Youtube daily Oct 29 2018

Do you want to migrate your Blogger blog to WordPress? Well keep watching, in this

video I'll walk you through how you can migrate your Blogger site to WordPress today.

There are a few things that we need to set up to get this process going

so I'll show you the things that we'll be doing. First we need to set up a

hosting account, second we need to install WordPress, and then we need to

migrate or import Blogger information from your Blogger site over to WordPress.

So if you're ready, let's get started. If you don't already have a hosting

account you'll want to get one set up so that we can start the installation of

WordPress to get this going. Since you're setting up your site for

the first time we usually recommend Bluehost it's a very inexpensive way to

get started on your own WordPress site and WPBeginner has worked with Bluehost

for several years so we've been able to get a discount for you. If you click on

the link below you can claim that offer. From here you just want to click the big

green button to get started now and during this process you can select your

plan. normally if you just have one web site then the basic is fine. I tend to

like setting up a lot of websites or a lot of domains so a lot of times I will

choose the plus area but the basic is fine as well. For you just want to select

the one that's best for you and then we'll move on. On this screen you'll want

to choose your new domain. If you already have a domain for the website then you

can put that in here otherwise you'll want to put in the

domain that you want to set up and the great thing about this discount is your

domain name comes free with this and from here you just want to fill out the

account information that'll be associated with this account.

Scrolling down real quick I want to just show you that by default the account

plan is for 36 months but you can change this here if you need to and you'll see

how much you're saving here. Also under the package extras we usually suggest

unchecking all of these to get started and then down here you'll see the total

discount and the amount due today. So go ahead and fill out all this information

to set up your hosting plan and then we'll move on. All right once you setup

the hosting account now we need to install WordPress. They make it really

easy, what you want to do is from your cPanel scroll down until you find

something called install WordPress. We'll click on that button from here you see

that we have an overall progress side up here it shows everything that we've done

so far and what still needs to happen. Then down here you want to pick the

domain that you want it to go under as well as where you want it installed. We

want to installed right where the domain is so let's click Next. Now it will go

through the process of installing WordPress for us and there's not much

that we have to do except just wait. Once it's completed installing you'll notice

the installation details here. You want to copy that information now we can go

to our website and log in. To do that open up a new tab, type in your website

address, and at the end type in wp-admin that will take you to the login area so

that you can enter your login information and login. Great now that

you've logged in you see that you have your dashboard area for WordPress. The

next thing we want to do is we want to go back to Blogger so that we can export

the information from our Blogger site. So log in to your Blogger site and go down

to your Settings area. From the Settings area let's click Other and we want to

backup our content. So we'll click backup content and yeah we want to save it to

our computer. You can name it whatever you want and it will be an XML file for

us to import into our WordPress site later. So let's click Save and you'll see

down here that it's saving to our computer. Great once that's done I can

close that out and we want to head back over to our dashboard in WordPress. So

I'm going to click on my dashboard for WordPress because we need to import what

we just exported from Blogger so on my side tabs I'm going down to my Tools

area click Import. There are a few different import features that we have

that we can import from other things. This is the one we want to import

so we need to install it first and once its installed we can run the importer.

Now it'll bring us to this screen so now we have to find where we just saved that.

You can also if you have it in your taskbar, you can left-click and drag it

up to choose the file and you see it's there or you can click Choose file and

go find the XML file click on that we see it's ready and we can upload file

and import the content. What thats, what that's going to do is now that we

imported it we need to decide do we want to create a new user for all of the

posts that were under us or from the drop-down select the user that we want.

I'm going to assign all of them to an existing user on this site and click

Submit. What this will do is you can see at the bottom is that it'll go through

and start the import process and once that's done you get a message saying

'All done. Have fun.' make sure to update the passwords and the roles of the users

if you've imported users. We didn't but if you do import users make sure you

update the password information. Now that we have that we can go to our posts. It's

imported all the posts that we've had from our Blogger area so you can scroll

through and make sure that you see all of the ones that you import. Now what

we need to do next is we need to set up the permalinks, that's what comes after

your url. Blogger has a different URL structure than what we normally have

with WordPress so we need to make sure that that matches as closely as possible

so that we don't, use, lose any rankings. To change that let's go over to our

settings area, click on Permalinks, and we want to, you see by default it'll do post

name that's the typical setting for WordPress but we want to go to custom structure

and we're going to remove that and I'm going to paste this in here. You

can see it in our blog post basically you want the Year, the month number, the

post name .HTML that's if you want to keep the structure

the same. So once we enter that we should be good to go and you can come

down here and click Save Changes. Now sometimes the structure still won't be

the same and what you can do is if you look at our link on our site you can

copy this bit of code into the functions.php for the WordPress theme and that

should get it close to the Blogger's URL structure and I'll show you how to do

that now. I'm going to highlight this bit of code that you see on our post, gonna

right click and copy. Minimize this, now we need to go back to our WordPress

dashboard we want to go to Appearance, let's head down to Editor and what we

need to do is we need to first we need to say that we understand that we're

making changes to the code and that could break things. WordPress has gotten

really good about saving you from yourself

so we'll be alright. We'll just click 'I understand' and what we need to do is we

need to click on the theme function that's what we're looking for,

scroll all the way down, get into a new line, and right click and we want to

paste that bit of code that we found on wpbeginner. We can update the file, once

we update that all we have to do is visit any of our posts on our website. So

I'm going to scroll down and I'm going to view this post. Great, so what it did

is it simply updated my information, it went it took a script it went and

updated all of the posts permalinks to match what I needed it to match for my

Blogger site so now this is good to go. We only needed to do that once so now we

need to go back into our Appearance area and remove that code we don't want that

in there anymore so we'll click edit and go to the Editor again, go to our theme's

function, scroll all the way down, and we need to make sure we only remove what

started on line 70 and remove that. Again update the

information, now that the permalinks structure is set we can keep going so

basically we have imported everything from our Blogger site into our WordPress

site which is awesome now we need to make sure that anybody who goes to our

old Blogger site will get redirected to our new website. That's very important

otherwise we're not getting any of the traffic to our new site. So to do that we

need to install a plugin and it's called 'Blogger to WordPress Redirector'

and that will help us set up all the redirects that we need to make sure that

anybody who goes to our old Blogger site will now come to our WordPress site. So

let's go to Plugins, Add New from here we are like I said looking for a Blogger to

WordPress Redirection and this is what we want so let's click install now. With

plugins once you install it you also want to make sure that you activate it

for your website and you see it here which is great and we need to go back

over to tools, go to 'Blogger to WordPress Redirection' to get some things set up.

You see some great notes here that we need to keep this activated for the

redirection to work so all we need to do is click start configuration for this to

start and they found the list of blog that we need to update so let's click

'Get Code' and what it's going to do is it's going to generate some code that we

can go back to our Blogger site to put in to make sure that people who come

there will be redirected properly to our new website. So I'm going to highlight

this area, click copy, and with this code we need to go back to our Blogger

dashboard area so I'm going to click back over here and from here we need to

update our theme so I'm gonna go to theme and we need to edit the HTML now

if you have custom code on here that you want to keep now would be a good time to

copy that and save it locally otherwise we're going to select all, delete all

that's there, and we're going to paste in what we got from our Blogger

to WordPress redirection plugin. So I'm going to right click put paste and you

see all of that information that it gave me. Perfect, now we want to make sure that

we click Save theme and we need to do one more thing for the mobile users so

let's go back to theme and you see you have live on blog and you also have

mobile so under here let's click on the gear box and just make sure that this is

showing 'Show desktop theme on mobile devices' and that means that they'll see

what the desktop people see so that's good. So let's click Save Changes and now

if I go click view blog and open it in a new window now you see that it just

redirected everything to my WordPress site which is perfect that's exactly

what we want. So now everything that was in Blogger is now on my site you can go

under blog and you can see all of the posts that I have done over the years on

Blogger and that's perfect. Now here's the caveat for this when you want to

move other content from Blogger to WordPress like your pages or your

widgets that's more difficult you'll actually have to go in and copy the

information for instance I'll right-click select all and I'll

right-click and copy, and then you'll have to go into your WordPress site, go

up to pages, click add new, and you'll need to add each one separately. Make

sure you add the title of the page like it was in your Blogger then click

publish and then you'll have that there. So you'll need to do that for all of the

pages that you have and then one final thing that you'll want to make sure that

you update is if anyone reads your Blogger website and has it in an RSS

feed you'll want to update that as well. So to do that let's go back to our

Blogger area, we'll go to settings, we'll scroll down, go to 'Other', and under post

feed redirect we need to add our own feed so make sure you add in all the

information before, add your URL, and do /feed that is the normal

WordPress RSS feed address. Put that in there and let's click

save settings. So now anybody who reads your Blogger blog they'll now be able to

read it in your WordPress site. So now you've done it

you have successfully migrated your Blogger site to WordPress without losing

any Google rankings. Sid you learn something from today's video? If so

subscribe to our YouTube channel and we'll send more helpful tips to help you

manage your WordPress website and thanks for watching

For more infomation >> How to Switch from Blogger to WordPress without Losing Google Rankings - Duration: 13:48.

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Google & Facebook track you Without Data connection | Collect your persnal info for advertisement - Duration: 5:31.

Aslam-O-Alikum Friends, My name is Ghulam Mohy ud din

For more infomation >> Google & Facebook track you Without Data connection | Collect your persnal info for advertisement - Duration: 5:31.

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Updated: Improvements to the GTM Copy Paste Extension - Duration: 9:54.

Hey there Julian here.

Back with another update for our GTM Copy Paste extension.

Now, I'm blown away by the feedback that I've gotten from you guys from this extension that

makes it easy to copy paste any kind of tags, triggers and variables over to another account.

And it's been really great.

I've been publishing this for a week now.

And I've already gotten loads of feedback, loads of praise as well.

So I'm really happy about this.

And people actually using it, it makes a difference.

So what do I want more?

Now I've already gotten some downloads.

We have over 500 downloads now.

We have we have some reviews here as well.

So shout out to Thomas, Visani, Rohed, Vladimir, Dilma and Chris who've given already a review.

Thanks for that.

And if you have any reviews, or a support message, then please let me know.

Now I've gotten lot of feedback as well to what I could do better in this extension.

And I'd love for you to keep that coming.

Right.

So what I have gathered from the feedback most of the time is it's pretty clunky that

I have to sign up to Chrome.

Now, why do I actually have to sign up to Chrome to use this application.

And for one, I'm using the chrome identity API to actually get access or do the auth

flow to your Google Tag Manager account.

So we can actually pull the data and then upload it to your account as well.

And this all happens through Chrome, which means that if you have your Chrome connected

to a Google account, I can get easier access to Google Tag Manager by asking for the auth

flow that is built right into Chrome.

Really, really handy.

But the downside is if you're not logged into Chrome, so that's really what you see up here,

it's sinking to my demo account right here.

If I'm not logged into Chrome, then I can't really be using the extension.

And therefore it makes it quite hard for people who are not familiar with this whole chrome

sinking thing.

And what you would even do this, why they can't use the Chrome extension.

And it's really just because of the identification or the authentication flow that the application

needs to go through.

Now, this also poses another problem, because if you have a Google Tag Manager account,

and you are on one Google Tag Manager account, you copy from here, and then you go over to

another Google Tag Manager account, then you wouldn't be able to actually upload this because

the wrong account is authenticated.

You would not be authenticated with this account that you actually logged into Chrome to, and

therefore, it makes it really hard to copy from one to another account.

And therefore I was sitting down and thinking, How can I solve this problem.

And I came up with a solution that actually doesn't involve this chrome identity API.

Although it's very convenient for me, as the creator of this extension, I actually opted

for a workaround that I come up with.

And this involves Firebase.

Now, Firebase is this

suite of different developer tools that you can pull into for app developers, but also

for web developers.

And now I'm using the authentication of Firebase actually to authenticate yourself with a Google

authentication and then actually give access to your Chrome,

not your Chrome, your Google Tag Manager authentication.

So you don't have to log into Chrome anymore.

So let's try this out.

If I click on the application, there is a little pop up here, it takes a little while

and notice, but then you can choose your account, you can put in your password.

And you can say which account it should actually have access to, it will ask you for all the

details that I'm actually I want to create and get the data from your container.

Now, this will not pop up for me because I'm already authenticated with this account.

But once this is done, we are ready to go into our application.

And then again, copy and paste as we see fit within that account.

Now, what happens if we have something in here, and we want to actually copy this over

to another account that we all should also have access to.

So for example, this account here, if I go over, and I want to put this into this test

account,

and I paste this, I get an error.

Why?

Because

I'm not authorized to actually upload into this account.

That's

obvious, because I have actually authenticated with another account.

So what I have implemented now with this new flow, this makes it also possible to actually

log out.

So if you click on the menu here, and you actually log out,

you will be logged out of the application.

Next time you click it again, this pop up will come up and you can authenticate with

the next account that you have available that you actually want to upload to.

So in this case, I will go with this account.

And now it will ask me for my auth flow because I haven't yet done this.

And I will allow

and you notice we didn't actually log out and then clear the clipboard, everything will

be staying in the clipboard as you had it before.

And then you can just paste it into this existing account that you now are authorized to.

And obviously you can copy and paste anything within that account.

If you want to do this again, with the next account, you would need to log out first,

and then login to the next account.

So I hope this helps you with some of the problems that some users had by trying to

copy between accounts.

Now this is possible, you just need to log in and log out, unfortunately, to do all this.

But I hope this helps you to make this work when you try to copy and paste from one account

to the next.

Alright, one other thing that you have already seen, you are now able to login and the reset

clipboard is up here now.

So if you want to empty this, you can do so as well.

Now a new feature that I've also built in his container upload.

So you might be aware that a lot of people put out their containers on their blogs or

on GitHub, and you find these JSON files.

These JSON files are normally generated by just going to the admin section and exporting

one or the other account.

We can just do this for now you get this JSON file, and you can export it and save it to

your computer.

And then you would need to go into the next account again, and import this.

Now, a lot of people actually, or people who publish their work, they put this out on GitHub,

or on their own block like Lunametrics, they have a SEO pack here.

And I thought, wouldn't it be nice if we could just skip this whole import flow of Google

Tag Manager.

So I would need to download this, then I need to go over to Google Tag Manager import this

again into the container by just uploading it into the GM copy paste extension.

Yes, you can do that now.

If you have the JSON file open, and it needs to be valid JSON, otherwise, it won't work

obviously.

You can now

mark this all, you can do this with control a or Command

A on Mac.

This didn't work.

Okay, now it's all marked.

And we can right click, and again, then say add to GTM Copy Paste.

And voila, we have an now our whole container in this

extension.

And we can go over to our account and then obviously paste this again into the account

that we want to implement this in.

I need to go to the workspace

actually, and paste this in.

So then all the tags, triggers, and variables that were in this container download will

be uploaded to our account.

If you wanted to do this with a file that you have already on your computer or if you

wanted to,

yeah, just open this JSON file in the browser, you can do so as well.

So just what we did, just then I will just

reset the clipboard here.

Let's press Command or you can also go to your browser settings file and just open the

file and then you choose the actual JSON file and it will open it up in your browser.

And you can do exactly the same mark this all right click and it doesn't work.

That is unfortunate.

I need to look into this.

Anyways, if you find this useful, then I'd love for you to try it out.

I will try to get some more box out.

And I love to hear your feedback.

Now, this is super important.

If you have anything that doesn't work for you, or you have a different workflow and

you want to make this work.

I love to hear from you to see if I can actually build this into the application and if it

makes sense to put us into into the application and make this work.

This is actually what made for you so I'd love to hear your feedback.

And if you're already using this, then why not give us a review or some support in terms

of some feedback.

Just write me under this video.

I read all the comments and answer them.

As always, my name is Julian.

Till next time.

For more infomation >> Updated: Improvements to the GTM Copy Paste Extension - Duration: 9:54.

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Classical Musicians React: Lee Jin Ah 'Run (ft.Gray)' vs 'Yum Yum Yum Reboot (w/ TAK)' - Duration: 17:33.

Elizabeth: Yeah, there's a lot of different sounds all happening at once James: Yeah, It's so many layers

Elizabeth: to create the rhythm. James: It's like an onion.

*wheeze*

Jordon: Next, you'll be reacting to two songs by Lee Jin Ah,

who is an indie jazz solo artist that we reacted to a few times last season. Elizabeth: Oh!

Umu: First you'll be reacting to 'Run', Lee Jin Ah's 2018 comeback with hip-hop R&B artist Gray. The song is composed by Sam Ock and Lee Jin Ah,

and the arrangement is by Sam Ock, Lee Jin Ah, and Gray.

Seiji: Bass. Wow!

Isaac: Reverbs.

Kevin: There we go!

Oh, wow!

Elizabeth: Whoa! James: Wow!

Elizabeth: That is very interesting, as far as texture.

Collin: Huh! Jarod: There's like this apathy to his voice, and then you just seem him like...

Stephen: Man, I'm really loving like the rhythmic variety right here, the hits. Seiji: Yeah

Stephen: Also the textures he's getting, like, ay, this is really good.

Kevin: What? The song feels so fleeting, like it's,

like it feels so horizontal. There's nothing vertical about it. It just kind of moves.

Collin: Okay. And hit it.

Jarod: That was cool cinematography, in time with the music. I love stuff like that.

Elizabeth: This is such an interesting video, too. It's all about like,

minimalist colorblocking. James: It's very like art pop-y.

Elizabeth: Yes.

James: I love her voice.

Lindsey: Oh, my God.

It's just, it's like floating. Everything's floating. Fiona: Yeah, her voice is so high it's as if she's whispering all the time.

Lindsey: Yeah! Fiona: (mimicking whispery voice)

Stephen: I Like this cuz it's not like traditional K-pop, it's fresh and it's very creative. Seiji: Yeah

Fiona: I love how this thins out. Lindsey: It's like ethereal. Fiona: It sounds like you're underwater, if you think about it.

Lindsey: Yeah Fiona: Underwater Mario level. LIndsey: It's like there's no percussion.

Fiona: Submerge! Lindsey: And then it comes back in.

Elizabeth: They're singing the same pitches, but just like an octave apart. James: Yeah

Elizabeth: Which is so interesting. There's no like harmony with the voices.

James: Love the vocal percussion, too.

Jarod: Oh! What the....?

Wait, what?!

Oh, this is actually so sick!

Seiji: All right, here we go!

She can play!

Like she's actually playing it, too, damn. Live solo.

Jarod: Ohhh!

Like where did that come? What?!

Fiona: He just like,

Lindsey: Yeah, he just like, Both: It's okay! Fiona: I modulated, it's okay!

Lindsey: Oh my gosh, so many things are happening, but it's so light! Fiona: It sounds like, it's so forward-moving.

Lindsey: Yeah!

Jarod: Uhhh, uhh

Elizabeth: You hear the bass?

James: And it's so weird. Elizabeth: (singing)

I can't really tell what the harmonic

structure is.

Elizabeth: Yeah James: Like it seems predictable, but when I listen closely, there are like weird, chromatic, like

Elizabeth: Yeah James: little chords.

Elizabeth: All these verses; every time they add the verse back, there's more

synthesizer, more texture.

But like the bass is so low, and really growly, which is why it's hard to get a sense of the harmonic

structure. James: I like all these little chords.

Seiji: Man, she's dope.

Wow.

Stephen: Woo!

Henry: Oh!

The way his voice is mixed with the keyboard there was very tight.

Emiel: Yeah, it was like the same timbre, almost. Henry: That's really cool.

Stephen: Yeah! That was great!

Seiji: Oh, man, that was cool, yeah.

Stephen: Dude, seriously though, it's like....

I loved the grooves, I loved the melody. It wasn't like overdone or anything like that.

It wasn't flashy--didn't need to be, because it was very musical, and that just spoke for itself.

I loved the hits. I loved all the synth patches he used.

You know, like the orchestration, how the song peaked, and how it went down and how it peaked,

it wasn't like, oh, we're just loud now. It's like, it was a very gentle, subtle build that paid off. I loved it.

I'm gonna download this song when I'm done. Like, I really liked this. Seiji: Yeah, that was an amazing piece of music right there.

Holy cow, and just like soooo phat, like, those hits too, just not necessarily like, you know

like these really sporadic things, just like (sound effect).

So, I really dug it. Stephen: Yeah, dude. It's great. Seiji: Yeah, it's really good.

Umu: How was how was the keyboard solo?

Stephen: Oh, man! Seiji: It was pretty...

Stephen: It was sick! Seiji: It was pretty lit.

Stephen: Yeah! Some of the harmonies that she was doing?

Stephen: She did this one thing, she was repeating like a four note motive, and then just taking it through different keys.

Seiji: Yeah, the chromatic stuff, and holy cow. Stephen: Oh, yeah.

That was...oh!.

Seiji: Yeah, she was showing off a little bit. Stephen: Dude, I want to play with her. Seiji: Holy cow, yeah.

Emiel: The chorus bumped. Henry: Yeah. Emiel: Yeah, and some parts of how the vocals mixed in with the music was

interesting. I liked it. Henry: I thought the production was really good. I liked Gray's contribution

I feel like it didn't really take away or take over from Lee Jin Ah's stuff.

I thought that it wasn't too harmonically dense for the kind of vibe

it was going for. Sometimes that happens, which is cool that it didn't.

Jarod: F*ckin', the keyboard solo in the middle... Collin: Yeah, like that was

unexpected, to say the least. Jarod: Because they keep like this like, you know, like deadpan Like very, uh...

Collin: It's a weird aesthetic. Jarod: Yeah. Collin: Well, the apathy.

Jarod: Yeah, yeah. But in a way, kind of badass!

Collin: dude Jarod: Yeah

Collin: Yeah. I think that was actually rather artistic. I mean all the different textures, each have their own color scheme. It was good.

Jarod: And it's like, I feel like at that turning point that leads into that "should I run away, should I-"

we get this kind of like mushy, kind of, I think earlier I said like the ethereal vibe, because that's kind of

like, I don't know, it doesn't feel as kind of rooted as the other, because it was kind of wishy-washy, sound-wise.

So it's kind of like it leads to

the idea of just like this pondering, you know,

this not really knowing where to go kind of thing, and it was just--ah! It was so cool.

Kevin: It's a fascinating song. Like I really like it and appreciate it for what it is, but

something about it just, it just fleets. I mean the solo's great.

There's a subtle shock value to it, because it's so different from the stuff that I'm used to hearing in these react sessions.

Isaac: I feel like the song's like,

it continuously evolves, starting with very simplistic and very basic rhythms. So you have like the beats that just come in--one!

Duu! And then later it starts developing more.

It's like they have a little bit more, and then the way they speak their lyrics are a little bit faster, and then

even like the rhythms, like it continuously grows.

It's not too memorable in repetition, because it's a song that continuously evolves and continues to grow.

Kevin: Why did they suddenly make the harmonies more complex during this

Iasaac: Piano Kevin: keyboard solo? Usually in jazz,

the solos are built upon the chords of the original tune that they choose. So, by

suddenly changing up the chords, you give us a hint of a more interesting song that could have been, harmonically.

But then it kind of just goes back to like a more standard chord progression.

I think one of the reasons that I had trouble

appreciating the song as much was actually because of the music video, and because everything was, everybody was like

still, while the song was so mobile. There's this weird dissonance that honestly caused a sort of unpleasant feeling when listening to it.

Just this, like, something's not right.

Something is uneasy about this song. So I'd love to listen to this song in another context, like just the audio.

So, that's that's my final schpiel.

Fiona: That song was a collage.

There are so many sounds and like, different little instruments and voice lines going (singing) all throughout.

It made for a really complex, engaging experience. Good job!

Lindsey: The visuals were really neat going along with it too, because it was weird things,

but on very simple Fiona: familiar Lindsey: like backgrounds, kind of.

So it would be just like the girl peeking out of the curtains, and it would just be like a frame on there, and then

it would go somewhere else, and it was just like a hallway, but there was a girl dancing in it.

So, it was just like they took these simple things

and then kind of jazzed it up a little bit in their own way, and that's kind of what the music did too. It took

these things from other places and then put it all together and like just made a big

masterpiece.

Umu: Next we'll be reacting to a b-side song called 'Yum, Yum Yum', which is a reboot of her song

she used for the first round of competition

in K-pop Star, that she ended up winning second place in. This is not a lyric video, again,

it's just like, the audio of the track,

and it's featuring

TAK.This tells a story about a girl who falls into a dilemma as she is stuck in between like and love.

Elizabeth: Been there. James: Relatable. ELizabeth: Yep!

James: That's so funny. Okay. Well, I'm ready to get hit with the feels.

Isaac: Beep!

(making popping sounds) The bubbles.

Seiji: It's still dope.

Lindsey: It's very 8-bit sounding in the background. That's awesome.

Kevin: I like how she's exploring with lighter tambors.

Her songs are always so light, but this is really making it her playing field.

And then it goes back, of course.

Elizabeth: I've never heard somebody use that kind of like 8-bit unironically in a song.

Collin: Oh, man.

Seiji: It's like an Esperanza Spalding type of progression. Stephen: Yeah.

Stephen: Can we just talk about the bass, though? It's just so phat.

Seiji: Every time.

Oh, solo.

Kevin: Oh, I love that solo, with all of the syncopations.

Emiel: That was a nice little riff, right there. Henry: It was, yeah. A lil turn around Emiel: Should have expanded it more.

Emiel: Put on a different patch. Henry: I feel like, by the end of the song, you'll probably hear a little bit more riffing

James: This is very dreamy to me.

Elizabeth: I think that fits the idea that song was going for. James: Yeah

Both: (laughter)

Kevin: See?

Active, vibrant, accompaniment. It's so underrated. I guess not underrated. It's just

not preferred in the pop sphere.

Stephen: Her voice reminds me a lot of something I would hear in neo soul.

Kind of like very laid-back, kind of airy-breathy,

but still intense.

Seiji: I can see that. Yeah, I can see that.

Elizabeth: Do you hear that? It's almost like fake castanets that's doing like that- James: Yeah Elizabeth: the offbeats? James: Yeah

Henry: I like that they bring back the intro. Emiel: Yeah.

Henry: That's smart. You gotta bring that back.

Kevin: Oh, oh, it doesn't stop. Oh, it's a solo!

Isaac: (popping sounds)

Kevin: It's a solo that doesn't start like a solo. You think it's just a continuation of the Zelda thing.

Even her solos have so much variety. Like she knows what kind of solo she wants.

Jarod: Ooh! That was tasty! Collin:It's like- nice lil licks!

James: See, this is more harmonically interesting. I don't really know what's happ...oh!

Elizabeth: There's a lot of chromaticism. James: Yeah

And the percussion in the back is really helping the groove, too.

Oh, now it's a real piano. Or a real piano sound.

Collin: Woo! All right.

Kevin: See, by the end of the solo we're ready for the last chorus. You know, we're ready to hear that again.

It's great

Lindsey: Her talent just feels way beyond her years. Like, her voice is really high-pitched, which makes her sound younger,

but her vocal quality just sounds very mature.

Jarod: Oh, my god!

Kevin: I like the solo on the high notes. it makes, it doesn't make it sound cluttered. It actually stands out without being too loud.

Elizabeth: Yeah, there's a lot of different sounds all happening at once James: Yeah, it's so many layers.

Elizabeth: to create the rhythm. James: It's like an onion.

Fiona: Ahh! Lindsey: Woo hoo!

Fiona: I love that ending! Lindsey: Oh, my god, that was just like so classic, in such a fun way. Fiona: I love that ending.

Lindsey: Ah, that was great. Fiona: What a treat!

Seiji: That was really good, too. Stephan: It's just so nice to listen to her.

She'll have material in her songs that not only just you know, regular people who maybe aren't musicians will be able to appreciate and

understand and still be able to bob their heads and you know, like sing along with the melody,

but then she'll add things, like maybe it's a harmonic progression, or like certain rhythmic hits, or like her solo,

for example. Us, as music school students, we hear that, and we find that, it's ear candy,

you know. Seiji: This is how you take over the world with jazz. You make it Stephan: A pop song! Seiji: relatable

Seiji: and then gradually, the common person begins to dig jazz. Good job, her.

Isaac: So, this one was a lot of the use of the, I guess, is it 8-bit sound?

It's interesting how they use that as an ornamentation, and the way they play around with, I guess, the blue scale a little bit.

Part of that just kind of like drowned me out a little bit, was just like the Yum Yum Yum. Kevin: You don't like the Yum Yum Yum?

Isaac: No, I got like, I don't know, it kind of like puts me to sleep. Kevin: Her voice has a very

ASMR quality to it. Isaac: Yes, so maybe that's it. Kevin: Which is

good.

Kevin: I loved it. It's the best. Isaac: Was it delicious?

It's a delicious song. and it hits all the tasty

videogame-esque nerves, the chiptune nerves, the jazz nerves, and

just the nerve for very light music that you can chill to, but you can also just low-key bop to.

Bop to the top!

Collin: It's interesting, like there's that laziness to that, as was in 'Run'. Jarod: Yeah!

Jarod: Like there's just no hurry, and I love that.

Collin: Yeah, I personally liked the other one more. Jarod: Yeah

Collin: I thought was that a little wandering, you know, with like what I wanted. That was still good.

Like, I've never heard someone combine that in such a unique way.

Yeah, I think what what she does a really good job of doing, in the line,

it goes like high-low-high. There's like a line, but typically whatever we write music,

it's like we kind of stay in the same register, which we're right, but this, there's a lot of like back and forth,

but yet it's coherent.

Lindsey: I liked the first one better. I liked the variety in it. This did this didn't have as much variety.

I mean, I still really, really enjoyed it and I'm not saying that variety is what makes a song good per se, but I just liked what

they did with the other song. Fiona: I say I would like this song more. This song,

I kind of felt like I was on a journey the whole time, like if I closed my eyes, like everything was like fun colors.

I don't know. It was like cute and-

reminded me of like candy, and like some weird, wacky world that she's in.

James: Yeah, no, they're pretty similar.

They're both like pretty chill, like laid-back, relaxed songs. There were layering in both of them, too, like really interesting electronic samples.

I think the second one, not only the layering itself, like was utilized in a more catchy way,

but I think the samples themselves were actually a little more interesting in the second one.

Elizabeth: No, I like I liked the first one.

I liked the use of the electronics better in the first one.

I thought it was a little less cheesy, and I liked the addition of the male voice.

James: Yeah Elizabeth: Especially having those in octaves. I thought that was really cool.

Stephan: I liked them both. Seiji: Yeah Stephan: I liked

'Run' maybe a little bit more, but that's just me. But I think they're both great. Seiji: Yeah, they're both really good.

Stephen: They're also a really different songs. So I feel like it's weird to compare them, cuz they're both really creative and both appealing.

Seiji: Yeah. Stephen: Very attractive Seiji:I like them both, too. She's a great artist. All her art is great.

Hello, everyone. I'm Umu, and I'm

the channel runner of React to the K. I really hope you enjoyed watching this video. if you're curious about the videos that

we'll be reacting to in the future,

I put a links to a doc with our release schedule in the description.

Last not least, if you'd like to support our channel,

you can help us out by pledging any amount you would like on our

Patreon. On Patreon, and you can get access to full, unedited pair reaction playlists

reactions to Japanese releases, and much more. And of course, a huge shout out and thank you to our superstar patrons.

Thank you so much for your support. Bye

For more infomation >> Classical Musicians React: Lee Jin Ah 'Run (ft.Gray)' vs 'Yum Yum Yum Reboot (w/ TAK)' - Duration: 17:33.

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Thousands Gather At Vigil To Honor Victims Of Pittsburgh Synagogue Attack | TODAY - Duration: 2:45.

For more infomation >> Thousands Gather At Vigil To Honor Victims Of Pittsburgh Synagogue Attack | TODAY - Duration: 2:45.

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Doctors Who Treated Pittsburgh Synagogue Attack Victims Speak Out | TODAY - Duration: 3:39.

For more infomation >> Doctors Who Treated Pittsburgh Synagogue Attack Victims Speak Out | TODAY - Duration: 3:39.

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Wedding Escort Card Holder | Michaels - Duration: 3:58.

(gentle guitar strumming)

David Tutera - Escort & Place Card Displays

Michaels Weddings

- Well you're invited to someone's wedding

and I think what's really is great is when

the couple takes the time to truly think about

where every single guest is going to be seated

at the celebration.

But let's start with the escort cards

because this is really crafty and super fun

and I think very visual.

It starts with a purchase of this particular frame

which comes just like this from Michael's.

You have the gold frame, the jute, the clothes pins,

and we're gonna add a little special touch to it

as we get started.

So with a little bit white paint,

we're gonna begin to paint the outside

of the entire picture frame.

But look very closely

'cause we're not going to paint over

the accent pieces

because the gold will wind up being

an accent, not a primary.

So keep the inset, which is the beading, gold.

And the corner and the side appliques

as well gold.

So when this is completely finished,

now you can see how the gold just sorta pops out.

And by the way, you can do this any color

that you choose to with your paint.

And I even painted the little, teeny clothes pins white.

With these you're gonna hold up your place cards.

They're from my line.

The place cards that I sell come just like this.

Fold it in half.

Just cut it

into two cards.

Real simple.

Take a fine pen

and then write the name of the guest

and then the table number you've chosen to seat them at.

And then take your little place card and your clothes pin,

tie it to the ribbon.

And you'll notice what I've done is,

I removed the jute and I replaced it with

a beautiful antique gold ribbon from side to side.

That allows the clothes pin to be held onto the ribbon

with the escort card to be displayed.

The one last touch to this

which makes it really extra special.

Think about the flowers you have

either on the guest tables or in the bouquets.

We're gonna work with faux flowers.

And you're gonna take the faux flower and cut a stem off

so we have just a flat surface here.

And with your glue gun

you begin to decorate the outside of the picture frame.

With, I'm using now ranunculus and lilac.

And you can do as much as you want.

I've decided to just add it

in the corners of the frame, asymmetrical.

And when it's completed

with all your cards,

you can have one of these up with just certain cards on it,

or what I'd love to see is a series of frames

at different heights that show all of your guests on them.

And you alphabetize them.

And the last thing you can also do out of my line

is I have these wonderful place card holders.

And these can be used to either coordinate

to your place settings

so that guests now know exactly what table they're going to

and what seat they should be seated at.

A simple way to add a wonderful look to your wedding.

(vibrant music)

(gentle guitar strumming)

For more infomation >> Wedding Escort Card Holder | Michaels - Duration: 3:58.

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Ireland: 2 cities, 1 trip - Duration: 5:45.

(Irish traditional music)

- Ireland, one of those places that begs

to be explored again and again,

and since I've only been here once before I'm back and

this time I've brought along (glasses clinking)

my good friend and fellow travel videographer,

Courtney Scott, for her first time

to a land of Guinness and greenery.

We have three goals: discover the food revolution

that's finally giving Ireland its due,

see the sites and hang out with the locals,

all to gain a deeper understanding

of what makes Ireland so special.

(upbeat Irish music)

(upbeat music)

Belfast, one of my favorite up and coming cities

best known for its culture around food,

music and rich history.

Wanting to get a local's perspective and recommendations,

we signed up for the Black Taxi Tour.

- Hello, welcome to Belfast.

You're in the capital of Northern Ireland

and want to see a wee bit of the city this morning

and tell you about our culture and our history.

- [Gareth] Our guide Billy was born and raised

in Belfast and with his insight and guidance we saw

where the Titanic was constructed and the ingenuity it took

to build it, heard about the importance and history

of the city's Peace Wall, and were invited

to leave our own message, and explored the

up and coming Cathedral Quarter and,

as it often does with travel, one connection leads

to another and on Billy's recommendation,

we meet up with Caroline from Taste and Tour

for a crash course on Irish cuisine.

We started with one of my all-time favorite foods

and Kryptonite, cheese.

Ireland is known globally for their world-class cheese

and Kieran of Sawers is an expert on the topic.

- Wow. - Voila.

- Hello. - Come on.

- We've got everything here to make a perfect cheese.

You've got your blue and your white and your Guiness there.

These were made in Belfast.

This was made in Newtownards.

It just got voted the best Irish blue cheese, as well.

Here, try this chili jam.

See this? - That's jostling.

- Heat, one to 10, how hot?

- No? - It's a three.

That's a four?

A four? (Kieran chuckles)

- [Gareth] After hitting up a few more spots,

we finished up our tour at one

of the most famous pubs in Northern Ireland.

- Welcome to the Crown Bar.

This is an institution in Belfast.

You cannot come here and not see this place.

And, indeed, you can't come here and not have a drink in it.

So Michael is gonna teach you how to pour the perfect pint.

Although, did you know the true color of Guinness?

- No. - No.

- Ruby Red.

- Is it really? - Yeah.

It's not black at all.

- [Gareth] Look at that.

- Say cheers or we can say Sláinte.

- Cheers. (glasses clinking)

- Cheers, Sláinte. - Sláinte.

- [Gareth] With the warmest of welcomes in Belfast,

we packed up our car and set out on our own

to discover the surrounding terrain.

On our road trip out of the city,

I take Courtney to some of my favorite, iconic locations.

From the canopy trees of the Dark Hedges,

also known as the King's Road in the Game of Thrones,

to the suspended bridges of The Gobbins

and the legendary Giant's Causeway,

it's easy to see why this otherworldly landscape

attracts travelers the world over.

In the car and back on the road, it's time to head South

to the other Irish metropolis, Dublin.

(upbeat guitar music)

Dublin loves their visitors so much they started a program

called the City of a Thousand Welcomes,

where they arrange a meetup with an everyday local

to get tips on what to do do, where to go, and what to see.

Over a coffee and Guinness, our new friend Finola

helped us map out how to spend our days

in and around the city and her first

recommendation turned out to be my favorite.

(adventurous music)

(record scratching)

Sports are woven into the fabric

of Irish culture and heritage.

There are over 2200 Gaelic clubs on the island

and the Gaelic Games are a reflection

of the comradery and community of Irish people.

(upbeat Irish music)

We meet up with Experience Gaelic Games

to learn three sports: hurling, Irish football and handball.

Brian is an elite Irish hurler and offers

to show us this ancient Irish tradition.

- Don't have two hands together.

Have them well apart, nice and balanced.

You catch it like an apple off a tree,

pop it up, strike, wiggle, wiggle.

- Hurling is the oldest and fastest field game in the world.

Oh, this hurling is awesome!

It's so much harder than I thought!

(Brian shouts directions)

To say that we were out of our league was an understatement.

(guitar strumming)

After pushing our physical and mental limits

at the Gaelic Games, I wanted our last day

in Ireland to be a relaxing one.

Minutes outside of the bustling city

of Dublin is the small, sleepy fishing town of Howth.

We welcome the change of pace with a tour

around the harbor on a fishing boat

before meeting up with another new friend,

Declan McManus, the owner and chef of the famous

family-run King Sitric Restaurant.

- We're gonna make Dublin Lawyer.

It's called lawyer because the recipe

has butter, cream, and whiskey.

So it's fat, rich, and alcoholic

- Whoa, look at that beauty!

Oh my god! (pan hisses)

Those big chunks of lobster. - Woo!

- [Gareth] If I was a lobster, this is how I'd wanna go out.

This was the perfect way to finish a perfect trip.

Whether you're traveling alone or with a friend,

Ireland is a place where the locals

make you feel like family. (upbeat Irish music)

The food is constantly evolving and no matter

where you go, there's always something more to discover,

but don't take my word for it.

Go see for yourself.

(upbeat Irish music)

For more infomation >> Ireland: 2 cities, 1 trip - Duration: 5:45.

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¡El príncipe Harry y Meghan Markle visitan Nueva Zelanda! | Un Nuevo Día | Telemundo - Duration: 1:48.

For more infomation >> ¡El príncipe Harry y Meghan Markle visitan Nueva Zelanda! | Un Nuevo Día | Telemundo - Duration: 1:48.

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4L80E Tear Down & Common Problems - Duration: 9:29.

hi welcome to monster transmissions you're here in Curt's corner today we're

going to go over a 4l80e transmissions and the common problems or common failure

components that happen with these unit now this is a GM transmission that was

put in a lot of their heavy-duty applications primarily trucks one ton

three quarter two ton too big trucks all run this big heavy-duty 480 transmission

it's a four-speed automatic and then went from 1990 all the way up to 2008 so

it's a very strong durable unit but just like any transmission is the evolution

of the transmission to improve the performance and quality of the

drivetrain so we're gonna take apart a later model unit this happens to be a

2003 and we'll go through the changes to the unit as well as the common things

that go bad on a 4L80E and why and what we can do to correct those issues we're

now going to take off and remove the tail housing on this two-wheel drive

application collapse the metal seal the metal clad seal and it will come right

out of it out of the tail this is to seal the drive shaft on the two-wheel

drive application roll the transmission over to expose the pan most of these

have a 10 millimeter head some of the earlier units have a 13 millimeter head

so we remove the pan this is the pan gasket

some have neoprene like this cork we're gonna remove the filter this is actually

the linkage assembly here the tensioner for the linkage so we're gonna remove

that first I'm going to put all these bolts in the pan to keep it organized if

you'd like you could disassemble the valve body bolts and you can set the

entire Valarie with the bolts on it into the pan keeping it together

I'm gonna disconnect the harness

Remove -this oil feed tube this is the

pressure manifold switch that takes 8 millimeter bolts we're gonna remove that

and the value bodies release a lot of problems with the transmission on this

particularly that don't involve the valve body but now we're going to remove

the actual front servo it has a spring assembly here and this is actually

reverse servo we're going to remove this cover to expose the servo

we're now going to go ahead and remove the balance of the harness so simply just tap this

into the case and this is the actual manual linkage assembly here so we're

going to remove this assembly now what they have here it looks like a common

nail right here in the unit but it's unique stop for the linkage so it

doesn't slide out of the case so we're going to remove that and the nut to

remove the shaft so you can change the linkage seal as well as removing the

manual linkage system

linkage shaft out of the case and this is the linkage

assembly and then you'll notice that there's a series of check balls there's

steel check balls so just use a magnet to collect them all up we're going to

remove this and there's one in the back of the case that were in a move which

holds a center support in place so we're gonna remove both of those before we

remove the pump there is the lock-up seal on the input shaft you must remove

this seal now we're going to remove the assembly to free that up apply pressure

tap the case break up that gasket seal that it has to the case it could have

been there for many years you see how easy it is to remove the pump once that's removed

remove the snap ring here on the perimeter. We removed the snap ring

now we remove the fourth clutch the top backing plate which will expose the

clutches themselves you remove all the steals from the clutches that will

expose the the input shaft pull up the fourth clutch housing here's the

forward drum and they're going to see some of the problems with this drum here

as well as the discoloration you see how black this is got that's another sign of

overheating and now we're expose the direct drum reverse band and you can

simply just grab the intermediate clutch assembly

here's are the clutches the seals and now we can remove the center support and

the rare planetary assembly there's the whole rear planetary assembly one of the

issues that the for all ATS have number one is overheating in the early years

they have the coolant line fittings both fittings were in the front of the

transmission here in fact it still has the casting for the coolant line fitting

in the front and then later like 97-98 they moved the oil fitting from here the

return line from your trans cooler came back here towards the front of the

transmission case and he ran an oil feed tube from here back to the rare

planetary in 97-98 they changed that design eliminated that oil feed tube and

ran the cold line all the way back here to the back of the case the cold fluid

came back to the transfer returned right the planetary right through the center

support so relaxing was fed directly into the center support here

okay so ninety eight and up they changed and corrected that issue with the with

the planet Aries this section here from burning up to prevent that from

happening another issue that these transmissions

had was with the overdrive planetary they would also burn up but what would

happen is this shaft goes into this drum assembly here this shaft has two teflon

rings here and what would happen is it'll cut ring grooves inside here and

lose lubrication and that can tell you that's exactly what happened with this

drum set because there's deep ring grooves in this drum you can also tell

overheat it just by the coloration of this drum you can see how dark it is

here that means it was starving this planetary for oil and the other area

that these things have problems is when these drums that you see here on this

forward drum area that these areas right on the clutches for example in this drum

and what can happen is if it runs low on fluid and these clutches burn the other

thing that happens is these clutches can eventually try to slip pass this drum

and will cut grooves in this drum and when the drum goes to apply the clutch

pack it'll apply part of it half of it or want to play at all because these

will get hung up on the grooves of this drum and the other common issues with

these units is the rear planetary that even though they're lubricated you run

it low on oil just a few times that these planetaries will get hot and

wobble okay and then it ultimately will break one of the gears and then break

the the Sun gear and that's a common issue with Afro 80 transmission so

there's several issues with the pro 80 the main thing is overheating and

maintaining the service of it and the other issues are if it runs long fluid

and you fill it up damage may already be done be

because it starved cause the teflon rings not the seal calls the clutches of

prematurely burn and wear out and then not shift properly or shift at all but

if you have any further questions on the 480 transmission on how to purchase one

what application you have for them to work in feel free to give us a call here

at monster have one eight hundred seven oh eight zeros are eight seven and we'll

talk to you then

For more infomation >> 4L80E Tear Down & Common Problems - Duration: 9:29.

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¡Te llevamos a disfrutar del único circo para adultos! | Un Nuevo Día | Telemundo - Duration: 3:36.

For more infomation >> ¡Te llevamos a disfrutar del único circo para adultos! | Un Nuevo Día | Telemundo - Duration: 3:36.

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لماذا بكى رسول الله وأبكى الصحابة معه؟ مؤثر جدا - Duration: 3:15.

For more infomation >> لماذا بكى رسول الله وأبكى الصحابة معه؟ مؤثر جدا - Duration: 3:15.

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¡Los Huracanes del Norte cuentan el secreto de su éxito! | Un Nuevo Día | Telemundo - Duration: 5:22.

For more infomation >> ¡Los Huracanes del Norte cuentan el secreto de su éxito! | Un Nuevo Día | Telemundo - Duration: 5:22.

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TED Talks: Nicole Brown - Duration: 7:24.

- At the risk of sounding like an overly proud parent,

I'm gonna tell you about my daughter Linnea,

who, over the last decade, has become strong and proud

just like the system in place for children

who are deaf and hard of hearing in Minnesota.

In 2006, Linnea was born with beautiful blue eyes,

just like her sisters and her dad.

And just like her oldest sister,

she was born with a hearing loss.

Of course, we didn't really know it at the time,

but Linnea didn't pass her newborn hearing screening.

Because of that, she went for further diagnostic testing

and we learned that she had a profound hearing loss

at 10 days of age.

While I didn't feel it at the time, Linnea was lucky.

Despite the fact that she had an older sister

with a hearing loss, I was sure Linnea could hear me.

Newborn hearing screening was the only reason

that Linnea received that further testing

and diagnosis that she needed and was identified so early.

And even though her older sister had a hearing loss

and I feel like I should have known

because we've been through this already once before,

I felt completely overwhelmed.

I had so many questions.

I wondered what's her future gonna be like?

I didn't really know any deaf or hard of hearing adults.

And I had so many questions, so I Googled it,

just like any parent would do.

One of the things that popped up in my Google search

was learning that it was likely that Linnea

would graduate from high school

with a third grade reading level.

I was shocked and terrified.

And what about school?

Would she have friends?

Would she be able to play sports?

And how would we communicate with her?

How would I tell her that I love her?

Would we need to learn sign language?

Would we learn cued speech,

would she have cochlear implants?

Or would she do all of it?

I wasn't really sure.

And what about that very practical question

about how am I gonna get my insurance,

to navigate insurance to be able to pay for hearing aids

if that's what we choose.

It just felt completely overwhelming.

Now just as Linnea was taking her first steps in 2007,

and wearing her adorable little hearing aids

behind her ears, a package of Early Hearing Detection

and Intervention legislation was passed.

Over the last 10 years that that legislation has been

in place, we've really built a strong system of supports

for families like mine of children

who are deaf and hard of hearing.

Now when Linnea was born, newborn hearing screening

was voluntary.

Hospitals could choose if they wanted

to provide a newborn hearing screening or not.

Imagine if I had taken Linnea, or

if Linnea was born in a hospital

where they didn't do a newborn hearing screening.

I really wonder when I would have

learned that she had a profound hearing loss.

Now, every hospital is required to screen all babies

for hearing loss before they leave the hospital,

unless the family chooses.

They also report the results of the screening test

to the Department of Health, where the Department of Health

connects with primary care providers and families

to help follow up on those screening results to insure

that families get the diagnostic testing that they need.

Now, around the time Linnea was born,

the average age of diagnosis for a child who was deaf

and hard of hearing was two and a half years old.

Today, it's two months old.

And for those of you who are around children and know,

infants, their brains are like sponges,

and just absorbing so much information.

And without access to language, no matter

what kind of language, through ASL

or through spoken and listening language,

whatever kind of communication, without that communication,

there can be permanent delay in development.

Now, parents have a lot more support to help

answer the questions like I had after Linnea was born.

Within days a parent guide from Minnesota Hands and Voices

will contact the family.

These parents are parents of children who are deaf

and hard of hearing themselves, they've walked those shoes.

They're trained to be able to let families

know about resources and information.

They're located throughout the state of Minnesota,

and they even speak different languages.

They connect families to resources like where teachers

can come out to the house and work with infants

and provide special interventions

so that those babies will stay on track for development.

Deaf and hard of hearing mentors that

can connect them with as well.

So, they can connect with adults who have been there

who know what it's like to grow up with a hearing loss.

And what about that very practical question

I had about hearing aids and insurance?

Now, Minnesota has a hearing aid loaner program

where families can get hearing aids immediately

for their babies so they can have access

to sound immediately while their parents

are working through the maze of insurance and financing.

Now, after 10 years, we've really done a much better job

of answering that all so very important question

about what is the future like for children

who are deaf and hard of hearing.

Well, we're really beginning to understand factors

that impact outcomes, and then

doing something to improve those.

State agencies are working together,

such as the Department of Health,

the Department of Human Services,

and the Department of Education on tools

such as The Early Childhood Longitudinal Data System

to help show growth and achievement for our children

who are deaf and hard of hearing in Minnesota.

Using this important data, we're beginning

to see how participation in education

and social programs early on effect

how children do in school later.

No longer do parents need to worry

about their child graduating from high school

with a third grade reading level.

Now we can see data about how our current deaf

and hard of hearing students are doing

in Minnesota, and it's really good news.

Linnea turned 12 recently, a year ahead of

our Early Hearing Detection and Intervention legislation.

I'm not sure which I'm more proud of.

Well, of course it's Linnea.

She recently spoke at our 10 year

Early Hearing Detection and Intervention celebration.

She wrote and gave her own speech.

And she ended that speech by saying,

"My hearing loss has never gotten in the way

of what I want to do."

"I'm deaf and I'm proud of it."

We have a lot more work to do here in Minnesota,

but over the last decade we've really made strides

in helping all children who are deaf and hard of hearing

achieve great things and be proud to be who they are.

Thank you.

For more infomation >> TED Talks: Nicole Brown - Duration: 7:24.

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বাংলার গৌরব সম্মানে ভূষিত বাংলার জনপ্রিয় এই অভিনেতা-অভিনেত্রীদের দেখুন ? | Banglar Gourab award 2018 - Duration: 1:42.