Youtube daily Feb 23 2018

Look! Say hi to Auntie Nat!

Fat.

One of our tech boys flagged this.

Splashed down in the Banda Sea.

Could be the Quinjet.

But with Stark's stealth tech,

we still can't track the damn thing.

Right.

Probably jumped out and swam to Fiji.

He'll send a postcard.

"Wish you were here."

You sent me to recruit him way back when.

Did you know then what was gonna happen?

You never know.

You hope for the best, then make do with what you get.

I got a great team.

Nothing lasts forever.

Trouble, Ms. Romanoff.

No matter who wins or loses, trouble still comes around.

The rules have changed.

We're dealing with something new.

Oh, the Vision is artificial intelligence.

- A machine. - So, it doesn't count?

No, it's not like a person lifting the hammer.

Right, different rules for us.

- Nice guy. Artificial. - Thank you.

He can wield the hammer, he can keep the Mind Stone.

It's safe with the Vision.

And these days, safe is in short supply.

But if you put the hammer in an elevator...

- It would still go up. - Elevator's not worthy.

I'm gonna miss these little talks of ours.

Not if you don't leave.

I have no choice.

The Mind Stone is the fourth of the Infinity Stones

to show up in the last few years.

It's not a coincidence.

Someone has been playing an intricate game

and has made pawns of us.

And once all these pieces are in position...

Triple Yahtzee.

You think you can find out what's coming?

I do.

Besides this one,

there's nothing that can't be explained.

That man has no regard for lawn maintenance.

I'm gonna miss him, though. And you're gonna miss me.

There's gonna be a lot of manful tears.

I will miss you, Tony.

Yeah?

Well, it's time for me to tap out.

Maybe I should take a page out of Barton's book.

Build Pepper a farm, hope nobody blows it up.

The simple life.

- You'll get there one day. - I don't know.

Family, stability...

The guy who wanted all that went in the ice 75 years ago.

I think someone else came out.

You all right?

I'm home.

You wanna keep staring at the wall, or do you wanna go to work?

I mean, it's a pretty interesting wall.

I thought you and Tony were still gazing into each other's eyes.

How do we look?

Well, we're not the '27 Yankees.

We got some hitters.

They're good. They're not a team.

Let's beat them into shape.

Avengers...

For more infomation >> Elevator's Not Worthy 'New Avengers' | Avengers: Age of Ultron (2015) Movie CLIP HD (+Subtitles) - Duration: 4:21.

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How To Build A Scale - Duration: 7:02.

hey, welcome to 12tone! today I want to do something a little bit different and talk

a bit about how I, personally, think about music.

I'm a huge fan of structures, so I thought I'd delve into some of my mental models on

one of the most nebulous topics in theory: modality.

this word gets used to describe a lot of different but related ideas, but in the broadest possible

terms, it's basically the overall structure of a scale.

for instance, is this scale (bang) more like this one (bang) or this one?

(bang) I think most people would say the former, but in both cases we've just changed one note,

so… why?

well, the version they teach you in theory 1 goes something like this: the 3rd degree

of the scale is the primary modal note, and its quality tells you the modality of the

scale.

if it's a major 3rd you've got a major scale, and if it's minor… well, you can probably

figure it out.

this is sometimes combined with the 6th, which is the secondary modal note, although they

don't tend to tell you what happens when the two notes disagree.

but that's a little bit too simple for my tastes, so I've developed what I like to call

the Triforce of Modality.

quick caveat: I'm not claiming that any of this is my original work.

I've never seen it put together in exactly this way, but all the parts of it are pretty

well-known in the theory world.

also, I'm gonna be focusing on traditional 7-note scales.

the model works on others, but it takes some adapting and I just want to get the basic

ideas across.

anyway, this model can work either as an analytical tool, to break down a scale you've already

got, or as a generative tool.

each part contains a set of building blocks you can use to put together scales you might

never have considered, and they're pretty handy for exploring the possibility space

if you find yourself getting bored with the normal options.

the first method is what I like to call melodic modality.

this is what you'd expect to find by walking up and down the scale, and it can be represented

by a series of steps.

for instance, any theory student can tell you that the major scale is built by picking

a root, then going up a whole step, then another whole step, then a half step, then whole,

whole, whole, and finally half.

this pattern is literally burned into my brain, and it serves as a good introduction to this

idea.

by default, a 7-note scale has five whole steps and two half-steps, and the way those

are arranged is the core of melodic modality.

the whole steps don't really do that much: they sound pretty neutral, and also there's

just a lot of them.

they're mainly filling the gaps between the half-steps, which sound a lot more distinctive,

and really control the identity of the scale.

this is partly based on their positions above the root, but I think more important is their

positions relative to each other.

in the major scale, they're about as spaced-out as you can get: they've got two whole steps

between them on one side and three on the other.

this spreads out their dissonance and mellows the scale a bit. if we move them closer together,

we might get something like this (bang) where we see this little cluster in the middle,

creating a bit more confusion.

but, of course, not all scales are that straightforward. for instance, harmonic minor (bang) has an

augmented second between two of its scale degrees.

it gets away with this by also adding in a third half step, leaving us with just three

whole steps and giving the scale a really complex sound.

you could even make a scale with two augmented seconds (bang) or even a double-augmented

second (bang) as long as you compensate for the added distance by shrinking some of your

other steps to match.

I like to think of this process as mutation, and the further you've mutated from the initial

5-2 set-up, the more alien it's likely to sound.

you can even mutate up a scale with no whole steps at all (bang) if you want something

that sounds really, really weird.

next up is harmonic modality.

this, as the name implies, is based on the harmony.

specifically, it's based on what are called primary triads: that is, the most important

chords in the scale.

traditionally, these are the I chord, the IV chord, and the V chord, and if you know

the qualities of all three, you can generate the entire scale.

check this out.

we start with a root. this is just a fixed, arbitrary point, so let's go with A. the root

of the scale is also the root of our I chord, so if we know our I chord is major, that tells

us what the other chord tones are: C#, the 3rd, and E, the 5th. now we've found the root

of our V chord, and if that's major too then we get two new notes, G#, the 7th degree of

the scale, and B, the 2nd. we don't have the root of our IV chord yet, but we can find

it: the construction of the IV chord contains the root of the scale, and since we know what

that is, we can just work backwards from that to find the last two notes.

if our IV chord is also major, that gives us F#, the 6th degree, and D, the 4th, and

voila. we have the entire A major scale.

and you can do this with any set of chords you want.

let's say you wanted to build natural minor: that's I minor, IV minor, V minor.

how about harmonic minor?

that's I minor, IV minor, V major.

you can even add in weirder chord qualities: if we take I diminished, IV minor, and V augmented,

we get this (bang) which is called Locrian natural 9. we could even use I minor, V major,

and IV sus 4, which gives us this scale (bang) which, looking it up, appears to be an Indian

Carnatic Raga called Varunapriya although, of course, directly comparing Western scales

to Indian Ragas is dangerous to say the least.

harmonic modality, by the way, is where I think the idea of the 3rd and 6th as modal

notes comes from: those notes define the qualities of the I and IV chords, respectively, and

since the V chord is traditionally always major, those two were the ones that changed

between major and minor keys. this approach is a little more rigorous than melodic modality,

because it's literally just picking three chord qualities and seeing what spills out

and, again, it's a great way to find scales you might never have considered.

I mean, I'd never seen Varunapriya before making this video.

anyway, the last method is what I call chord scale modality, which looks at how the notes

of the scale relate to its underlying harmony.

this approach breaks the notes into two groups.

the first is the chord tones, which are the notes that are part of the scale's harmonic

identity.

traditionally this is the root, 3rd, 5th, and 7th, although some scales break that.

these give the scale its overall quality: if they create a major 7 chord, for instance,

you've got a major scale, if they make a dominant 7th it's a dominant scale, and so on.

the other group is the tensions, short for chord extensions, which comprise the rest

of the notes.

these are traditionally the 2nd, 4th, and 6th degrees, although to differentiate them

from the chord tones they're often called the 9th, 11th, and 13th instead, for reasons

that aren't really worth diving into since this video's already getting pretty long.

these give the scale its specific color and, again, this largely comes down to half-steps.

here, what matters is how far away the tensions are from the nearest chord tones. this gets

a bit fuzzy, but a good rule of thumb is that tensions a half step above a chord tone sound

the harshest and should generally be avoided, tensions a half step below a chord tone sound

a little rough and should be used with caution, and tensions at least a whole step away from

both sides sound relaxed and can be used freely.

plus there's some extra dissonance if your tension is a tritone away from a chord tone.

for construction purposes, I tend to refer to the tensions by comparison to the modes,

which if you're not familiar, we've talked about in previous videos. for instance, if

we took a major 7 chord and added in the tensions from the phrygian mode we'd wind up with Phrygian

Major (bang), while combining a dominant 7th chord with the tensions from lydian gives

us Lydian Dominant.

(bang) to build your own scale like this, all you have to do is pick a 7th chord and

then place the tensions next to them in order to create your desired level of dissonance.

so yeah, whether you think of the major scale like this, this, or this, that's a glimpse

into how I look at modality.

I'm sure y'all have your own thoughts on the subject, so please, let me know in the comments.

anyway, thanks for watching, and thanks to our Patreon patrons for supporting us and

making these videos possible.

if you want to help out, and get some sweet perks like sneak peeks of upcoming episodes,

there's a link to our Patreon on screen now.

you can also join our mailing list to find out about new episodes, like, share, comment,

subscribe, and above all, keep on rockin'.

For more infomation >> How To Build A Scale - Duration: 7:02.

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YouTube GO Released..!! ||An alternative for YouTube 2018|| - Duration: 3:18.

Hello there everybody I am ABIR and welcome to my channel Android Master

in 2018 Google company officially released Android go applications

for a replace of all G-apps available on the Play Store

I will make a separate video over that topic but today

We are going to talking about one of the Android go application is YouTube go

So what is youtube go application and what does it do? let's get started

Google has launched the YouTube go beta application in the Play Store

The new app allows you to save your videos to your device or SD card for offline viewing

potentially Reducing your mobile data users it works much like the regular YouTube app

But when you select a video to view youtube go will ask if you instead want to download it

Videos are available in 3 relations best basic quality, standard quality and high quality

There is no access to HD resolution here, However, the app is designed primarily for regions with

comparatively slower internet speeds on devices with small storage capacities.

you Can also share offline videos with friends via Bluetooth

though Google notes this will require access to the Internet to perform

a 15 KB security check once the video is received

Google unveiled the app in September last year and

It's no doubt going to be welcomed by those who don't have such easy access to mobile that data

I know the lack of to

720p or

1080p

resolution

Might irk some people

But consider that Google allowed those option knowing that the app's main user base

Wouldn't really be able to take

advantage of the higher quality

It is available in the Play Store in 130 countries

It got arrived in Play Store

9 February 2018 as beta testing

On 22 February it got released on the Play Store note that you will have to verify your

Number to install it I mean the phone number

So this was it,

if you want more videos like

This comment below and give this video a thumbs up subscribe me and press the notification because I can't get notified about

Every video I upload see you on the next one

sayonara

For more infomation >> YouTube GO Released..!! ||An alternative for YouTube 2018|| - Duration: 3:18.

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cristiano Ronaldo Vs Lionel Messi Golas || Messi Goals That Would have Been Vs Ronaldo Best Goals - Duration: 7:26.

cristiano Ronaldo Vs Lionel Messi Golas || Messi Goals That Would have Been Vs Ronaldo Best Goals

For more infomation >> cristiano Ronaldo Vs Lionel Messi Golas || Messi Goals That Would have Been Vs Ronaldo Best Goals - Duration: 7:26.

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Fishing with Joe Bucher! Season 30 Episode 7 - Duration: 21:25.

- [Joe] Welcome to this week's episode.

Inside this power-packed show, we feature

three separate seasons and conditions.

In segment one, chief editor Josiah Winterhoff joins me

for a scenic October musky outing

and some stained water minnow bait muskies.

After that we shift back to one of our key focus topics

of the 2018 bass series, swim jigs.

Finally the dude, Chas Martin, joins me once again

in our featured musky segment,

and the subject is spying on cruiser muskies.

All this and more coming up soon.

Stick around for all the action.

(upbeat music)

- [Voiceover] Fishing with Joe Bucher is brought to you by

Recon Boats, made by craftsmen, built for fishermen,

Evinrude E-TEC G2, the outboard that changed everything,

St. Croix, best rods on Earth,

Yeti, built for the wild,

Joe Bucher Outdoors, still number one

in big game fishing products,

and by your Wisconsin Chevy dealers.

(upbeat music)

- Oh, yeah, just put a fish back, my friends.

Just gonna check everything here.

We're fishing in early October,

55 to 58 degree water depending upon

where you're fishing this time of the year

and the conditions, and I just caught a fish.

And one of my main lures to fish,

this is the first day the wind's been out of the northwest

and we've got a cold front.

It's been a warm, like a warm late September, early October

and here comes one of our first good cold fronts

and it's gonna get colder tomorrow,

and then we're even gonna get some cold icy rain.

But this is one of my top baits

for fishing this time of the year.

It's a Shallow Raider, the original seven inch,

7 1/4 inch Shallow Raider, and

what I do with it this time of the year, by the way,

I fish it on a flexible leader.

You see I've got one of the fast attach snaps on here,

which is my favorite snap

on one of our premium leaders here,

but it's the seven strand model,

and I fish it on 65 pound test.

I fish it on a smaller reel, but a long rod.

I'm fishing on a St. Croix's nine-foot

medium-heavy fast Legend Elite here.

Now, what's cool about the way I fish this bait

is that I combine it,

I make it a jerk bait and crank bait.

So I do two things.

Most people either throw this out and crank it in,

or they throw it out and they jerk it all the way about

and they do these dead sticking

and all this kind of stuff at boatside.

I combine the two and I think it works better for me.

I'll cast it out, jerk, let it rise,

jerk, let it rise, jerk, jerk, you know, let it rise,

do a bunch of this bump and rise kind of stuff

over the cover.

Once I'm out of the cover,

I turn it into a straight retrieve crank bait,

and I finish with a figure eight.

Now, why would you do that?

Well, I want the jerk bait action when I'm around the cover,

but then I want the straight retrieve action

so that it enhances the ability

for me to catch fish at boatside.

And when you combine the two, you get the good

boatside strikes, you get a lot more strikes at boatside,

with the traditional retrieve and the figure eight,

yet you still have the jerk bait action.

And by the way, one last thing,

don't be afraid to pause the daylights outta your bait

in the fall like this when the water starts to get cold,

and you create a lot more slack in your line

so you get a more lateral movement

and you'll get a lot of those fish to hit.

In fact, the fish you're about to see

hit exactly like that, on a slack line

with a lot of lateral movement over cover.

(upbeat music)

Fish.

Got a musky here, folks.

Oh, yeah.

Got a musky here, folks, yep.

Yep, got a musky here.

I got one, come on up here, Josiah.

Come on up here.

We got a musky, come on.

Pick him up, there you go.

Just leave him right in the net.

Good job, Josiah.

Master cameraman, master landing net guy.

You got a musky already.

- Way to go. - How about that?

How about that, huh?

- Not even an hour in.

- So what we're doing here, folks, is

my chief cameraman and videographer,

and editor and producer here.

You're kinda the jack of all trades,

but now you're also musky fishing.

- Guess so.

- I wanted to teach him how to musky fish this fall,

so after the season was kinda winding down,

took Josiah out here on a beautiful fall trip.

You can see the beautiful colors out here.

We're having a great morning here.

We just got started.

- Yeah.

- And just caught a musky.

And well, we'll show you more about the technique here

after I unhook the fish, but

your maiden voyage, Josiah,

at least I found out what they're hitting.

- Yeah, look at him, a beauty.

- Do you want to do me a favor and get the tool box?

- Sure.

- Big tools are essential, my friends.

Long nosed pliers are you know,

especially with an offset handle like this,

I think are essential, and keep the fish in the water

and do as much of this as you can in the water.

In the water's the key thing here.

All right, so Shallow Raider,

the new crackerjack tiger pattern.

All right.

So, you know, let the landing net

and your tools do the job, and the weight of the fish.

So I'll grab a hold of this hook like this

and just give it a little boom, right?

And she's off.

Now the fish is free,

and you take the fish out.

You see?

Beautiful.

We'll go right over the side of the boat with him,

back in the water.

Gonna take my other hand here so I can get the--

Good, good.

In the water with you.

And we'll be right back.

- [Voiceover] The official music sponsor of all

Fishing with Joe Bucher episodes is Yeti.

(mellow music)

(mellow music)

- There we go.

There we go.

There we go, deep tree fish.

Deep trees.

See, there's a fishing,

man-made fish cribs,

and sunken trees,

and a lot of people all over the country,

all over the country, people do this

where they put structures in the water,

cover, obstructions in the water

to attract fish,

so they can fish them off their docks.

And you know, they're panfish magnets.

In fact, I'm gonna show you some footage here,

some panfish under these docks and stuff.

There's just, it's unbelievable

how many fish that are there.

But there's also

some nice largemouths there too, huh?

What do you think?

So we're gonna fish today.

Man-made sunken structure.

So here we are.

Fishing with a St. Croix Bass X Series rod.

This is 66 medium-heavy fast.

Got a Daiwa bait casting reel here, the TATULA,

5.5:1 gear ratio reel.

And I've got some of Beast Braid,

Joe Bucher Outdoors Beast Braid on here, in the green.

We're fishing more of a green colored water, moss green.

And on the business end here I've got a

Dirty Jigs swim jig here in that crawdad-like blue gill,

he calls it a bluegill pattern.

You can call it a lot of different things.

It's got everything in here that's very crawdaddy,

and these fish are feeding on bait fish,

feeding on crawdads, and

it's a matter of just target fishing and then

one more thing, polarized glasses.

I've seen the targets most of the time I'm fishing.

I'm not actually looking at sonar as much

as I am using my visual sonar.

Let's go get another one.

(mellow music)

And you reel your jig up to about here, you can do this.

You got that underhand

alley-oop cast, and

you can't do that with a 7 1/2-foot rod.

You've got to go to a pitch or a flip.

And this little Jimmy Houston style cast

is really a great way to fish these spots.

See, you just a little, when you're doing this dock fishing,

it's just perfect, isn't it?

It just works so nice for that kind of fishing.

So you need a shorter rod.

And really, a medium action works well too,

a medium heavy gives you a little bit more backbone.

Beautiful.

A little more backbone.

Yeah, baby.

As Chas Martin would say, dude.

See, what the medium heavy does is

it gives you a little bit more boom when you set the hook

for the weedless jig.

Now you add braided line to that and you've got

a super duper combination.

Oh, that's a nice fish, too, isn't it?

Look at that, oh, baby.

All right.

Oh, did that fish take it deep.

That fish took it deep.

Wow, big female, huh?

Yeah.

Northern Wisconsin, quality bass.

Yeah.

You can see I net my fish.

Frankly, I don't understand what's the deal

with these tournaments with these guys not netting fish

and just hauling them up and flopping them

into the boat kinda thing.

This is way better on the fish,

way better on the angler.

Yeah, let's go see if we can get another one.

(mellow music)

(mellow music)

Big tree in the water here.

Gotta be a lot of fish under this sunken tree.

Might be a man-made fish crib.

(mellow music)

Got lots of them in this one yesterday too.

Got him.

Yep.

So there you go.

There you go, my friends.

Oh, good fish, too, yep.

Man-made fish cribs,

sunken brush piles, logs.

Folks kinda helping you out

by trying to make their fishing better.

They're making your fishing better.

Yeah.

Get the little net on this one here.

There we go.

So it's important to not only watch your sonar,

but use this sonar right here,

your eyes, your visual.

Look for targets.

Fish ahead of the boat,

and take advantage, when you see a--

When you see a dock with a lot of activity

and you see stuff in the water there,

this guy's probably an angler,

or that family is full of anglers.

Hey, and I'll tell you what.

Tough to beat this jig, isn't it?

Get yourself some of these Dirty Jigs.

You're gonna catch some fish off of these docks

and these sunken brush piles and these cribs.

We'll be right back.

I'm gonna put you back.

(upbeat music)

- [Voiceover] This featured segment is brought to you by

the Musky Shop.

(dramatic music)

- Hey, folks, welcome to our musky segment.

Chas Martin and I, we're having this interesting day,

an interesting trip, aren't we?

- It really is. - Yeah.

Yeah, this fish that, one guy pulls it up

and the next guy catches it.

- Well, so we got the beach thing going.

We got the solar bite going,

and then like you said, in addition to that,

it's this dual lure thing

where one guy will have a fish follow in kinda lazy.

The second angler throws in a cast back lure,

seems to get a reaction out of the fish,

and then you got this visual thing going on,

where you saw the musky, and then you got her

coming in hot again.

- It was amazing, folks.

Chas raised the fish on a Glide Raider,

and it initially came in on my lure.

What, maybe five minutes ago, 10 minutes ago.

And then it took off, and then Chas

did a cast back, which we've been having success

with cast backs with glide baits.

Here comes the fish, but real lazy,

and then just starts to veer off,

and I can actually see the fish veering off,

and I threw a cast way out in front of it.

Well, you'll see the video.

And I throw a cast out in front of it,

and just almost like you're sight fishing

tarpon or bonefish, and just gunned that

and herded that bait.

That fish came, you know, it fired that fish up.

Sometimes it takes some other bait

to fire the fish up.

- Well, and that's another thing to mention

is that you can--

You read the fish's, you know, it's attitude

and then you gunned your bucktail up

to really trigger that strike.

- How many times have we talked about that

in the last four or five years,

about this bursting or gunning the bait?

- Absolutely, man.

- You know, it's one thing to just

throw it out and crank it in steady,

or throw it out and then crank it in steady fast.

I think it's much more productive to do the

one, two, three, four, five, and then da-da-da-da-da,

one, two, three, four, da-da-da, you know?

- Well, yeah, 'cause you could see that fish

respond to the burst. - Yes.

- And then she snuck up and then you get her again.

And she, you really got her going.

- Yes, and it's the same thing with the figure eight.

When I had the fish strike the figure eight,

it isn't just a fast figure eight.

It isn't just a slow figure eight.

It's a bursting figure eight and then backing off,

bursting and backing off, and the fish just comes up

and overtakes the bait and voila.

And again, one last thing, watch the nine foot rod.

The softer action, nine foot rods, medium heavy,

medium medium, nine foot rods,

the St. Croix Legend Elite, just

you own 'em.

- Dude.

That fish was peeling drag off the side.

- How about that Texas tea?

- Oh, yeah. - This bait continues to be--

- The 500 is just so good at triggering fish.

And not just small fish. - No.

- You have so many guys say oh, really?

We're gonna go after small ones?

Uh-uh, it catches big muskies, man.

- That was fun, that was a fun big fish to me.

- Oh, yeah. - Yeah.

- Man.

- Check it out, folks.

(mellow music)

- Gonna get it rigged up.

You know, these fish don't seem to really

respond to them much.

They like little blades.

The little blades thing is really working on them.

Well.

We'll see.

But those 500s are sure getting them gone, man.

(mumbles)

Is it any better with the big hooks?

- Nah, I don't know.

Not much.

See, those fish, we're bringing those fish up.

They're really very neutral fish.

- Yeah.

- Those aren't really cranked up fish, you know?

- No, But they're here, though.

- Yeah oh, there's a fish.

- You see one?

- Yep.

I thought he followed your bait in.

- Did he?

Nice, nice.

Nice, man.

All right.

That's, is that a different fish?

- Take him, dude.

- Quick, treading water.

All right.

Pull him up to me.

All right, we've got her.

Dude, nice job.

Woo.

- She followed in your jerk bait, dude.

- Did she really?

- Yes, yes.

I saw her out there and I thought I saw a flash

and then I did see the flash.

I saw her glance out over there.

Remember I said hey, there she is?

I saw her coming off your jerk bait,

and I did the tarpon thing.

I threw past her, and she went vroom,

and she came in on it.

- That's awesome, man.

Nice work.

- There we go, my friends.

Oh, what a beautiful fish, huh?

Wow, I actually saw that fish

chase Chas' bait in.

I saw it take off and I threw a bait way out in front of it.

And gunned it and there you have it.

(dramatic music)

- Nice, nice.

Nice, man.

All right.

That's, is that a different fish?

- Take him, dude.

- Quickly, treading water.

All right, pull him up to me.

All right we've got her.

- We'll see you next week.

- [Voiceover] Fishing with Joe Bucher is brought to you by

Recon Boats, made by craftsmen, built for fishermen,

Evinrude E-TEC G2, the outboard that changed everything,

St. Croix, best rods on Earth,

Yeti, built for the wild,

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still number one in big game fishing products,

and by your Wisconsin Chevy dealers.

(mellow music)

For more infomation >> Fishing with Joe Bucher! Season 30 Episode 7 - Duration: 21:25.

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TALKING TOM water PARK #48 Pool talking Tom - Duration: 20:23.

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Goofy - Cartoons Tributes Drawings - EP 17 - Duration: 6:15.

Hello everyone and welcome to this series about Cartoon Drawings and Animation Film History

Today I'll show you how to draw Goofy

created by Art Babbitt and Frank Webb in 1932

Let's get start to draw!

Thank you for watching!

Stay Tuned for more Cartoons and Videos!

Have a nice Cartoon Day!

For more infomation >> Goofy - Cartoons Tributes Drawings - EP 17 - Duration: 6:15.

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How George Lucas Helped Direct Solo: A Star Wars Story - Duration: 3:59.

For more infomation >> How George Lucas Helped Direct Solo: A Star Wars Story - Duration: 3:59.

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Pretty Baby Doll House Coloring Pages | Drawing House for Learning Colors | How To Draw Doll House - Duration: 3:29.

Pretty Baby Doll House Coloring Pages | Drawing House for Learning Colors | How To Draw Doll House

For more infomation >> Pretty Baby Doll House Coloring Pages | Drawing House for Learning Colors | How To Draw Doll House - Duration: 3:29.

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horóscopo de hoy 23 de Febrero 2018 | horóscopo del día - Duration: 11:37.

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rabbids invasion CRAZY RUN rush TRUCO GAMEPLAY IOS nivel LUNES RABBITS PLAY😜 - Duration: 18:08.

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Romina Power svela a tutti chi è il suo 'vero amore': ecco la foto | Wind Zuiden - Duration: 3:30.

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Marijuana all'Isola dei Famosi: coinvolto anche Stefano? | Wind Zuiden - Duration: 3:33.

For more infomation >> Marijuana all'Isola dei Famosi: coinvolto anche Stefano? | Wind Zuiden - Duration: 3:33.

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Existe um tipo físico ideal para atrizes no Brasil? - Duration: 1:28.

For more infomation >> Existe um tipo físico ideal para atrizes no Brasil? - Duration: 1:28.

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Johnny Hally­day Frédé­ric Beig­be­der au sujet de sa rela­tion tumul­tueuse - Duration: 3:08.

For more infomation >> Johnny Hally­day Frédé­ric Beig­be­der au sujet de sa rela­tion tumul­tueuse - Duration: 3:08.

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Gemma Galgani scrive un post contro chi la critica | Wind Zuiden - Duration: 3:35.

For more infomation >> Gemma Galgani scrive un post contro chi la critica | Wind Zuiden - Duration: 3:35.

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Castles of Germany - Altbodman Castle - Bodman-Ludwigshafen - Hegau - Baden-Württemberg - Duration: 2:09.

Altbodman Castle Bodman-Ludwigshafen

The castle was built from 1309 to 1332 by the Lords of Bodman.

1307 their old castle on the Frauenberg was destroyed by lightening during a family celebration.

Almost all present family members died in the fire.

Only the youngest male name carrier, the one year old Johannes of Bodman, survived the disaster.

The legend says that his wet nurse put him in a cauldron and threw him out the window of the burning building.

The grandfather of the salvaged boy built a chappel with a priest's house on the place of the earlier castle.

Today there stands at this point the Frauenberg Abbey

1499 the castle was damage during the Swiss War and repaired after. Later it was extended and became a fortress.

French troopes destroyed the castle again during th e Thirty Years War, on 15th August 1643.

Thereupon the noble family moved to Espasingen Castle and finally, in 1760, to Bodman Castle.

For more infomation >> Castles of Germany - Altbodman Castle - Bodman-Ludwigshafen - Hegau - Baden-Württemberg - Duration: 2:09.

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Perché Antonella Clerici non c'è a La prova del cuoco oggi? Ecco cos'è successo | Wind Zuiden - Duration: 5:06.

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Art People / Ayhan Keser / Artist Türkei - Duration: 4:31.

hi my name is Ayhan Keser I'm a artist and I can show you some of my works to have

also video on the top people playlist so I can start with these things these are

which I made for Art Fair in London and the idea was to build a gate between

street art and mosaic art street art is a new life form and mosaic art is almost

like a six six thousand years old whatever I did it by flowing colors and

making graffitis on trains by using glass mosaic tiles salmon here sprayed

standard glass mosaic tiles and ceramic tiles writing something a route got on a

police car which was very funny and I have also some stuff here which was also

for the same Art Fair where I used stained glass mosaic tiles here are one

as well the lost can attach the camera no which actually actually should look

like a balloon but it's not so you have to imagine a bit I also do paintings

like that I don't know how to call it it's a regular wall paint stuff which I

made that's Larry actually it's my daughter and okay something new is I'm

creating some artworks I would call it artwork that's correct for art galleries

all around the world and this made with spray it's like a stencil it's

the same as I made last year for the Art Fair is building up a gate between the

innocent mosaic art and contemporary art I mean the art right now like street art

which is really popular and this all looks like it's actually just painting

but from a distance you can just see it looks like a mosaic it's a very old

piece actually call it also the gypsy girl found in Gaziantep is the province

name is here in Turkey and it's it's a very old piece so I started with that

one and I wanted to have to all this almost oldest piece in my collection and

in timezone way if you know what I mean this is something else so why why should

this Como's like it's mosaic and painting and call it I call it this

collection the primitive mosaic art paint collection or whatever you call

that these are actually tiles by using I cut just cardboard so these are tiles so

it's done and yeah so on this is the work that I'm working on still that guy

that's a big guy he's taller than me and I used here cardboard as mosaic tiles I

paint them and then I use them so it's nice to be and it's nice to be here in

this community I'm also someone from the art people and thank you

you