Youtube daily Sep 7 2017

(plays jazz guitar)

- Hi, everybody, my name is Jens Larsen.

In this video I'm going to go over how you can play

walking bass and chords on a Bb blues.

So, I played and transcribed

a one-chorus example that I'm gonna analyze

and I'm gonna talk about how I made the bass lines,

what kind of chord voicings I'm using,

and talk a little bit

about the techniques involved in playing it.

If you wanna learn more about jazz guitar,

so playing solos with interesting arpeggios,

and playing chord voicings with extensions,

then subscribe to my channel.

If you wanna make sure not to miss anything,

then click the little bell notification icon

next to the Subscribed button.

The first thing we should do

is probably just to take a look at the example,

and then I can break it down into smaller bits and pieces

and talk about the components that it's constructed of.

(plays guitar)

The way I'm playing this type of comping

is sort of a combination

of having the chords with the root as the lowest note,

so you kinda need to stay in the area

where you can play the chord,

because if you wanna add a chord,

then there has to be one available,

and most of the time you kinda need to have the root

as the first note in the bass line on the bar.

So, you're kinda limited to the places where that happens,

like this.

For the rest,

I'm trying to connect those with the bass line,

and the bass line is then spelling out

the chords that I'm on,

so I'm keeping it kinda simple

and just using fairly basic chord tones, or scale tones of

of the chord that I'm on.

And at the same time I'm thinking about where I'm going,

so I'm trying to make a bass line

that's gonna logically move

to the next note that I need to hit,

which is often the root of the next chord.

The first bar starts with a chord on the one,

so I'm playing this Bb7 with a 13,

a drop 3 voicing that you probably already know.

And the bass line is just the Bb major triad,

so I'm playing the Bb here, and then up to D, F,

and then I have a leading note for the Eb

which is this E,

and then I actually add another leading note,

which is just to sort of create

a little bit of variation in the bass line,

because the walking bass line is, of course,

essentially just quarter notes all the time, so (guitar).

But here I'm adding an extra note,

just because it sort of breaks up the groove a bit,

and that's a nice variation to have in there,

so start with the chord,

up the triad,

and then here I'm adding the third,

because that's also a leading note,

so I now have this sort of chromatic encircling

of the Eb (plays).

And then I'm hammering on to the Eb (plays),

and then adding the chord afterwards

so you get this (plays).

And this just creates a lot of movement,

which is kind of nice, it just breaks it up nicely.

And that's a nice effect to have if you can get it in there.

There are probably a few places

you need to puzzle this out in advance

and see if it's possible,

and then you can have

some variations of your bass lines where it works.

So now I'm on the Eb (plays),

and here the bass line is also just using chord tones, so

first the root, chord, which is just an (plays),

so this Eb7 with a 9,

coming out of just an Eb shell voicing,

down to the 7th, 5th,

and then I wanna go back to Bb in bar three.

And the Bb I wanna play is actually (plays)

this Bb shell voicing.

And I'm using an A,

because that sort of fits the root (plays),

and then I can lead up to the Bb again.

So my A leading note, I'm harmonizing in this example.

So I put an A7 under it,

and then I can sort of just slide that up (plays)

into my Bb7 (plays).

So here I have a Bb7.

Now I'm not playing the 13,

I'm just playing the shell voicing.

And then same bass line, actually, just Bb major triad,

leading note, and now I'm going to F minor,

I'm not going to Eb,

but the E is still a valid leading note.

So this is a good example

of how you can have some bass lines

that will actually take you to several different places.

So instead of going down to the Eb,

I can go up to F minor in bar four.

And the idea here is that

I'm gonna play (plays) F minor for half a bar,

(plays) E7 for half a bar,

to take me to the Eb in bar five (plays).

And the way I do that is (plays).

So first the root, then the chord (plays)

and then the 5th,

and then I move to the E7 (plays),

chord, (plays guitar)

5th, (plays guitar).

(plays guitar)

So really a simple idea,

because I'm just (plays)

playing this ii-V with a tritone substitution

and repeating the bass line, which is just I-V-I-V.

Then I move to Eb (plays)

and here I play the chord on the one,

also because we are sort of in a strong point in the song,

so when you're coming from

from bar four to bar five,

so where you're in a new four-bar period,

then it often makes sense to put the chord on the one,

just to restate, like now,

now we're starting a new segment of the song.

We tend to feel music in groups of four bars,

and that is something to be sort of aware of

when you're comping,

whether it's with bass lines or without them,

that needs sort of an emphasis in a certain way.

You will hear also

that if you listen for when drummers are making fills,

it's usually at the end of some period,

and it'll come out at the beginning of the period.

On the Eb7 (plays),

the next chord is an E diminished (plays),

so the bass line actually just kind of has to stay.

We can use the root of the chord as a leading note

up to the next chord, and that's kind of what I'm doing, so

(plays) Eb, down to the 7th, 5th.

Again, just a bass line is easy to play.

(plays)

And then sustain the chord the same time.

This has to be sort of practical solutions (plays),

because otherwise it gets way to difficult to play,

and I'm using the Eb to lead up to the

E diminished (plays),

and here's like first the E, and then the chord,

and then we get the bass line for that, that's just down

to Eb,

Db,

and then, again, an A as a leading note up to Bb.

So we go back to Bb.

And now it's Bb 13 again,

but I'm playing it differently,

because I'm starting on the Bb,

and then the chord on the one end (plays),

again using the triad.

And now I need to go to D half-diminished,

so instead of going to E,

I go to Eb as a leading note down to D half-diminished.

And here I have this (plays)

D half-diminished drop 2 voicing,

one of the few places where I'm using a drop 2 voicing,

but it just fits really well to go from this (plays).

So root,

chord,

flat 5, which is a chord tone,

down to the G7 (plays),

and then here again, adding the chord.

And the voice leading of this (plays)

works really well (plays).

And then a leading note to the C minor, which is a Db.

And here we get C minor with a 9 (plays),

and that's, again, a four-bar period,

so I'm really stating it on the one (plays),

and then I start to move up (plays)

to the F, and that's just moving, really, from

so up the scale C, D, Eb, and then a leading note,

which is an E in this case (plays),

and then we're on the F (plays),

and then after the F we're at the chord (plays),

so (plays).

And the leading note to go back down to the Bb in bar

let's see, that's bar 11,

is a B, and here again I'm harmonizing this,

so now I'm harmonizing it so that it's gotta resolve.

It actually works as a tritone substitution as well,

'cause it's a B7 (plays).

And then I could just slide that whole thing down (plays),

and then I'm in the last turnaround.

So on the Bb,

again just using the shell voicing,

and then up to the 5th,

which I can use as a sort of diatonic leading note

up to the G7 in the turnaround.

So up to G, chord,

and then I'm using a Db as a leading note,

down to C, here I'm using this drop 3 C minor voicing.

And then another leading note, which is a G-flat, down to F,

and then an F7#9, like this, so (plays).

And then the 5th, and then I'm back in one.

I think you should notice,

and maybe also try to incorporate

into your walking bass and chord ideas,

is that you can use the chords in different ways.

So I already talked about how it's important sometimes

to really just state like (plays)

on the one of a four-bar period

we have the chord and the bass note at the same time.

And actually you wanna sustain it.

It's not really a short note,

but if I play the first two bars,

then they sound like this.

(plays)

So here, of course, the first one is just there

to really state now we're in

it's a Bb7 blues, this is a Bb7.

The Eb (plays),

we kind of expect the Bb to come along,

and already just having the bass note there

is giving us most of the information that we need.

So we can just use the chord there

to just really state the groove,

and it's just really sort of a short stab, like a (plays)

like hitting the snare in a drum kit.

And then we have the A7 here, which,

the point of that one is just to really emphasize

that now we're going back to the I,

and it's just gonna create some movement,

and that's why it's played sustained like (plays).

And then of course it makes more sense

to also really resolve it (plays)

because otherwise it sounds like

we're in a completely different key.

(plays)

And then, in bar four,

so here we have (plays) first the F minor 7,

which is maybe a little bit different

from the Bb7 that you might expect there.

And after, we get the E7, which is a tritone substitution.

And both of those chords are sort of

important colors to introduce

because they're a little bit different,

and if you just play them really short,

you don't really get the benefit

of having them there in the first place.

So those are played sustained (plays).

And then the same with the E7 (plays).

And then, because they're both played after the beat,

but they're sustained,

(plays)

and we have a lot of tension building

from both the fact that this is not on the beat,

and that it's a tritone substitution,

it makes sense to really take it down

and play the Eb7 on the one (plays).

So this way of thinking

is also something you can experiment with when,

and think about when you maybe record yourself

playing stuff like this.

Does it sound like I could use long chords some places?

Am I only playing one thing,

or am I also sort of changing that up?

Because I think that's an interesting thing

to work with as well, and you wanna have,

even with something that is as limited

as walking bass and chords is,

some amounts of variation and dynamics available,

and I think this is a good thing to sort of look into.

If you wanna learn more about jazz guitar,

improve the way you solo and comp,

and this is the first time you've seen one of my videos,

then subscribe to my channel.

I publish a new video every Thursday,

and I've been doing this for quite some time,

so there's already really a lot of material available

on my channel.

This video is made possible

by the support that I get from my patrons.

I have a small community of people over on Patreon

that are supporting my lessons,

and if you wanna help me keep making videos,

then check out my Patreon page.

If you support me on Patreon,

I can also give you something in return for your support.

For instance,

if you're supporting me from the $3-dollar tier or up,

for this week you get access to a lesson

with another chorus of walking bass and chords.

That's about it for this week.

Thank you for watching, and until the next week.

For more infomation >> Walking Bass and Chords - Bb Blues - Jazz Guitar Lesson - Duration: 12:50.

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LaVar Ball Pulls the Ultimate Finesse Move and Lands in 'NBA 2K18' - Duration: 2:34.

What's up, guys?

Beija here for Complex News.

When NBA 2K17 was released last summer, most people didn't know who LaVar Ball was.

With his oldest son Lonzo still a couple months away from bursting onto the college basketball

scene with the UCLA Bruins, LaVar was still just your average AAU parent looking to push

his kids a little bit closer to NBA stardom.

He was, by all accounts, just as loud and over-the-top as he is today, but he didn't

have the name recognition he has now.

So the idea of putting LaVar into NBA 2K17 didn't even register in the minds of the

2K creators.

But a lot has changed over the course of the last year.

Since NBA 2K17 was released, Lonzo Ball blossomed into a top NBA prospect during his time at

UCLA and was eventually selected No. 2 overall by the Lakers in the 2017 NBA Draft.

LaVar's youngest son LaMelo has also blossomed into one of the most-hyped high school basketball

players in the entire country.

And all the while, LaVar has spent his time making one outrageous statement after another

to keep his name in the news.

From telling TMZ that Lonzo will be better than Steph Curry one day to telling anyone

who would listen that he thinks he could beat Michael Jordan in a game of 1-on-1, LaVar

has worked his way into the national spotlight and refused to leave, even as his critics

have tried to get him to fall back in order to avoid putting any additional pressure on

his sons.

LaVar has become such a prominent and polarizing figure in NBA circles that the 2K creators

decided it just wouldn't be right to put out their latest game NBA 2K18 without LaVar.

So they found a couple of different ways to incorporate him into the mix in the game's

MyCareer mode.

NBA 2K18's MyCareer mode will feature a social media feed in it that will show a handful

of different sports personalities sharing their thoughts on players.

And LaVar will be one of those personalities.

As you attempt to build a name for yourself in MyCareer, LaVar will be right there criticizing

you every step of the way.

But the 2K creators didn't stop there.

In addition to incorporating LaVar into the social media feed, they are also going to

have LaVar sending NBA prospects all kinds of crazy text messages in the game.

And just like in real life, it appears as though those text messages will feature LaVar

bragging about how great his son Lonzo is.

We're sure there are going to be some NBA 2K18 players who will get tired of seeing

messages from LaVar pop up on their screens.

But for now, LaVar is being praised for finessing his way into the game in the first place.

LaVar has pulled a lot of impressive finesse moves in recent months, but this might just

be his best one yet.

"Lavar Ball is on 2k.

I dont wanna hear nothing else negative about this man.

#1Dad"

Say what you want to say about LaVar, but it is pretty incredible to see him score a

role in a game like NBA 2K18.

A year ago, he was just another dad sitting on the sideline watching his son play basketball.

And now, he's a part of one of the most storied sports game franchises of all time.

That's quite the come up.

That's the news for now, but for all the latest news on LaVar Ball, subscribe to Complex

News on YouTube.

For Complex News, I'm Beija Velez.

For more infomation >> LaVar Ball Pulls the Ultimate Finesse Move and Lands in 'NBA 2K18' - Duration: 2:34.

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Elizabeth Warren Will Co-sponsor Bernie Sanders' Single-payer Healthcare Bill | Top Stories Today - Duration: 1:58.

Sen. Elizabeth Warren (D-Mass.) said Thursday she is co-sponsoring Sen. Bernie Sanders's

"Medicare for All bill," the latest Democrat to back a signature Sanders campaign issue.

"I believe it's time to take a step back and ask: what is the best way to deliver high

quality, low cost health care to all Americans?"

Warren, often considered a potential presidential candidate in 2020, said in a statement Thursday.

"Everything should be on the table — and that's why I'm co-sponsoring Bernie Sanders'

Medicare for All bill that will be introduced later this month."

Warren joins Sanders, Sen. Kamala Harris (D-Calif.) and even more moderate Senators like Sen.

Jon Tester (D-Mont.), who this week said that the idea deserves attention.

Warren said Sanders's plan is a way for every person in the country to have access to high-quality

health care.

"Everyone is covered," she said.

"Nobody goes broke paying a medical bill.

Families don't have to bear the costs of heartbreaking medical disasters on their own."

Warren called health care a basic human right, adding that it's "time to fight for it."

She touted the accomplishments of ObamaCare, saying former President Barack Obama "deserves

tremendous credit."

"But there's so much more we could do right now to bring down the costs of quality health

care for every American," she wrote.

Last month, Harris announced during a town hall her support behind Sanders's "Medicare

for All" bill.

"I intend to co-sponsor the 'Medicare for All' bill because it's just the right thing

to do," Harris, another potential Democratic presidential hopeful, announced Wednesday

at a town hall in Oakland.

"It's not just about what is morally and ethically right, it also makes sense just from a fiscal

standpoint," she said.

what do you think about this?

Please Share this news and Scroll down to comment below and don't forget to subscribe

top stories today.

For more infomation >> Elizabeth Warren Will Co-sponsor Bernie Sanders' Single-payer Healthcare Bill | Top Stories Today - Duration: 1:58.

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Secret Screening Weekly Update | September 4th 2017 - Duration: 3:38.

Hold onto your hats, folks - because it's time for another Secret Screening Weekly Update.

I'm local legend, Douglas MacKrell.

Before I begin, I want to again remind you that this month's Live Meeting will be held

on the last day of the month.

Saturday, September 30th 2017.

It will take place from 3pm to 5pm Eastern Standard Time.

You can find a direct link to the streaming page in the about section below.

If you're new to my channel, don't worry.

I'll dive into how my Live Meetings work later in the month.

The big news this week has been my schedule crash.

When last I made an update I was on track to release three new Secret Screening episodes,

and then was waylaid by a surprise funeral and then I a hard mental gearshift that made

me rethink my entire format for Secret Screening.

I jammed on the breaks, and even contemplated retooling my episode on Danger and Eggs which

was fully animated and nearly complete.

Needless to say, in the shake up of this past weekend, I needed to pause, refocus, and take

a deep dive into the works of some of my favorite creators here on YouTube to help remember

why I do this in the first place.

I looked at the video essays of Lindsay Ellis, the longform media dissections of Bob Chipman's

Really That Good, and the joyous Movies With Mikey with Mikey Neumann, and I learned an

important lesson.

I need to only make episodes over 15 minutes.

I'm joking.

No.

That's - no, I'm not going to do that to you.

What I need to do is strip away a lot of the needless seriousness from my videos, the over-presentational

quality of my voice, pepper in some jokes, and really focus on making my videos entertaining.

Not just for me, but for everyone who watches.

So keep an eye out for the last of my traditional Secret Screening episodes in a day or two,

and hopefully a brave new step toward something better shortly thereafter.

Or at least a brave new step toward change.

So until I'm 100% back into the swing of things, I'm going to drop the Babe Ruth

routine and stop calling my shots.

It puts unnecessary pressure on me, and that affects my final product.

Once I find my footing, I'll share my episode schedule again.

But for now, I'm thankful for your patience.

That said, keep your eyes on my Social Media for a heads up on when I post my new stuff.

Coming up next is Danger and Eggs, followed by The Tick, and then my thoughts on Amazon

Studios newest pilots.

Specifically Will Vs The Future and A Kid Called Mayonnaise.

Without spoiling anything, you should REALLY check those two new shows out.

Watch them both just on my recommendation right now.

It's like an hour of your time, and you can thank me in the comments.

You can find direct links to both in the description below, and here's the good news: They're

both available wherever there's Amazon in the world, and you don't need a Prime account

to see them!

Don't wait on my review.

Check these shows out as soon as possible, give them an honest review afterward, and

then be sure to take the survey and vote these shows up.

Or make some positive criticism.

I feel like all the criticism of the Tick's pilot paid off because they listened to all

of it.

They course corrected and made better shows because of it.

Alright, I've taken up enough of your time.

Thanks for watching.

Next time I'll focus on The Mailbox and the official launch of my Discord, but until

then, be sure to share, like, and subscribe - because you'll always have a ticket for

my next, Secret Screening.

For more infomation >> Secret Screening Weekly Update | September 4th 2017 - Duration: 3:38.

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how to see saved password in Google chrome and Mozilla Firefox | by OSCI WORLD || hindi - Duration: 2:41.

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AGGI - Stupid Boy - Duration: 4:01.

Is that you Jens?

Yeah, forgot my cell phone.

Just off to meet AGGI and the girls

Can I come with you?

NO!!!

Can't you ever take a hint

Shall I spell it out, put it in print

You're only here 'cause we don't mind you around

Don't need you here all of the time

Hang around, but what's mine is mine

We're out for fun so don't you make a sound

You come too near I'll say this clear

You ain't gonna get what you're looking for

It's not your choice Won't say this twice

Keep your hands away, can't you hear my voice

You try to touch When we're out and having fun

It's way too much You think you're the only one

Like I'm your at your beckon call

You don't know me at all

Friday Night and out to play

Let me go, you're in my way

Still ain't sure just what you're waiting for

GET OUT OF MY WAY BOY!

You come too near I'll say this clear

You ain't gonna get what you're looking for

It's not your choice Won't say this twice

Keep your hands away, can't you hear my voice?

You try to touch When we're out and having fun

It's way too much You think you're the only one

Like I'm your at your beckon call

You don't know me at all

Just got yourself to blame you Stupid Boy

Drive yourself insane think that I'm a toy

The day will come, when you think you're in luck

When I lay myself down and say I want some

FUN!

Can't you ever take a hint

Shall I write this down, put it in print

We're out for fun, so don't you make a sound

Still ain't sure just what your waiting for!

You try to touch When we're out and having fun

It's way too much You think you're the only one

Like I'm your at your beckon call

You don't know me at all

You try to touch When we're out and having fun

It's way too much You think you're the only one

Like I'm your at your beckon call

You don't know me at all

Try to touch! (When we're out and having fun)

Way too much! (You think that you're the only one)

You don't know me at all!

You try to touch (When we're out and having fun)

It's way to much (You think you're the only one)

Like I'm your at your beckon call

You don't know me at all

YOU STUPID BOY!

AGGI - Stupid Boy

For more infomation >> AGGI - Stupid Boy - Duration: 4:01.

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Please LIKE - COMMENT - SUBSCRIBE to My Channel Kids Coloring to see more interesting videos!

Thank You For Watching! Please LIKE - COMMENT - SUBSCRIBE to My Channel Kids Coloring!

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Layer hijab style with Tickle

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Layer hijab style with Tickle

Layer hijab style with Tickle

Layer hijab style with Tickle

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Kids Coloring Miraculous Ladybug Part 4|Draw Color For Kids Ice cream |Kids Coloring Draw Color 2017 - Duration: 11:10.

Thank You For Watching Kids Coloring!

Please LIKE - COMMENT - SUBSCRIBE to My Channel Kids Coloring to see more interesting videos!

Thank You For Watching! Please LIKE - COMMENT - SUBSCRIBE to My Channel Kids Coloring!

For more infomation >> Kids Coloring Miraculous Ladybug Part 4|Draw Color For Kids Ice cream |Kids Coloring Draw Color 2017 - Duration: 11:10.

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