Youtube daily Nov 13 2017

She's in here.

What's going on?

You're coming with me.

- You're going to be my advisor. - Me, too?

Who's this?

- He's my advisor. - He comes, too.

- So... - What'd they get you for?

I bought a car. Turned out to be an alien robot.

Wow.

Who knew?

Make a hole! Watch your back!

Please, let this work.

Fire it up, Optimus.

The code.

The code on these glasses indicates the All Spark is 230 miles from here.

I sense the Decepticons are getting ready to mobilize.

They must know it's here, as well.

What about Bumblebee?

We can't just leave him to die and become some human experiment!

He'll die in vain if we don't accomplish our mission.

Bumblebee is a brave soldier. This is what he would want.

Why are we fighting to save the humans?

They're a primitive and violent race.

Were we so different?

They're a young species. They have much to learn.

But I've seen goodness in them.

Freedom is the right of all sentient beings.

You all know there's only one way to end this war.

We must destroy the Cube.

If all else fails, I will unite it with the spark in my chest.

That's suicide.

The Cube is raw power. It could destroy you both.

A necessary sacrifice to bring peace to this planet.

We cannot let the humans pay for our mistakes.

It's been an honor serving with you all.

- Autobots, roll out! - We rolling!

Team attention! Present arms!

At ease. Captain, Sergeant. Got your intel. Excellent work.

Thank you, sir. What about the gunships?

They're being retrofitted with sabot rounds now.

If they hit us again, we'll be ready for them.

But it won't do us much good if we can't get world communications back up.

Hey, kid.

I think we got off to a bad start, huh?

You must be hungry?

You want a latte? HoHo? Double venti macchiato?

Where's my car?

Son, I need you to listen to me very carefully.

People can die here.

We need to know everything you know. We need to know it now.

Okay.

But first, I'll take my car, my parents. Maybe you should write that down.

Oh, and her juvie record. That's got to be gone. Like, forever.

Come with me. We'll talk about your car.

Thank you.

The man's an extortionist.

For more infomation >> Optimus Prime 'Autobots,Roll Out' Scene | Transformers (2007) Movie Clip - Duration: 3:56.

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TRY NOT TO LAUGH CHALLENGE - Funny Chinese Prank Compilation 2017 (Part 3) | Funny Chinese Videos - Duration: 11:54.

Thanks for watching

Hope you have a great time

Please, like, comment and subscribe for more!!

For more infomation >> TRY NOT TO LAUGH CHALLENGE - Funny Chinese Prank Compilation 2017 (Part 3) | Funny Chinese Videos - Duration: 11:54.

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Neighbors wake up to flames as wedding venue destroyed - Duration: 1:49.

For more infomation >> Neighbors wake up to flames as wedding venue destroyed - Duration: 1:49.

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Former Vice President Joe Biden Visits With Three Cancer Survivors | TODAY - Duration: 5:39.

For more infomation >> Former Vice President Joe Biden Visits With Three Cancer Survivors | TODAY - Duration: 5:39.

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Building Blocks: Secondary Dominants Revisited - Duration: 4:06.

hey, welcome to 12tone building blocks, our monthly series about the fundamentals of music

theory! last time we talked about secondary dominants, but the comments on that video

implied that I may not have been as clear as I wanted to and since it's a really important

topic, I figured I'd take another shot.

so let's start with some definitions: a primary dominant is a chord that uses instability

in order to point the listener back to the root of the key.

a secondary dominant is a chord that uses instability to point… anywhere else.

this can be hard to visualize so let's try an example.

here's a progression in A major: (bang) the E7 at the end is a primary dominant, because

it points you back to A. the F#7 is a bit harder to explain, but if you listen to it

(bang) it seems to resolve to the B minor.

but that's not the root so how does it work?

well, it all relies on a couple properties of the dominant 7th chord.

for starters, there's only one in each key: while the existence of minor muddles this

a bit, every major key has exactly one dominant 7 chord, built on its fifth degree.

this is the most common primary dominant chord, and our ears have learned to associate each

one with its specific target: for instance, E7 is unique to A major, so even if we weren't

playing in that key, it'd still point us there.

for this reason, we tend to talk about secondary dominants not in relation to the real key,

but as the V chord of its intended target.

that gives us our first clue about what the F#7 is doing.

but in order to really understand it, we have to look at how primary dominant function works,

so let's go back to our E7. the resolution to A is driven by two notes: the G#, and the

D. G# is what's called the leading tone: it sits a half-step below the root, and it really

wants to resolve upward.

it carries a lot of tension, and releasing that tension by moving to the A helps create

that sense of finality and rest.

this is aided by the 4th degree of the scale, in this case D, which sits a half-step above

the 3rd and wants to resolve downward.

that all seems pretty straightforward, but it doesn't really apply to secondary dominants.

after all, if the tension is all based on their position in the key, then where does

it come from when we're not in that key? in the case of our F#7, we've got an A# and an

E, which behave completely differently in the key of A, so how can they still point

us anywhere?

well, that's why it's important that we're using both notes.

here, listen to them together: (bang) yikes.

the interval between these two is called a tritone, and it's generally considered the

most unstable interval of all. this is where the tension really comes from: not from either

note on its own, but from both of them put together.

every dominant 7th chord has a tritone in it, which means that, without even considering

its place in the key, it already wants to resolve.

from there it's easy enough to figure out where it's pointing because, again, each key

only has one.

usually.

we'll talk about the exceptions in another video.

for now, though, there's one last thing I want to cover.

if you watched our video on chord functions, you know that dominant function is just one

of jobs a chord can have.

there's also tonic chords, which are at rest, and subdominant chords, which act as a bridge

between the other two. can we have secondary versions of those?

well, you could argue that whenever you resolve a secondary dominant, you create a secondary

tonic.

that is, even if the chord has some other function in the actual key, resolving to it

creates a feeling of momentary rest, called tonicization, which in addition to being an

important effect is also pretty fun to say.

secondary subdominants, though, are a little trickier.

subdominant chords set up the dominants, which means they come first.

when you hear them, they may just sound like normal chords from the key (bang) or they

may not make any sense at all, (bang) but in both those examples the chord right before

the secondary dominant is probably best viewed not in relation to the key but to the target

chord. just like our secondary dominants are really V chords borrowed from another key,

these are II chords, which have subdominant function, so placing them before a secondary

dominant creates a classic device called a II-V, which serves as almost a fundamental

unit of jazz harmony.

you don't need to set up a secondary dominant with a subdominant chord, just like you don't

need them for primary dominants either, but it adds a little extra strength to the resolution.

anyway, sorry about covering the same topic twice: I don't really like repeating myself,

but this is such an important idea and I wanted to make sure I did it right.

hopefully this time was a little clearer.

either way, thanks for watching!

Building Blocks was made possible thanks to our Patrons on Patreon, so if you want to

see more stuff like this please consider supporting.

you can also check out our store, join our mailing list to find out about new episodes,

like, share, comment, subscribe, and keep on rockin'.

For more infomation >> Building Blocks: Secondary Dominants Revisited - Duration: 4:06.

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Serial killer's resentencing hearing postponed to 2018 - Duration: 1:46.

For more infomation >> Serial killer's resentencing hearing postponed to 2018 - Duration: 1:46.

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Demi Lovato – Sorry Not Sorry (Lyrics / Lyric Video) - Duration: 3:35.

Demi Lovato – Sorry Not Sorry

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Video: Seasonable temperatures return this week 11/13/17 - Duration: 3:12.

For more infomation >> Video: Seasonable temperatures return this week 11/13/17 - Duration: 3:12.

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Our Living Planet From Space - Duration: 5:04.

3...2...1...0

When you think of NASA you probably think of this

But as soon as we made it beyond the limits of our atmosphere, one of the first things we did

was turn our cameras around at look at this

The first US satellite was launched in 1958.

That's eleven years before Neil Armstrong became the first person to walk on the moon.

Explorer 1, built at the Jet Propulsion Laboratory,

initiated a long legacy of satellites meant to take our understanding of Earth to new heights.

In 1997, NASA launched a satellite that began a twenty-year continuous global record

of the very thing that, as far as we know, makes Earth special: life.

While most satellite missions capture data on the physical characteristics

of our planet's climate and weather, others allow us to measure life itself.

The result?

The most complete view of global biology to date.

The greatness of this data set is kind of hard to explain.

It allowed me to understand the ocean in such an organic way.

That's the voice of oceanographer Dr. Ivona Cetinic.

Dr. Ivona Cetinic. Ivona and the rest of the NASA Goddard Ocean Ecology Lab

help oversee the twenty-year data set.

If you take a closer look at this animation,

you'll see what looks like a repetitious ebb and flow on the land and surface of the ocean.

We're actually watching the planet breathe.

About half of the total photosynthesis occurs on land and half in the oceans

That's Dr. Compton Tucker

who pioneered satellite monitoring of vegetation on land.

The spring and summer months kick off the growing season for plants on land

illustrated in dark green

and tiny microscopic plant-like organisms in the ocean called phytoplankton

seen in light blue.

They take carbon dioxide out of the atmosphere and use it for energy,

causing the total amount of carbon in the air to drastically drop.

The opposite is true during colder months.

During winter in the Northern Hemisphere -- which is home to most of Earth's land plants

carbon in the atmosphere increases, as plants go dormant.

And then there are extremes zones in the ocean.

Purple patches are nearly devoid of any phytoplankton – they're basically deserts at sea

while the red zones tell us that there's either a high concentration of phytoplankton

hugging the coastline or our satellite sensors are picking up

on another input changing the color of the water.

We have a marvelous biological diversity of plants and animals both on the land

and also in the oceans.

But hold on.

If we have amazing biological diversity of plants and animals,

why do scientists spend all their time observing plants?

You know how they say you are what you eat?

In the same way, if you want to understand life in the ocean

you have to start from the base and that's what phytoplankton is.

If phytoplankton are changing then the whole ecosystem will change.

The changes that Ivona is talking about are much easier to see

when we can study a continuous global record.

And that means not only being able to look into the past, but also into the future.

It's this long-term data set that not only allows us to see exactly what's happening

but to be able in so much better way to predict what's going to happen.

A global perspective gives scientists the power to forecast events

like harmful algal blooms, disease outbreaks and even famine.

Maybe one of the most useful applications of the data

is its ability to show us where we've been.

In twenty years the planet has changed in noticeable ways

and this data set gives us a visualization to prove it.

Arctic greening coupled with retreating Arctic sea ice

are probably one of the most well-known examples of this.

If you look at the higher northern latitudes you see in the white where there's snow

and that then moves further north and recedes.

It's then followed by very, very green colors,

because plants are really photosynthesizing in those dark green periods

Scientists think there are likely trillions of planets

yet Earth is still the only planet we know of with life.

With that in mind,

our habitable home world seems evermore fragile and beautiful

when considering the vastness of unlivable space.

I have several friends and acquaintances who are astronauts.

They all say the same thing.

When they're in orbit on the space shuttle or in the International Space Station

and they look down at the Earth, they see one climate, one planet.

We're all in this together,

and we need to work together to make sure

life as we know it continues on this wonderful planet.

For more infomation >> Our Living Planet From Space - Duration: 5:04.

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Gardenscapes Level 125 - How to complete Level 125 on Gardenscapes - Duration: 5:06.

How to complete Level 125 on Gardenscapes

gardenscapes new level

Gardenscapes Level 125

gardenscapes new area

ardenscapes new acres

For more infomation >> Gardenscapes Level 125 - How to complete Level 125 on Gardenscapes - Duration: 5:06.

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The Master Key System Charles F. Haanel Part 17 (Law of Attraction) - Duration: 15:59.

For more infomation >> The Master Key System Charles F. Haanel Part 17 (Law of Attraction) - Duration: 15:59.

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¿Cuántas veces por día una persona mira su teléfono? | Un Nuevo Día | Telemundo - Duration: 4:32.

For more infomation >> ¿Cuántas veces por día una persona mira su teléfono? | Un Nuevo Día | Telemundo - Duration: 4:32.

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¿Cómo conseguir la pareja de tus sueños por internet? | Un Nuevo Día | Telemundo - Duration: 1:48.

For more infomation >> ¿Cómo conseguir la pareja de tus sueños por internet? | Un Nuevo Día | Telemundo - Duration: 1:48.

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OMG! by Effektiv #33 – Twitter 280 Zeichen, Amazon Fresh München, Facebook Plugin, SMX 2018 - Duration: 6:49.

For more infomation >> OMG! by Effektiv #33 – Twitter 280 Zeichen, Amazon Fresh München, Facebook Plugin, SMX 2018 - Duration: 6:49.

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Julián Gil no asistió a la visita que tiene con su hijo | Un Nuevo Día | Telemundo - Duration: 1:27.

For more infomation >> Julián Gil no asistió a la visita que tiene con su hijo | Un Nuevo Día | Telemundo - Duration: 1:27.

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[Future House] - Dirty Palm - Oblivion (feat. Micah Martin) [NCS Release] - Duration: 4:33.

I'm going in

When the lights go down

I see hell in you

But you don't care, no, you don't care, no

You'd just rather watch me fall

From a quarter-mile, I can see you wipe the call

Think about it ring, won't tell you what I saw

Would you break it off, you'll see who had it all

You had it all

You said you wanted to fall into oblivion

Forget about the world we're living in

Fall into oblivion

I'M GOING IN!

Fall into oblivion

Fall into oblivion

Forget about the world we're living in

Fall into oblivion

I'm going in

You can't fall asleep when you're counting stars

Get it together

Your mind can't sleep when you let it starve

I know you wanna see me fall

From a quarter-mile, I can see you wipe the call

Think about it ring, won't tell you what I saw

When you break it off, you'll see who had it all

You had it all

You said you wanted to fall into oblivion

Forget about the world we're living in

Fall into oblivion

I'M GOING IN

Fall into oblivion

Fall into oblivion

Forget about the world we're living in

Fall into oblivion

I'm going in

For more infomation >> [Future House] - Dirty Palm - Oblivion (feat. Micah Martin) [NCS Release] - Duration: 4:33.

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Democrats Issue Shock Corruption Message, This Is Sick - TODAY NEWS - Duration: 3:47.

For more infomation >> Democrats Issue Shock Corruption Message, This Is Sick - TODAY NEWS - Duration: 3:47.

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Up Your Insta Game! - Duration: 2:56.

UP YOUR INSTA GAME

CHOOSE YOUR PHOTO

HIDDEN FOR PRIVACY PURPOSES

EPIC CAPTION HERE!

SYDNEY JOSEPH PHOTOGRAPHY