Elizabeth: When I think of the term 'love yourself', you think like happy, upbeat, but this, this is like a really hardcore
song with lots of seventh chords, and
whatever's happening right now. Henry: Ooh!
Umu: For the last LOONA solo that I'm showing you I'll be showing you, the 12th member to debut.
Her name is Olivia Hye,
and with her song, 'Egoist,'
Jordon: composed by Artronic Waves, LAB301, and
Pablo Groove, to debut in March 2018. Her color is silver, her animal is wolf, and her fruit is blood plums.
Lindsey: Whoa Davis: Wow, so she's super edgy, dude. Lindsey: I've heard of this one before ???: She's super edgy.
Jordon: The past few debut songs talked about one's ego.
The ego is seen as a girl who admires someone or envies another.
Sometimes it starts from self-loathing
or disappointment in oneself.
However,
they come to a realization that self-awareness is not decided upon or created by somebody else, but built by
oneself, by starting to love oneself.
Umu: Although it may seem selfish,
the process of completing one's ego is to love oneself,
which is the message of the song.
This song features the seventh member to debut, JinSoul,
as the rapper, and at the very end of the music video, a girl will approach
Olivia, and that's actually HeeJin, the very first member to debut, so it comes in a full circle. Jeremy: Aww! That's cool. Olivia: Aww! ??????
Henry: Whoa! Elizabeth: This is like a K-pop version of the Marvel Cinematic Universe.
Both: (singing)
Jeremy: Oh, the other way. It went the other way. Rachel: Yeah.
Rachel: That's what my bed looks like.
Lindsey: It's like pulsing.
Davis: Oh, yeah. Oh! I like that.
Elizabeth: There are no triads, there are only seventh chords.
Henry: Yes!
Charlotte: I like her voice.
Peyton: Yeah.
Elizabeth: Oh, her voice is very low.
It's very pretty
It's interesting because like the piano is higher than her voice.
Henry: So much of this imagery is very creepy in all the videos.
It's very offputting. Elizabeth: She's a wolf.
It's not like a
friendly animal.
Jarod: I love, there's something about the sound of the music and the visuals that just seem to go like really well together. Katie: Yeah
Peyton: Whoa! They offset it by a beat.
Jeremy: I wasn't expecting to get this hype. Rachel: You don't drop 'til two
Henry: Oh, the entrance on two, that's hip!
Rachel: It's like very standard progression, but they're making it interesting.
Lindsey: Whoa, like all the background noises and stuff Davis: Um, hmm, yeah, yeah, that's what I mean, like,
If you looked at like a screen with all the things that are in this song that are happening right now,
I mean it would be so Lindsey: A long list Davis: The list would be very long
Elizabeth: When I think of the term, 'love yourself', you think like, happy, upbeat, but this, this is like a really hardcore
song with lots of seventh chords, and
whatever's happening, right now. Henry: Ooh!
Rachel: I like this, whatever's happening.
Elizabeth: We have like lost the beat, sort of.
Peyton: Holy sh*t, this is dope!
Whoa!
Davis I like a good rap break. Lindsey: This is so weird because it's hard to feel where the actual pulse is here.
Jarod: I just love how it has the driving 1,2,3,4, 1,2,3,4, but at the same time you feel (slower) 1-2-3-4-
So it's like you get like that cool,
driving, but at the same time. It's keeping you grounded.
Kevin: Again it's- still lack of autotune. Like all the quarter tone shift.
Henry: This chorus is a work of art. It's perfect.
Nine chords, entrance on two,
Yeah, that's right. Oh, it's so cool. It generates awesome forward momentum.
Henry: Is she a lesbian? Umu: (laughter) Henry: She's in bed with a girl, I was just asking.
Kevin: Oh, that's the same building that HeeJin and HyunJin did 'I'll be there', I think.
Charlotte: Ooh!
Peyton: Yeah
Henry: Whoa, f*ck, yeah!
Davis: Now
Lindsey: (dropping sound effect)
Lindsey: That just like, fell. Davis: They're definitely setting you up every time that happens. Yeah.
Lindsey: Yeah
Elizabeth: A lot of the ends of the phrases like
descend in pitch.
That's weird.
Lindsey: Love myself today. Yeah, b*tch. Davis: You better.
Lindsey: Girl Davis: You better.
Davis: All right, so she.. Lindsey: I like how that thing in the background that keeps (mimics sound)
going up and coming down Davis: So, she burned the bed. What was on the bed, though?
Lindsey: Her old self maybe? I don't know. Davis: Oh
Maybe.
Lindsey: Oh, wait, no Davis: That's a faceoff, right here.
Lindsey: Yeah
Lindsey: She gonna fling her off the roof?
Davis: That would be
Lindsey: That'd be pretty gnarly. Davis: insane.
Henry: So what's the significance of having the first person come back?
Elizabeth: It's bringing it full circle.
Henry: But no, but what about the first person in particular is so meaningful for the end of this particular video?
Umu: Good question. Start making theories.
Elizabeth: Oh, my God.
Lindsey: The song and the video supporting each other better than any of the rest of them. Davis: That's true. Lindsey: I feel like they went so nicely together.
Lindsey: I don't know like, since you said that at the beginning, how they changed video frames with the music Davis: Yeah, yeah, yeah
It happened throughout the entire thing Davis: Right? Lindsey: and it was just like very satisfying
Davis: Yeah Lindsey: to watch and listen to that at the same time. Like they, I mean the song was super good, too. I really enjoyed it.
Peyton: Art
Charlotte: Yeah. Oddly, the one that talks about self love is the most sensual.
Peyton: I don't know, man, that was, that was pretty heavy. Like, in a good way, like not like a,
"Oh, God, now I don't know how to feel", you know, kind of way.
Charlotte: It's also interesting that just compared to the other ones that we've watched today,
just I feel like hers is the most like, I feel like a lot of them are like very
cutesy, upbeat, or like ballad-y type things, and she has a very different vibe. I don't know,
it was just really interesting to see, cuz it wasn't what I expected,
based on what we've already watched.
Jarod: I love how it starts in one area, like one kind of mood,
then it cuts and goes in a trap, but then it kind of, like, with still hints of that previous section, and then goes back to it to kind of
wrap it all together, so it made sense.
Katie: Yeah, it was cool. It's definitely the most poppy song of the six that we just listened to.
I didn't like the,
transition between
the one part of the song and then the trap and then back. I thought that was a little clunky, and forced.
Isaac: I don't know, I kind of connected with the song a little bit, with the aspect
of just like going through the motions, with the one, two,
it's like (singing)
And then later, there's like that middle section, where you have like the cacophony of sounds, just like blasting,
and then you're just like pulling left and right, and it was very just very interesting, cuz it's like man, I got a little bit more philosophical
like this whole weekend, and it's just like the aspect of like you're going through life, it's very repetitive, and it's you don't
know where it's going, around here and there, so I thought was very interesting. The song really evoked that memory, or just that realization.
Kevin: That's so cool. I think the song is very, very loud.
And very, very just
overexposed. And they, it's like oh, here's the synth, but we're gonna make it even more crazy
synthy, and add a ton of reverb, and make it sound really watery, and just really spacious, but to the point where it's so
synthetic that I can't take that. It's actually my least favorite LOONA single.
Isaac: Oh, really? Kevin:Yeah.
Isaac: I actually really enjoyed this. Kevin: I bet.
No, there's a lot of musically interesting things going on with it.
But I guess for me, it's it might be more of a personal taste. I think it's definitely just a personal taste
Rachel: They're all very capable singers. Jeremy: Yeah, it's really cool.
Rachel: It wasn't as musically interesting to me as some of the other ones were, but like I like a lot of the things that they
did. I'm glad there was that
3, 4 breakdown Jeremy: That middle section was like really cool. It was like, what's happening?
Henry: First of all, the po-writing was amazing, and it wasn't even the most excellent part about it, which is amazing. Like, how?
There's so much going on in this video that I thought was so very interesting.
This one felt like the music was the soundtrack to the story the most, I think.
Elizabeth: Yes, I would agree with that. Henry: Even though the second one we watched with the
not-enough-cats, that was really, really strong, too. But I think this one was probably, I don't know, I thought this one was
Elizabeth: Yeah
the strongest in that aspect. Elizabeth: I got the point. I mean, you know, she's trying to learn to love herself.
It's an uphill battle, man. I mean, it's, it's really tough.
And I know, the little I know about Korean culture is that there's like very rigorous standards of beauty.
That's got to make it really tough to like try and accept yourself fully and completely, so it's not like a, not like an easy,
happy process. It's a... Henry: Yeah Elizabeth: You gotta get down and dirty.
Elizabeth: That's tough.
That's really tough
Umu: Top two? Isaac: Love Cherry Motion and this one. Absolutely
Kevin: Honestly, comparing them all together,
I have to say YeoJin.
But because I've had a lot of time with these songs, Vivid is still the one that I always go back to, and Isaac: HeeJin!
always listen to, and I just think the song is very strong. But YeoJin's a very close second. Yay!
Katie: I'd say Vivid. Jarod: Yeah, I think
it's, it's a toss-up between Vivid and Kiss Later, cuz I had fun with that song, and I had fun with Vivid.
I think just to fight Katie and this one, I'll say Kiss Later is my favorite. Kaite: F*ck you
Rachel: Second one. What was it called? Umu: Around You.
Rachel: Mmm-hmm
Jeremy: Mine was either the first or the second. But they were both really good, and like very different, and you could see throughout like all six
that we watched, they each have their unique qualities, both the song and like, the voice.. Rachel: Yeah,
I liked just a song and the vocalist best for that one. Jeremy: Yeah.
Davis: What's yours? Lindsey: Love Cherry Motion. Davis: Okay, good.
She said that one, so I can say definitely
HyunJin's, because like I said,
I do appreciate the subtle, more feelsy, artsy vibe.
Charlotte: Probably say the last one, my favorite.
I just liked the whole vibe of it,
and I think that what Peyton pointed out (the cameraman) and like what they were doing visually was also very interesting.
But I also liked--was it the one before fruit bat girl?
Peyton: Yeah, yeah. Basically, same.
Elizabeth: Okay, so I liked the vampire bat girl, or well, no, fruit bat, I liked the fruit bat one.
That was like, what is happening?
Yes! I like when they subvert your expectations.
Probably this one. Yeah. The whole like,
transition, where they just had like a bunch of like synthesized beats,
but they like didn't feel like they lined up with a meter, and then suddenly there was rapping, and I was like
I don't know where we've gone, but I'm glad we made it.
Henry: All right, okay, I have to break down into three categories.
Okay.
Music:
the
second one. In terms of like, ambition: the third one. In terms of
overall, like excellence of music, and excellence of video, excellence of message, and everything about it: this one.
Yeah. Umu: Okay.
Hello everyone. I'm Umu, and I'm the channel runner of React to the K.
I really hope you enjoyed watching this video. If you're curious about the videos that we'll be reacting to in the future,
I put a link to a doc with our release schedule in the description
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