hey what's going on guys my name is Tim
welke inflate I'm the lead photographer
and editor for the next go state medium
and you are on your way to becoming next
certified we three trainings you guys
are gonna have to go through the first
one is this video where I'm gonna teach
you guys and then the second one I'm
going to send you guys properties that
I've done in the past and you got to
send that back to me after you do all
that and my partner and I little
critiques you're going to work by the
third properties or the third training
you guys should be ready to go
may I remind you is still part of the
interviewing process we're going to be
looking at you're getting skills to
determine whether you guys are next
certified don't be scared now probably
so we are going to learn how to put in
the TV screen put in the fire window
pooling and something I call slambien
which is just a mixture it's just a
blend of a flash flash photo with an
ambient photo but first thing we're
going to do is we're going to create a
new catalog right and I highly recommend
having like a hard drive because these
photos are shoot files like 25 megabytes
and it could really slow down your
computer if you don't put it in like a
Dropbox or onedrive or hard drive so
imma save my catalog right over in my
next folder and I'll just do trial one
create so now it is creating the catalog
okay perfect
we are done with creating a catalog so
now you get in the description below
there's a link and when you click that
link it should bring you to this setting
right here so first thing we're going to
do is we are going to click on the first
photo hold shift and click on the last
photo and it's going to highlight all
the photos right here next you will on a
magnet control click I believe is the
same on a PC as well and you are going
to hit download and now it's creating a
zip so right over here my zip file has
just been created
all you do is click
then it will bring up this file double
click and now you have all your photos
right here and what we're going to do is
go back to Lightroom hit import and what
I normally do is I just go back over
here highlight what I need you don't use
a TV image that's for Photoshop you
don't need this image right here and I
just drag into lemon if it looking
dragged there we go and import perfect
now we have our photos in the Lightroom
I'm going to go to Philip
but before we do this before we do
anything in Lightroom let's go back to
this file okay so what we're going to do
is I created presets for you guys and
again just click and hold shift click
right here again and download the
presets as well look at that I made you
guys like easy
so my presets are done downloading again
same as the photo yet the photos you
just come over here double click and
here already preset I would I would say
this but I would do without reasoning
the the the folder name to do light room
preset and I'll take it to my ducky
perfect now we go back to Lightroom come
to the preset settings right here the
user presets and control click and then
now you can import quick import and then
go back to I saved it in my documents
Lightroom presets and then click the
first photo shift hold shift and then
click down and import all the presets
should be right here
so now you have my my secret sauce it's
not so secret anymore because you guys
know to this I got my lens and exposure
special sauce I'm sorry this is the
exterior shot I'm sorry special sauce
standard correction
and then this might this is that's why
like reset which is very interior so so
for my indian shot I always hit the lens
and exposure right so all that does is
it brings down my highlights and it
fixes my vertical and for my flash shot
I would just do standard correction
because there's there's not much
highlights over here and for my window
pool so with this window pool I kind of
kind of messed up with the outside it
kind of has its flashy look right here
so what I would do is first you got to
add the standard correction right you
have to add the standard Christian to
all of them perfect and then I would
just fix it up a little bit because you
can barely see outside so what I would
do is I bring down the exposure just a
little bit just to see outside maybe
bring down my highlight just a little
bit and that to me is fine for now let's
see this yeah again over here I'll just
probably bring down the highlights a
little bit just so we see outside
perfect and now we're ready to go edit
in Photoshop that's pretty much all it
is so make sure so again the ambient
shot I always do blended exposure my
highlights just and then everything else
just standard Corrections and that's it
now what we're going to do is highlight
your first photo hold shift and we're
going to hit control quick and you
should be able to go to edit in open as
layers in Photoshop so what this is
going to do it's going to kind of align
all these photos as a layer in Photoshop
I'm going to solve in the name now
perfect now all of our photos are right
here they're all aligned as a layer so
we have here's the ambient shot I always
put my in Vinci on top and then my flash
right under my ambient shot and then
these ones will take care of later on
there's one more preset you would have
to save and Photoshop so you would go to
your action if many of you guys might
not have the play button right here so
all you have to do is just go to windows
and hit action and it will pop up right
here so what you'll do is go right here
hit play I'm going to hit create new
action I align layers hit record so now
we go over here to select all layers so
it selected all the layers over here and
then now we go to edit Auto align layers
and hit OK so this action is really
important because sometimes when the
photographers have their tripods and
they're shooting the photo may be like
the cameras shook a little bit and you
know it's not going to be a perfectly
aligned with all the layers so this
action is really important so now that
that's done you just hit stop and now
you're done so let me so now anytime you
need to
anytime instead of doing all that now
you can just go over here hit this or
hit this right here your a line layer
preset and then just hit play and it
will do exactly what we just did but now
you're just doing in the button perfect
now we seem to be all the line so you
can see right here there's a little the
cameras shook a little bit but we'll get
rid of that lightning we are going to
come over here to our brush this is
really important make sure your hardness
is all the way down like 0% and then
your brush size I mean it just depends
on how big the room is I normally for
this room I'll go to 800 yes that's a
good brush right there and make sure
your flows on three starting off you
want your flow to be at three to four
percent you don't want to go any higher
than that because what that does is so
what that does is let's so let's click
let's create a layer mask all you do is
hit alt or option on the Mac Alt on a PC
and you just click the add vector mask
and it will hide the first layer because
what we're going to do is we're going to
bring in some of that ambient light into
the flat
photo if you have it at a hundred
percent this would it will bring in
everything from the first photo which
doesn't look natural at all
so let's get rid of that so I keep mine
at three three percent and then I slowly
start to go in and just slowly start to
bring in some of that ambient shot see
like over here is really dark I don't
like that let's get rid of it I need I
need a lot of light over here so what
the ambient shot does is it you blended
it with a flash to kind of make it look
natural like over here's a little too
flashy looks like I use the flash it's
kind of bringing some of that ambient
shot in here to make it natural
I'll keep it like that that seems pretty
good on it's a little dark over here
bring some light and yep over here it's
a little too dark
let's bring some of the light that came
from this window so you guys might be
like you guys might be saying what I
don't see anything happening you're
actually the difference right now let me
just kind of see I don't like I don't
like the flash it was on top of the
ceiling so let's fix that make it more
natural yeah
that right there is fine with me
so what did I do so this was a flash
shot and see I brought in some of that
ambient shot right there I don't know if
we get a look over here see in wood it
was just the ambient shot it will be
completely too bright way too bright
just bring a little more here yes a
little
it's up shadowing appear that I don't
like and then right here it's a little
dark let's bring in some light back now
per thing okay and that to me looks
really good so here is the plebeian look
we have the the blend of the ambient
shot and the flash which looks really
nice
now let's get into a window cooling so
what I do is I bring my photo that has a
flashy window I bring it on top what's
really important with this is you want
to make sure you go to darken lows right
I'll show you exactly what that does so
let's do it again
option on a Mac Alt on a PC and then
click on this so it gets rid of that
layer I did now let's go over here zoom
in a little bit
I brought my brush value down to about
like the window I can bring it up a
little more
like right there perfect so what darken
mode does is it only affects the areas
that are dart so you saw how the flat is
like a flashy look and outside is pretty
dark so when you hit darken mode you can
brush see see I like the brims aren't
being affected it's just the outside
that's what darkens out this and that's
really important so for the most part
like this is pretty decent I mean I kind
of messed up so you see there's like a
flash like I pointed the flash directly
on it it doesn't look good
normally it shouldn't be like this but
mistakes happen so it's a photographer's
job to take another photo with milk
flash so what we do with this is because
I don't yeah I really don't like this
flash at all so we can get rid of it so
it's bringing back that layer I bring it
right on top over again create your
layer mask open and click and then now
it's important to bring it back down at
3% your float at 3% because we don't
want it to again I go to 100%
like I mean it's not bad but no we just
want to add 3% it just picks the area
that are really shiny and sorry I'm in
my office and it's like right downtown
so you do his ambulance and all that but
let's get back to the photo so yeah
again we could bring down the brush size
to about right there and just start
slowly painting in the I was getting rid
of that flashy look slowly starts
painting perfect that's gone now let's
give it at this one yeah from far away
that looks fine looks pretty decent and
then now so I'm okay with this photo
this is this is really good we again we
we did a window pool so what do we do
start all over start all over
alright so what do we do we had the
flash shot brought in our ambient right
to make it to blend it in to make it
look natural we get our window pool but
saw the flashed in and it doesn't really
look that nice and then we just got rid
of the flash that to me looks really
good so what I'm going to do is I'm
going to highlight the first layer and
then hold shift click on the last layer
and then i'ma flatten this image
flattening
all right now just add a little more
style to this home what we're going to
do is we can we're going to add in let's
do the TV first so we're going to zoom
in on the TV right over here on the TV I
get the polygonal polygons in lawsuit
tool and you just want to you want to
get the television screen not the brim
so I just come over here kind of do a
perfect job on it
doesn't have to be the best but just
like that so we selected the screen only
now you come over here modify and go to
feather and I do two pixels to give it a
smooth surface and hit okay perfect now
that we did that come back to select and
save selection and I'm going to do TV
and hit okay so now that we've done that
let's go back to the the folder that had
all the the photos which is right here
this is one we're going to use that TV
image right over here so let's bring
that TV image eh ooh that's pretty good
okay so come over here to opacity bring
it down just a little bit so you can see
the tip yep so you see the television in
the background I hold shift come come to
the edge right here I hold shift and
then just bring it down a little bit it
doesn't have to be exactly the
television size but you want it close
close enough to like let's see right
about now it's a little too big you down
a little more to about right there
actually let's go down just a tiny bit
more right there perfect so now now that
you've done that hit okay that's good
now you come over here
edit transform and distort and then now
here you know what I'm gonna bring my
opacity down just a little more okay
right there's pussy so now you want to
bring it you want the photos to be
corner to corner but not on the
television screen more on the like
around the TV right there's good right
there is really good and right here and
perfect so now we have that come back up
to select you remember we saved our
selection low selection and then hit TV
or wherever you saved it whatever you
saved it as and hit invert and hit okay
so what that does now is we come over
here to our you raise your tool okay
whatever I come over here yeah make sure
your flow that 100% make your brush big
your eraser big and now even just erased
and that's just going to get rid of what
we don't need perfect look at that looks
like it's on there so now I just bring
up the opacity just a little and then be
sure to go over here and hit screen to
make it natural the reflection off the
window and you're putting it down to
something real like right there it's
pretty nice I'm okay with that that's
that's really good and that is how you
insert a television now let's do the
flame flame is actually really simple
we're going to create a new layer I hold
shift command end and I'm gonna do fire
I mean it if you're gonna have a Mac
just come over here go to layers new and
get layered right there so let's do the
fire now so what we're going to do is
start off with the pen tool which is
right over here
uh zoom in on the fireplace and you want
to just go there's like wood right there
so I'll probably just go right here
maybe right there I hold shift and just
drag it along right over there perfect
now all you do is go to filter render
and flame you want the plan to be
realistic I mean some you know you don't
want it all the way like that that looks
ridiculous
bring it to about nostos to lie
something like that huh just a little
more down yeah like that that looks that
looks pretty natural but wherever you
think the length looks good at once you
figure it out hit okay and then boom
they'll bring in the plane right there
now you can get rid of the pen I just
did delete delete got rid of my mark
right at the bottom and you can move the
swing around so I would go right over
here let me see how that works see that
the flames might be a little too big but
what we could do is go to the eraser
tool and kind of just get rid of what we
don't need so I say all right there
looks pretty crazy let's give it at its
a little tool a little tall down there
like get rid of that and just smooth it
in and out a little bit and again I
think my eraser yeah my hardness is all
the way down give it that natural and
yeah you know it's good but you gotta
come over here hit screen again to give
it that reflection I mean it kinda
didn't really do much there look and
then bring down the opacity just a
little bit you don't want to stand out
too much they like right there yep
that was good so now that we have all
that how about your first layer come
over here click ctrl and flatten image
now that we're done with that you can
hit command s to save or you can just
come up here hit F or save and once it
says it should come back to Lightroom so
here's what we just got out of Photoshop
and you remember the corners remember
the camera shook a little bit so the
corners are also is just extent I will
shift bring it moving that's a little
too much right there maybe just a little
bit over here on this side thank you
doing that there's a little too much
feeling like there's we good and perfect
okay now that's good now this is why I
call this the special sauce you just
click that hey that looks good look at
that but you know what sometimes if you
look a little too too much I like it
more of a natural look like right over
here looks a little too too crazy so
let's bring down the shadow just a
little bit like right there and that
there's how you edit real-estate photos
okay what you think about this nice blue
that you ain't even look at that look at
that look at that that's it you hire you
to do that if you could do that
best believe you are high all right and
there it is I showed you how to do a TV
replacement fireplace window pulling and
the plebeian look if you guys have any
questions please comment below and we'll
get back to you as soon as possible
thank you
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