Youtube daily Dec 14 2017

[no sound]

For more infomation >> Animation: Distant Exoplanet Transiting Its Star - Duration: 0:25.

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Video: Mother, child die after rowhome fire in Baltimore - Duration: 1:54.

For more infomation >> Video: Mother, child die after rowhome fire in Baltimore - Duration: 1:54.

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Salvation Army makes plea for donations - Duration: 1:30.

For more infomation >> Salvation Army makes plea for donations - Duration: 1:30.

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Imran Khan DISQUALIFIED | Today Supreme Court Final Decision - Duration: 2:40.

PTI | Imran Khan DISQUALIFIED | Today Supreme Court Final Decision

For more infomation >> Imran Khan DISQUALIFIED | Today Supreme Court Final Decision - Duration: 2:40.

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Learn Colors Elephant Animal With Surprise Eggs Fruit Cartoon Nursery Rhymes for Children - Duration: 1:56.

Learn Colors Elephant Animal With Surprise Eggs Fruit Cartoon Nursery Rhymes for Children

Pink

Blue

Red

Orange

Green

For more infomation >> Learn Colors Elephant Animal With Surprise Eggs Fruit Cartoon Nursery Rhymes for Children - Duration: 1:56.

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Animation: Identifying Signals of a Distant Planet - Duration: 0:13.

[no sound]

For more infomation >> Animation: Identifying Signals of a Distant Planet - Duration: 0:13.

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박명수 둘째 유산, 아내 한수민 인스타그램에 첫째 민서 사진..|조회수4.989.283 - Duration: 8:17.

For more infomation >> 박명수 둘째 유산, 아내 한수민 인스타그램에 첫째 민서 사진..|조회수4.989.283 - Duration: 8:17.

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Artificial Intelligence and NASA Data Used to Discover Eighth Planet Circling Distant Star - Duration: 1:09.

We now know of another planetary system

with as many planets as our own.

The discovery is an eighth planet orbiting

a distant sun-like star called Kepler-90.

All of the planets in the Kepler-90 system

are closer to their star than the Earth is to the sun.

Called Kepler-90i, the planet's surface is 800˚F,

making it unlikely that life as we know it could exist there.

Researchers discovered the planet using data

from NASA's Kepler space telescope.

Kepler measures the drop in brightness of stars

as planets orbit in front of them.

To find Kepler-90i, researchers trained computers

to learn how to spot the faint signals of small planets.

Success using techniques like machine learning mean that

even more planets might be discovered using Kepler data.

For more infomation >> Artificial Intelligence and NASA Data Used to Discover Eighth Planet Circling Distant Star - Duration: 1:09.

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The Reason Your Jazz Guitar Licks Suck and How you fix it! - Duration: 13:42.

(jazz guitar music)

- Hi everybody, my name is Jens Larsen.

You're probably already coming up with jazz licks,

spelling out the harmony using chord tones

and chromatic passing notes,

and they still don't really sound

really like great lines when you play them.

The problem is probably the phrasing.

In this video I'm going to talk about

how you can recognize what the problem is,

how you can make some lines that are easier to phrase

so that they sound like great jazz licks,

And I'm also gonna take a small part

of the George Benson solo and demonstrate

how he gets it right.

If you wanna learn more about jazz guitar,

get better at improvising, and check out some

interesting arpeggios and scale sounds,

then subscribe to my channel.

If you wanna make sure not to miss anything,

then click the little bell notification icon

next to the subscribe button.

The first thing is probably to be able

to recognize the problem.

So to demonstrate that, I'm gonna play two jazz lines

and then I'm gonna talk about why the second one

sounds better than the first one.

(guitar music)

Both of these phrases are good in the sense

that they use the chord tones,

they spell out the harmony and they're pointing

towards an important note in the next chord all the time,

so there's a logical movement in the melody.

But with the first one, the way the melody flows,

we have a tendency to wanna emphasize

the heavy beats all the time.

So we're moving from one to three,

and those are the notes that are gonna get the accent.

This has to do with how the melody is constructed.

So really what we have with the first one is:

(slower guitar music, beats one and three accented)

And that's not really gonna give us great phrasing

because if you listen to bebop phrases,

they have to have some more surprising twists and turns

and that's really a big part of what is going on

within an eighth note line in that style.

The second phrase has a flow that's a lot better,

and that has to do with the fact

that there are some high notes within

the line that are off the beat.

And we can give those some accents,

and that's what's really gonna make it

a great bebop or hard bop line.

So if we look at the first example

on the D minor seven, that's an F major triad,

and the way I've played it is like:

(guitar music)

So I have this "c"

(plays "c")

on the two-and, and that goes down to a "b" on the three,

so we can give that an accent, so

(guitar music)

and the same thing happens in the next part of the line

so then it's an ascending B diminished arpeggio.

(plays arpeggio)

and on the four-and we have the high "Ab"

(plays Ab) resolving down to a "G"

on the C Major 7,

so that gives an accent as well, so we have:

(guitar music)

And then, on the A7, (plays A7)

I'm skipping up on the on the three-and so

(guitar music)

to the high Bb here, Bb9,

and that gets an accent as well.

What we're looking for is a way

to introduce these high notes that are not on the beat

that we can give an accent

and that's gonna make the line sound a lot better.

And you kinda have to incorporate that

into your playing while you're making lines.

So this has to be a part of how you come up with lines.

Of course, you don't have time to think about

stuff like this when you're soloing,

but you can work on getting it into your playing

by practicing composing lines and coming up with lines

and check if they actually sound good

and if its possible to phrase them in a nice way.

And it's not that difficult because we have

two heavy beats in the bar.

We have the one and we have the three.

And then we actually only have

two different types of off-beats

because we have the one that's before the heavy beat,

so we have on the two-and and on the four-and

or we have the ones that are right after a heavy beat

and that would be the one-and and the three-and.

So if we just start with ones that's before a heavy beat.

Now if I take the progression from D minor to G7,

if I play a D minor 7 arpeggio

(plays D minor 7 arpeggio)

So at the end of this arpeggio I need to move down

because then I can accent the last note in the arpeggio.

(plays arpeggio)

And that's really easy because this naturally wants

to move down to a "b" anyway so,

(plays arpeggio)

Already doing this you have a phrase

where you can add an accent.

If we do the same with the arpeggio from the third,

so the F Major 7

(plays F Major 7)

so here I'm resolving down to the fifth of the G7.

And of course you would do the same

and then resolve it to a flat 13 if its an also dominant, so

(guitar music) Something like this.

The example that I used in the beginning

on the D minor 7 was the F major triad,

and of course, that works well,

so if I play the F Major triad,

and then have the "c" as the last note, so

(plays triad)

then I can accent that as it's moving down to a "b."

Then to try a scale run,

like this D minor pentatonic scale run

(plays D minor scale run)

So, the "a" is the last note on the two-and,

and the way you're gonna be able to accent that

is if you move down on the first note of the G7.

So, a logical candidate would be

to go down to a flat 9 so the Ab

and then we can accent the "A"

The other type of high note that we have

is the one that's right after a heavy beat.

So that will be the one-and and the three-and,

and if I use G7 to C Major to demonstrate this,

if I'm coming out on the "B" on the G7,

I need to have a note on the one-and

that's higher than that one,

so an easy candidate to do that

would be just go up the arpeggio

and then go from the third up to the fifth, so

and then maybe use that as a, sort of,

diminished arpeggio, so

(plays arpeggio)

that's giving me

(repeats arpeggio)

a place where I can just put an accent on this "D"

(plays arpeggio)

Another one would be to take

more like a scale approach to it,

so come on with a Bb here,

so a G7 altered,

and then I just go one up on the scale

and then make a descending scale run, so

(plays scale run)

and then that's really gonna emphasize

the "B" here on the one-and.

And if you have a phrase that's descending,

so we come out on the "B" like this,

and then the rest of the phrase is just

a descending movement so in this case

for instance, a scale run, and I want it minor, so

"B-Ab-G-F,"

then we can actually also add an accent to the Ab

because that's gotta be higher than the notes that follow

and that skip is enough for us to give it an accent.

(guitar music)

So, this is a complete line just showing

how you can add these things together

and use the two different approaches

to add some accents.

And here I'm using the first one,

so D minor line is first just

an F Major 7 arpeggio ascending

(plays arpeggio)

And then I can accent the E" because the next note

which is the note on the three is a "D," so

and the technique that I'm using for this,

This is really where technique

becomes part of your phrasing also.

So what I'm doing here is I'm making

a pull-off from "E" to "D,"

because that's naturally gonna make

the "E" a little bit louder than the "D,"

and give that an accent, so

(guitar music)

And here, on the G7,

I'm using the high "E," so,

and the same thing actually happens

when I go to the G7 also in the second half of that bar.

First the Bb, and then the "B,

so again, using the pull-off, and then

adding the accent on the "B" here.

(plays chord)

Then resolving it to the G and the C major 7.

(guitar music)

Here I'm using an inversion of the F Major 7

so I'm starting on this "F" and then

I'm skipping down to the low "A"

And then again, I have the "e" resolving

to the "D" that I can accent.

(guitar music)

Then running down the D minor 7 arpeggio.

Then on the G7, first a G augmented triad.

And because the "G" is higher than the "F"

I can then give that an accent so

and the same kinda happens

when I go from the Eb down to the "D"

on the C Major 7.

The accents are telling us that

the line is changing direction

and to keep it interesting, a little bit

more surprising to the listener

we wanna do that not on the heavy beats,

where you expect it, but on the off-beats,

and then we're just really gonna point it out

by adding an accent to the highest note

where it's gonna change direction.

You can use these examples and these exercises

to learn how to hear where the accents

are supposed to be and how you

insert them into your own playing.

Of course, there's only one way to do it.

Another thing that's really useful

to do is to start to check out

people with really great phrasing and then

figure out how they do it and try to copy that.

And also just by really listening to it and checking it out,

getting it into your playing in that way.

A really great example of some very solid

jazz phrasing is, of course, George Benson.

And in this video I'm going to take full bars

out of his solo from "Billie's Bounce"

and use that to illustrate how he uses

these types of accents and this type of playing

to really get some great lines.

It's easier to hear what's going on

if we slow down the solo a bit.

So here it is at 80% of the speed.

(plays George Benson solo on "Billie's Bounce")

"Billie's Bounce" is a blues in F coming in

at the end of the chorus so on the cadence

to the II chord so a minor, D7 to g minor.

The first phrase is a sweep of C Major triad

and it's dying down to an F# that

doesn't really have any accent so

most of that probably has to do

with the fact that it's a sweep

so it's kinda difficult to really add an accent.

The next part of the phrase does actually contain an accent

because then George Benson is skipping up to a high "D"

and going just down a scale so "D-C" to the Bb

on the one of the G minor chord.

And here we can accent the "c."

So that gets an accent.

The next part of the phrase is

a chromatic enclosure of the G

and that starts on the two so we have

f-sharp and then an "A" on the two-and

that resolves down to a "G."

So that gets an accent as well.

The next part of this phrase doesn't

really have any sorta accent in there.

And there we're on the C7 on the one with the "E"

and here the second note gets an accent

on the one-and so that's the skipping up to a "G"

and then skipping down to a "C"

with this sort of bebop cliché

and then ends on this "D."

And because the "D" is the last note

it kinda naturally gets an accent, you know,

so, it's on the three-and.

The next part is the turn-around of this chorus

and the first part of that is just

really on the beat always, so that's

that doesn't really get any accents in itself.

Then we get a blues phrase with the leading note

up to the third

and here the third actually gets an accent.

And then,

rounding it off with this syncopated rhythm

where the "G" kinda gets an accent.

(George Benson solo on "Billie's Bounce")

I think thie is a great example of how

George Benson is using the idea

of just changing direction and adding

a lot of skips to his lines and that

makes it more interesting to listen to,

or more surprising.

So imagine that instead of playing the

(guitar music)

if you would've done something

that would've gone in one direction

than that would have been

(guitar music)

which is a lot less interesting to listen to.

I'm pretty sure that George Benson

doesn't take apart his own solos

in the way that we're doing it in this video.

But at the same time,

if you look at it like that,

and if you understand how it works

and work with the exercises and the examples

that I went over the beginning of this video,

then that's gonna help you get better

at recognizing and hearing what is going on.

And it's also gonna help you make better lines

where it's possible to add these accents.

Because if you're not thinking about it

then you might just be making lines

where you cannot add any accents at all,

and those probably not gonna make

for really interesting solos.

I'm of course, really curious what

you're working on when you're trying

to improve your phrasing.

So if you have an exercise or a solo

that you checked out or maybe

a player that you think,

"Well, this is really great phrasing,

you need to check this out,"

then leave a comment on this video.

I'm certainly curious and I'm sure

that all of you watching the video

are interested as well.

If you wanna learn more about jazz guitar

and this the first time you see one of my videos,

then subscribe to my channel.

The videos I publish on this channel

are all about finding solid methods

and good strategies to improve as a guitar player.

And I've been doing this for quite some time

as it's already a lot of material on my channel.

If you wanna help me keep making videos

then check out my patron page.

I'm very grateful for the support

that I'm getting from my patrons,

and that's what makes it possible for me

to keep on going with making videos every week.

If you join me a patron you can also join

the Facebook group that we have of the patrons,

and of course I can give you something

in return for your support.

That's about it for this week.

Thank you for watching and until next week.

For more infomation >> The Reason Your Jazz Guitar Licks Suck and How you fix it! - Duration: 13:42.

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Temps dip to teens tonight; Flurries possible Friday - Duration: 4:17.

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이특 인스타그램 화장실 소변 몰카, 급히 삭제.. #쉬|조회수4.989.283 - Duration: 5:34.

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Tụng Kinh : 48 Lời Nguyện Của Phật A Di Đà .Thầy Thích Trí Thoát - Duration: 1:00:14.

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Heath Evans Family Photos With Father,Daughter and Wife Beth Ann Evans 2017 - Duration: 1:37.

Heath Evans Family

Heath Evans Father and Daughter

Heath Evans Wife

For more infomation >> Heath Evans Family Photos With Father,Daughter and Wife Beth Ann Evans 2017 - Duration: 1:37.

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How to Create ENERGETIC SPACE For Your Desires to Be DRAWN to You! (Law of Attraction Exercise) - Duration: 10:01.

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Help WCVB Stuff-A-Truck for Home For Little Wanderers! - Duration: 3:05.

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Bill Kaulitz: Dieses Foto sorgt für Spekulationen! - Duration: 4:35.

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Maite Kelly: Schlimme Demütigung von Noch-Ehemann Florent - Duration: 2:22.

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BREAKING News: MAJOR Fraud Discovered In Alabama and Roy Moore Is PISSED! - Duration: 6:05.

BREAKING News: MAJOR Fraud Discovered In Alabama and Moore Is PISSED!

If there's one thing we learned about the presidential election last year, it's that

liberals will do whatever it takes to win.

We constantly heard incidents of voter fraud taking place, where Hillary's minions were

voting multiple times, and buses of people were being be transported into key swing state

counties in order to throw the vote.

Last night Doug Jones defeated Republican Roy Moore in the Alabama Senate race, where

liberals are disgustingly throwing the win back in our faces this morning, calling the

victory a "stinging snub" to President Trump.

But unfortunately for liberals, Jones' win is being immediately overshadowed by the shady

tactics the used to "win," after several disturbing reports are surfacing about what

was really going on at the polls last night.

1.

Fake Narrative About "Voter Suppression"

It was widely predicted that blacks in Alabama would determine the outcome of the race.

When the liberal media began to realize that it would be an incredibly tight race, where

we saw Moore and Jones separated by less than 1% for several hours, liberals immediately

began to push the false narrative that blacks were being blocked from the polling places.

One of the trending stories was from fake liberal website "Verified Politics" was

a viral story called "Something Incredibly Shady Is Happening In Alabama Right Now"

where they made the ridiculous claim that blacks were being prevented from voting.

In the article, the website asserted that "white supremacy" was preventing black

citizens from being able to take to the polls, that no doubt got the black populace fired

up just in time to go cast their votes for Jones before the race ended.

Here's a short excerpt of their ridiculous story, where they claimed that "white supremacists"

were requiring "poor blacks" from being able to vote because they were required to

show an ID.

"Alabama has a long history of suppressing the votes dating back at least to 1901 when

the state passed a new constitution whose main purpose was to deny African Americans

the right to vote," they whined.

"In 2011, the Republican-controlled state legislature passed a law that all voters must

have a photo ID, which immediately disenfranchised many rural and poor Blacks."

2.

Liberals' ARMY Of Felons

Liberals frequently use the backing of criminals to bolster their agenda which is why they

fight so hard to keep Muslim immigrants and Mexican illegals in our country.

The Alabama Senate race was no different, as Breitbart exposed how George Soros and

infamous race-baiter Al Sharpton had their grubby talons all over this race right from

the beginning, where the duo registered an "army" of convicted felons across Alabama

to help bolster support for Jones.

"An organization partnered with a George Soros-financed group and led by a radical

leftist who is the half-brother of the infamous controversial Rev. Al Sharpton has been diligently

working over the past few weeks to register convicted felons across Alabama," Breitbart

began.

They went on:

"The aim of the effort has been to get as many felons as possible on the roster before

last Monday, the deadline to register in order to vote in Alabama's Dec. 12 senate special

election that pits Republican Roy Moore against Democratic challenger Doug Jones.

The man spearheading the campaign has stated outright that his effort is meant to ensure

a Democratic victory in Alabama."

"The thousands of felons reportedly newly registered over the past few weeks were most

likely not included in any recent polling on the Alabama senate race put out by major

firms."

"Jones himself is tied to some of the specific organizations associated with the drive to

register felons here.

Indeed, as Breitbart News first reported, Jones spearheaded a project for a massively

Soros-financed legal activist group demanding full voting rights be given to felons released

from prison, including those convicted of murder, rape and other violent crimes."

3.

Dark Money From Very Questionable Sources

Whenever you smell a rat, chances are George Soros is somewhere nearby lurking about.

The infamous evil billionaire, who turned his own neighbors into the Nazis in the 1940's,

is constantly gunning for the destruction of America, where he's a huge donor of crooked

politicians like Hillary Clinton, Barack Obama, and RINO Republicans like John McCain.

So it should come as no surprise that Soros yet again was a the helm causing chaos and

trying to throw the election in Alabama.

Via Breitbart:

"Politico reported on Monday that the George Soros-funded Priorities USA Action and Sen.

Chuck Schumer's (D-NY) Senate Majority PAC are the dark money behind the Alabama shell

group that has spent more than $4.1 million to defeat conservative Republican Roy Moore

in Tuesday's Alabama U.S. Senate special election in which he faces liberal Democrat

Doug Jones."

4.

Liberals Behind The Character Assassination Of Roy Moore

For weeks, there was an ongoing barrage of accusations made about Roy Moore, where he

was even accused of pedophilia and going after several underage girls.

One of Moore's accusers was Beverly Young Nelson, the ex-waitress who charged that Moore

groped her when she was 16 and he was in his 30s, and used her high school yearbook bearing

Moore's signature as "proof" that she knew him.

Even though Nelson would be busted for plagiarizing the yearbook entry, liberals still used the

woman's false testimony as a way to push the narrative that Moore was a "sexual predator."

There still has yet to be any evidence against Moore except the testimonies of these women,

who conveniently crawled out of the woodwork to share their stories right before the race.

It was even discovered that George Soros was behind the hit research of Moore, and was

encouraging these women to speak out against the Republican judge.

It's pretty disturbing how liberals will not stop in their conquest to destroy this

country with their shady and illegal antics, and yesterday was a enormous hit to the Republican

Party.

Jones' victory will have significant consequences for Republicans on the national level, where

Democrats are now working towards capturing the last Senate seat up for grabs next year

in order to gain the majority in the Senate.