Thứ Ba, 15 tháng 5, 2018

Youtube daily May 15 2018

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For more infomation >> Try Not To Laugh Watching Funny Fails Compilation 2018 | Funny Fail Vines 2018 - Duration: 10:09.

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How to Get Your First 100 YouTube Subscribers - Duration: 10:49.

Sunny Lenarduzzi: How do you get your first 100 YouTube subscribers?

I know it can feel like such a struggle to get there, so I'm going back in my head to

when I first started my channel and really started to see some growth.

This is Periscope, and this is Meerkat.

It's going to go like this.

Or, we don't have to go back to those actual videos.

We all start somewhere, and I know if you're just getting started right now, and you're

trying to hit that 100 subscriber mark ... I have now helped almost 2,000 people grow their

businesses, their brands, and their influence on YouTube, so I know what strategies work.

That's what I'm going to show you in this video today so that you can pass that mark,

because I know you can get there.

Let's dive in.

Welcome to The Sunny Show.

But before we do, make sure you hit that Subscribe button and click the bell to get notified

every time I post a new video each week.

All right.

Let's dive into tip number one, which is must.

It's a must do.

Every time you comment on my videos, and I see your comments where you're saying, "I'm

just not growing," I've done my research.

I actually go to your channels, and I will see that your channel doesn't tell me what

the heck you're talking about.

If you don't know what you're talking about, why would anyone else want to subscribe?

If you don't know right off the bat as soon as you click on someone's channel, and it

says, "This week I'm going to talk about ..." or, "Every week I'm going to talk about YouTube

tips, marketing, and social media," or, "Every week, I have to post new videos on real estate,"

or, "Every week, I post new videos on growing your business" ...

Whatever it might be, that has to be front and center.

You have to give people a reason to subscribe.

You got to niche down to blow up.

On your channel, first thing people need to see is what is your channel about on your

channel header.

What are you going to talk about?

What are people going to get out of it?

Why should they even subscribe?

What kind of content do you offer?

If you want help on this, I'm going to give you a checklist at the end of this video to

make sure that your channel is set up like a boss to attract more subscribers.

That's number one.

Tip number two is the growth formula.

This is a proven formula that I've been using from the beginning of my channel and I tell

all of my clients and all my students to use as well.

You have to make sure that you're paying attention to this formula in order to build authority

on YouTube.

If you don't have any authority, you're going to get lost in a sea of videos.

Comment below if you feel like you are getting lost, and no one's seeing your videos.

This is probably the reason why.

The formula looks like this.

It's search volume versus search pool versus views and velocity.

What the heck does that mean?

Means this.

When you're getting started, you want to look at search volume that matches the size of

your channel.

If you're a brand new channel, you don't want to pick a topic that has volume of 160,000

searches a month.

There's no way that you can compete with such a competitive keyword, so you want to look

at something that's a little bit lower, a little bit less competitive.

Search volume is between, say, 100 and 1,000 searches per month.

One of the tools I use for this is called Keywords Everywhere.

It's a great plug-in on Chrome that will help you find the search volume right off the bat.

You want to use that first and foremost, so search volume.

Then, you want to look at the search pool, which is a term I made up, so don't get mad

at me when you google it and nothing shows up.

It's a term I made up because it makes sense to me.

It basically means the amount of search results that you're competing against.

You want to make sure that pool is small as possible so that you have a better chance

of ranking number one, so less than 5,000 results in a search volume of 800 searches

per month is a great little formula.

Then, the final thing is looking at videos that are already ranking for a topic you want

to make a video around and seeing how many views they have in how much time.

That's views versus velocity.

How many views do they have over how many years?

You want to see a high number of views over a shorter duration of time, and you want to

see a high number of views in relation to the subscriber account.

If someone has 90 subscribers but two million views on a video ... That's intense, but it

could happen ... that means that that video's getting picked up in search and suggested,

and it's a popular topic that you could create a video around.

That's the formula, the growth formula you want to follow to actually start growing your

channel and attracting targeted, quality subscribers.

The next step is series for subs.

Now, this is something new in 2018 that you're probably noticing on a lot of people's channels.

What it is is basically making content that leads from one video to the next.

We no longer are in a place where you want to be making these individual videos and just

hoping that that one video blows up.

You kind of want to have each video lead into the next one.

You'll notice this is something that I'm definitely implementing on my channel as well.

Each of my Tuesday videos leads into one another so it creates this series.

It creates the binge-watch effect, the Netflix effect, to keep people on your channel to

increase that watch time, which is really, really important and we want for your channel.

Even if you're just starting out, think about how you can create series-based content.

Step number four is it's all about content on YouTube.

If you don't have good content, no one's going to subscribe, period, end of story.

For everyone out there saying, "Sub for sub," who has no content on your channel, why would

people subscribe?

Super confused by it.

You have to have good content.

In order to have good content, you got to figure out what people want.

You can just think of things in your head and hope it works.

That's a really hard way to go about YouTube.

What you want to do is survey your audience, or survey any audience that you might have

on any platform or any channel or any clients that you might have already.

What you want to do is basically ask them, "What are your biggest pain points when it

comes to YouTube?

What are your biggest pain points when it comes to your business?

What are your biggest pain points when it comes to sewing?"

I don't know.

It depends on what your channel's on.

That's going to be a goldmine of potential content topics for you because those are the

things that people are looking for.

Those are the solutions they need and the answers they need, and you just have to show

up and provide them with your expert status in that area.

Another way to do this if you're first starting out, you don't have an audience, and you're

trying to figure out what to make content on, is creeping.

Not in a bad way; in a good way.

So, creeping on other channels that have a very similar audience view or that are goals

for you.

You go to their channel, and you see what are their most popular videos?

What's resonating the most with their audience?

Where are they getting a ton of views?

Use that as a clue for how you want to build out your content, of course in your own unique,

individual way.

Step number five is get involved in the community.

The best thing that I did when I was first starting my channel is I was commenting on

related channels.

So, anyone who had a similar audience to me, I was in the comments section of their videos,

building relationships with people on YouTube.

Your community, your tribe, is your trust fund.

You need to build a tribe on YouTube in order to grow.

Those first people who subscribe to your channel, those will be your lifers.

I still have people on my channel who were here from day one.

Thank you.

Love you very much.

So, make sure that you are paying attention to those people from day one.

A really great way to grow your channel by getting involved in the community ... I'm

talking about yes, on YouTube, but you also want to get involved in the community of these

like-minded channels or even Facebook groups that have a like-minded audience, the one

you're trying to attract.

What you can do is if you're making videos based on step number four and the questions

that your audience has for you or popular video topics, you can use your YouTube videos

to provide value in different groups or forums, and you can use your YouTube videos to answer

those questions so you get more views and you drive more people to your channel.

Secret little hack there that I used to use that worked real well for me, especially getting

to that 100 mark.

The next thing I would do is if you're below 100 subscribers is use your YouTube content

on every other platform.

What you do is basically create a bank of content from your YouTube videos.

What you can do is create transcriptions from your videos and turn them into little captions

on Instagram.

Or, you can turn them into Tweets or Facebook posts, but always link back to that full-length

video.

That's a great way to leverage your content, repurpose your content, in a native way for

each platform.

You can create even mini clips for Instagram or for Facebook, which you see me do a lot.

What I do with those is in the comments section, I'll always say, "The link is either in my

bio," or, "The link is in my comments on Facebook."

So again, you're using your really good content you're posting on YouTube as content in other

places and always driving back to YouTube to grow your channel and your subscriber base.

That's a huge tip that will work really, really well for you.

I feel like that was like a Donald Trump moment.

Step number seven is launch your channel.

It's exciting.

It's important that you tell people you're actually doing this.

If you're just publishing videos and hoping people find you and subscribe, you got to

be more proactive than that.

When I first started my channel and I got serious about it, I was telling everyone and

their dog that I had a YouTube channel and I was sharing my videos with everyone.

Make sure that you're sharing them on your Facebook page and everywhere else when you're

first publishing videos and telling people that you have the channel.

Another little pro hack tip here is, in your emails, each week change the link in your

signature to your newest YouTube video.

That will get people to click on it and to subscribe to the channel as well.

Tip number eight, ask.

Pretty simple.

You've got to ask people to subscribe.

They don't natively know to do this, so you have to ask them.

While we're on that topic, make sure you subscribe below.

Tip number nine is test, test, test.

Don't be afraid to fail.

You're going to make videos that are flops.

That's okay.

You're also going to make videos that are amazing, but you have to test different kinds

of content with your audience to see what's going to help you grow fastest.

In the beginning, feel free to make a ton of videos and just see what works and what

doesn't and go a little faster with your content creation to test it out.

I know my friend, Pat Flynn, actually did this on his channel, and it worked really

well for him to figure out what was working, what wasn't.

If you don't have the data, you're just kind of guessing.

So, test it out.

See what works.

See what doesn't, and do more of what works and attracts more viewers and subscribers.

On that note, I have a lot of people ask me, "If I'm starting my YouTube channel, do I

need to have a bank of content on the channel already?"

I don't think that you do, to be honest.

I think you can do a soft launch by telling people about your channel when you're first

getting started, and then post new videos every week, and then do sort of an official

launch when you feel like you have enough videos up there.

But you don't want to be posting videos on your channel without telling anyone about

them because it's kind of a waste of your energy and effort.

YouTube pays attention to those first 24 to 48 hours when you publish video of how much

engagement you're getting, so that's why you really want to leverage other platforms to

drive as much engagement as possible.

Those are my best tips, you guys, for getting your first 100 subscribers, and I know you're

going to get there.

Here's the really great thing.

I also have a video on how to get your first 1,000 subscribers.

There's even more tips in there that I didn't include in this video, so if you really want

to grow, you really want to gain momentum, make sure you check out that video next.

I know it's in and around this area right now, so go check it out.

If you liked this video, give me a like below, put boss, and let me know you're going to

use these tips on your own channel.

Also, come back and let me know when you cross that 100 subscriber mark, because I know you

will if you use these steps.

Thank you guys so much for watching.

Subscribe, like, share with your fellow bosses, and I will see you in the next video.

For more infomation >> How to Get Your First 100 YouTube Subscribers - Duration: 10:49.

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Tamara de Lempicka Google Doodle - Duration: 1:20.

The Search Engine Google is showing this Doodle in few Countries for the Tamara de Lempicka's

120th Birthday.

Tamara de Lempicka, was a Polish painter active in the 1920s and 1930s, who spent her working

life in France and the United States.

She is best known for her polished Art-Deco portraits of aristocrats and the wealthy,

and for her highly stylized paintings of nudes.

Born in Warsaw, Lempicka briefly moved to Saint Petersburg where she married a prominent

Polish lawyer, then travelled to Paris.

She studied painting . Her style was a blend of late, refined cubism and the neoclassical

style.

She was an active participant in the artistic and social life of Paris between the Wars.

Following the outbreak of World War II in 1939, she and her husband moved to the United

States and she painted celebrity portraits, as well as still-lifes and some abstract paintings.

Her work was out of fashion after World War II, but made a comeback in the late 1960s,

with the rediscovery of Art Deco.

She moved to Mexico in 1974, where she died in 1980.

For more infomation >> Tamara de Lempicka Google Doodle - Duration: 1:20.

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Shin Megami Tensei: Strange Journey Redux - REVIEW (3DS) - Duration: 8:31.

While all eyes might be on the Nintendo Switch, we're still seeing the good old 3DS get

some support.

Atlus has been steadily pumping out games for the system ever since its launch, with

Shin Megami Tensei in particular being well-represented.

The latest release of the bunch, Strange Journey Redux, is a remake of the 2010 game for the

Nintendo DS, and like the previous SMT remakes on 3DS, the game comes with a ton of new content

and features.

But are these changes enough to get old-timers to redo this strange journey, or is this game

better left out in the cold?

The story begins with a military team heading into Antarctica to investigate a phenomenon

known as the Schwarzwelt, which is growing in size and consuming everything it touches.

Your ship crashlands inside the Schwarzwelt, leaving the crew scattered with little hope

of completing the mission or even getting back home.

While things do get more complicated from there, the base of the plot is remarkably

simple, something that makes the beginning of the game somewhat difficult to sit through.

It takes nearly an hour of exposition dumping to get to the first tutorial fight, and another

15 minutes after that to start exploring the game's first dungeon, where the real meat

of the gameplay lies.

This wouldn't be so bad if the dialogue were engaging during that time, but a lot

of it is repetitive explanations of what the Schwarzwelt is and how the game's signature

Demonica suits work, which is far from the most interesting thing in the world.

The narrative does pick up after the slow beginning, but only to a limited degree.

The main characters aren't particularly deep, and if you've played a few other Shin

Megami Tensei games before you're going to know exactly what kind of role they'll

all play.

None of it is unbearable, but none of it is exceptional, either.

For a series with such a storied history for engaging plots and characters, it is a bit

disappointing.

For returning players, however, there are a few minor changes that might spice up the

story when compared to the original.

A few cutscenes are animated, which is a nice touch, and the dialogue is fully voiced as

well.

What's odd though is that the game only features Japanese voice acting, with no option

to switch to English being present at all.

Every other Shin Megami Tensei game on 3DS was fully voiced in English, and with pretty

good performances as well, so this change was surprising.

The Japanese voice acting is certainly serviceable, but it is an odd omission nonetheless.

The game's presentation otherwise isn't too far off from what was seen on the Nintendo

DS 8 years ago.

The redrawn art and sharper textures make Redux a cleaner-looking version of Strange

Journey, but at the end of the day it's still a first-person dungeon crawler and the

graphics by necessity are going to be somewhat repetitive.

The dungeon designs are interesting thematically, but one can only look at the same wall texture

for so long before it gets a bit stale.

The graphics are serviceable though, and due to the nature of this kind of RPG you're

going to be spending 70% of your playtime looking at the bottom screen map anyway, so

it's not a big deal.

The music seems to be mostly untouched from the original on DS, still featuring the same

bizarre blend of orchestral ambiance and weird fake-latin choir chanting.

The style is iconic of Strange Journey, there's no other game out there that sounds like this,

but unfortunately I found that many of the game's tracks sounded too similar to each

other to be truly memorable.

While the game's main battle theme is phenomenal, the rest of the music grew tiresome very quickly.

But as stated before, the aesthetics aren't the real reason to play a game like Strange

Journey.

This is a dungeon crawler through and through, and those who enjoy trekking their way through

labyrinthine locations will find a lot to enjoy in the base gameplay.

In many ways, Strange Journey feels much closer to Atlus' Etrian Odyssey series than to

Shin Megami Tensei.

There is a main hub where you can go over missions, shop, and heal, but aside from that

there are no overworld areas to explore or towns to chat with people.

This game is all dungeons all the time, and the majority of your game time will be spent

dealing with the various tricks and traps layered throughout.

Each area introduces new wrinkles to the exploration, from one-way doors to teleporters to dark

rooms to even dimension-shifting.

While the size and complexity of these dungeons can certainly be overwhelming, there is a

huge sense of accomplishment that goes along with mastering a location and knowing exactly

how to traverse it.

The battle system manages to be a good deal of fun as well.

In series tradition, you can recruit demons to join your side through often hilarious

and just as often frustrating negotiation sequences, as well as fuse your demons together

to form new ones.

What's different is that the Press Turn system that many other Shin Megami Tensei

games feature has been replaced with something called the Demon Co-Op system.

Upon hitting an enemy's weakness, other party members that match your alignment will

get a free attack in, which allows you to shred through opponent's health much more

quickly.

This change not only speeds up battles tremendously, but it also adds a new element to the way

you think about your party arrangement.

Sometimes the strongest demon isn't the best choice, since if its alignment doesn't

match yours, you'll be losing a lot of damage every time you use Demon Co-Op.

It's a great system, especially considering that your alignment determines your ending,

meaning replays will have you using different demons as you trek to see all that the game

has to offer.

There is, however, one major issue with the battle system.

The first time you encounter a demon on the field, it will appear as a blue blob, and

it's only after you defeat that demon that you are able to see its design and name.

This takes a lot of the fun out of exploring new areas, as you're always flying blind

whenever you run into a new demon.

While other Shin Megami Tensei games traditionally hide enemy weaknesses until you fight them

a set number of times, knowledge of the demon's mythological origins or even just knowledge

of the series in general can allow you to make some educated guesses at the very least.

With the unknown demon system, however, you're literally flying blind, just throwing attacks

out at random, some of which can be reflected back at you and result in your party being

damaged instead.

If I know I'm fighting Jack Frost, then I can reasonably guess that using ice attacks

is a bad idea.

But if I don't know that's Jack Frost and I use an ice attack as a random guess,

I'm going to be punished for something I had no idea was coming.

This system isn't gamebreaking by any means, but it does make the initial exploration a

lot more tiresome and it was something I was hoping would have been fixed in this remake.

Thankfully, some things were changed for the better.

You're now allowed to equip as many exploration sub-apps as you want, and you can swap them

on the fly instead of needing to find a terminal or go back to the ship, which is convenient.

There's also a run button for making backtracking faster, options to speed up or skip battle

animations, an easy and hard mode, and various other quality of life improvements that make

the game more accessible in general.

There is also a new added dungeon, the Womb of Grief, which is massive and a ton of fun

to explore, as well as story elements involving the brand new character Alex, which lead to

three all new endings to experience.

The new dungeon alone adds at least an extra 10 to 20 hours of gameplay, so there's plenty

to see even if you've explored the Schwarzwelt once already.

More content is said to be on the way in the form of DLC, but I was unable to access any

of it in time for this review.

Strange Journey Redux is an odd game.

It aims at pleasing the type of RPG fan that loves dungeon crawling over everything else,

and it does succeed at creating a campaign that that kind of player will love.

However, what it gains there, it sacrifices elsewhere, as the story is less engaging than

others in the series and the game as a whole is just not a friendly experience.

Because of that, I can't really recommend it for newcomers to the Shin Megami Tensei

series, or for fans who find the character interactions more engaging than the dungeons

you trek through in games like Shin Megami Tensei IV and Persona.

For those that do enjoy the Shin Megami Tensei games that kick you in the teeth constantly,

you'll find a lot of very challenging and rewarding dungeons to explore, but not much

else.

As for me personally, I liked Strange Journey Redux.

While the beginning is a bit slow and there are some annoying aspects like the unknown

demons, there were several points where I was glued to my screen, trying to find my

way to that one last patch of dungeon left to explore.

I'd definitely recommend this version over the DS original, but only if you know exactly

what you're getting into.

Thanks for watching, and be sure to stay tuned to GameXplain for more on Shin Megami Tensei

and all things gaming.

For more infomation >> Shin Megami Tensei: Strange Journey Redux - REVIEW (3DS) - Duration: 8:31.

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Pence: "Trump es el máximo defensor que ha tenido el estado judío" - Duration: 1:38.

For more infomation >> Pence: "Trump es el máximo defensor que ha tenido el estado judío" - Duration: 1:38.

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Parents Arrested For Alleged Neglect And Abuse Of 10 Children | TODAY - Duration: 2:30.

For more infomation >> Parents Arrested For Alleged Neglect And Abuse Of 10 Children | TODAY - Duration: 2:30.

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Sonam Kapoor's Most Expensive Wedding Gift From Father Anil Kapoor - Duration: 3:21.

Sonam Kapoor's Most Expensive Wedding Gift From Father Anil Kapoor

For more infomation >> Sonam Kapoor's Most Expensive Wedding Gift From Father Anil Kapoor - Duration: 3:21.

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Guess Who Got $8 Million Out of Thin Air When Stormy Arrived- They Found EVERYTHING! - Duration: 4:44.

Guess Who Got $8 Million Out of Thin Air When Stormy Arrived- They Found EVERYTHING!

Stormy Daniels might be best known for causing a cloudy situation with multiple people.

If you thought she was just lurking up Trump's pant leg like a rabid dog, then think again!

It seems like there's a lot more than meets the eye and we're not talking about beauty

here!

Stormy is particularly an unknown in the adult world and not known for much else than nagging

Donald Trump, but it seems like she's bringing the rain when she arrives abruptly out of

nowhere.

She slid in like a bad storm but continues lingering and it seems like the people she

connects, with are surrounded by even more controversy than people imagined.

While Trump deals with her nuisance like nonsense, it's also her attorney, Michael Avenatti

who seems to be surrounded by his own cloud of misfortune involving Stormy Daniels.

It seems like it wasn't until she arrived that it was discovered what was going on with

him as well.

Was her arrival bad timing for someone who might have been involved in some of their

own scandals?

It appears that might be true even though she's admitted to not paying him for his

services.

Maybe he's working for the publicity, who knows!

However, the more eyes Avenatti has on him, the more people dig up some alleged corruption

out of his own muddy waters.

In particular, one website wrote about Avenatti coming across $8 million around the same time

that Stormy Daniels appeared.

Money doesn't fall out of the sky, right?

Not only did some mystery machine money appear like present in a Scooby Doo episode, there's

also this bankruptcy stuff floating around.

Conservative Tribune found more info on this: "In spite of the fact that Avenatti's

appearances, on cable news seem more frequent than takeoffs at LaGuardia, we don't have

any answers to these questions nor indeed does anyone on CNN or MSNBC feel particularly

inclined to ask them.

They just assume that it's none of their business and move along their merry way.

For his part, Avenatti has said that his legal fees are either being paid by Daniels or crowdfunding

from crowd justice, an online platform where you can give small donations to certain legal

causes.

"Despite the fact that I have answered this repeatedly, many refuse to accept the answer,"

Avenatti wrote in a statement posted to the Dropbox account of his law firm Avenatti & Associates.

As humorously Biff Tanner-like as that terse statement may be, there are several problems

with it.

First, while he's busy banging journalists heads against the wall so that they'll read

what he had to say, he probably should instruct his own client to read it, since her own statements

in the matter directly contradict this.

And second, it doesn't explain why he seems to have come into $8 million as the Daniels

case began to explode earlier this year.

Eight million, you say?

Apparently so at least if a bit of sleuthing by notable trial lawyer Robert Barnes is to

be believed.

Barnes looked up some tax information on Avenatti's law firm and found he hadn't paid any taxes

for the years 2014, 2015 and 2016, even though filings in a bankruptcy court said that during,

that period the firm earned a whopping $30 million.

"In January 2018, (Michael Avenatti) got an unidentified source of income that allowed

him to pay $4.85M to his law firm employees he defrauded, close to $2M in back taxes for

payroll taxes on his law firm, and near another $1M to other creditors," Barnes tweeted.

Now people will want to know who's paying the lawyer in this and where is the money

coming from.

Lawyers often get a bad reputation, often an unjust reputation for people who suffer

through multiple years of law school, and hundreds of thousands in school debt just

to get a job but this doesn't look good at all, at least not for Stormy or her lawyer.

The clouds darken as this lousy situation continues.

It's a pointless situation and it really does appear like the no-name adult star wants

to gather herself some popularity, since it appears like she wasn't able to become that

popular before.

If anyone can explain this better, then it might be a lawyer.

However, they cost a lot, so we'll try to figure this out on our own.

If you're looking into this on your own, then always remember to consider your sources

and try to differentiate fact from fiction.

For other things, there's just news no one cares about like anything to do with Stormy

Daniels.

What do you think about this?

Please share this news and scroll down to Comment below and don't forget to subscribe

top stories today.

For more infomation >> Guess Who Got $8 Million Out of Thin Air When Stormy Arrived- They Found EVERYTHING! - Duration: 4:44.

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「劇中ではいろいろあるけど」 今田美桜&杉咲花&飯豊まりえ、「花晴れ」"四角関係"ショットが仲良しすぎると話題 - ねとらぼ - Duration: 2:55.

For more infomation >> 「劇中ではいろいろあるけど」 今田美桜&杉咲花&飯豊まりえ、「花晴れ」"四角関係"ショットが仲良しすぎると話題 - ねとらぼ - Duration: 2:55.

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Party Banner featuring the Martha Stewart Cricut | Michaels - Duration: 1:11.

(upbeat music)

- [Voiceover] Let Mom know she is the best with a

customized party banner for Mother's day.

It's easy to do with the Martha Stewart Special Edition

Cricut Explore Air 2.

Use Mom's favorite and a beautiful font and go.

The Cricut cuts cleanly and precisely,

doing all the hard work for you.

There are countless colors and patterns to choose from.

The more the merrier.

Remove the excess material.

(upbeat music)

Iron the pattern onto your canvas banners.

(upbeat music)

Make a washable custom banner that can be used

again and again.

You will love your Martha Stewart Special Editon

Cricut Explore 2 so very much.

You'll wanna use it for all of your parties

and gifts for Mother too.

Enjoy.

(upbeat music)

For more infomation >> Party Banner featuring the Martha Stewart Cricut | Michaels - Duration: 1:11.

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AI Learns Painterly Harmonization | Two Minute Papers #249 - Duration: 2:30.

Dear Fellow Scholars, this is Two Minute Papers with Károly Zsolnai-Fehér.

When we show a photograph to someone, most of the time we are interested in sharing our

memories.

Graduation, family festivities beautiful landscapes are common examples of this.

With the recent ascendancy of these amazing neural style transfer techniques, we can take

a painting, or any other source image, and transfer the style of this image to our contents.

The style is transfered, but the contents remains unchanged.

This takes place by running the images through a deep neural network, which, in its deeper

layers, learns about high level concepts such as artistic style.

This work has sparked a large body of followup research works.

Feedforward real-time style transfer, temporally coherent style transfer for videos, you name

it.

However, these techniques are always about taking one image for content, and one for

style.

How about a new problem formulation where we paste in a part of a foreign image with

a completely different style?

For instance, if you feel that this ancient artwork is sorely missing a Captain America

shield, or if Picasso's self-portrait is just not cool enough without shades, then this

algorithm is for you.

However, if we just drop in this part of a foreign image, anyone can immediately tell

because of the differences in color and style.

A previous, non-AI-based technique does way better, but it is still apparent that the

image has been tampered with.

But as you can see here, this new technique is able to do it seamlessly.

It works by first performing style transfer from the painting to the new region, and then,

in the second step, additional refinements are made to it to make sure that the response

of our neural network is similar across the entirety of the painting.

It is conjectured that if the neural network is stimulated the same way by every part of

the image, then there shouldn't be outlier regions that look vastly different.

And as you can see here, it works remarkably well on a range of inputs.

I hope these scroll animations come out really smooth and creamy.

This video took a long time to render in 4K resolution with 60 frames per second, and

was only possible because of your support on Patreon.

If you wish to help us create better videos in the future, please click the Patreon link

in the video description and support the series.

To validate this work, a user study was done that revealed that the users preferred the

new technique over the older ones in 15 out 16 images.

I think it is fair to say that this work smokes the competition.

But what about comparisons to real paintings?

A different user study was also created to answer this question.

And the answer is that users were mostly unable to identify whether the painting was tampered

with.

Excellent work.

The source code is also available, so let the experiments begin!

Thanks for watching and for your generous support, and I'll see you next time!

For more infomation >> AI Learns Painterly Harmonization | Two Minute Papers #249 - Duration: 2:30.

-------------------------------------------

Shockwave First Appearance,Chernobyl Scene | Transformers: Dark of the Moon (2011) IMAX CLIP - Duration: 6:05.

In the years since our arrival, our new home, Earth,

has seen much change.

Energon detectors guard its cities now.

Long-range defense systems watch the skies.

So now we assist our allies in solving human conflicts,

to prevent mankind from bringing harm to itself

On the ground, per favore! And stay there!

We work in secret teams on various missions around the globe.

And all the while

we search for signs of our true enemies' return.

I am Voshkod, General Counsel with Ukrainian Department of Energy.

My government will officially deny

that we're having this conversation.

At one of our decommissioned facilities, a discovery was made,

which I fear may be alien in nature.

The facility's name is Chernobyl.

Mr. Voshkod.

So, uninhabited since '86.

I hear it won't be livable again for another 20,000 years?

At least. Ukraine was the most fertile land.

It's a tragedy.

This way.

Gear up! We have 60 minutes on the ground.

Watch your radiation levels.

Mr. Voshkod, where's your protective gear?

Where's your protective gear?

It would not matter.

For me, it's only a matter of time.

Through the school.

Yuri will take you below. And one other thing, Colonel.

In private, there were some energy experiments.

It can wait.

Keep moving. Stay tight.

Okay, right here. I think I found it.

Optimus, we got a visual.

Looks like the object's clamped in some kind of a metal harness.

What's this? Guys!

Why does this thing have Soviet space program markings on it?

Sputnik?

Energon readings, sir. It's strong.

Below us. It's coming fast.

Contact, contact!

Get topside now! Move, move, move!

- Let's go! - Weapons up! Heavy weapons up!

Stay behind me!

Optimus!

Fall back!

It's circling around us!

It's taking our flank!

Get the heavy weapon!

Optimus!

What the hell was that thing?

That

is Shockwave.

Why was he after this?

It's impossible.

This is an engine part from a long lost Autobot ship.

Pleasure working with you.

For more infomation >> Shockwave First Appearance,Chernobyl Scene | Transformers: Dark of the Moon (2011) IMAX CLIP - Duration: 6:05.

-------------------------------------------

Cute is Not Enough - Funniest Babies Compilation 2018 | Adorable Babies Playing With Pets - Duration: 5:11.

Thanks for watching

Hope you have a great time

Please, like, comment and subscribe for more!!

For more infomation >> Cute is Not Enough - Funniest Babies Compilation 2018 | Adorable Babies Playing With Pets - Duration: 5:11.

-------------------------------------------

中川大志、King & Prince平野紫耀の差し入れ"花晴れパーカー"披露に反響<花のち晴れ> | ニコニコニュース - Duration: 4:14.

For more infomation >> 中川大志、King & Prince平野紫耀の差し入れ"花晴れパーカー"披露に反響<花のち晴れ> | ニコニコニュース - Duration: 4:14.

-------------------------------------------

How to Download Avengers infinity war full movie Hindi dubbed |Full HD - Duration: 3:14.

How to Download Avengers infinity war full movie Hindi dubbed |Full HD

How to Download Avengers infinity war full movie Hindi dubbed |Full HD

For more infomation >> How to Download Avengers infinity war full movie Hindi dubbed |Full HD - Duration: 3:14.

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5 bad habits that affect the health and beauty of your skin | Natural Health - Duration: 6:15.

For more infomation >> 5 bad habits that affect the health and beauty of your skin | Natural Health - Duration: 6:15.

-------------------------------------------

Oklahoma Is Being FRACKED To Death - Duration: 3:39.

The state of Oklahoma has been home to fracking operations for decades, long before any of

the dangers that we know about fracking today were brought to light.

And thanks to the boom that has taken place with fracking in the last decade, the state

has become ripe for exploitation by the natural gas industry.

One of the biggest problems with the fracking process is that we still to this day don't

know what kinds of chemicals are being pumped into the ground.

Traces of diesel fuel, benzene, and countless other dangerous chemicals have been found

in fracking wells and wastewater injection wells.

But for now, we aren't allowed to know the full list of chemicals that natural gas companies

are pumping into the earth because of something called The Halliburton Rule, which allows

companies to keep the list of more than 600 chemicals used in fracking wells a secret

from the American public.

While those chemical cocktails are a very real threat to public health, the other danger

from fracking is coming in the form of earthquakes.

And states like Oklahoma – where fracking has been happening at a fevered pitch – are

experiencing an epidemic of earthquakes near fracking wells.

The journal Science reported in July 2014 that a recent spike in seismic activity – known

as the Jones swarm – that occurred in Oklahoma between 2008 and 2013 was caused by the increase

in wastewater injection from drilling activities like fracking that have been increasing in

the state.

When the volatile mix of chemicals and water were forcibly pushed into the earth, it created

the perfect conditions for earthquakes both large and small to rock parts of the state.

These wells were pumping more than 4 million gallons of wastewater back into the earth

every month.

But there is a very important distinction to make – the act of fracking itself is

not the cause of these earthquakes; It is the injection of the wastewater from fracking

that has been linked to the earthquakes.

However, these earthquakes did not begin until the fracking boom took place in Oklahoma which

dramatically increased the amount of wastewater being pumped back into the earth.

To put it into perspective – in the year 2008, right before the major fracking boom

in Oklahoma, there were only 2 earthquakes recorded at a magnitude of 3.0 or greater.

Last year there were at least 572.

The link between fracking wastewater wells and earthquakes has been established by several

independent studies, but the most important study linking the two was by the U.S. Geological

Survey, which concluded that yes, these injection wells are the cause of the spike in earthquakes

in Oklahoma.

And the natural gas industry has been well aware of these studies for some time.

In fact, they became such a problem for frackers that they actually toyed around with the idea

of paying off scientists to publish studies saying that isn't any link at all between

fracking

and earthquakes.

For more infomation >> Oklahoma Is Being FRACKED To Death - Duration: 3:39.

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VO BOSS - Episode 39: Assertiveness - Duration: 18:15.

VO: Today's voiceover talent is more than just a pretty voice.

Today's voiceover talent has to be a boss, a VO BOSS.

Set yourself up with business owner strategies and success with your host, Anne Ganguzza,

along with some of the strongest voices in our industry.

Rock your business like a boss, a VO BOSS.

Anne: Hey, guys.

Before we get started on today's episode, we want to share some bossolutions and some

of the ways you can have more boss in your life.

Gabby: Come on, you can never have too much boss, my little entreprenerds.

Anne: [laughter] After an extended period of time in my studio, Gabby, sometimes I just

get really dry, and my, my vocal cords are just tired.

So if you guys are interested in getting some essential oil organic solutions for vocal

health, hop on over to the voboss.com shop page, and you can select from a variety of

different natural health, homeopathic products to help you with your vocal health.

We have got a vocal immunity blast.

We have got a vocal wellness kit, which has all the products in the line, as well as vocal

booth breeze, vocal H2O, and our best seller, the vocal throat spray.

Gabby: Anne has long been supplying these products to voice actors, and I can tell you

first hand, they are awesome.

And if you are looking for solutions to keep your instrument in top shape, this is a great

way to do it.

Go to voboss.com, go to the shop tab, and check out BOSS Essentials.

Anne: Welcome, everybody, to the VO BOSS podcast.

I'm your host, Anne Ganguzza, along with my BFF bosstie, Gabby Nistico.

Hey, Gabby.

Gabby: [laughter] Hey, Anne.

Anne: You know, Gabby, I'm, I'm actually laughing, but honestly, like earlier this

morning, I was really in a bad mood, like really annoyed.

[laughter]

Gabby: Why, what happened?

Why were you annoyed?

Anne: Ughh, you know, I have this client that I'm trying to schedule a session with, and

they're not getting back to me, and I'm just like arghhh, I'm so annoyed.

I'm like, and I have to like -- I think I have to really start being assertive, Gabby.

Gabby: You are usually a pretty assertive woman.

I, I don't know.

I think, I think you've got to get in touch with your inner boss and, and get this train

on the right track, woman.

Anne: Right.

So here's the deal.

Like how assertive should I be?

I think we should talk about that today.

Is, is being assertive like a good thing, a bad thing?

How assertive should I be, and, I don't know, is it bad to be a...bitch?

Can I say that?

[laughter]

Gabby: I don't know, can you?

Can you say bitch and not like cower and do what you just did, because that is not assertive

at all.

Anne: I did, I cowered, I cowered.

See that's -- I did not know, I did not know my limits.

I did not know my limits.

Gabby: My goodness, woman.

Look, I do think this is a fascinating conversation, and I think as business owners, we have to

talk about assertiveness not only from the standpoint of our relationships with our clients,

but also with vendors, with other people whose cooperation we need to do business.

And there's two really distinct, really important sides to this that I do believe are the battle

of the sexes, right.

So men typically are received better when they are assertive, and women –

Anne: Not so much.

They're quick to be labeled.

Gabby: Yeah.

We get labeled the bitch, right?

Anne: Absolutely.

Gabby: So, so let's start with what you just said.

Is there anything wrong with being assertive, with standing up for yourself, with knowing

your value, knowing your worth, your limitations?

Anne: You know, you and I are so together, so forward thinking about, you know, know

your worth and you know charge what you're worth.

And I think there is a place where we're really confident, and I think assertiveness can come

from that place when you are confident.

And you're confident in your value, and you are confident in what you do.

And so, I guess I never really thought about it as being assertive so much as being confident

of your value, and this is what I am worth.

And so therefore anything that's taking place in this, this transaction, right, umm is,

is going to be OK because I'm confident about my worth, and I'm confident about my value,

and the client respects that.

I think that's, that's already a two-way street when that happens.

But when you're feeling like the client is not respecting you, or respecting your time,

at what point or how far do you go in being assertive?

Gabby: Hearing you say all of that, I kind of wonder.

I sit back, and I go, is it really confidence, or do I just not care?

Anne: Well, now there, there is the other end of it.

Gabby: In a weird way.

Like seriously, I think about it and I go, OK.

When I state my rates, my hours of operation, my procedural policies, my whatever, even

when I'll work and how, am I being assertive, or am I just setting my limits and not really

caring?

You know, I don't care.

I don't care how the other person perceives them.

I don't care if they like my policies or not.

I don't care if they agree with them or not.

They're mine.

That's how it goes.

Anne: Well, see, now there is a confident -- there is a confident statement.

[both laugh]

Anne: But Gabby, what if, what if you lose the job?

What if you lose the gig?

I know a lot of our listeners out there are going, are thinking exactly that.

Like, OK.

I can be assertive, but I really, you know what, I kind of, I want to develop a relationship.

And I want this job because, you know, maybe I need this job, or maybe it's not even that.

Maybe it's just trying to build a clientele.

Gabby: I've spent many, many years on the other side of the fence in casting.

And one of the things that I learned is that at any given moment, we are contenders for

jobs that we never find out about.

We lose jobs pretty regularly that we did not even know about --

Anne: Know about.

Gabby: Existed.

Because that's part of what your presentation, whether it be casting party, an agent, a -- some,

another third party, maybe a production studio, whoever's negotiating on your behalf, and,

and is the keyholder of that job, they are setting limitations and being assertive on

your behalf, and if terms aren't met, well, then the job is simply never brought to your

attention.

So I sort of adopted this mentality a long time ago of every day, I'm potentially losing

a job that I didn't know about, or that I, you know -- I don't really worry about that.

Anne: mmm.

Gabby: I go, that's gonna happen.

That's the nature of this industry, and sometimes you lose a job for no, for no reason.

Anne: And you never know why.

Gabby: Right.

It's just, we went another direction.

If I had a dollar for every time when I was in casting that I heard someone say, "we

went another direction," oh my God.

I'd have a lot of money.

Anne: Yeah, yeah.

But now, Gabby, you're speaking from experience, which is great, as a casting director, but

what about, what about everybody that's just getting into the industry and is just now,

you know, kind of feeling their way out and setting their rates and, you know, negotiating

with the client, and dealing with the clients for the first time?

They don't necessarily have that experience.

So what would you say are some tips umm in dealing with a client who may be difficult

or a client that may be, I don't know, not responding umm -- and it's affecting your

schedule, it's affecting your -- it doesn't appear to be valuing you or your time.

Gabby: I think you have to again know your personal limits.

What is acceptable, and what isn't?

Where are you willing to give and take, and where are you not?

If you give in, or you concede to someone else's terms, and they don't sit well with

you, you're gonna be left feeling horrible about the job.

Nothing is ever gonna make it right.

Nothing is ever gonna make you see it differently.

You've just got such a bad taste about it now that that's ultimately I think what we're

all striving for, is to feel good at the end of the day about the choices that we made,

and knowing what's right for us.

Anne: That's a good point.

Yeah.

Gabby: And it's different talent to talent, person to person.

You know, my limits now after 20 plus years in the industry are going to be completely

different than someone who is just starting out.

Anne: I think you're learning about your own limits as well.

Gabby: mm-hmm.

Anne: And especially because if it's your first time being uh in your own business as

an entrepreneur and, and working for yourself, and negotiating for yourself, and you know,

getting -- wearing all the hats, I think that it is a learning experience.

And I think it's a good one in actuality, and I don't know if I ever have stopped learning

-- [laughter]-- after all these years, but I have, I absolutely learned myself and know

what it is that I will stand for and what I won't.

And I love that you've put that whole spin on it, do you care, In a positive way.

Gabby: Yeah.

Anne: Because sometimes you can't let it affect you, and if you do accept a job or treatment

from a client that is less than desirable, you are going to have that, that bad feeling,

and who wants to feel bad about that?

I have turned away clients that in the end, I was so thankful, it was like a weight was

lifted off of my shoulders.

Gabby: [laughter]

Anne: And you know, my assertiveness in that respect really, and the fact that I didn't

care after -- I probably, I had put up with so much of it, at one point, I was like, all

right, that's it.

You know, I -- the straw that broke the camel's back.

Gabby: mm-hmm.

Anne: That made me feel really great.

So I think that in terms of, you know, being assertive, is there a limit, it doesn't make

you a bad person.

It is a journey.

Gabby: It really doesn't.

Anne: A learning journey, and it makes you a better business person, actually.

Gabby: And this is again where I bring it back to the difference between men and women.

I think when guys are assertive, people see them as solid business owners.

People see them as being confident.

Anne: Right.

Gabby: Very knowledgeable in their craft.

Anne: mm-hmm.

That's a power, a power –

Gabby: It is, it's a power play.

It is a good position.

Women on the other hand tend to become uhhh, I don't know.

Anne: Labeled.

Gabby: Almost feel bad.

Well be on the labels, women tend to feel bad about being in that assertive position

and about asking for what it is that they need or want.

Anne: mm-hmm.

Gabby: And traditionally we are more likely to cave because of people pleasing pasts.

Anne: mmm.

Gabby: One of the things that I absolutely adore -- it was many, many years ago when

Tina Fey and Amy Poehler were still together on "Saturday Night Live," uhh Tina Fey did

this phenomenal bit about being a bitch.

And she was hysterical, and she goes, "this one's a bitch, I'm a bitch, we are all bitches,

and guess what, bitches get -- done."

Anne: Done, yeah.

Gabby: I think it became my mantra like right then and there.

Bitches get -- done.

And it's, it is sad that in a way, a lot of people will see assertion and will see

a woman who stands up for what she believes as a bitch, but you know what, that's their

problem.

Anne: But you know what, Gabby, then you will get the other side of the coin where you'll

get the people who respect it.

Those are the people that I think, those are the clients, and those are the people that

you want to surround yourself.

And you know, let's extend this beyond, as you were saying, not just clients but vendors,

people you work with on a daily -- day to day basis.

I think that's who you want to surround yourself with.

Obviously those people that are going to respect you, and value you, and value your services,

value your time, and not take advantage of that.

Gabby: Yeah.

But I knew you and I have both had instances where, because we asserted our opinion, our

thoughts, or –

Anne: Oh yeah.

[laughter]

Gabby: Whatever, we were very quickly sort of put in the position of going, wait a second,

wait a second.

Just because I'm asking for what I need or want right now –

Anne: Doesn't make me a bad person.

Gabby: Doesn't make me a bad guy, yeah.

Gabby: Exactly.

And that is so critical for everyone to remember.

Assertiveness is not just about our day to day as business owners, even though that's

where we flex that muscle the most.

Assertiveness also happens in our day to day life.

When you effectively and clearly communicate to someone else what your needs are, whether

it be a spouse or a family member, or even a child, you are being assertive.

It's, it's not wrong to say, this is what I need right now.

[laughter]

Anne: It, it actually is something that I think you can put in practice in all aspects

of your life, and it only serves, I believe, to enhance, uhh to enhance your life, and

to enhance your relationships with your uh, with your clients, with your family, with

your friends, and you know, gosh.

I, I just, I'm all for it, Gabby.

Gabby: Yeah.

Anne: I am all for it.

Gabby: I am too, and I think that assertiveness and confidence, they do go hand in hand.

Anne: Yeah.

Gabby: But it's a practice makes perfect scenario.

Anne: [laughter]

Gabby: As a business owner.

Anne: Isn't that the truth?

Yep.

Gabby: The more, the more you practice assertiveness, and the more you perfect your technique of

assertion, uh the better you're gonna be, and the more comfortable it's gonna become

for you.

Anne: And I think that there's a way to execute assertiveness in a positive manner.

It doesn't have to be like, all up in your face, yelling and screaming, angry type of

thing.

I think that assertiveness, a quiet assertiveness umm -- and again, I'm gonna say that word,

confidence.

A quiet assertiveness that stems from confidence, or even if you don't feel that confident,

a lot of times, you know, I'm faking that confidence.

That's kind of something that kind of propels me forward and helps me to grow because even

if I don't feel that confident, I am trying to talk myself into that confidence, and that

helps me to grow.

And so again, it's like a practice situation in all aspects of my life.

And you're right, being very clear about what your needs are.

And then listening and respecting, you know, that response and going back and forth in

a positive, respectful manner I think is a great way to be assertive, and not necessarily,

you know, the type of assertiveness that comes from yelling or screaming, or you know, calling

names, or you know, any type of that sort of thing, so.

Gabby: That's not assertion, that's bullying.

Anne: Yeah, oh yeah, absolutely.

Whole other term for that.

Gabby: Oh, totally.

Anne: So Gabby, I'm going to be assertive and say -- [laughter] -- This was a great

podcast.

[laughter]

Gabby: I, I'm, I'm also going to be assertive and say that you're kind of like the Amy Poehler

to my Tina Fey.

Anne: There you go.

Gabby: Which I sort of love.

[both laugh]

Anne: Ahh my bosstie, great episode.

Gabby: Yeah.

Anne: Big thanks to our sponsor ipDTL for our quality connection and recording.

You too can record like a boss by going to ipdtl.com, and also –

Gabby: Make sure to check us out on Facebook, Twitter, YouTube, Stitcher, iTunes.

There's a plethora of ways.

We're also now on Google play and –

Anne: Spotify.

Gabby: And spotify, of course.

There's the VO BOSS Pod --the VO BOSS website, voboss.com, for all things boss, and ways

for you guys to, especially iTunes listeners, to rate our podcast.

Please make sure you do that.

Anne: Yes, please.

Please go and rate us.

It's super simple to do from your app.

Basically there's just a rate, you know, ratings right at the bottom.

So make sure to give us lots of good stars and actually write something.

That would be awesome.

We have already got, we have already got some really great reviews up there, and it would

really help us out.

Gabby: And if you want to take this topic of assertion to an even further level, make

sure to check out some of the products and services at VO BOSS University, where we get

into all kinds of ways to be assertive, probably the most important, negotiations.

Anne: There you go.

Assert your bossness.

Check out our -- all of our products on negotiating.

We have got a webinar that is available as well as being assertive with getting your

business out there with the BOSS Blast or a book-out builder.

Gabby: Thanks for listening, guys.

Have a great week.

Anne: All right, guys.

Have a great week, and we'll see you next week.

VO: Join us next week for another edition of VO BOSS with your hosts Anne Ganguzza and

Gabby Nistico.

All rights reserved, Anne Ganguzza Voice Talent in association with Three Moon Media.

Redistribution with permission.

Coast-to-coast connectivity via ipDTL.

Gabby: I can, I can, I'm waiting to the last second to turn my fan off because holy

– it's hot in here.

Anne: Why is it hot?

What is –

Gabby: My booth is a -- oven.

Anne: Is it hot where you are now?

Gabby: Because there is no ventilation.

Anne: Yeah, I don't have ventilation in mine either.

Gabby: Yeah.

Anne: So I booked a job, rather than having us go to San Diego, it is me and Milton.

So I am shopping for a mattress, and it's a big mystery to me.

So Milton is my husband.

And Milton Lorenz, if you don't know him, he is adorable.

He is one of my favorite, he is one of my favorite people.

I have known him forever.

He has been in the business for a long time.

He is super talented, so she schedules it for my, for my booth.

I like Milton, but his wife might have a problem because we'll be touching.

Like, we will be in contact.

Like, our bodies in more than one place.

Gabby: Yeah.

Anne: Will be in contact if we are in this booth together, you know what I mean?

Gabby: Lewis and I, it's so funny to do anything in tandem in the booth like –

Anne: ugh, it is hard.

Gabby: It is hysterical.

Anne: And you have got a bigger booth than mine.

Gabby: I do, but he has to like squat because I'm so much shorter than him.

Anne: [laughter]

Gabby: So he has to do like this big wide like football stance and like squat down.

It is hysterical to watch.

Anne: Oh my God.

I can only imagine.

I must have, I must have a picture of that the next time.

From the behind -- Nothing, nothing.

Gabby: So what episode are we doing?

Are we doing bitchy, bitchy bitchiness here?

I…you know, I think well, no.

I don't know what I am saying here.

Anne: I know, right?

What are we thinking?

Have a great -- shit.

Ahhh, what is wrong with me in the ending?

Sorry.

[laughter]

Gabby: No, it's OK.

Anne: I am like screwing up the end.

What's wrong with me?

Gabby: It's OK.

Anne: What's wrong with me?

Gabby: I don't know.

Anne: Sorry, you're going to have to edit that a lot.

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