Youtube daily May 15 2018

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5 years

1 year

Over 20 years

15 years

3 and a half years

17 Years

A year and a half

3 years

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6 years

3 years

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11 years

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22 years

I work with great people they're always

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For more infomation >> Consolidated Credit 25th Anniversary - Duration: 5:04.

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FAMOUS GRAVE TOUR - Hollywood Forever #4 (Barbara La Marr, Ford Sterling, etc.) - Duration: 24:09.

Welcome to Hollywood Graveyard, where we set out to remember and celebrate the

lives of those who lived to entertain us, by visiting their final resting places.

Today we head back to Hollywood Forever Cemetery, to find such stars as Barbara La Marr,

Ford Sterling, Renee Adoree, and many more. Join us, won't you?

Last year we toured Hollywood Forever, the cemetery with as much character as

many of the stars who rest here. Today we're heading back there to visit some

stars we missed the first time around. If you haven't done so already be sure to

check out our original three-part tour of Hollywood Forever.

We'll begin our tour back at the chapel, by way of the colonnade, which is on the

west side of the chapel. Just as you enter the colonnade, on the left, is the

niche of Elmo Lincoln. His marker is hard to read but as it says, Lincoln was the

first actor to play Tarzan on screen (the adult Tarzan to be accurate). The burly

actor initiated the role in Hollywood's first Tarzan film, Tarzan of the Apes in

1918. The film was a tremendous success and he would reprise the role of the

apeman in The Romance of Tarzan, and in the 1921 serial of The Adventures of Tarzan.

After Tarzan, Lincoln can be seen mainly in bit parts and uncredited roles.

Across from Lincoln, low on the wall, is Ford Sterling. Before Charlie Chaplin and

Harold Lloyd, there was Ford Sterling, one of the most popular screen comedians of

very early Hollywood. He was a major player at Mack Sennett's Keystone

Studios, one of the great comedy studios of the silent era. There he was known as

the original chief of the bumbling Keystone Cops. At Keystone he would

perform alongside other silent legends, like Fatty Arbuckle, Charlie Chaplin, and

Mabel Normand, as the villain in one of the Keystone's most iconic films,

Barney Oldfield's Race for a Life.

He performed in nearly 300 productions before dying

of a heart attack at the age of 55.

Further down this corridor, on the left,

is the niche of Viola Dana. She too was a silent film star who made her screen

debut in 1910 for Edison in A Christmas Carol.

Among her 100-plus films are Bred in Old Kentucky, and Two Sisters. Aside from

a few bit parts in the years to follow Viola retired from the screen in 1929.

She lived to be 90.

Let's head now into the chapel.

In the first column on the right we find the niche of cinematographer Gregg Toland.

He's best remembered, as you may have guessed, for his camera work on

Citizen Kane, considered one of the great achievements in cinematography of the era.

In fact so vital was the role that Toland played in the production of the

film that director Orson Welles shared a title card with him. Other films include

William Wyler's The Best Years of our Lives,

and Wuthering Heights, which won him an Oscar. Toland is considered one of the

most influential cinematographers in film history.

Right next to Toland is a famous parent.

William Gable who was Clark Gable's father.

Sorry this one's also a little hard to read.

Across the room, low on the south wall, we find

the niche of Agnes Ayres. She was a silent film star best remembered today for

starring alongside Rudolph Valentino in his career defining role, the Sheik, in 1921.

She would reprise the role five years later in The Son of the Sheik. She was

also one of Cecil B DeMille early stars, in films like Forbidden Fruit. When her

career began to wane in the late 20s she decided to retire from the screen.

She attempted a comeback in the late 30s, but it wasn't to be.

She died of a cerebral hemorrhage at the age of 42.

Let's head up now to the second level.

Right at the top of the stairs, on the left, is the niche of Charlotte Bridgwood.

She was a stage actress, performing under the name Lotta Lawrence, and was the mother of the

first movie star, Florence Lawrence, who is buried nearby.

And get this: in addition to being actresses, Charlotte and her daughter Florence were both

automotive enthusiasts and inventors. Charlotte is credited with inventing the

automatic windshield wiper, and Florence with developing turn and brake signals on cars.

To the right, in the second column, we find Rozz Williams. He was a

pioneer of American gothic rock and death rock, forming the band Christian Death

in 1979 when he was only 16, a band that paved the way for future artists

like Trent Reznor and Marilyn Manson. After leaving Christian Death, Williams

would perform with Shadow Project, and Premature Ejaculation, as well as solo work.

On April 1st 1998, Williams committed suicide by hanging himself in

his apartment. He was 34. His ashes were scattered at Runyon Canyon Park, and then

a memorial was established here. His fascination with the number 1334 is

evident here, the number inscribed on his urn, and here, the lyrics to his song

December 30th 1334.

[Music]

Also displayed is an original piece of collage art by Williams.

Across the room, next to the window, is the niche of Jesse Lasky Jr. He was a screenwriter

and, as you may have surmised, the son of Jesse Lasky, co-founder of paramount and

producer of hollow his first feature film in 1914. Lasky Jr. is best known

for writing the screenplays for Cecil B. DeMille's biblical epics, Samson and

Delilah, and the Ten Commandments. Also here is Lasky's sister, Betty. She was an

author and film historian who wrote about RKO Pictures.

Further along this wall, right next to Ann Sheridan, is another writer,

Madeline Pugh Davis. She was co-writer and co-creator of I Love Lucy, known as

the girl writer in an industry heavily dominated by men. With writing partner

Bob Carroll Jr. she began writing for Lucille Ball's radio show, and for Ball

and Desi Arnaz on vaudeville. Then came I Love Lucy, one of the most beloved

sitcoms in television history.

It's no exaggeration to say that the success of the show with a female lead

is owed in part to the fact that it had a girl writer. Madelyn wrote for Lucy

spin-offs too - including The Lucy Show, Here's Lucy, etc. Her memoir is titled

"Laughing with Lucy."

Let's make our way back outside, but before we exit there's

one more stop at the entrance of the colonnade. Low, just left of the door, is

Hobart J. Whitley. He was a real estate and land developer in early Southern

California, known as the Father of Hollywood, for his development of

Hollywood, the building of the Hollywood Hotel, inspiring the creation of the

Hollywood Sign, and urging filmmakers like David Horsley to make movies in

Hollywood. He's also the namesake for the swanky

Whitley Heights development in Hollywood, home to some of Hollywood's biggest

stars from Barbara La Marr to Rudolph Valentino.

There are, however, conflicting stories out there as to who exactly came up with

the name "Hollywood," and how. If you saw part two of our original tour you'll

recall that Daeida Wilcox suggested the name Hollywood to her husband, landowner

Harvey Wilcox, who officially recorded the name on the lands deed in 1887.

The story goes that she either heard the name from a fellow train passenger on

the way to Ohio, or she took the name from the California Holly that grew on

the land. After the death of Harvey, Daeida continued to play a significant role

in the development of the town, earning her the moniker the Mother of Hollywood.

But the Whitley's tell a different, slightly more fanciful tale of the

origin of the town's name. According to one account from a journal entry,

HJ Whitley, on his honeymoon with his new bride, Gigi, stood atop the Hollywood

Hills looking out over the undeveloped land below and had a vision of a

spectacular new town. Along came a lone Chinese man singing in his native tongue.

Whitley asked the man, "What are you doing?" to which the Chinese man replied, with a

thick accent, "I holly wood," meaning "hauling wood."

Then in there will Whitley decided that Hollywood would be the name of his new town.

But the cited journal entry, written in third person rather than first person,

reads more like a fictional narrative than a diary, and is the sole source of

this claim. So which is it?

Well... greater historical minds than my own will have

to conclude just who it was that actually named Hollywood.

Back outside at the mausoleum, the first corridor is the Sanctuary of Memories.

Here we find the Peruvian songbird, Yma Sumac.

The exotic singer, who rose to popularity in

the 50s, was renowned for her vocal range of four and a half octaves - from deep and

dark to high and bird-like.

[music]

Let's make our way to the main entrance of the

Abbey of the Psalms.

On the left, just past the entrance, we find the crypt of

Renee Adoree. She was born in France and from a young age joined her parents

performing in the circus. By her teens she was performing on stage and in the

20s began making films in New York and Hollywood. Her breakout role was

alongside John Gilbert in 1925s The Big Parade,

one of the great films of the silent era.

Her career was cut short after contracting tuberculosis in 1930,

dying a few years later at the age of 35.

Further in, on the right wall of the rotunda niches, we find actress Kathleen Freeman.

She was an actress of stage and screen, often playing eccentric

secretaries, teachers, nurses, and nuns, as in sister Mary stigmata in the Blues Brothers.

"It saddens and hurts me that the two young men whom I raised to

believe in the Ten Commandments have returned to me as two thieves with

filthy mouths and bad attitudes. Get out, and don't come back until you've

redeemed yourselves."

She was also the voice of Peg Bundy's mom on Married, with Children. On stage

she earned a Tony nomination for her role in the Broadway version of The Full Monty.

Halfway down the Sanctuary of Memories, on the left, is the crypt of

Iron Eyes Cody. He was known as The Crying Indian for his role in the iconic

anti-littering commercials of the 70s.

"People start pollution... people can stop it."

But long before that he was playing Native Americans in hundreds of film and

television roles.

Late in life his half-sister revealed that he was not of

Native American ancestry, but rather of Italian descent - a claim he denied.

But the truth is that early in life Cody had been introduced to and drawn to Native

American culture. In the 30s he married a Native American woman and adopted two children.

Native or not Cody worked hard much of his life to

promote and support the causes of his adopted culture.

Back outside let's make

our way all the way down to the end of the Corridor of Light.

At the bottom, on the right is Vito Scotti.

He was an Italian American character actor who

played Nazorine in the Godfather, and voiced Peppo the Italian cat in the

Aristocats. He also made guest appearances in TV

shows like Gilligan's Island, The Flying Nun, and Columbo.

And like a true Italian

he was fond of cooking, and became highly regarded as a chef.

Let's make our way toward the east side of the cemetery,

and stop at this pathway on the left.

If we follow this pathway all the way to the fountain we find the niche of Andrew Koenig.

He was an actor known for playing Mike Sever's friend "Boner" on the 80s

sitcom, Growing Pains. He also lent his voice to the GI Joe animated series.

He began working behind the scenes as well, writing and directing a number of short

films and producing the podcast, Never Not Funny.

In 2010 Koenig opted to take

his own life, hanging himself from a tree in a Vancouver park at the age of 41.

Walter Koenig, who played Chekov on the original Star Trek, is his father.

Continuing east let's stop just before the mausoleum at

the Toto monument. In between these two buildings we reach a staircase where

we'll find the crypt of Woody Herman. He was a clarinetist and saxophonist who

became one of the most popular big-band leaders of the 30s, 40s, and 50s.

One of his band's early hits was "Woodchopper's Ball" in 1939.

Still further east, just before the Cathedral Mausoleum,

is the unmistakable crypt of Oleg Vidov,

an actor known as the Soviet Robert Redford for his chiseled good looks and

screen presence. He found great success in Russian TV and cinema until communist

aggressions drove him to defect to the US where he attained political asylum

and continued his career in Hollywood, seen in films like Wild Orchid.

Into the cathedral mausoleum we now go. Taking the second left then second right,

at the end, we find the crypt of Barbara La Marr, the actress dubbed 'the girl who

was too beautiful.' From a young age La Marr was on stage in vaudeville and

burlesque, but got her start in Hollywood actually writing scenarios and

screenplays. She was reportedly approached by Mary Pickford, who embraced

her and said, "My dear, you were too beautiful to be behind a camera, your

vibrant magnetism should be shared by film audiences." And so a star was born.

She had roles alongside Douglas Fairbanks in The Nut, and The Three Musketeers,

and alongside Ramon Navarro in The Prisoner of Zenda.

But her excessive partying, alcohol abuse, and very little sleep ravaged her health.

After contracting tuberculosis she collapsed on set and slipped into a coma.

She was later diagnosed with nephritis, and two died in 1926 at the age of 29.

Her name inspired a future raven-haired beauty, Hedy Lamarr.

Heading to the wall of niches just outside this corridor,

below David White who we visited in part 2,

is the niche of Rick Jason. He was an actor best remembered for his role as

Lieutenant Hanley in the 60s TV series, Combat! As a veteran of World War II he

was perfectly suited for the role. He died of a self-inflicted gunshot wound

at the age of 77.

At the opposite end of the mausoleum, high on the wall above the

Alcove of Reverence, is the niche of Celia Lovsky. She was an actress and

wife of actor Peter Lorre. Celia helped launch Lorre's career by bringing him

to the attention of Fritz Lang, who cast him in his breakout role in M.

After their divorce in 1945 Celia started taking roles in American film and TV

programs, films like Soylent Green and appearances on shows like Dragnet, and on

Star Trek, playing the leader of Vulcan. She was the very first to give the

Vulcan salute. Apparently the salute was a bit of a

challenge for her, so she had to position her fingers with both hands off-screen.

The niche of her husband Peter Lorre is several spaces below her.

Back outside, across the street next to a small family mausoleum, is the grave of

Ern Westmore. He was son of Hollywood makeup pioneer, George Westmore, and part

of the Westmore dynasty of makeup artists, along with several brothers,

including Bud Westmore who we visited at Valhalla. Ern worked at studios like

Warner Brothers and RKO, in films like Blood on the Sun. He also had his own TV

show featuring makeup tips and beauty suggestions for women in the 50s.

Following the road around east we arrive at a wall of niches on the right.

Here we find Holly Woodlawn. She was a transgender actress, seen in the Paul

Morrissey films, Trash, and Women in Revolt. She was also one of Andy Warhol's

superstars.

Born Haroldo Santiago Franceschi Rodriguez Danhakl, she changed

her name to Holly Woodlawn as a teen, and hitchhiked her way from Florida to New York,

just as Lou Reed described in "Walk on the Wild SIde."

[music]

Northeast of the lake and across the street to the right is section 2.

Here lies DEF Records,

laid to rest in 1993 by founder and record producer Rick Rubin.

When rubin decided to change the name of the company from DEF to

American Recordings, he held a bonafide funeral for DEF, presided over by

Reverend Al Sharpton. They filled the casket with flowers, record albums, and

other mementos from the record company.

Rest in peace, DEF.

Back across the street toward the lake, near the Jayne Mansfield Cenotaph,

we find a woman who wore the mantle of The Lady in Black,

Anna Maria de Carrascosa.

On the anniversary of the death of Rudolph Valentino in 1926, and every year since,

an enigmatic woman dressed all in black, her face shrouded in a veil, has appeared

at the crypt of Valentino, to mourn the Sheik and offer roses. One of the copycat

ladies in black claimed that her mother, Ana Maria, was the original lady in black.

However, another has laid claim to being the original: one miss Ditra Flame, who

Valentino had befriended and visited in the hospital when she was sick, Valentino

reportedly telling her, "You were going to live for many more years. But one thing

for sure if I die before you do, please come stay by me because I don't want to

be alone."

And so she did. But as the legend of the lady in black grew, so too

did the number of copycats and those who claimed to be the original.

It's unlikely, though, that Ana Maria was the original.

Northwest of here just past Dee Dee Ramone,

we find the grave of Bianca Halstead, also known as Bianca Butthole.

She was a rock musician, singer, and bass player for the bands

Betty Blowtorch and Butt Trumpet.

After a show in New Orleans in 2001 Bianca accepted a ride from a

drunk driver. Their speeding car spun into oncoming traffic and Bianca was

killed in the accident. She was just 36.

Across the street to the west is a giant obelisk which marks the grave of a man

whose last name is also his first name: Griffith Griffith. He amassed a fortune

from a mining syndicate and donated land to Los Angeles that would become

Griffith Park, which is where the Hollywood sign is located.

He also bequeathed the money for Griffith Observatory, and insisted that

admission to the observatory be free, which it remains to this day.

Griffith marred his legacy, however, when he shot and attempted to kill his wife.

She survived, and Griffith spent two years in prison for the crime.

Southwest across the street, nearly hidden under a tall cypress tree, is the

grave of Adolphe Menjou, the suave and impeccably tailored American actor whose

style of mustache now bears his name: the Menjou mustache - which is far more

sophisticated than the Arthur Dark beard.

His career began in the silent era in

films like The Three Musketeers, and The Sheik, quickly establishing himself as

the well-dressed man about town. In the sound era he received an Oscar

nomination for his role in The Front Page.

Menjou was married to actress Verree Teasdale,

who performed in 29 films in the 20s to the 40's, including

A Midsummer Night's Dream.

Finally let's head back around to the entrance to remember one of the music

world's greatest legends: George Harrison. He was a guitarist, songwriter, and

founding member of the Beatles - one of the most popular and best-selling rock

bands of all time, helping define the sound and culture of the 60s. After his

death in 2001 Harrison was cremated here at Hollywood Forever. Then, in accordance

with Hindu tradition that he observed,

his ashes were scattered on the Ganges River in India.

And that concludes our tour. What are some of your favorite

memories of the stars we visited today? Share them in the comments below, and be

sure to like, share, and subscribe for more famous grave tours.

Thanks for watching, we'll see you on the next one!

No visit to Hollywood forever would be complete without stopping to say hello

to our animal friends.

The turtles weren't too thrilled to see me...

except that guy, he was cool.

For more infomation >> FAMOUS GRAVE TOUR - Hollywood Forever #4 (Barbara La Marr, Ford Sterling, etc.) - Duration: 24:09.

-------------------------------------------

William Ryder - Shooting Back (Official Video) - Duration: 3:13.

And if they shooting man we shooting back They catch a heart attack

Hammer hits pin, you catch fire, there's no coming back

Shooting yeah, we shooting back They catch a heart attack

Hammer hits pin, you catch fire, there's no coming back

Go ahead and make that first move if you can New York City dreams loose track, they go

bad Sade Baderinwa reports, you sit back you watch

Window half cracked, you saw, don't you dare talk

We live that life of surviving, killing and cash

Every juvenile in America wants to carry a Glock

And you blink, they'll come around, take all you've got

Thugs breed thugs, listen carefully, you can hear their Timberlands

I thought I heard a copper shot And if they're shooting find a way to shoot

back Some bring copper and some bring lead

And in your local corner, that's where it's all sent

It's all neatly designed and properly placed The science of a drive by, with an enemy sneaking

up when you least expect They shooting

And if they shooting man we shooting back They catch a heart attack

Hammer hits pin, you catch fire, there's no coming back

Shooting yeah, we shooting back They catch a heart attack

Hammer hits pin, you catch fire, there's no coming back

Whoo, Craig from top, Ha You better be stronger than Pennsylvania steel

Bullets shred you into pieces, your head rolls like a cotton wheel

Love of a woman makes you soft, your achilles heel

You lovey, lovely, mushy, mushy, while her brother eats your meal

Deception comes faster than a cannon ball So I get big, bad, and bold, refuse to fall

Tales from the crypts, the world weeps and moans

When a semi rusty automatic was the best you could afford

Predator becomes prey, you running home like a wounded dog

44 caliber opens your head like a celler door Betrayal is never a good omen

Envy is a disease with no treatment, remedy, or sympathy

In my telepathic dreams, I hear them sceme Every man bleeds, there's no such thing

as leather skin, human flesh stinks And if they're shooting there will be a

rise and a fall By any necessary means, grab a machete, grab

a knife Crack their head with a stone, I'll throw

a rock I might spit a poison dart

Bullet for bullet, gunshot for gunshot And if they're shooting, just don't stand

there, shoot back

And if they shooting man we shooting back They catch a heart attack

Hammer hits pin, you catch fire, there's no coming back

Shooting yeah, we shooting back They catch a heart attack

Hammer hits pin, you catch fire, there's no coming back

Sometimes you gotta just stand up for yourself and go all out

Go out with a bang Slap for slap, punch for punch, stab for stab

Break somebody's back Do whatever necessary, all means necessary

Defend yourself, your family Craig, bring her in

For more infomation >> William Ryder - Shooting Back (Official Video) - Duration: 3:13.

-------------------------------------------

Dein Schlüssel zum Glück (1) – Joyce Meyer – Beziehungen gelingen lassen - Duration: 27:36.

For more infomation >> Dein Schlüssel zum Glück (1) – Joyce Meyer – Beziehungen gelingen lassen - Duration: 27:36.

-------------------------------------------

BEST KODI BUILD EVER 🔥 FOR KODI 17.6 BUILD MAY 2018 🔥 EDEN SILVER BUILD KODI 🔥 EDEN KODI WIZARD - Duration: 13:09.

Other fucking holes and popping Pili's man. I feel just like a rockstar

Press the bell icon on the YouTube and never miss

Hello guys, this is kodi best build back with you again with another great video

So in this video guys, I'm gonna show you how to install an amazing kodi build for your kodi krypton

Anything 17 in a version of kodi 17 you can get this great amazing bill install it to your device

But first guys, I wish you the best

I wish you doing well and having a good time at home or school or doing whatever

And having fun you with your friends and family so guys to make sure

You subscribe to my channel and join me and the Facebook grille group and Facebook page and follow me on Twitter

And it's grab and visit my website for sure. That way you're gonna keep in touch with kodi and get everything

and all about news I'll news about kodi and you be satisfied about

Watching movies for free and TV shows so guys today

We're gonna reveal the silver kodi build from the Eden wizard

So the silver kodi build is working on

Amazon first silk or Nvidia shield or any Android TV box or busy or Mac?

You got kodi krypton You can get this great kodi 17.6 build install it

So you guys go to settings to install the silver?

kodi build from Eden wizard go to system settings and make sure you allow the

unknown sources

From addons right here. So guys

Allow it

Press yes, and then back

here guys, click on file manager

Then guys you get profile directory and add source if your Kodi is new and you don't have anything

Installed year to kodi double click on add source

then click on

Copy and paste the address right here

as you can see guys, so

Press okay

hey guys can name it whatever you want ed in or

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I'm back

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and here guys click on this little box right here in the top and

click on install from zip file

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You guys click on edit as you can see right here and click on plug in program ed and wizard

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krypton

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Go to builds

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You got the Eden silver the build will cannot install today

It's a great bill working

well without any problem you guys got fresh install if you have anything installed it and

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Don't press in this empty space or press on cancel

If you do that for sure, you will have to restart from zero. So here guys. It's installing files

to your cody crap-ton in your Amazon fire stick or Nvidia shield or

Android TV box or a any other

device

And

Here guys, you got everything done right without any problem

so now first clothes Cody in your Amazon fire sick or Nvidia shell for any other device and

restore it again to enjoy watching movies and TV shows in your Amazon fire sick or Nvidia shield or any

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so first close kodi and restarted to enjoy this Eden silver kodi build will and

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Then you will get the seasons season 1 & 2

until the last season

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The season 8 is the last one you

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hey guys, you got the rest of the TV shelves right here and

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So don't forget guys to subscribe to my channel. If you like this video share it with your friends and family

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That's gonna help me a lot and thanks for watching me. See you tomorrow for another Kodi build

For more infomation >> BEST KODI BUILD EVER 🔥 FOR KODI 17.6 BUILD MAY 2018 🔥 EDEN SILVER BUILD KODI 🔥 EDEN KODI WIZARD - Duration: 13:09.

-------------------------------------------

Hillary Humiliated As Melania Sends "Special Gift" Straight From Walter Reed. - Duration: 4:29.

Hillary Humiliated As Melania Sends "Special Gift" Straight From Walter Reed.

On Monday, news broke that First Lady Melania Trump had been rushed to Walter Reed Medical

Center in Washington, D.C., for emergency kidney surgery.

Today, she has made headlines once again, this time for the "special gift" that

Hillary Clinton received.

You're going to love this!

The media and the Democrats have seemingly tried everything in their arsenal of tricks

to destroy First Lady Melania Trump.

They dug up old photos of the former runway model in a classless attempt to embarrass

her, but this only made her the envy of every woman alive, as her figure was flawless.

When this didn't work, they tried to humiliate her by mocking her accent.

This tactic failed, as well, when it was revealed that Melania actually speaks five languages

and originally immigrated to America on a coveted "Genius Visa."

Still undeterred, the media and their Democratic cronies are now trying to destroy Melania's

marriage by trotting out any sleazeball who claims to have slept with her husband in the

last two decades.

This has failed, too, as recent public appearances have shown that the first lady and the president

are more in love and supportive of one another than ever.

The end result of all these nasty games from the left, however, was not what they had hoped.

Melania has only grown in popularity, and at the same time, so has her name.

According to a ranking released by the Social Security Administration, the name "Melania"

came in fifth among the fastest-growing girls' names from 2016 to 2017, moving 720 spots

up the list.

Imagine that!

The woman who has endured more unwarranted attack from the left than any one of her predecessors

is actually so popular that new parents are racing to name their baby girls after her.

Of course, you'd have no idea that Melania is so popular from watching CNN or MSNBC.

But the numbers don't lie — she is fast becoming one of the most beloved first ladies

in U.S. history, despite the left's best efforts to bring her down.

First lady Melania Trump is having an influence on children, but not in the way she may have

expected.

The first lady's name is quickly growing in popularity among baby names in the U.S.,

according to a ranking released Friday by the Social Security Administration.

Her name came in fifth among the fastest-growing girls' names from 2016 to 2017, moving 720

spots up the list of the most popular girls' names in the U.S. "Melania" was listed

as the 1,650th most-popular name in 2016.

The news coincides with a recent poll showing the first lady's popularity surging by double

digits since January, even among Democrats.

[Source: Washington Examiner] It appears that Melania's beauty, intelligence,

and class have endeared her to new parents looking for a special moniker to bestow upon

their babies.

However, the same cannot be said for one of Melania's most notorious predecessors: Hillary

Clinton.

Hillary is one of the few first ladies in history to see the popularity of her own name

decrease after taking office.

Hillary Clinton is a former senator, First Lady, Secretary of State, and is now leading

in national polls for the Democratic nomination for president.

But no one names their kids Hillary anymore.

According to the Washington Post, the popularity of the name Hillary fell dramatically beginning

in 1993, the year that Clinton became First Lady.

It fell 90% between 1992 and 1999.

The drop is made sharper by the fact that the name had actually been increasing in popularity

up until 1992, and the Post points out that this is not the case with the names of all

former presidents and First Ladies.

[Source: TIME]

Although Democrats will never admit it, it's easy to see why the name "Melania" has

grown in popularity while the name "Hillary" has lost its steam entirely.

After all, who wants to name their precious baby girl after a pantsuit-wearing liar who

is married to an alleged rapist and lost the presidency twice?

What do you think about this?

Please share this news and scroll down to Comment below and don't forget to subscribe

top stories today.

For more infomation >> Hillary Humiliated As Melania Sends "Special Gift" Straight From Walter Reed. - Duration: 4:29.

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「デッドプール2」NYプレミアにR・レイノルズや忽那汐里が参加、コスプレファン集結 - 映画ナタリー - Duration: 2:49.

For more infomation >> 「デッドプール2」NYプレミアにR・レイノルズや忽那汐里が参加、コスプレファン集結 - 映画ナタリー - Duration: 2:49.

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Photographing Prambanan Temple in Indonesia - Post-Processing Tips & Techniques - Duration: 50:26.

welcome to the first ever installment of Ricky's pictures today we're going to a

temple called Candi Prambanan here near Jogjakarta Indonesia and we're

going to photograph it so in this series I'm gonna take you along with me

teaching you how I set up my shots and then how I go back to the studio and

edit those shots to be able to upload them and sell them the publishers and

social media and everything else so without further ado I've already called

a grab which is like the Uber of Southeast Asia so here we go

all right I just got here to the pa-, pa-, whatever I'm gonna put it right here cuz

I don't remember the name of it but uh yeah so the guy who drove me here he

wanted to take a picture with me because it was the first time probably that he

drove a white guy so I was pretty funny and now I'm just gonna go pay the

entrance fee and go in here and explore for a little bit before I set up my

tripod

all right so I was just looking over in this direction and I thought I found the

composition over there that I really liked and then I just came started kept

walking around and now I'm really loving this so I think this is what I'm gonna

shoot tonight at sunset I'm just gonna stand around and wait around and look at

this temple a little bit more and then at sunset I'm gonna go ahead and I'm

gonna shoot this shoot this photo right here with all these big blocks in the

way and everything so let's just wait a couple hours for the Sun to go down and

we'll get that all right so I did another lap around this place just to

kill some time and see if I could find another composition I did not this is my

favorite composition of them all and I'll show you that through the camera

now and so the things I like about this composition is just that it's got an

awesome foreground element all these big blocks here in foreground and then you

can see the entirety of the temple and a lot of the other compositions I can only

see one two or maybe three of the buildings so this is really good and I

also get a lot of the sky from this angle so I really like this composition

so I'm gonna set my timer I'm gonna set one and a half minutes it's gonna take a

picture and I'm gonna just keep doing that for about two hours it was starting

to rain earlier so I put this rain coat on my camera just keep it dry cuz I

don't have a weather shield camera but uh so far hasn't been a problem there

hasn't been any more rain but I don't want to disturb the camera so I'll just

leave it on there well it seems like the sky here isn't gonna do much of anything

so I'm gonna wait another 30 minutes bail and then I'm gonna pack it up and

call it a night and hopefully I can find some Wi-Fi around here so that I could

find home otherwise we weren't walking maybe

two hours tonight all right the light never really did anything and

it's getting pretty late it's getting pretty dark and the lights

aren't coming on so I'm gonna go ahead and pack this up and I'm gonna head back

to the studio and we're gonna see what we can get out of what I got today all

right guys so I'm back in the studio now and as you can tell I sprung for quite

the nice studio no I did not have to spend millions of dollars on this is

actually just my hotel room so I'm working right from my bed as I do a lot

when there's no desk or anything in my hotel room and luckily I have air

conditioning up here so I'm not too hot I can keep my shirt on for now but let's

go ahead and jump into Lightroom and I'll show you what I got

so here in Lightroom I already selected as you can see with the green highlights

here exactly which skies I want so I really like these two skies but I think

I chose I settled on this one so I'm going to go ahead and hit down on the

blue so that's gonna be my main sky so I really like just the way that the clouds

are in here and in here and a little bit of this color down here at the bottom I

liked in the other on these little streaks right here but I

didn't feel like it had this much detail on the sides here and I thought maybe

these streaks actually took away from the users I thought maybe they took away

something from the from the temple here so I'm gonna go ahead and sit on this

one it's not the type of sky that I wanted when I set out here I wanted a

nice sunset with a lot of color and vibrance behind the temples but we

didn't get that so sometimes I just have to settle for what you've got well we

did get is a pretty dramatic sky so it's not too bad it's got a lot of clouds and

something nice light the lighting wasn't too harsh because of all the clouds so

this is really good now if you'll notice I could get the shadows out here but

there's a lot of people in the scene and it's really dark so I actually really

like the neutral exposures more so I'm gonna use the neutral exposure for the

foreground here but the problem with the neutral exposure is that you lose a lot

of these detail here where these these people are going up and down the stairs

there's a lot of tourists in the shot so I don't want to paint them out because

then I'm gonna lose some of the detail of the steps and things like that I

won't be able to get it exact so what I'm gonna do is I'm actually gonna

select a lot of the different exposures here and I'm just gonna go through all

the neutral exposures and try to get a shot where everything is free of people

so I'm not going to get one where everything is for your people but what I

want is to put them all together and just color out some of the people from

some of them so if you notice like a lot of these people have left

from the sides if I go back to the original now I don't have all of them

another one and I also got rid of some of these people up by the trees and

things so let's zoom in here just making sure this is in focus and

what's it loads here yeah you can see that everything is in focus so I'm just

going to want to knock out some of these people so if I go over to an image here

like I'll get some of this back and if I go to another one see here now I've

gotten rid of all those people so I'm going to go ahead and 5-star that and

I'll fine I've started this one so wherever people in this I'm going to

look for an exposure where you don't have people so soon back into these

people now let's go to this other one oh now you can see all of those people

where they were ders they're gone so I can just go ahead and paint them out

using this exposure you want to use as a as a few exposures as possible it's just

less work so let's go back to the original and see where there's some more

people you see over here by this tree so let's see what this one gives us we

still got a lot of people so I'm knock out a few of those people but I still

got all these people sitting here so I'm gonna have to go ahead and find another

exposure yeah right people so they've been sitting there

this whole time not moving see like a fine better

still a little bigger actually we're adding more people still there these

pesky little people these four people are not moving there we go alright so we

still got their little backs but that'll be easy to color out so I could go ahead

and use this explosion I'll get that of five stars too so now let's see what

we're left with go back to the original exposure now I've got rid of the most

people that's people over here too so let's see if one of the ones we've

already chosen gets them out not that one not that one either so is there any

of these exposures within those you want to get as close to the exposure as

possible because that's where the lights gonna be the most similar so this one is

almost good I could paint this guy out

okay there we go so go ahead fine five star this just give that a zero because

now this one is completely free of people over here so we'll use down them

for that section now this is going to be the hardest part this is where all the

tourists liked hanging out it seems so and that one we've got a bunch of people

and this one we've got a bunch of people

and this one we still got a bunch of people so I think we're gonna have to go

pretty far out start cutting that down so you can see more people are coming

alright so this one on this ledge I got rid of a lot of people so I could go

ahead and use this one from the ledge

and this one doesn't have many people and I could cut them out I could paint

them out if I need to so I'll go ahead and use this exposure to get rid of the

last of the people and that should be it for all of the tourists if we've got

something left over we can go ahead and just paint them out using the clone

stamp tool in Photoshop all right so now I'm just going to take all these five

star photos that we just got the exposures that we like now I'm going to

go ahead and edit down and make them all the same so if I go ahead and just

select all of these neutral exposures every five star

all right so I like the first one that we got next to the sky the best so what

we're going to do is we're going to edit this a little bit I'm going to apply

this basic preset that I already have and basically what this does should

apply

all right so what this does is just removes chromatic aberration and enables

the profile correction for my lens so I have a wide angle on here I was shooting

at just over 18 mill let's see I was shooting at 24 mill and so I'm gonna

give some vignette and some distortion on the edges there so this is gonna go

ahead and get rid of that and then I'm also here on the sharpening dobby does

this 25 automatic sharpening every time you do something in Lightroom and I like

to offset that a little bit I got this from a Lionel kardi he does this and so

he just offsets the noise that that adds by doing a little bit of noise reduction

I like to do about 15 or so it seems seems like it keeps to the this the

photos original settings you don't get any extra grain in there and I like to

keep it on Adobe standard because it just gives you a very light color format

you don't get any extra saturation or anything like that

alright so now I'm just gonna play with the highlights a little bit let's see

what looks good remember I don't care if the sky gets blown out I only care what

happens in the foreground for this photo because I have this one already for the

sky so

care about what's going on down here let's see I think I like it a little bit

less than the highlights I'm not too much 19 your show is good shows I don't

really think I have to do anything at the shadows has it caught it a good

pretty good time of day wise all right I'm just gonna bring down the

blocks just for a little bit of contrast just down to a negative five let's say

and I'm just gonna for easiness I'll just make this highlights and then you

get a 20 let's see if I'm gonna play with the temperature at all

so I think I wanna bringing this up just a hair

not to this I want to bring this up it was that 50/50 to start so let's see I

want to bring it down to one city 5,200 alright yeah I think that looks pretty

good it just adds a little bit of length to the rocks here I think I might have

even gone a little bit too far I think I'm gonna say about 50 you want and then

if I want to change in your Photoshop later I can always change it in

Photoshop that's a great thing about shooting in RAW all right I'm gonna add

a little bit of vibrance here not too much you when you go too much you can

see what happens I just want to add a tiny little bit

maybe seven seven

and see if we want to add some DJs

something I'll just add a little bit of DJ's here maybe you give it a 14 so I

decide 14 and now we're going to go down here we're going to select the image and

say develop cities copy settings and we're going to want to do everything

that I already did so white balance basic Tiny's

gave a little bit of vibrance and noise reduction lens Corrections and we didn't

do some D haze

so just copy those settings and now you're going to want to select every

5-star photo that we made

I'm just like them all now right-click on any one of them and say develop

settings paste settings so that's gonna give all of these the same edits that we

just did on that one so that they all look very similar and we can smoothly

edit them together all right now for the sky so I'm gonna go ahead and take the

sky and I'm gonna bring I'm gonna first do the basic correction and that just

gives my lens Corrections and sets II let's go ahead and do the change the

noise reduction 15 just like the other one all right so now the sky looks

pretty good here I just want to pull down the highlights a little bit so we

get a little bit more detail that's a little bit too much maybe go to a 38

that looks about good I want to pull the shadows up just a little bit remember we

don't care about anything that's happening in the floor no we're only

looking at the sky for this one I just chose a little bit and let's see bring

the vibrance up just a hair say 217 now that's a little bit too much I think

let's do about a 12

and now on the whites let's see if I do anything with the whites I think I like

the whites just where they were and I spraying the color up to match the other

ones at 1/5 100 for the temperature so we'll just change the temperature at 50

100 and now we are good to go so now we can take all of our exposures anything

with 5 stars just going to select them

listen alright and so now you're gonna right click again on any one of them say

export export alright now here's where it's a little bit tricky so you're gonna

want to export to whatever photo whatever folder you'd like to put them

in I always sort by the date the place and then what type of file it is so for

these these are gonna be PSD so I'm gonna select this folder I'm not gonna

change anything else I'm gonna go down here to image format PSD and I already

have a preset for these settings so you can make a preset after you do this one

time so you don't have to do it again color space is prophoto RGB now that's

gonna give you the widest color space of any of these so once you put it on

Instagram or something that's going to automatically convert it down to srgb

you're going to lose some of that color space but for professional photography

you're gonna want to work in the largest color space possible and that's gonna be

prophoto RGB and then you're gonna want 16 bits for the highest quality images

now that's gonna make it run a little bit slower but it's worth it same down

here the resolution should always be 300 or greater you don't want to do anything

less than 300 if you're planning on going to print with an image if you ever

going to print your image you want to be at least 300 dpi otherwise it's gonna

look a bit grainy and things like that and then down here just go to open an

Adobe Photoshop CC you might not have CC 2018 whatever

I'm gonna say export so now we're just gonna wait while all of these files

export here and unless we get a photo shot we'll pull them up all right so

I've got everything in Photoshop now I have one two three four five six seven

images here to work with so here's what we're gonna do we're gonna take all

these images and bring them down to one file so I just want to take all these

and I'm gonna control a for all control C for copy ctrl W for clothes and

control V for paste so I'm going to do that for each one of these here and I'll

skip this for you so you're not bored all right so now I've got all of the

images into one layer here or one Photoshop file here sorry so I've got

all of these layers seven layers and as you can see I can just go up one by one

so there's my first layer second layer third layer fourth later the player six

layers player alright so this one here later one is the sky I know that if I

push it hold alt click on the little eyeball here that'll just show me that

one image - I knew that that's my sky so I'm going to name that sky and now I

gotta find which one is my main image so it was one with all these little girls

here at the front of the temple so that's gonna be the first image here so

this is my main layer and I wanted this layer just because it's the closest to

the sky all right so now I'm gonna take that and keep the

sky off for now and all of these other layers above it I'm just gonna one at a

time make one visible and then black it out with a mess to block it out with a

mess I'm going to hold the whole key while to click the mask so that's gonna

block it out so now it's not visible at all it doesn't matter if I turn it on or

off and what I'm gonna want to do is just see which parts I can paint out so

actually if I go ahead and delete that mask right now I can see that all these

girls here I can paint out with this and maybe some right in here so let's go

ahead and like that out again real quick

so we're gonna go ahead and zoom in I'm going to take the brush tool and make

sure that this is switched to white you can switch this with the X key and so

just set your brush let's see maybe 72 size or a little bit bigger and I'm

going to set my flow to a low flow of maybe 50% okay

so now I can just go ahead and start painting these people out

now I'm working with the mouse here I highly recommend using a Wacom tablet or

something like that I'm gonna be getting one soon

it's not easy to buy them overseas so I'm gonna have to wait until somebody

comes visits me so they can bring it to me but right now I'm just working with

my little touchpad and it's a pain so just bear with me so I'll just go ahead

and keep paying these people out see how many of these people I can paint out

what this is here you're gonna be wanting to look for changes and the

backdrop and you're doing this make sure nothing too much changes but so far

we're looking pretty good as pinouts on this little stuff see if I can get rid

of these people see about these

so right now we're looking pretty good see these people here

just get them right out of the picture

so you're running into a problem if I try to paint that mountain where people

are come in so I leave them for now I'll paint out this one because she goes away

a little bit

all right now let's see how we can get rid of these people

all right so this one changes quite a bit but you can see that the color is

also changing quite a bit so I'm going to lose some of that color and I'm not

really liking the way this one was looking but I'm gonna have to deal with

that I don't ask you just paint these guys out let's see how much I can do

without getting those backpacks

all right so I really only got this one black back here so I'm just gonna go

ahead and dictate this clone stamp tool right now and I will

and just clone that out so it's pretty hard to tell that anything's changed

especially when you go ahead and zoom back out alright so we just got these

people here let's see if I can paint them out as well I'm gonna select this

layer first just go that water bottle

alright who else do we have here we've got a cat

it looks like

and we still have these people over here let's see if this one will get them now

so I'm still not taking them out

so I might have to move this layer down lower

see

so they've got

so this one girls still gonna be in that

let's see what the sky won't gives us no too many people

alright this is gonna be the best one so let's put over here

so now I'm gonna get this girl's hand with the selfie stick and I'll just

clone stamp her

a smaller brush just like that paint some loose Rock

all right let's see can't tell it all

so thinking is so much of this stuff is so small that once you zoom all the way

out and you're looking at it on a screen you can't tell at all so you don't have

to be exactly perfect unless you want to blow this up for a billboard or

something like that now we just have these people over here to get out so

let's see if we can get this layer

all right

zoom back out and just kind of scroll around and make sure we got everything

this is over here this temple you can see right here you got a little

salt in there so I can do this two ways I could use

the clone stamp or I can try to get him out I think I'm going to try to get them

out the way we've been doing it let me just see what I can do with some of

these layers

it's first layer just paint right now all right

let's keep going I'm sure there's nothing else

and I think we're ready to edit our image so there's one layer here that we

actually never use so I'm just going to go ahead and trash that we don't need it

and I'm gonna take the sky and I'm gonna put it at the top just when I do that

you can see what happens when I bring a sky in and I'm actually gonna put this

in a folder now I'm gonna go to channels I'm gonna select our C gives us the best

guy so here if you go to the blue that's the most white in the sky so I'm gonna

go ahead and select that I'm gonna make a copy then we're gonna push a control M

to get my curves up here and I want to just blow out that sky a little bit cuz

anything that's white it's gonna be replaced when I make this mask I just

want to make this dark so if I do it too much and get some lines

I just make it dark like this see what that does for us so now I've

got this mat so I can select it by ctrl-clicking it and I can bring it over

here to this folder and I'll apply it as a mask all right so now this is what

it's done so see those lines I was talking about we got some of that around

here so I want to do throw this away and I'm going to

go back to the channel and I'm gonna take this and I throw this away and make

a new copy this is just trial and error here we're gonna do the curse again find

a good spot

let's try that

so control click that again go to layers go to Z now

apply this as a mask to the folder

all right so I'm not getting this line so that's good so we can go ahead and

zoom out and you're gonna see them start getting some picture so people in here

because it's not completely blacked out we're gonna have to do that manually but

I've got most of the sky here so with the Elvis layer look at the sky and now

look at it again it's much better so that's what that and that's worth much

much better all right so know what we're gonna do is we're just going to black

out everything that's in the temples so if I push this I can go ahead and take a

brush and make it pretty big

much bigger not that big

and a flow 100 this I'm just going to pin black all over here

to correspond with using a touch pad and make this brush a little bit bigger

let's make it a thousand

and I'll just paint this out

one thing I can do is I can all click on a mask here and I can just make sure I

have black and then I can see exactly what

I just want all of this down here to be black I don't want that sky layer

affecting anything from the foreground

smaller

painlessly Star Wars

I just don't have to be black because you want it to kind of run into the sky

but I just don't want to get too much of that dark color in the temples here

all right and I'm going to do the exact opposite on the sky here so I'm gonna

take white I'm just gonna paint white and get another big brush not that big

this is why I need to walk on tablet I'm just gonna paint white because I don't

want this to be anything from the foreground

I just want only the sky on this layer as much of this as I can paint white

without going under the temples like that some of this greatness kind of

helps it blend to the foreground so you don't want to get the white all the way

to the edges or you'll get those white edges of the temple stuff I chose you

for that we got it before here and after so we're not getting any of those

negative effects down here not getting any the people in here not getting any

different coloring we're just getting the sky up above and that's exactly what

we want so now we've got our image so we want to take all of these what we can do

is I don't like to get rid of anything I just like to put it in folders even

though it makes the file size bigger because this is already almost a one

gigabyte file but I hate getting rid of things in case I need to go back and

change something later so what I'm gonna do is I'm gonna take all these merge

down to one image just on top so to do that I do a ctrl shift alt e' and so

that's just gonna make a one layer out of all of this so if I turn off the

folder and you see there's just this one layer

now that we've got our lair we can go ahead and start our editing so I

typically use Google and Nick collections and you can Google download

Google in that collection and from online and it's free download and all

you have to do is install it put it in your Adobe folder and you're good to go

I'm gonna be doing a video on that soon so stay tuned for that if you are

curious and you're confused by it but most of what I'm gonna be doing is with

Google in that collection I just think that the contrasted ads far superior to

even just Adobe Camera Raw they ain't even do some great thing as an Adobe

Camera Raw and if it's all I had I wouldn't be mad but since Google net

collections is free and it's easy to use I use that almost every single picture

that I do so let's go ahead I'm just gonna let this save and I will fast

forward to let it save it because it takes forever all right it's finish

saving or someone I grew up and I'm gonna be select it all my layer I'm

gonna go to Google net collection so it's on the filter net collection I'm

gonna go to color effects Pro

you have to give this some time to load

now when you start hearing a Colombian halt I've already selected all my

favorites so you can just pause the video here if you want and add your own

favorites based on mine but I'm going to go ahead and start off with this Pro

contrast this is my favorite of all the net collection filters and it just adds

this dynamic contrast that's really nice so as I'm scrolling this over here

I'm really liking like that it's doing it's just brightening up to foreground

and bringing out the background so I think somewhere if you go too far you

can tell it looks ridiculous but somewhere around 40% is looking good

here see would just correct us so that's gonna add a little bit of blacks bring

out the blacks a little bit but not too much just a 10 maybe 9

percent looks good let's see what the Clara correct podcast does so that's

trying to add just a little bit of magenta into the picture and I kind of

like what it's doing here so I'm just gonna add a little bit of that and I'm

gonna say okay

now you have to wait a while for this Google Nik collection to do its thing

especially if you've got a little bit slower computer I'm working on a pretty

good laptop but it's a laptop nonetheless it's not a professional

desktop computer so it takes me a little bit longer all right

and so now it's loaded and I really like that's done really really liking that

here so let's see what we can do with a few more of the collection things so

let's go up to color effects program and let's I think I had someone walk to this

picture I think it's a little bit too blue I'm not waking all the blue so I

just wanted you know what I'm gonna do that later well no I'll show you how to

do it here so I add some warmth there I don't like what it's doing to the sky at

all but I do like what it's doing the foreground if it just had a little

let's see what that looks like toggle on and off

it's a little bit more here even 9% but I don't want it to affect the sky so

I'm gonna go ahead and I'm gonna take it out of the sky I can do that just like

this

one of these I can just move it out of the sky with

that

so if you look at my control points yeah all right I'm gonna add another

filter here I'm gonna go to a polarization so at the polarization it's

really gonna be good for the sky but as you can see it's also added some color

contrast down below that I like so I'm just gonna bring that up to around 95% I

hit OK

now my computer's working really hard here it's getting very hot so after this

I'm gonna want to Steve because as we all know Photoshop does often crash and

you don't want it to crash and have to redo a lot of the work so make sure

you're saving consistently just like you should be when you're in Word or any

other program all right I'm just gonna do to morning your collection filters

here I think and then short than this and I think I'll have a product that I

like so let's go ahead and go back to color effects Pro wait for this to load

now I'm gonna add some contrast color range so if you look at this when it

first starts you can tell the it's ridiculous you never want to keep it

like that so what you're gonna do is go ahead just slide these all down to zero

sometimes you just have to wiggle this brightness just to get it to reset and

so now we're back at zero so we can slowly add a little bit of this color

contrast and just see it's really bringing out those colors

to add a little bit of that some contrast here just a tad

I think I'm going to bring the brightness down a tad I think it was a

little bit too bright especially in the foreground didn't like it so much

go ahead and down yeah three percent even minus four all right I think that

was pretty good I'm gonna go ahead and add another filter and do total contrast

and this is the same thing you have to bring all these things down to zero

before you begin I don't know why they start with them up so high it looks

insane all right so now I've got these highlights so let's see if I bring them

all the way up you can see the sky gets really crazy a little bit of that but

nothing that much so I'm gonna say maybe eight percent let's see the difference

there it just adds a little bit of definition to this guy and that's all

I'm trying to get out of this filters just a little bit of definition

all right the mid-tones we're gonna play it Louis it's gonna affect the most

things if I bring this all the way up again insane pretty cool though

maybe 10% 10% was pretty good

shadows man you bring us up all the way it's ridiculous maybe just 2% 2% that's

enough all right so if I turn this on and off we just see the difference

especially in the sky brings out this dramatic sky I really like that let's go

ahead I hit OK on that

I don't realize this is a little bit more intense on it to be so I'm going to

go ahead and just turn down the opacity of it a little bit if I go all the way

down you can see that's the original I just don't want to call the shadow and

for real so I'm just going to bring it down to about 80% and see what that

looks like yeah still liked it a lot so I'm gonna

go ahead and double this one under it just create a copy of this layer that's

right here under it and then I'm gonna merge this top one that I just made and

turn to 80% just merge that down by pressing ctrl P so that'll just make one

100% opacity layer on top and you can see the improvement all right so what

we're gonna do now is some sharpening so we're gonna go ahead and double this

later other high pass and here I'm going to make this a three point now and what

this is gonna do is gonna look really weird at first but if you go ahead and

change the blending mode to overlay now if you zoom in here

zoom tool zooming some rocks here you're gonna see

if I toggle it on and off see that difference it just really adds some

sharpness so if i zoom back out I really only want the sharpness in the

foreground and I want the fade as it goes to the background that's kind of

what the eye does so I'm gonna add a black mass to this just get rid of it

everywhere I'm gonna take the brush I'm just gonna paint it in I'm gonna use it

flow over for me let's say let's say 100 and wherever I wherever you see the red

here that's where there's no no sharpening so I'm just gonna add that in

I don't really want it to be on the grass I just wanted to be on these rocks

a little bit to paint that the red makes it easy to see exactly

you're doing exactly where you're going

a little bit of black back in there I basically just want this sharpening to

lead the eye to the main focus which is these big temples

a little bit in here

turn my flow down to maybe 50% and I'm gonna paint some of its back to black I

just

Tenace down even further 20%

just a

mouse get these temples a little bit too much

let's see how that looks go ahead and turn that mask off so if a toggle is on

and off you can see we're just getting a little bit of sharpening those temples

and a lot in the foreground and

all right I think that's about it for this image we could go in here and

toggle some more things if we wanted to I could add some greens and changeup

maybe add a little bit of reds but for now I just want to start this channel

off with some easier tasks and so I think we've got a great image here you

could go ahead and post this up on Facebook on Instagram or wherever you

post your images 500px and you'd have a phenomenal image to

share with everybody so I hope you like this video if you want to see more

videos like that I'm making a lot more so just go ahead and hit that subscribe

button below thumbs up so more people can see this

video it'll spread like wildfire throughout the YouTube community

hopefully and a lot more people who want to see videos like this will see this

the reason I'm making these is because I wanted more videos like this and I

didn't really see too many out there that weren't in a high-price tutorial

packs so I just want to put these out there for free on YouTube and share them

with the world so thank you very much for watching I know it's been a long

video appreciate you sticking with me and I'll see you in a few days for the

next one

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How to use Google translate to improve your speaking | Ruben Moreno Guerra - Duration: 6:35.

the new employee manages the client account

the new employee manages the client account

Alright you can see that is not the TRANSLATOR´S mistake

If the translator is not understanding you is because you're pronouncing wrong

alright guys let me start by

I'm going to start THIS video because

I want to teach you one trick to learn english I mean to practice your pronunciation

And practice how are you doing to improve

reading or improve to be more fluent and

when you talk because I think that when you talk when you're just starting

the new language you must have have

words in your mind and try to speak out your thoughts and

Basically i want to teach you how to use google translate, to do not just for example i'm going

To use for example if you're learning spanish or if you're learning

english so

You have this tool and i'm talking with all all of those guys who are learning english

in your have enough experience talking all speaking out loud alright

So now for example less to four

There's going to

So look for link linking look non-latino okay

linking link

So if you have any

any question about

Then you will know the answer for

Example how to use manage manage manage

managed to

For example as was going to practice

have wait basically that right and if that was later can get you that's mean you're pronouncing right

Because of that i'm using this might in order to to have a better

english

colleague all right

Okay i'm going to read in english this, so we put here english take my head

So the new employee managed the clients account

All right here you can see my a mispronunciation maybe or is to do this is

recommended to half an hour on

silent place to do this for example here you can see the new employee manage declines because i

pronounced wrongly

this part

they clients the clients account i did a wrong so you can practice like this just

for example be aware of your mistakes or you

Hard question of all the thing you wanna do want to implement in your mindset in your

your mind and you go here and read it and try to see

what what is not understanding you the translator all right so let's go out this dragon

And i'm going to put more attention in the clients account

the new employees manage the clients account a little bit great

okay now let's listen this

wow the new employees the new employees managers the client account

the client the client account the new employees manages the clients account

Which never right so now let's do it in spanish i guess in spanish is going to work perfect

and well empleado administered as cuentos de los vientos

alright you can see that is not the mistake of that sauce later is if that letter is not

understanding us because you're pronouncing prod right

basically one two you notice that guys you can help you you can help you in your into process doing this

actually i just

Don't don't use so much this but i want to recommend you

these guys if you're beginner if you are just reading the spanish you try those because

In this occasion i have to put in in spanish subtitle for those who are just starting

this learning process

Mmm there guys, so i'll see into my next video bye bye

you

For more infomation >> How to use Google translate to improve your speaking | Ruben Moreno Guerra - Duration: 6:35.

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BIBBY LAUNCH MEDIA DIVISION | BIBBY CONSULTING GROUP - Duration: 3:22.

(piano music)

- I came up with this tagline.

Give your business the competitive edge.

I launched into LinkedIn Lead Generation,

which didn't exist in Australia,

a couple of people doing it in America,

but it's very expensive, pretty much just created

this product right, and we learned to go

created the service and the results were just

so much faster here than anything else on the market

for business, Business Lead Generation.

Comes to other digital marketing services,

my expertise do cross all facets of digital marketing,

search engine optimization, Google advertising.

But I didn't feel comfortable launching a service

even in those areas unless it was cutting edge,

and when I say cutting edge, I mean better than the rest

by at least double.

Something that's unique, so unique.

I mean video marketing's always been a trend, right?

And I'm looking at where

I think is going next,

'cause I did 12 months of testing and measuring.

I've done YouTube videos, webinars, I've done live events,

I've done Facebook videos, I've done Facebook ads,

I've done Instagram ads, I've done SnapChat.

LinkedIn Video's been around four five months now,

and they've just created LinkedIn Ads.

Go figure, right?

'Cause we've been doing LinkedIn marketing for five years

that as soon as we trial what we've been doing on

other platforms on LinkedIn,

the results have been five times as strong.

The results on other platforms,

and most video marketers will agree with me on this,

is they're just declining.

You can't get as much organic reach

on other platforms anymore.

It's very competitive,

a lot of people are advertising there.

LinkedIn is new, the results are improving,

they're really good.

Most businesses, or even marketers

that are on other platforms don't know

how to purpose content for LinkedIn,

'cause it is very different.

It's in the newsfeed, 10 minutes maximum,

and people are on LinkedIn to do business.

They're not there to hang out.

Creates engagement is emotion.

When you build a network on LinkedIn

and you keep top of mind with them, it's the same as call-

If you called everyone in your network once a week,

and said, "Hey, how you going? Just wanted to touch base.

"See how are ya. Thought I might share with you this tip,

"or might tell you what's going on in our business."

You're doing that phone call to the masses

by posting content.

You're not supposed to know the best way

to create videos and the best way to get engagement.

You're supposed to know your business.

That's the way you're able to grow your business.

It's my job to hack LinkedIn's attention

and reformat your content in a way that creates engagement,

so you're top of mind with your network,

to grow your network with your target audience.

So you've got key decision makers in industries

which are relevant for your brand,

so that when they are ready to make a purchasing decision,

you're the first person that they think of.

I'm sure you can zoom in on this,

but I would've checked my LinkedIn messages an hour ago

before we started filming.

Look at all these new messages, I'm just literally,

I'm not reaching out to anyone.

These are all inbound just from people that happened

to see the video, and it's just,

it's a different kind of lead.

The human attention span is scientifically proven

to be less than a goldfish now.

We are forgetting things quicker than ever.

You got to be saying it over and over and over

and over and over again, so people get it.

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como cortar o cabelo undercut com franja longa - Duration: 19:07.

Thanks for watching

Hope you have a great time

Please, like, comment and subscribe for more

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Trippy psychedelic rap beat instrumental

Psychedelic trippy music

Trippy psychedelic video

Purple Six Beats

Weird rap beat instrumental

Rap beat instrumental

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