairly with what you've done as a trial lawyer?

Well, some of the time.

Certainly not all of the time, and I think anyone who hopes to be a mainstream defense

lawyer working the big cases and irritating government, that's what we do all day long,

day in and day out, can expect to get shot at.

Once in a while, you're going to get hit.

I realized that at a very young age and it has remained consistent throughout my career

at least and my association with the law, so the guys who have the authority, the prosecutors,

will look for any means there is to try to bring down a defense lawyer.

You know, I look at the Patty Hearst case, you actually created new defense ideas in

that case that are still taught in law school today.

What is your memory about how you had to get it defending that case?

What was the heart of what you had to do there?

Well, let me say at the outset, the Patty Hearst case was clearly the worst case I have

ever been asked to handle since I began to practice law.

First of all, the public did not know what the real engine was driving the Hearst case,

and that was first degree murder, a terrible crime, up in Sacramento, California, where

she had been driving the getaway car, something I could never mention except to the FBI when

we got her immunity because it was confidential until she wrote a book describing in detail

what she did.

The Hearst case involved so many different crimes: a shoot up with a machine gun in Los

Angeles, robbing two banks, one of which involved a fatality, blowing up police cars, planting

bombs at police stations.

We had to thread our way through the defense of that case.

Well, Lee, let me ask you something.

I got to close, but I want to say this.

If I look at most of your cases, they were all that difficult, and you pulled through

because of your innovation and your just sheer tenacity.

I want to thank you for being out there and making the criminal law process a little bit

better.

Thanks for joining me, Lee.

Okay?

For more infomation >> F. Lee Bailey Paved The Way for Criminal Justice Rights - Duration: 7:24.

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War Thunder: The Shooting Range | Episode 35 - Duration: 11:37.

The Shooting Range

In this episode:

WASPs: the fearless women aviators of the United States;

A gingerbread tank and other curios: exploring the treasures of live.warthunder.com once again

Hotline: the developers answer questions that you've left in the comments!

But first, let's start with: The heavy tank T26E1-1 "Super Pershing"

Many of you know or have driven the reliable Pershing, the medium tank that replaced the M4 Sherman.

The Americans decided that you could never have too much of a good thing;

they took the regular M26 Pershing –– and then up-gunned it with a powerful T15E1 cannon

and increased its armour with welded-on metal slabs.

Yeah, the good ol' Pershing has changed a lot during summer.

First, it got some extra layers on its mantlet.

Plates were also welded to the forward hull of the tank, creating a kind of a crude spaced armour.

These two weird things are actually casings of the springs that help to stabilize the larger cannon.

And then there is a large counterweight added to the rear of the turret bustle;

luckily it's thick enough to serve as some extra protection for the rear side of the vehicle.

All these changes made the tank much heavier –– eight and a half tonnes heavier to be exact.

That didn't improve its mobility of course.

Forget about fast maneuvers, constant flanking or the times when you could climb a hill without much fuss.

What you get in return is an excellent gun and somewhat increased survivability.

Add-on armour doesn't make you invincible of course, far from it

your thick sloped frontal armour still can be penetrated by most guns at your BR

but the Super Pershing can certainly outlive many opponents if you play smart.

Engage your targets from a distance. Avoid open areas.

This vehicle works well on urban maps or maps such as White Rock Fortress;

in other words, it shines when there is sufficient cover.

Once again: do not rush to join the fray.

Your glacis can take some punishment, but the sides can be easily penetrated.

That means that the enemy shouldn't ever get a chance to land a shot.

Move from cover to cover, make sure to check all avenues of approach.

APCBC shells sure do deal a lot of damage, but it's a good idea to always have some APCRs at hand.

You'll need them to deal with tougher enemies.

Try to get a buddy on a fast and agile LT or MT (the T92 being our favourite pick).

It will make encounters much easier (and crazier!) for both of you. Try it out –– and good luck!

… now – a special 'Pages of History' in honor of the International Women's Day

When people talk about women pilots, they never fail to mention Night Witches,

the women military aviators of the 588th Night Bomber Regiment, of the Soviet Air Forces.

The names of Marina Raskova and Lydia Litvyak are well known to any WW2 aviation buff.

So we decided that it would be a bit trivial to speak about those amazing women

and their adventures yet again.

What we're going to do instead is to tell you about other events of great importance

that happened on the other side of the world –– in the country that, much like the USSR,

suddenly found itself at war with a formidable adversary.

After the attack on Pearl Harbor the United States began to realize that even

when your factories can produce aircraft at breakneck speed,

you can't do much without people to pilot them. And that was exactly the problem.

There were simply not enough pilots in the Pacific.

What's worse, there weren't many people who could teach new aviators:

a lot of the capable flight instructors were quickly recruited for combat roles.

Cultural factors didn't help either: while in the Soviet Union there was a network of state-owned aviation clubs

where young men and women could learn how to fly for free,

the American skies were pretty much closed for people who had no or little money.

As a result there weren't enough people who had at least basic training in flying.

In 1941 a famous racing pilot Jacqueline Cochran and test-pilot Nancy Harkness Love

came to General Henry Arnold, the commander of the USAAF, – each with her own proposal.

Both women had the same thing in mind, though:

the idea that the Air Forces should let women pilot combat aircraft.

At first both proposals were turned down:

after all, that was the time when even women drivers could raise some eyebrows,

let alone women aviators. But Cochran and Love weren't giving up so easily

and after Pearl Harbour the Air Forces changed their mind.

No, women weren't allowed to fight per se, they were assigned the duty of ferrying planes

from factories to airfields and military bases. But that alone was already quite an achievement!

Women pilots flew all kinds of military aircraft, from the Boeing-Stearman Model 75

to the fearsome Flying Fortress.

They flew in all weather conditions, across all kinds of terrain, across seas and oceans;

performed the toughest aerobatic maneuvers… In other words, they were pretty badass.

And even though they were still considered civilian personnel,

their fame as capable pilots grew with every passing day.

On August 5, 1943, the Women Airforce Service Pilots (or WASP) paramilitary organization was born.

Over 25,000 women applied,

but only those who had pilot's licences or prior experience were accepted into the WASPs

a bit more than a thousand women aviators.

What came as a surprise to some was the fact that among the applicants

there were women of African American, Mexican American, Chinese American

and Native American descent.

Such great proof that the American Melting Pot was truly working,

creating a society

where you could get anywhere regardless of your background and the colour of your skin, right?

Well, not exactly: some of these women were firmly asked to withdraw their applications.

But others prevailed: through joining the WASPs Hazel Ying Lee and Maggie Gee

became the first Chinese American women,

and Ola Mildred Rexroat became the first Native American woman to fly with the AAF.

Many pilots considered it an honour to fly to battle in an aircraft that was brought to them

by one of the fiery WASP aviators.

Even Disney had no qualms giving them the right to use one of their characters, a brave female gremlin,

as the official WASP mascot.

But the government was in no hurry to consider these women "proper" military pilots

even though thirty eight WASP pilots lost their lives during the war, all in accidents.

Only in 1977, after a strong push from the public and especially veterans of the Pacific war,

they were finally recognized as veterans of WW2.

In 2009 the surviving members of the WASP were also awarded the Congressional gold medal.

Only fair, don't you think?

…after we've spoken about the gorgeous pilots of the WASP,

it's only fitting for us to continue to speak about all things beautiful

Last time we showed you a selection of user-made aircraft skins.

Today we'll be speaking about camouflages for ground vehicles – and oh boy, is there a load of them.

The user called Skydread is all for accuracy and precision.

His work is a historical skin of the Ferdinand covered with inscriptions and drawings done in chalk

by the workers who built it.

There were so many little details that it took Skydread four days to make this camouflage.

That's some dedication!

Then there is this amazing historical skin made by CmdNomad.

It's the exact copy of the T34-1942 "Leningradyets" from the 30th Guards Tank Brigade;

the author was inspired by the photo picturing the tank advancing into Krasnoye Selo in January 1944.

Looks like a fantastic winter camouflage!

And now for something completely different:

have you ever wondered what a gingerbread tank would look like?

Well, here you go: the player called Tiger_VI made one for you.

That's one yummy piece of German engineering! Is it to your taste?

...now it's time for the traditional last part of our show: Hotline!

Developers answering questions from the comments!

Strictly speaking it's not the most serious-minded section of the show.

If you want answers to be given with solemn faces,

feel free to appeal to the Official War Thunder Forums.

Here we'll have a more… lighthearted discussion of the big questions of War Thunder.

We hope you'll like it.

The first question comes from a player called Copilot 17

"Can we expect to see the Italian armour in a few years? Thanks Gaijin, I really love your game"

We'll put it this way: it's not completely out of question. And thanks for playing our game!

A user called Claudy_Focan has a question about engineer vehicles:

"Hey Gaijin! Are "engineer vehicles" a possibility in War Thunder?

I mean – laying mines, repairing other vehicles and towing the heaviest out of a ditch?"

No, we're not planning to add this kind of vehicles.

The reason is simple: they just don't make much sense in the current version of gameplay.

Mr. Bradley asks: "Are Radars going to be implemented in the game (e.g. on Gepard, Shilka...)?

We've got some ideas, but can't give you an ETA yet.

Then there is a question from a player called Gherdfikol:

"Will american pilots ever get the privilege to fly the p-59 airacomet?"

Yup, that's very likely to happen. Keep your eyes peeled!

The last message comes from a player called Thomas Twohey: "Hello Gaijin!

Are you going to add the mighty Kugelpanzer?"

Yeah...suuuuuure. Right after we implement the fearsome Tsar Tank.

That's it for today but feel free to write your questions in the comments below.

We do read them all, and you might see some of them answered in the next episode!

If you like what we're doing, don't forget to subscribe to our channel! See you on the Shooting Range!

For more infomation >> War Thunder: The Shooting Range | Episode 35 - Duration: 11:37.

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МОАНА - ЛИЦО ВОИНА "РУССКИЕ СУБТИТРЫ"(УДАЛЕННАЯ ПЕСНЯ ИЗ МУЛЬТФИЛЬМА МОАНА ) - Duration: 2:16.

For more infomation >> МОАНА - ЛИЦО ВОИНА "РУССКИЕ СУБТИТРЫ"(УДАЛЕННАЯ ПЕСНЯ ИЗ МУЛЬТФИЛЬМА МОАНА ) - Duration: 2:16.

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Kya Biwi Ko Marna Chahiye | Biwi Ko Kin Sarto May Marna Jaiz Hai - Duration: 2:59.

Kya Biwi Ko Marna Chahiye | Biwi Ko Kin Sarto May Marna Jaiz Hai

For more infomation >> Kya Biwi Ko Marna Chahiye | Biwi Ko Kin Sarto May Marna Jaiz Hai - Duration: 2:59.

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Chicken Changezi Recipe - how to make chicken changezi - chicken changezi - English subtitles - Duration: 7:01.

For more infomation >> Chicken Changezi Recipe - how to make chicken changezi - chicken changezi - English subtitles - Duration: 7:01.

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5 Inventos del futuro que se han hecho realidad | TOP Futuro - Duration: 4:55.

For more infomation >> 5 Inventos del futuro que se han hecho realidad | TOP Futuro - Duration: 4:55.

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Slay All Day: I'll Get You To The Grammys | Season 1 | STAR - Duration: 1:19.

Alex is pregnant.

Well, that's inconvenient.

Condoms, great invention, fun for the whole family.

You throw stones in this shop, you ain't

gonna hit nothing but liars.

You ever been laid before, Selma?

Because right now, I'd say no.

I'm sorry.

I don't-- I'm not used to any of this.

What?

What?

A relationship?

A man sticking around after sex.

Who don't want a ballplayer?

Me.

I would have gone for a rapper.

This person was just leaving.

No, this person left a thong in your bed,

and she's going to retrieve it.

We'll keep you posted.

We've been posted.

What you think we been doing?

Why you whispering?

She's got enough drugs in her system to knock out a horse.

OK, all right, let's cut the Disney crap.

OK?

We've got to sex this up a little bit.

You're a clown.

[inaudible], always 20 cents short of a quarter,

trying to make change.

Somebody go buy him some new boots.

He been walking a lot, sucker.

He got us to Atlanta Next Best.

Yeah, but I'll get you to the Grammys.

I'm sorry.

I've never been pregnant before.

Why you saying it like I have been pregnant?

Wow, OK.

For more infomation >> Slay All Day: I'll Get You To The Grammys | Season 1 | STAR - Duration: 1:19.

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Greatest Ever - Hitting the Parenting High Note | truTV - Duration: 2:09.

Richards: Parents are always trying to teach their kids

right from wrong

and how to be good humans...

[ Toy squeaks ]

...but they also forget so often just to have fun

and enjoy every moment that you have.

♪♪

Aah!

Ryan: If we've learned anything from TV,

it's that the two most fun things about being a parent

are forming a family band and having all-family dance battles.

"Pay attention, boys. This is how I seduced your mom

in UGG slippers." Yeah.

♪♪

Winfield: "Baby girl, I'll do this under one condition --

You film it for the Internet.

Now, let me go get my dancing hat."

"Honey, this is exactly how we dance as white people."

Obviously, you need to start banking those moments

for the wedding videos, the bat mitzvah video...

This is what we call a drum beatin'.

[ Giggles ]

Psht! I wish I had gotten spanked like this.

My mama didn't play.

[ Giggling ]

Winfield: Beating your kid -- bad.

Beatboxing your kid -- delightful.

Seales: Just a heads up --

The more fun you're having with this whole parenting thing,

the more tempted

someone will be to film it.

♪ [ High-pitched ]

Daddy's little buddy ♪

♪ He's his bestest, bestest friend ♪

Lee: What a great dad!

He was willing to castrate himself just to have

a soothing tone with which to sing to his baby.

♪ He like the water, yes, he does ♪

Even the dogs are trying to warn this guys.

"She knows! She's coming! Get out of there!

Stop singing!"

♪ Daddy's little buddy ♪

[ Woman chuckles ]

I love this, because the dad played it very well.

He's like, "Oh, I'm sorry.

Did you catch me being an adorable father?"

♪ Daddy's little buddy ♪

For more infomation >> Greatest Ever - Hitting the Parenting High Note | truTV - Duration: 2:09.

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Use Lightboxes on Wix to Grab Visitor Attention - Duration: 4:18.

Greetings designer!

You've probably been on plenty of sites—whether it be your favorite online store or news outlet

— where a pop-up window appears, alerting you to a special sale or inviting you to subscribe

to a newsletter.

In web design terms, we call that a LIGHTBOX, and it can be a super helpful marketing tactic.

Sort of like a sign in a store window, websites use lightboxes for anything from promotion,

to getting users' contact info, and sometimes even as a gatekeeper to the rest of the site.

Lightboxes are great because they take center stage on a webpage and demand a visitor's

attention.

There's also the design benefit: instead of cluttering your a webpage with more information,

lightboxes allow you to focus on specific content or aspect of your business in a cool-looking

box that visitors can't ignore—literally.

Most often, lightboxes can't be moved unless a visitor addresses the pop up by X-ing it

out or submitting info.

If this sounds like something that would benefit your business, here's the good news: you

can easily create a lightbox within the Wix editor, and customize how it appears to users,

complementing the rest of your site.

Ready to get started?

Let's add a Lightbox to your home page.

First, find the Lightbox feature in the Add menu.

You'll have different lightbox options based on how you want to greet your visitors: Welcome,

Subscribe, Promotion or Contact request box.

Select the one that best fits your needs (don't worry if it's not exact, you'll edit it

in the next step).

Now that your box is added, click on different elements within it to customize it to your

site design.

Add or change the image, typeface, text and colors to your liking.

You can also change its background.

Now it's time to set your triggers.

Triggers let you choose how—and when—a lightbox will appear on your page.

On the menu bar, select "Set Triggers" and scroll through the window to set your

preferences.

Name your box, select whether it will automatically display on pages, which pages it will pop

up on and how many seconds before it appears.

Also select how it will close (either by the X icon, or the word Close).

You can even trigger your lightbox to a specific button or link on your website.

Now choose your Lightbox's position on your webpage: On the top menu bar, click on the

Layouts icon to choose where your lightbox will appear on the screen.

How about a little movement?

If you want your lightbox to really make an entrance, click the Animate icon and let it

come in flying, spinning, or sliding.

Once your actual box is set up, you can click the space around the lightbox to set up an

overlay, which blocks out the rest of your site while the lightbox is open.

A couple notes before you close your editor: First, adding a lightbox puts you in lightbox

mode, and won't be able to edit the rest of your website.

To go back to editing your site, click Exit Lightbox Mode on the top bar.

Also: you can create multiple lightboxes for various parts of your site and set them to

appear at different times or clicks.

(Maybe you want a holiday promotion when a user clicks on holiday gift ideas, or a summer

discount when they click on sunglasses?)

To view all of your Lightboxes at once, click on the lightbox and then Manage lightboxes.

Now that you understand how to add and customize your lightboxes, it's time to experiment

and get creative.

Need ideas?

Try making your lightbox a banner that promotes your site or lets readers know about an upcoming

event.

If your website involves production or performance, embed a video in your lightbox, giving users

a pop-up preview of your work.

Apparel designers could also use this method with a model wearing their designs.

For singers, songwriters and musicians, embed a music player into a lightbox so visitors

are greeted with music upon arrival.

Visual artist?

Choose a few selected works and make your lightbox a mini-gallery.

Remember: many of the features on your website can be replicated on your lightbox just as

easily, so feel free to get creative!

Now it's your turn!

Thanks for watching!

See you later.

For more infomation >> Use Lightboxes on Wix to Grab Visitor Attention - Duration: 4:18.

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Navigate the att.net Homepage | AT&T Support - Duration: 1:13.

♪music♪

Welcome to att.net,

your go-to site for the best in news, entertainment, and more.

Sign in to att.net from any device

to access links to your email,

manage your password,

sub-accounts, and profile.

You can also customize att.net to get your personalized updates

for local weather,

investments,

sports, and more.

Our video player is constantly updated

with the latest videos of today's news and trends.

As you use the site, the Google search bar is always at the top,

and the left navigation is always available

so you can easily access your email, news, finance,

sports, entertainment, and weather.

Need answers?

Visit our Site Help page,

which includes more information about the new att.net.

Use the quick links on the left side of the home page

to access the att.com site and services.

Select "AT&T Support" to get support 24/7.

And don't forget to tell us how you're enjoying the site

by selecting "Feedback" at the bottom of the page.

Thanks for choosing AT&T.

♪AT&T jingle♪

For more infomation >> Navigate the att.net Homepage | AT&T Support - Duration: 1:13.

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Closed Captioning Standards - Duration: 6:46.

So I'm going to talk a little bit about standards

for what I'm calling transcription, and then

afterwards, captions.

And when I use "transcription" here,

it's more to describe the actual act of transcribing the audio,

as compared to a transcription that would have no time stamps

or anything like that.

So right now, there's no sort of universally accepted style

guide for how the audio should be transcribed.

So we have standards that we use here

and that seem to be applied throughout the captioning

universe.

I think the first one that's very basic

and that is applied everywhere is

that spelling should be at least 99% accurate

and that in the text, both uppercase and lowercase letters

should be used.

It's easier to read, and it's better

for reading comprehension.

The other thing that we like to do

is when multiple speakers are present, it's

good to show when there's a speaker change if everyone's

onscreen, and if someone's speaking offscreen,

to identify them somehow with a label.

So you might be using, when speakers change,

a dash to indicate that there's a new speaker talking,

if everyone's onscreen, or a double carrot.

And when they're offscreen, you might

have the name of the person actually speaking

and then the text that they say, just

to help with comprehension for the person who's

reading the captions.

And the other thing with speaker labels

is that you want to make sure, if you are labeling someone

who's offscreen or on the telephone,

that you're not actually revealing a plot point.

So if there's a mysterious caller calling in

on a horror movie, you certainly wouldn't

want to say the name of the murderer if at the beginning

it's just a mysterious voice.

So you always want to be keeping the plot in mind

as you are transcribing the audio content, to make it

so that it'll be most comprehensible for the person

reading the captions without actually revealing

plot points too early.

The other thing that you want to make sure you do,

which distinguishes captions from subtitling,

is that you want to capture non speech sounds.

So if there's music playing, you want to put that in.

If there's laughter in the room, you want to be including that.

Sounds like that we typically set off with square brackets

to show that it's a sound.

And again, sound effects that are pertinent to the plot

should be included.

But you don't need to capture every single background

noise that's happening in the film or show, as that

can be distracting.

So an example is if someone's sort of walking along

the street, and you see them, and they

happen to have their keys in their hand,

and you hear the keys jingling, you certainly

don't need to put in that sound effect.

But if someone's in a room and you

hear offscreen that keys are jingling to open a door,

you want to include that because that's part of the plot,

and the person onscreen may then react to that.

Another example is if someone's in a busy bullpen

in a newsroom, so there are telephones ringing everywhere,

you don't need to capture every telephone that rings

in the background, unless it's affecting

the plot as it happens.

So that's something to keep in mind.

You also want to make sure that you're using punctuation

for maximum clarity.

That's pretty self-explanatory.

But you don't want to put in a descriptor.

So if someone's shouting, you don't want to put, "SHOUTING,

Hi."

Then that's taking up a lot of caption frame.

If you can convey that with punctuation,

so just "Hi" with an exclamation point, then that's much better.

And that's more clear for the person

who is reading the captions and also

trying to watch the program at the same time.

The other thing that you want to do

is if someone is speaking with an accent

throughout the whole film, you don't necessarily

want to be transcribing their speech phonetically.

If someone has a thick accent, if you're

transcribing every word phonetically because it isn't,

quote unquote, "proper English," that becomes very hard to read.

So you still want to be adhering to normal spelling of words.

If someone does happen to put on a fake accent for a scene

or a line or two, you can denote that in parentheses

to say that they're speaking with a Scottish accent

or something like that, to convey

that it's not the typical way that they speak.

The other thing that Josh mentioned earlier

was that you want to be as close to verbatim as possible.

So you want to be capturing as much of the content

as you can that makes sense.

So for a scripted show, you would

be including every "um" that a person says,

every stutter, every stammer, because it's intentionally

said.

The movie's been edited that way.

There's a little more leeway for reality shows and documentaries

that have interviews with people.

Because people don't speak proper English.

And if they're saying "um" every other word,

and that's in the captions, it becomes very

hard to digest that content.

But any scripted show definitely should be verbatim.

And even any reality show or documentary show

should be as close as possible to verbatim without capturing

every single stammer and stutter that makes

the captions difficult to read.

And then finally, some quick standards, actually,

for how the captions should be presented.

The font style should be a non serif,

such as Helvetica medium.

Each caption frame should hold one to three lines

of text onscreen at a time.

So it shouldn't fill up the whole screen, because you still

want to see the action that's happening on the screen.

Each line should not exceed 32 characters.

The minimum duration should be at least one second

so the person has time to actually read the caption.

And then if there's extended sound effects,

like there's music playing, a full song is playing,

you don't want to keep up that whole caption on the screen

the whole time.

So you want that to drop off after four or five seconds.

And then each caption frame should

be replaced by another caption, unless there's

a long period of silence.

So again, same thing with that music tag--

if someone speaks and then there's 15 seconds of silence,

you don't want their caption frames to hang out onscreen

throughout that whole silence.

It makes it look like they talked for longer than they

did, and it's unnecessary.

All caption frames should be precisely time synched

to the audio, so they should appear when the person speaks.

And when they start the next sentence,

the new caption frame should come

on, or the next part of that sentence.

And then finally, caption frames should be repositioned

if it obscures onscreen text.

So if there's burned in subtitles, for instance,

we have the ability to then move those caption frames that we'd

normally have on the bottom up to the top of the screen to not

obscure the onscreen burned in

For more infomation >> Closed Captioning Standards - Duration: 6:46.

-------------------------------------------

What Is A SRT File? - Duration: 1:00.

So there are all kinds of different caption formats.

And they really depend on the video player or platform

that you're using.

What you see here in this slide in the top right corner

is an example of an SRT caption format.

This is a very common caption format for online video.

For example, this is what you'd use

if you want to add captions to YouTube.

And what you're seeing, there are actually

three caption frames.

And so, and the first line is the caption number,

so it's caption number two.

Then the line under that is the start time and the end time,

so this is the window during which that caption

frame appears.

And then under that is the actual text.

So there are two lines of text.

In that caption frame at the top, you'll see it says,

"Hi I'm Arne Duncan, the Secretary of Education."

So that would appear in that time window,

and then the subsequent caption frame would appear.

That's one example.

This is a very simple one.

For more infomation >> What Is A SRT File? - Duration: 1:00.

-------------------------------------------

Making History "Packing For The Past Chicago, 1919" Season 1 (SUB ITA) - Duration: 0:45.

For more infomation >> Making History "Packing For The Past Chicago, 1919" Season 1 (SUB ITA) - Duration: 0:45.

-------------------------------------------

Lethal Weapon 1x18 Promo "Commencement" Season Finale (SUB ITA) - Duration: 0:22.

For more infomation >> Lethal Weapon 1x18 Promo "Commencement" Season Finale (SUB ITA) - Duration: 0:22.

-------------------------------------------

16 oz Infinity Double Wall Tumbler with Slider Lid Product Review Video | Inkhead.com - Duration: 1:11.

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For more infomation >> 16 oz Infinity Double Wall Tumbler with Slider Lid Product Review Video | Inkhead.com - Duration: 1:11.

-------------------------------------------

25oz Clean Square Bottle Product Review Video | Inkhead.com - Duration: 1:24.

Hello everyone.

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