Before I begin this week's topic, I just want to start by saying what every major critic
has been saying over and over again.
The new Mystery Science Theater 3000 is shockingly good.
There is so much heart in this show.
Its attention to detail, and understanding of what made the original so special beyond
its core mechanics, make it look effortless.
Seventeen years have passed since the original bowed on the Sci Fi channel, and they basically
picked right back up like it was no big deal.
Of course it was a big deal, and the crazy success they're riding on is credit to not
only the forty eight thousand plus Kickstarter Supporters that funded its return, and to
Netflix for giving the show a far wider audience than the bounds of its Kickstarter campaign,
but also to the expanded team of writers, artists, and actors both experienced and relatively
new.
That said, it's time to take off the rose tinted glasses and put this show under the
black and white microscope of analysis.
Because for how good Netflix MST3K season one is, it's not without its faults.
And it has two big ones.
The bots.
My main problem with the new series comes from Tom Servo and Crow T. Robot.
The robots crafted by Joel Robinson from the special parts that would have allowed him
to stop the movies the Mads subject him to.
That problem isn't with their new actors, comedians Hampton Yount and Baron Vaughn.
Many people are upset by change simply because it's change - and change is inherently bad,
scary, and challenging.
So it's important to delineate that that difference itself isn't directly what I
disapprove of.
I expected and welcomed change.
I didn't want a carbon copy of Josh Weinstein, or Kevin Murphy, or Trace Beaulieu, or Bill
Corbett.
It was necessary for MST3K to grow and evolve.
I'm sure that even to the most hardened MST3K fan, the Bots have been the weakest
link of the new series.
Something felt "off" about them that took nearly half the season for me to put my finger
on.
Their timing was a little off.
They felt wooden.
Lifeless.
Disconnected from their performance in a way that also ripped me from the show's established
reality - which is already dangerously paper thin to begin with.
And that disconnect could have very easily come from Jonah.
But despite his carefully crafted lack of screen presence, the bots problems don't
rest on his yellow jumpsuited shoulders.
He does a very good job of interacting with the puppets in a believable way.
If anything, he's the glue that holds each segment together, and he personally keeps
the bots from hogging or even stealing the spotlight - as they've done many times in
the original series.
There are two specific reasons Tom and Crow feel so off this season, and the first is
speed.
Not the speed at which they deliver their jokes, the speed in which the season was constructed.
As with many Kickstarter projects, as the money rolled in the scope of what they promised
continued to grow.
Not impossibly, they were experienced hands at crafting TV shows by the seat of their
pants for decades - but the turnaround on when they needed completed episodes was perhaps
a little too ambitious.
By the time they had designed and constructed the set, and the props, and wrote all of the
scripts, and secured and scheduled the busy cast and cameos and crew, they had to actually
produce the episodes.
To do this, they filmed all of the live segments in one day.
Let me say that again.
They filmed all of the principle photography for all of the live segments in a single day.
Most of which only had a single take to get right.
Including the musical numbers!
For those who don't know, TV production is slow, but it's slow for a reason.
There's a lot of work that needs to go into each shoot - not the least of which is time
for the actors to learn their lines and explore their roles.
I'm not talking about rehearsal, but the camaraderie and familiarity that only comes
from returning week after week over the course of months to work with your costars.
In this case, the entirety of this season was crafted in just one day, and as such Jonah,
Baron, and Hampton were denied that comfortable and easy on-screen friendship that the original
seasons had decades to grow into.
Additionally, all three of them recorded their movie riffs in a sound studio separately over
the course of a week.
This is likely why many critics point out the fact that in many of the early episodes
where the jokes fly fast and furious, all three actors sound so similar in delivery,
making it difficult to attach a specific joke to a bot or even Jonah himself.
This was done so they could construct the movie sequences faster by removing the need
to verbally perform.
All they had to do was puppet themselves in front of a green screen while they listened
to their edited riffs.
And that's the second and primary reason Tom and Crow seem so off.
Puppetry.
Tom and Crow now need three puppeteers to operate.
Each.
And that's not making light of the work of their puppeteers.
Grant Baciocco and Carla Rudy on Tom Servo, and Russ Walko and Erik Kruska on Crow T.
Robot are all highly experienced puppeteers with credits and links to The Jim Henson Company.
The problem comes from the fact that each puppet now takes two people to physically
manipulate with Hampton Yount and Baron Vaughn offstage controlling their mouths with radio
controlled Waldos.
Compare that to the original series.
Tom Servo was basically stuck on the end of some PVC pipe, and his mouth was opened by
a string.
This was all done by Kevin Murphy sitting just beside Joel or Mike while he read his
lines from a sheet of paper taped to the desk in front of him.
The actor and the puppeteer were the same person.
There wasn't even an external monitor to feed him the camera's viewpoint, Kevin was
right there, in the moment, and fully in control of the live performance.
And more importantly, freely able to ad-lib or account for things that might go wrong
or not quite to plan in a single-take performance.
Even the theater sequences were performed live and in the same room.
Imagine three people are playing Call of Duty.
They're not in the same room, but they all can see and hear the same thing.
However, the first player only has control over where the soldier moves, the second player
only has control over how the soldier interacts with the environment or aims their gun, and
the third player has only one button that fires the gun the soldier is holding.
I'm not saying it would be impossible to play this way, in fact, it might even open
up some silly and interesting gameplay.
But to a fellow teammate with standard controls that's trying to play a serious game and
doesn't realize that three players are controlling one soldier, there's no way that they would
see the actions of that soldier as normal within the game.
Even if all three are working in perfect sync, their actions are going to look inorganic,
detached, and noticeably "off".
That's what I'm getting at.
The way the show and the bots have been built is the reason they seem so wooden and disconnected
in their performance.
It's not one single person's fault.
Everything is wrong from the ground up, and all the cards are stacked against them.
It's a miracle that they come across as well as well as they do - especially when
they start bringing in duplicate Toms and Crows for the sake of jokes.
Are the new Tom Servo and Crow T. Robot doomed?
No.
In fact, they seem to only be getting better at their newfound jobs.
Something many may have missed was a brief livestream the two hosted in character before
the show debuted on Netflix.
It was jovial and light and the two easily bounced ad-libs and jokes off of one another.
Everyone felt more comfortable in their roles, and it showed.
New Series Season two pretty much seems like a lock at this point.
Netflix never releases their numbers, but the show is trending like crazy and remains
a critical darling.
The best part about a second season is that everyone now has experience in their roles.
That familiarity will read on screen, and we might get to see some individuality in
Baron and Hampton's performances of these well known characters.
But what do you think?
Will Tom and Crow steal the show in the second season, or are they doomed to remain stuck
at the bottom of the uncanny valley?
Sound off in the comments below!
Thanks for watching, and until next time, be sure to share, like, and subscribe.
Because you'll always have a ticket for my next Secret Screening
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