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Nikon D5 "Real World Review" & Product Video | Why I bought Nikon D5 as Professional Photographer
The Nichkhun t5 is an extraordinary camera because of its superior autofocus system that really does automatically identify
Locate lock-on and track autofocus perfectly for fast-moving subjects at 12 fps in the real world
It's the best AF system
I've ever used for moving targets by a large margin, and it works in the dark as well as in daylight
You don't need to buy new lenses. I get this performance even with my 17 year old 80 to 200 millimeters f
2.8. AF s the d5 is extraordinary because it's auto white balance works great in any light giving great looking results even
Under modern mixes of awful artificial fluorescent and energy-saving lighting, it's auto white balance the best
I've used along with its little sister the D 500
New as a firmware C
1.10 now can shoot through flickering lighting to eliminate random dark and off-color frames when shooting under mercury
fluorescent and LED lighting common in sports and meeting spaces
the electronic front curtain shutter 4 quieter operation with less vibration set at menu custom D 6 but doesn't make much difference
Unless you have the mirror locked up 12 FPS with AF + AE tracking 14 FPS with locked up mirror in the lab
200 frame buffer at these speeds even in 14 bit uncompressed draw with a fast enough car
Fifty three AF points that are rated down to LV - for full moonlight on sand
touchscreen is OS to 100 and
2400 expandable to ISO three million two hundred and seventy six thousand eight hundred is high plus five
Auto iso now has separate settings for maximum ISO with flash and without flash
Also with flash now has options to set the auto ISO to optimize itself for the subject and background together or only for the subject
What Nichkhun used to call the creative lighting system CLS for wireless flash is now called advanced Wireless lighting all?
It now works with both radio or optical control can control radio slaves
but only if you use the WRR 10 is a master wireless controller and WRA 10 adapter to connect the
WRR 10 to the d v
4k video kim shoot stills during video
ISO button now by the shutter and the exposure mode button moved to the left side where ISO used to be
Advanced mode dial now has de tense to make it easier to know where to stop or to set in the dark by peel
comes in two versions either with two CF card slots or with two x QD slots
photo shooting bank now recalls exposure mode
good
extraordinary real-world autofocus performance
nickens fastest DSLR ever 12 FPS with full AF and auto exposure tracking
Superb high ISO performance and settings - ludicrous values as high as ISO three million two hundred and seventy six thousand eight hundred
high plus five
excellent battery life figure at least three thousand shots per charge when shooting action sequences tough build quality
Easy to save and recall one complete camera state is a file on your memory
Bet no fast recall moats for different cameras setting the d5 still uses nickens awful settings banks that take too long to
Select and don't recall all we need like AF settings anyway the D
7200 d610 and t 750 are much better here the d 5 is a scorchingly fast camera Winsett
But it takes too long to reset it from one kind of photo to another
big heavy
expensive
Missing no built-in flash so no built-in ability to trigger optical slaves
No ability to trigger radio slaves unless you use the outboard
WRR 10 is a master wireless controller in WRA 10 adaptor to connect the WRR 10 to the D 5
No power switch lock easy to knock on or off by accident and miss shots
No auto brightness control for the LCD the d4 s
Had this you can set the LCD brightness separately for live view versus playback in menus
But now there are more menu clicks needed to select between these to change brightnesses as you move outdoors were indoors
No full frame, AF it may. Have a lot of points, but they're mostly near the center of the image
No other full-frame DSLR has full-frame AF either
No
Wi-Fi unless you buy something no gps unless you use an old GP one or buy a new GP one in
Some buttons light, but not all still no sane replacement of nickens idiotic custom settings banks
Which has been a core incompetency of nickens since they introduced these in
2003 there are no u 1 u 2 u 3 or C 1 C 2 C 3 or M 1 M 2 M 3 etc
Modes so we can save and recall camera settings as is
There is no way to save camera settings
Immediately the custom banks are rewritten every time you set the camera with no way to lock them
features
summary of specifications
imaging
20.8 MP effective full-frame
FX format CMOS sensor captures images at 55 68 x 37 12 pixels with 14 bits
color and remote storage dual compact flash or dual x QD stores TIFF JPEG
nefra, or raw M JPEG files video records up to
3840 X 2160 pixels at 30 fps and mpeg-4
h.264 format for up to three minutes
1920 X 1080 P 60 for up to 10 minutes at highest quality
1920 X 1080 P 30 for up to 29 minutes 59 SEC built-in stereo microphone stereo microphone input
continuous AF available uncompressed video output through HDMI burst
rate full size jpg G's fine mode up to 200 shots at 12 fps raw up to
102 shots at 12 fps 14 bit uncompressed Tim
ninety-two shots at 12 FPS AF system TTL phase detection with 153
illuminated focus points 99 cross type sensitive to have
5.6 of teen sensitive to have a total
5535 cross type + 9 sensitive to have a are selectable single-shot
continuous 3d focus tracking tested sensitivity down to f/2 and iso 100 °f
1.4. Rated to 4 EV AF points are grouped and selected by area Live
View full time contrast detection shutter speeds
1/8000 - 30 SEC + b 1/3 - 1
2 - or 1/2 increments shutter life rated to
400,000 cycles flash sync - 1 - 50 SEC metering TTL metering using
180,000 pixel RGB sensors matrix
evaluative Center weighted
75% weight given to 4.5% circle and center of frame and spa
approximate
1.5% of finder at center range 20 to 20 EV and iso 100
Iso range iso 100 to 102 thousand 400 in one or 1/3 of steps?
Expandable to iso 50 to three million two hundred and seventy six thousand eight hundred viewfinder fixed. Eye
level pentaprism LCD fixed 3.2 inches
TFT with two comma three fifty nine comma 0 0 0 dot resolution 5 step brightness adjustment
touch screen for playback only output micro USB 3.0
Amen HDMI video stereo headphone mini-jack Gigabit Ethernet battery rechargeable in la Tina Liang
CIPA rating three thousand seven hundred and eighty shots with optical viewfinder size
weight
six point three X six point three x three point seven in three point one pounds with two x QD carts and battery street price
six thousand four hundred and ninety seven dollars body only
performance as it has just twenty million pixels on its sensor the d5 can't compete with the
36mp d810 for detail resolution
But it compares very well with the 24 MPD 750 matching or beating it throughout the sensitivity range in our resolution tests
It also beats the 16 MP t4s up to ISO 204 comma 800 after which the older camera pulls ahead
This is deep into the d4 s s expansion range and one stop into the d5 s
significantly in real-world shooting the d5 produces much better looking images at ISO 409 comma
600 the d4 s s maximum extension value the images are still very noisy
And I wouldn't recommend using this value routinely, but there's less banding visible it could be a useful option in extreme circumstances
Moving up to the d5 s maximum sensitivity setting iso 3 comma 280 comma 0 0 0
Results in a significant drop in image quality in the low lighting conditions that demands such a high setting
There's little detail in either the raw or JPEG files
with no noise reduction applied RAW files have lots of chrome and noise
coloured speckling and a check pattern of banding visible at normal viewing sizes
Using center weight metering help the D 5 get the exposure bang on here
But the automatic white balance system found the mixed lighting a challenge this was easily addressed by adjusting the raw file in Adobe Camera Raw
The dark background here challenged the D 5s matrix metering system and - one have exposure compensation
Was required to get this shot, right?
Simultaneously captured jpg G's are much softer
Looking as if a watercolour filter has been applied and there's magenta banding
There could be a use for this setting for surveillance work when it may be necessary to record the location of large objects
But it's unlikely to be used often many details are rendered unrecognisable
Although some outlines are visible the lower high expansion settings produce better results and could be of use for
Reporting when image quality isn't the prime concern but as a rule I'd recommend keeping below is o 1 o 2 comma 400
the d4 s has a strong reputation for autofocus system performance and the D 5 takes things further not least with a
102 point increase in the number of AF points
When the active AF point is over the subject the d5 does an excellent job of keeping it sharp in single point AF mode
however the 25 and 72 point dynamic area AF options increase the chances of an active AF point being over the subject and
Increase the hit rate with subjects that move around the frame as well as changing distance to the camera
Despite the low light the d 5s
AF system was able to keep up with these go-karts and noise is controlled extremely well for ISO 25 comma 600
Having a maximum continuous shooting rate of 12 FPS increases your chance of success with shots like this one
Taken during a workshop with aspire photography training
the
153 points in Auto area AF modes can be helpful, but in busy surroundings
There's an increased chance of the camera latching on to the wrong target. Especially in low-light, and or low contrast situations
When photographing at a low light go-karting track I was acutely aware of when I had the active AF point
Area over the subject when this was the case the camera did an excellent job of keeping the subject sharp
the 3d tracking option can be useful
But it relies on a strong color contrast between the subject and the background
If this isn't the case it tends to get distracted and jump to other areas of the frame in
other respects the d5 performed
Well the matrix metering system is fairly easily influenced by very dark or bright sections in the scene
But it's usually
predictable in the high contrast conditions of the Moscow State
Circus for example the dark surroundings tricked the matrix system into over exposing the brightly illuminated
Subject center-weighted metering was a better choice
Color wise the d5 tends towards quite subtle tones in the natural environment
When using the standard picture control mode which is likely to appeal to photographers who are used to processing files in?
Other instances with bolder colors images look more vibrant and punchy our lab tests indicate that the camera tends towards higher
Saturation which is often more attractive the video produced by the d5 is of high quality with good color and plenty of detail
lab test
resolution
We chose to rival cameras for the knick and d5 to see how it measured up in our lab tests the Nick and d4 s
And the Canon eos-1d x MK. 2 we've carried out lab tests on the Nick and e5 across its full ISO range for resolution noise
Including signal-to-noise ratio and dynamic range we test the jpe G's shot by the camera
But we also check the performance with RAW files
Most enthusiasts and pros prefer to shoot wrong and the results can often be quite different
JPEG resolution analysis the d5s jpg G's either match or beat comparable files from the d4 s and Canon 1dx
mk2 for resolution it particularly impresses at the highest sensitivity values though
It's worth remembering that these measurements are made with a chart that is in good light raw converted to TIFF
resolution analysis the d5 s RAW files after conversion to Tim follow the same pattern as the jpe G's
Indicating that it's a step up from the d4 s for detail resolution and able to beat the 1 DX mk2 at many sensitivities
lab tests dynamic range
Dynamic range is a measure of the range of tones the sensor can capture
cameras with low dynamic range will often show blown highlights or blocked in shadows
This test is carried out in controlled conditions using DxO hardware and analysis tools
We used EXO analyzer to measure noise and dynamic range in controlled laboratory conditions
Dynamic range is measured in exposure values have the higher the number the wider the range of brightness levels the camera can capture
This falls off with increasing ISO settings because the camera is having to amplify a weaker signal
RAW files capture a higher dynamic range because the image data is unprocessed
JPEG dynamic range analysis with the exception of the upper values the D 5 performs consistently for much of its sensitivity range
producing images with a wide range of tones
Draw converted to tip dynamic range analysis while the D 5 s raw file dynamic range is good
it is beaten by the D for s + 1 DX mark 2
Indicating that these cameras capture a broader range of tones and that images stand up to a bit more post capture adjustment
DxO analyzer was unable to analyze the raw files taken at the D 5 s upper sensitivity values
lab test signal-to-noise
This is a test of the cameras noise levels
The higher the signal-to-noise ratio the greater the difference in strength between the real image data and random background noise
So the cleaner the image will look the higher the signal-to-noise ratio the better
JPEG signal-to-noise ratio analysis up to around ISO 1600 the d5 lags a little behind the d4 s
But above that figure it starts to take the lead indicating that the higher sensitivity images
It's not until iso 25 comma 600 that the d5 overtakes the 1dx mk2
But the canon camera doesn't fall far behind and produces the best results in iso 409 comma 600 bra
Converted to tim signal-to-noise ratio analysis interestingly the raw files after
Conversion to tiff don't compare quite so well to those from the d4 s perhaps indicating the downside of increasing the pixel count
But also suggesting the improvements that have been made with in-camera JPEG processing the Canon 1dx
mk2 beats the competing nichkhun cameras at all, but the lowest sensitivity values
DxO analyzer was unable to analyze the raw files taken at the d5s upper sensitivity values
We liked the d5 has the type of build we expect from a professional level camera and while the control arrangement isn't perfect
Existing d-4s users will find it easy to swap between models the touchscreen is a useful addition when reviewing images
But it would have been nice if Nichkhun had made a bit more use of this feature
Even in low-light the D 5s auto focusing system is extremely capable and it's possible to get long sequences of sharp images of fast-moving
subjects
We disliked
As well as providing more room for a larger battery
The purpose of the vertical grip on twin gripped cameras is to make them easier to hold and operate when shooting portrait format images
The d5s vertical grip goes some way to achieving this
But it's not as successful as the Canon 1dx Mk III is implementation
the AF controller
Aka sub selector
Isn't in the same location relative to the grip so as you swap from horizontal to upright shooting you find yourself reaching towards the wrong
Place this is something d-4s photographers will be well used to and which most will have adapted to but it's not ideal
Nichkhun could also do with rethinking some of the interface to make key features easier to find and adjust quickly
The counter-argument to these handling issues is that the d5 has been kept the same to make it easier for working
Photographers to upgrade from the d4 s or keep their d4 s as a second body to the d5
But if that's the case does that mean we can never have any handling improvements the d5 s limited 4k recording
Capability is disappointing and it rules the camera out for many photographers wishing to shoot both Stills and video
Professionally this may change if the promised firmware upgrade arrives soon
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