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Hello, my name is Pekka, I play the violin and I'm here at the Elbphilharmonie!
My first impression?
I came here a couple of times when it was still being worked on.
I think my visits coincided with the period when not much was happening.
So I came here one time and I thought, »Wow, this is going to be amazing…one of these years«!
And then I came about a year and a half later and it was kind of in the same position still.
I was walking around here with a hard hat and taking a lot of pictures.
And just remembering, thinking, if it does happen – if it does eventually get finished
– it's going to be quite spectacular.
We just finished a rehearsal of Prokofiev's First Violin Concerto in the big hall.
My prejudice, my kind of idea of the hall is based on reports from people, who came
and listened or came and played.
It's very good for high-frequency instruments.
Like a violin!
Okay, it's great for anything, but there's a chance for very thin, silvery notes from
a violin to kind of place them in the air and have them suspended, ringing.
It's really, really exciting and fun to get to try to understand a hall for the first time.
It's a great, great instrument.
A huge instrument.
The Prokofiev?
I think it's a kind of logical, sort of in-between element of the other...
episodes of music.
Sibelius's [Seventh Symphony] is heavy. It's a logical conclusion to the programme.
It's a complete statement.
Sibelius's [Sixth Symphony] is mostly like shadows and light.
I think there is even a quote from Sibelius saying that this is in the evening,
when the shadows get longer – when the light is coming from a lower angle.
I think it triggers a lot of ideas of colours and smells and temperatures.
It's not the kind of music, of course, where you go home humming the melody,
but it puts you in a different space.
I think it's exactly the right kind of music for the building.
It's a matter of debate, I think: the possible connection between Sibelius and folk music.
I work every now and then with a traditional music artist called Ilona Korhonen.
Ilona's work is based on a historical figure called Larin Paraske.
Larin Paraske was a traditional, Karelian rune singer or »runo« singer, as we call them.
And she sang for Sibelius.
Sibelius came and listened to her.
Again, in my humble opinion, Sibelius's language, which changed very quickly, after
he became very familiarised with this repetitive storytelling – poetry slash singing.
Everybody is so much deeper than an idea like that.
I can't say that everything's based on folk music with Sibelius.
But certainly, some of the personalities that you sense when you play his music, for instance,
when you play the violin concerto, you feel like a part of you becomes a romantic hero.
But the element that takes the piece to a completely different level of depth, I think
is this kind of archaic…where you are not performing, you are channelling.
Well, I think the obvious remedy for winter if you are now in Hamburg is the place where we are right now.
And in general: just listen to music!
Make yourself a playlist – now, when there's still time before it gets completely cold and dark.
Put like two albums, two big works of music per week.
Take one really ecstatic one and one really melancholic one, and change them every week.
So, one week you could have the...Rite of Spring…Rite of Autumn!
You could have an ecstatic Russian-Rimsky-Korsakov-Spanish-capriccio, or something like that.
And then the Sufjan Stevens record from last year for when you need to cry a little.
This kind of method might be nice.
Make yourself a playlist.
Maybe that's the way to go.
And also you can get one of these lamps!
I would say it's »päräyttävä«.
Päräyttävä is actually a street word from about five years ago.
People started using it as a slang word.
It's something that's shakes you a little bit, sort of stuns you.
But when you want to act cool about it you don't say it's stunning, you say it's »päräyttävä«.
I think this is a very päräyttävä building.
That's it for now.
Enjoy the new concert hall and take the opportunity to attend as many concerts here as possible
– if you can get your hands on tickets.
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