Youtube daily Jul 23 2018

- Welcome to our shenanigans here

at the MTV suite at Comic-Con, guys.

Congratulations on your film,

which has just gotten a new title, actually.

As of two weeks ago, it was called something else,

so, unveil this horrific title on us.

What's the pronunciation?

- It is The Curse of La Llorona.

- La Llorona

- La Llorona, actually, guys, why don't you kill it.

- (laughs) La Llorona

- Llorona

- [Josh] So, and, educate me-- - What they said.

(group laughs)

- [Josh] Exactly, I'm with you with that.

- The double L is really a Y, so that's all you gotta--

- Right, right, it's screwing up in my brain.

- And you gotta roll the R.

- Ya gotta roll your R's guys,

that's what you always gotta do.

So, educate me on this, this is like,

a legend that has a lineage.

This is something that is based in

folklore, right? - Yeah, it's been around

for hundreds of years, you know basically,

and if you grew up Hispanic, you've definitely heard

it from your family, more than likely your abuela.

You know, it's like your grandma

would tell it to you, and she'd say like,

you know, you'd better be good,

or La Llorona is gonna come and get you.

- Got it.

- And it's a terrifying story.

It's about, you know, it's hundreds of years old,

it's about this woman who, you know,

in this jealous rage, she grabs her

two young boys and drowns them in the river,

and then is, like, cursed to walk the earth

for all eternity.

So it's a really dark tale, and especially,

like, for grandmas to tell grandkids about.

It's like, you know, it's chilling.

- Amazing, and it has a good home here

at Comic-Con in San Diego, where we love

all things genre of all types, and uh,

have you shown some footage, yet?

Have you been able to--

- Yeah, we showed three clips last night,

and it was awesome, it played really really well.

I'm really proud of 'em, I think, you know,

we're all really proud of the movie

and the clips that we played.

It was awesome, the audience was like

covering their eyes, and--

- That's what you want. - Screamed, we heard screams.

(group laughs) - Yeah, literal screams.

- So, what is it like for you guys,

'cause I assume this is probably

some of the first footage you're getting to see of the film,

and especially on a tale told in this genre,

there's a big difference between

being on the set of something like this,

and seeing the finished product,

with the music and the sound queues and everything.

What was it like? - Well it was frightening

you know, on set. - Was it? (laughs)

- It was frightening on screen.

Yeah, it's a very scary movie,

so I think the audience is gonna love it.

- It's just very real, I mean, even

though it's a period piece...

It's interesting because it's the 70's,

but for me, that's when I heard the most

about La Llorona, because that's when I was a kid.

So, it brings you right back to

that feeling you had when you were little,

and your grandma would tell you,

you better behave otherwise La Llorona's

gonna come get you.

- Yeah, and there was no internet,

there was no, again, it was word of mouth.

And you heard the story, it was passed down

from generation to generation,

and it was this horror story about this woman,

and if you didn't behave,

then you were gonna fall victim to her.

- It still is, I mean, for adults

you never stop believing in La Llorona, never.

- That stuff that gets instilled in you as a kid

- Yes - You can't break that.

Right? - No

You think you can

work through it - And just when you think

you can, a movie like this - in therapy, and all that

- Comes around, and really puts it right back into you.

(group laughs)

So, k, thanks for that. (laughs)

- You're welcome.

- What about for you, Linda, is this your bag,

have you, is a horror, like what kind of

audience member are you for a horror film?

- I used to love it, like, I was

crazy about horror movies, and I remember thinking

Freddy Kruger was the scariest thing I had ever seen.

I just loved, loved horror movies.

And then when I had a child, something like,

people said that would happen.

Like, oh when you're pregnant,

you won't wanna, and it literally happened to me.

So I'm just started watching them again.

- So this is therapy, making it is part of the--

- I love 'em, I love the excitement of it,

I get really caught up in it, I love haunted houses,

I love going to all those, like, scary, haunted

Universal Studios, or Knotts Scary Farm, I love that stuff.

So, I'm back at it now.

(group laughs)

- Rooting for it - Yeah, yeah

So, yeah the last one I saw was

I saw A Quiet Place, which was great, so.

- Pretty great, right.

- But I have a habit of hitting the people next to me,

- Okay, so be warned so poor guy next to me

got beaten. (group laughs)

- The bruises on the arm. - Yeah

- Yeah, he was like "I got hit by Linda Cardellini".

(group laughs)

- For you, this is your feature directing debut, right?

- Yeah, this is my first movie,

and before this, I've just done commercials.

And I did this one short called The Maiden,

and New Line saw that and, it was just,

honestly there were so many similarities

between the short and the script that they'd

been developing, and, you know,

it was really just an awesome fit.

- Amazing. And fun for you guys

to be on the set of somebody that's,

you know, there's nothing like

your first time making a movie,

and that kind of energy and excitement,

and, um, was that palpable on set (mumbles)?

- Oh, my gosh. - Oh, absolutely.

He's a great guy, he's a nice person,

he's really creative, I mean, the movie looks wonderful,

and he treated us all with respect.

We all had such a great time working on the movie,

even though it was hard work, and really long hours,

and not a giant budget, so we were working

really hard, but there's like, no better,

more excited person, so, it's been really fun.

- I remember at the first day,

we got in to take some photos,

we got out of the makeup trailer,

and he goes "Let's go. Run!"

(laughing)

Okay, he goes "take the picture!"

"Let's run back!" Let's run back.

(laughing)

- You know, I thought it was a little strange,

I'm like this guy's in love with La Llorona.

(group laughs)

For us, that's weird. - That's what you want

- You wanna distance yourself - from your director

for something like this. - From her

He's embracing her, wholeheartedly.

- He's on the wrong side, maybe.

Well, for this film maybe it's the right side.

(group laughing)

- No, I'm definitely best behind the camera.

I mean, honestly, these guys were amazing.

They made the movie.

You know, of course we always talk about how scary it is,

you wouldn't buy any of that, you wouldn't believe it,

you wouldn't be emotionally invested, if it wasn't for them.

And they brought so much humanity

and just amazing characters to it.

I mean, they really killed it.

- What is the ultimate goal with seeing

an audience go through something like this?

Is it to see them rattled, and kind of

shaking, walking out of the theater?

These kinds of films can do something

that no other kind of film can do.

- You know what's amazing is, like,

when you get a really good scare,

there's almost always this like ripple

of like, laughter, which is - right,

to diffuse the tension, right? - yeah, right afterwards.

It's like, everyone gets scared,

and then it's like this shared laughter,

which like, no ones really even conscious of,

'cause no one really talks about like...

They talk about oh I was so scared in the movie...

They are not realizing how much they're laughing,

and they're not, and it's just out of this

kind of, shared nervousness, which is just exquisite.

It's like, so fun to see, and like,

I think it's just that whole kind of range of emotions.

It's really fun to experience.

- Nice. So we're obviously here in

San Diego Comic-Con, so I can't let

Linda go without a question.

- Sure

- How's Laura Barton doing, did she survive the (muffled)?

- I can't tell you anything about that.

(group laughing)

But it's very exciting, I mean,

those movies are gigantic.

- So what was your perspective Infinity War?

Like, did you go in knowing anything,

or were you like the rest of us, sort of like--

- No, you know very little, they let out very little.

And sometimes even the things you think you know,

they change, so it's always exciting.

I mean, we did the whole Marvel

Ten Year Anniversary shoot, and it was like

everywhere you looked, was the most

incredible actor that you were a fan of,

so it was really really fun, and they're so kind to me,

and it's just like, it's fun to be a part of that world.

- So if I'm a betting man, am I gonna see more of you?

There's one more of these giant Avengers movies

that seemingly, will have, hopefully every

character under the sun in it.

- Right, right, that's a possibility.

- What do you think?

- I don't know, you never know until you see it.

You know, you never know! (Josh laughing)

- I think audiences are expecting you

to be in it, and they're gonna demand it.

So, that's what I would say. - Well, there you go.

The people demand it, maybe she'll be there.

(group laughs)

- I'm demanding it.

I wanna know what - I'm demanding it

Also, what happened to Hawkeye?

- There's was so much, I mean,

my god, there was like an internet fuhrer

over Hawkeye, so the Barton family needs some love.

- Yeah, well...

- Okay (group laughs)

- I can't say anything! - Okay, okay.

- I don't want to get in trouble.

- No, no, I got it (group laughs)

It's all good, it's all good.

- Marvel has a lot more - He was trying to get it

out of you too. - Money than I do.

I don't wanna get busted. (group laughs)

- Let's talk about, finally, to say

congratulations on your movie,

which does have a release date,

remind me, it is, oh April 19th, next year, right?

- Yes, April 19th.

- April 19th. - Yes.

- Congratulations, you're still, I guess,

knee-deep in the edit, making this as scary as possible?

- Yeah, we're right at the finish.

We're just a couple months away,

we're uh, it's looking great.

- Great, well congratulations already on the early response,

and enjoy the rest of your Comic-Con

guys, thanks for stopping by.

- [Group] Thank you.

- Thanks for having us. - Thanks guys.

For more infomation >> 'The Curse of La Llorona' Cast on the Terrying Folklore & Audience Reactions | Comic-Con 2018 - Duration: 8:02.

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The Internet: Wires, Cables & Wifi - Duration: 6:34.

My name is Tess Winlock. I'm a software engineer at Google.

Here's a question, how does a picture, text message or email gets sent from one place to another?

It isn't magic. It's the Internet,

a tangible physical system that was made to move information.

The Internet is a lot like the postal service,

but the physical stuff that gets sent is a little bit different.

Instead of like boxes and envelopes the Internet ships binary information.

Information is made of bits.

A bit can be described as any pair of opposites -

"on" or "off".

"Yes" or "no".

We typically use a one meaning "on" or a zero meaning "off".

Because a bit has two possible states, we call it binary code.

Eight bits strung together makes one byte.

1000 bytes all together is a kilobyte.

1,000 kilobytes is a megabyte.

A song is typically encoded using about three to four megabytes.

It doesn't matter if it's a picture, a video or a song

everything on the Internet is represented and sent around as bits,

These are the atoms of information!

But it's not like we're physically sending ones and zeros from one place to another,

one person to another.

So what is the physical stuff that actually gets sent over the wires and the airwaves?

Well let's look at a small example here of how humans can physically communicate

to send a single bit of information from one place to another.

So say we could turn on a light for a 1 or off for 0.

Or use beeps or similar sort of things of like Morse code.

These methods work but they're really slow, error-prone totally dependent upon humans .

What we really need is a machine.

So throughout history we've built many systems that can

actually send this binary information through different types of physical mediums.

Today we physically send bits by electricity, light and radio waves.

To send a bit via electricity, imagine that you have two light bulbs

connected by a copper wire.

If one device operator turns on the electricity then the light bulb lights up.

No electricity, no light.

If the operators on both ends agree that light on means one

and light off means zero then we have a system for sending bits

of information from one person to another using electricity.

But we have a problem.

Let's say that, y'know, we want to send five zeros in a row.

Well how can you do that in such a way that either person

can actually count the number of zeros?

Well the solution is to introduce a clock or a timer.

The operators can agree that the sender will send one bit per second

And the receiver will sit down and record every single second and see what's on the line.

To send five zeros in a row you just turn off the light...

wait five seconds...

the person on the other end of the line will write down all five seconds

say zero zero zero.

And for ones do the opposite - turn on the light.

Obviously we'd like to send things a little bit faster than one bit per second.

So we need to increase our bandwidth:

the maximum transmission capacity of a device

Bandwidth is measured by bit rate,

which is the number of bits that we can actually send over a given period of time,

usually measured in seconds.

A different measure of speed is the latency

or the amount of time it takes for one bit to travel from one place to another,

from the source to the requesting device.

In our human analogy one bit per second was pretty fast

but kind of hard for a human to keep up with.

So let's say that you want to actually download a 3 megabyte song

in like three seconds.

At 24 million bits per megabyte

that means a bit rate of about 8 million bits per second.

With an Ethernet wire, the kind that you find in your home or office or school,

you see really measurable signal loss over just a few hundred feet.

So if we really want this Internet thing to work over the entire world

we need a different way of sending this information really long distances.

I mean like across an ocean.

So what else can we use?

Well what do we know that moves a lot faster than just like electricity through a wire?

Well... light!

We can actually send bits as light beams from one place to another

using a fiber optic cable.

A fiber optic cable is a thread of glass engineered to reflect light.

When you send a beam of light down the cable

light bounces up and down the length of the cable until it is received on the other end.

Depending on the bounce angle we can actually send multiple bits simultaneously,

all of them traveling at the speed of light.

So fiber is really, really fast.

But more importantly the signal doesn't really degrade over long distances.

This is how you can go hundreds of miles without signal loss.

This is why we use fiber optic cables across the ocean floors

to connect one continent to another.

In 2008 there was a cable that was actually cut near Alexandria, Egypt,

which really interrupted the Internet for most of the Middle East and India.

So we take this Internet thing for granted but

it's really a pretty fragile physical system.

Fiber is awesome but it's also really expensive and hard to work with.

For most purposes you're gonna find copper cable,

it does pretty much the best job.

But how do we move things without wires?

How do we send things wirelessly?

Wireless bit sending machines typically use a radio signal

to send bits from one place to another.

The machines have to actually translate the ones and zeros

into radio waves of different frequencies.

The receiving machines reverse the process and convert it

back into binary on your computer.

So wireless has made our Internet mobile but a radio signal doesn't travel all that far

before it completely gets garbled.

This is why you can't really pick up a Los Angeles radio station in Chicago.

As great as wireless is, today it still relies on the wired internet.

If you're in a coffee shop using Wi-Fi then the bits get sent

through this wireless router and then are transferred

to the physical wire to travel the really long distances of the Internet.

The physical method for sending bits may change in the future.

Whether it's lasers sent between satellites or radio waves from balloons or drones.

But the underlying binary representation of information and the protocols for sending that information

and receiving that information have pretty much stayed the same.

Everything on the Internet

whether it's words, emails, images, cat videos, puppy videos...

all come down to these ones and zeros

being delivered by electronic pulses, light beams, radio waves

and you know lots and lots of love.

For more infomation >> The Internet: Wires, Cables & Wifi - Duration: 6:34.

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San San, Portland, Jamaica - Duration: 8:25.

Travelling from Drapers towards Boston Bay

San San begins here

Frenchman Cove [Left]

Mile Gully Road [Right]

San San Tropez - Hotel [Right]

San San Beach [Left]

Blue Lagoon [Left]

Blue Hole Road [Left]

Moon San Villa [Left]

Tropical Lagoon Resort [Left]

San San ends here

Tha Lagoon Spot [Left]