aaradhya bachchan annual day at school function 2017
Get Up Buddy
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kareena kapoor got emotional talking about FIRST BIRTHDAY OF TAIMUR ALI KHAN - Duration: 1:20.
kareena kapoor got emotional talking about FIRST BIRTHDAY OF TAIMUR ALI KHAN
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FAILURE - How to save a shoot - Fashion Portrait Tutorial - Duration: 10:39.
What do you do when you have a beautiful subject with amazing makeup in front of your camera
and you want to produce a shot that is truly special and it's just not coming together
- the lighting is bland - the camera angles are bland - the sweat is starting to bead
up on your forehead - stay tuned and I'll show you what I did.
Hey gang!
My name is Joe Edelman and my mission is to help photographers like YOU to develop a solid
understanding of the HOWS & WHYS behind great photography so that you can achieve your goals
as a photographer.
Well this would be one way to deal with it - but that's not the solution that I chose.
I like to save my alcohol for when I read the comments on my videos.
This is a fashion portrait shoot that I did to illustrate some techniques for some upcoming
lectures and workshops.
Again the real credit for this one goes to my makeup artist.
Not only did she create an awesome makeup look - but she did it on herself and modeled
it as well.
Believe me - doing makeup like this on your own face is ten times harder than doing it
on somebody else.
It's the makeup artist equivalent of a self portrait - only the self portrait is a lot
easier to do.
My original concept for this shot was to do something very low key - so it would be all
about the makeup.
I had one 320watt second strobe mounted in a 16 x 52.5" strip softbox set on camera left
I draped a black fur collar from a winter coat around Monaes shoulders so that I would
have a little texture in the bottom of the frame and not have a floating head.
Now I know some of you will immediately say - you need separation from the background.
You know what?
That's a bunch of crap.
Let's be clear that there is no rule that says you have to have separation.
Sometimes it makes a huge difference and looks great - others - not so much - in both cases
it is a matter of preference
In this case - I am fine with the lack of separation but I'm just not excited by the
shot.
While I love simple - this was just too simple.
I go to something safe - something I've done before - something that I know will usually
please people.
Notice I didn't say please me - I simply mean people will look at it and like it.
But going back to this safe place let's me clear my head and begin to make some positive
progress and start looking for a better idea.
So my next step was to add some colored gels.
I added two different colored magenta gels to a set of 320watt second strobes placed
about 5 feet behind Monae and on either side of her to create the pink rim lighting - but
I still wasn't very excited with the result.
Next - I moved the softbox to a horizontal position above the camera and slightly to
camera left and decided I would get a little crazy by adding some LumoPro LP180R speedlights
with gels - behind Monae and aimed directly into the camera lens.
I also decided to ditch the fur collar and added some black tulle with sparkles around
her neck- just to put a bit more texture into the shot.
Here are the original files as I added a speedlight - adjusted exposure and then stopped my lens
down to f/9 so that I would start to get the rays of light from the strobes.
I tried some various angles and power settings and was getting some interesting results,
but I still wasn't getting the WOW response in my gut that I was looking for.
Now I was getting a little desperate.
My model / makeup artist had done an incredible job with her makeup and I didn't want to
disappoint on my end.
So I began experimenting with placing the black tulle material in front of Monae between
her and the camera.
This was getting some interesting results but I wasn't ultimately thrilled with having
the texture of the material over her face.
Next I remembered a shot that I had done years ago where I placed a beauty dish high above
my camera and placed the camera high above the model and had her strain her neck looking
up to the camera.
I decided to try a similar concept still using the strip softbox but placing it high and
in front of Monae with my camera just below the softbox..
Next I added another 320watt second strobe on the floor behind Monae with a teal gel
to create the glow that you see here.
And this is where the magic started to happen.
Since I am using the Interfit Honey Badgers with their LED modeling lights that have a
proportional output - I was really loving the soft feeling that I was getting while
looking through the wide open lens so I decided to turn off my flash trigger and I began shooting
with the light from the daylight balanced LED modeling lamps.
At this point I knew I had my lighting and I loved the shallow depth of field I was getting
- something you rarely hear me say in a studio - but more about that in a few minutes.
After all of that experimenting my final shot wound up being lit by the 60watt LED modeling
lamp from a Honey Badger placed in a Medium HalfDome softbox from Photoflex.
Monae is seated on a posing stool about 8 feet in front of a black Savage Seamless Paper
Background and behind her I have two more Honey Badgers mounted one on either side and
above - both with magenta gels in place to create the rim lighting,
I have one more Honey Badger mounted on a Baby Pin floor stand with a 7" reflector
and a teal gel that is set about 3 feet in front of the background and aimed up so that
the hot spot is directly behind her head.
For my last few frames I held a white Walmart reflector just under Monaes face and just
out of camera range for a little more fill in her eyes.
I am shooting from a Benron carbon fiber tripod with an Acratech Ballhead mounted on top.
This makeup design is very symmetrical and also VERY difficult for a makeup artist to
get perfect - especially when they are doing it on themselves - so from the beginning - I
had intended to do a slight turn of her face to help mask any inconsistencies.
In my previous video there was also very symmetrical makeup - but it was a makeup artist putting
makeup on a model so there was less to hide and I was able to photographer her straight
on.
I knew that I would be shooting very close-up and wanted this shot to be ALL about the makeup
so I didn't really pose her at all.
I just asked her to sit relaxed and I worked with the angles of her face.
The important thing that I had to watch for with the slight head turn is her ear.
You can see here that if I only turn the head a little - I now have a piece of her ear growing
out of her head - right in the same plane as her eyes.
Now this is totally natural but it is still a distraction - I can get the same shot by
being careful to turn her head up to the point where I would see the ear but still hiding
the ear - this way there is no distraction and more attention remains with the eyes.
The shot was made with an Olympus E-M1 Mark II and the 45mm f/1.2 PRO lens which is a
90mm full frame equivalent.
The ISO was 200 which is the base ISO for the Mark II and the shutter speed 1/50th of
a second and the aperture was set at f/1.2 - wide open.
I was shooting tethered with the Tether Tools TetherBLOCK and TetherPro extension cables
and using the Olympus Capture software to manage the camera and downloads.
The final image required a bit more post production than usual.
The basics of course - color, contrast, sharpening and removing of blemishes - but since Monae
actually did this makeup on herself it was my job to help clean up the details a little
bit.
It is a situation where if you look at the original shot - at first pass it looks WOW
- but then the longer you look at it - you start to see the few imperfections - so you
spend the time and clean that up in post.
You could do this shot with strobes or speedlights and fake the shallow depth of field in post
production - in fact I would actually encourage you to do that instead of shooting wide open
in the studio - unless you are very diligent about knowing how much depth of field you
have to work with and keeping both eyes in focus.
So what is the best of course of action when things aren't going the way you want them
to… keep going.
Be honest with yourself.
If you need a little break to get your head clear - take one.
You can do like I did and go back to something you have done before just to be able to clear
your head - but whatever you do - you have to keep going.
There are two big mistakes that I see photographers make when things aren't going well - the
first one is I see them give up and settle for a shot that they know simply sucks.
Why would you give up?
What do you learn from that?
The second mistake that I see happen is the photographer puts the camera down and stands
back and surveys the scene.
The problem with that is your brain is having to process all of this information - everything
that is in front of you - not just the part that you are trying to photograph.
Plus while you are standing there staring - your model is realizing that you have no
idea what to do.
The best course of action is to put the camera back up to your eye and keep taking pictures.
This way - you are looking at a picture - we already established it is a bad picture but
it will be much easier for you to evaluate what exactly is wrong and needs to be changed
and you are keeping your model happy because he or she is hearing click, click, click - and
I promise you your model would much rather hear click, click, click than "Oh baby that's
hot".
But the bottom line is you have to keep shooting.
Work the shot - try things - even things that seem ridiculous.
Your model will always respect your effort - you will learn lots of new things and your
photography will head in directions that you hadn't previously imagined.
Generally speaking there's no reason to shoot wide open in a studio when you are creating
a portrait or fashion portrait like this one.
If you have watched many of my videos - you know that I usually shoot between f/5.6 to
f/8 for my studio work and if I want the feeling of some shallow depth of field by having my
subjects ears or shoulders slightly soft - I will create that in Photoshop.
I shoot at 5.6 or 8 so that I don't have to be concerned with depth of field and so
that I can tell my subject to turn their head and not have to worry on each frame if I have
both eyes in sharp focus.
It's not a rule - it's my practice.
Just like having separation from the background isn't a rule - but if you are going to shoot
wide open - pay close attention to what is in and out of focus.
In the case of this shot - shooting wide open wouldn't have made much sense if didn't
have the material draped over her heard.
The shallow depth of field combined with the sparkles in the material combined to create
the dreamy bokeh.
Hey, I hope that gives you some ideas, take this idea and run with it - go create and
show me what you come up with.
Until next time, Please hit that thumbs up and subscribe so that you don't miss any
videos and go pick up that camera and shoot something because your BEST shot - it's
your NEXT shot, so keep learning, keep thinking, keep shooting.
Adios!
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Royal Wedding Prince Harry, Meghan Markle to Marry on May 19 at St George's Chapel in Windsor Castle - Duration: 2:51.
Royal Wedding Prince Harry, Meghan Markle to Marry on May 19 at St George's Chapel in Windsor Castle
Royal Wedding Prince Harry, Meghan Markle to Marry on May 19 at St George's Chapel in Windsor Castle
Royal Wedding Prince Harry, Meghan Markle to Marry on May 19 at St George's Chapel in Windsor Castle
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Royal Wedding and FA Cup Final Set to Boost British Economy by $1.7 Billion in Just One Day - Duration: 3:05.
Royal Wedding and FA Cup Final Set to Boost British Economy by $1.7 Billion in Just One Day
Royal Wedding and FA Cup Final Set to Boost British Economy by $1.7 Billion in Just One Day
Royal Wedding and FA Cup Final Set to Boost British Economy by $1.7 Billion in Just One Day
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Meghan Markle and Kate Middleton have Surprisingly Affordable Style and Brilliant Political Strategy - Duration: 1:38.
meagan Markel and Kate Middleton have surprisingly affordable style and it's a
brilliant political strategy the British royal family comes from centuries old
money Queen Elizabeth the second has an estimated private wealth of 530 million
dollars but that doesn't mean they flaunt their wealth on every outing
while both Kate Middleton and their recently engaged Megan mark will each
have their own unique sense of style it seems they both agree that sometimes
more affordable clothes make for the best outfits while Middleton wears a
decidedly British inspired style and is a fashion icon in her own right Marko's
American fashion sensibility has more recently been placed under the
microscope below a look at the lower pricepoint brands that the two have been
spotted wearing Markel has been spotted multiple times wearing the brand ever
Lane the direct-to-consumer fashion label which touts itself on having
radical transparency uses factories with high ethical standards and has been
compared to j.crew for its simple wardrobe basics
during the Invictus games in September she wore the brand's high-rise skinny
jeans which cost $68 and carried their 165 dollars brown leather tote with her
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যমুনা সংবাদ - Jamuna News Today | 17 December 2017 | Bangla News | Bangla TV News | Jamuna tv - Duration: 14:39.
Jamuna, Jamuna tv, Jamuna tv news, Jamuna tv news today,
Bangla News, Bangla news today, Bangla tv news, bangla news channel,
Today Bangla news, Bangla tv news live, live bangla news
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Very Famous Gnana Saraswathi Devi Temple Overview || Gnana Saraswathi Devi || DARSHANAM LIVE - Duration: 1:19.
DARSHANAMLIVE – Everything about INDIAN temples grandeur and visual feast
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►How to set American Wallpaper in Your Android Phone Screen Android mobile tips - Duration: 1:23.
American wallpaper
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Why do we shiver? - Duration: 1:36.
Smart Learning for All
Why do we shiver when we feel cold?
Because our body is on vibrate mode.
No.
We shiver because our body tries to keep us warm.
Our core body temperature is about 37 degrees Celsius or 98.6 degrees Fahrenheit.
A part of our brain called hypothalamus controls and maintains the core body temperature.
Will it also maintain my physique?
Please listen.
Usually during cold months, the temperature is quite low.
Hence, if we have not worn any warm clothes, we feel cold.
Our body temperature starts to decrease.
This decrease in temperature is instantly detected by our hypothalamus.
Thus, it sends signals to our muscles to contract and relax rapidly, making us shiver.
This rapid contraction and relaxation of our muscles generates heat.
This heat warms our body, thus helping us maintain our core body temperature.
For more educational videos please visit http://www.SmartLearningforAll.com
Also, don't forget to subscribe to our YouTube channel.
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Check Sound 135 LC MX Modified Piston 62mm for Road Race - Duration: 1:05.
Check Sound 135 LC MX Modified Piston 62mm for Road Race
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꿈이 당신의 건강을 나타낼 때|HYA TV - Duration: 8:27.
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고혈압 합병증 7가지|HYA TV - Duration: 9:52.
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케이티 kt 환급금 조회|조회수4.989.283 - Duration: 8:44.
For more infomation >> 케이티 kt 환급금 조회|조회수4.989.283 - Duration: 8:44. -------------------------------------------
How to Add Beautiful Realistic Sunset Effect In Photoshop CC 2018 - Duration: 11:25.
Hi! Welcome back to the new tutorials.
Firstly, We'll cut out the model by using the Pen Tool.(P)
Getting start the path.
Once you get the hair select it, like so.
Ctrl+Z to undo the last step.
Ctrl+0 to fit the image on screen.
For trimming the extra part we'll creating more path.
Ctrl+0 to fit the image on screen.
Hit Ctrl+Enter to activate the path as selection.
Select Move Tool.(V) and go to Select and Select and Mask...
Make sure that Refine Edge Brush Tool.(R) is selected.
[ to decrease the brush size and ] to increase the brush size.
Carefully mask out the hair.
Output To: New Layer with Layer Mask
Right-Click on layer mask of Background Copy layer and Apply Layer Mask.
Hold down Ctrl and click on thumbnail of girl layer to get the selection of model.
Visible the Background layer and invisible the girl layer.
Go to Select-Modify and Expand...
Expand 10 pixels.
By Selecting Background layer go to Edit and Fill.
Change Contents to Content-Aware.
Ctrl+D to deselect.
Click lock icon to unlock the layer and rename it Background.
Rename the top layer to Girl.
Select Background layer and go to Select and Color Range.
Select Sky and increase Fuzziness to 73.
Click on layer mask.
Hit Ctrl+I for invert the mask.
Right-Click on layer mask and Select and Mask.
mask out the branches of the trees.
Output to Layer Mask.
Next, We are adding Sunset Sky.
Select Move Tool.(V) and drag and drop to our project.
Drag down the layer below the background layer.
Ctrl+T for Transform.
Adjust the best position.
I am going to rename this layer to Sunset_Sky.
Select Background layer and click on adjustment layer and click Curves...
Change RGB mode to Red.
Before adjustment clip it to the below layer.
Create a new adjustment layer of Levels.
Set Levels as you wish.
Clip it again.
Create a new adjustment layer of Hue/Saturation.
Decrease the Lightness according to your photo.
Saturation: +27
Select girl layer and hold down Alt and click on new layer icon.
I'm going to rename this layer to Shadows & Highlights.
Change Mode to Soft Light.
For Highlighting select Dodge Tool.(O)
Carefully add the Highlight.
Take your time:)
For Shadows select Burn Tool.(O)
Take your time once more.
Add layer mask to the Girl layer.
Select Brush Tool.(B)
Make sure that foreground color is set Black.
We'll be fixing the hair.
For accurate looking the hair, We'll using the Smudge Tool.
Drag the hair to left and right side for looking good.
Select Girl layer and hold down Shift and select top layer.
Ctrl+G to group them to together.
I'm going to rename this layer to Girl.
Same process use for Background.
Select Girl layer and hold down Ctrl and click on new layer icon to create below the girl layer.
Select Brush Tool.(B)
For Creating the Shadow make sure that foreground is set to black.
Collapse the Girl group.
Click on adjustment icon select Brightness/Contrast.
Brightness= -71
For looking good I'll decrease the opacity of the Shadow.
Next, We'll add the Lens Flare.
For that create a new blank layer and rename it to Lens_Flare.
Change the blending mode to Screen.
Go to Edit and Fill.
Contents:Black
Go to Filter-Render and Lens Flare.
Adjust the position.
Select Move Tool.(V) and hit Ctrl+T for Transform.
Adjust the position and scale.
For removing the unnecessary part add layer mask and select Brush Tool.(B)
Make sure that foreground color is set to black.
Reduce the opacity if you need.
Next, We'll blur the background.
For that right-click on Background group and click on Convert To Smart Object.
I'm calling it Background.
Go to Filter-Blur Gallery and Tilt-Shift.
Drag the down the pin.
Blur: 15px
For filling the sides hit Ctrl+T for Transform and scale it.
Open the Girl group and select the Girl layer.
Click on adjustment icon and select Exposure.
Reduce the Exposure to -1.33
I'll add more Shadows and Highlights.
Collapse the Girl group.
Hit Ctrl+Alt+Shift+E to merge the visible layers.
I'm going to rename this layer to Final_Sunset_Effect.
Right-Click and Convert To Smart Object.
Go to Filter and Camera Raw.
Decrease Exposure if you need.
Increase the Orange and Red Saturation for Sun.
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Wtf?? | Amnesia the Dark Descent | Gameplay | #1 | Kryptonium - Duration: 12:51.
Get Up Buddy
FUCK fuck
NOOOOOOOOOT sCRADED
NOOOOOOOOOT sCRADED
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