Thứ Hai, 24 tháng 7, 2017

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German Special Forces, approaching from the south.

Understood.

Do you know me?

You're Steve.

I read about you in a museum.

They've set the perimeter.

I know you're nervous,

and you have plenty of reason to be.

But you're lying.

I wasn't in Vienna. I don't do that any more.

They're entering the building.

Well, the people who think you did are coming here now.

And they're not planning on taking you alive.

That's smart.

Good strategy.

They're on the roof. I'm compromised.

This doesn't have to end in a fight, Buck.

- It always ends in a fight.

Why?

- I don't know.

Breach! Breach! Breach!

Buck, stop!

You're gonna kill someone.

I'm not gonna kill anyone.

Suspect has broken containment!

He's headed down the east stairwell!

Come on, man.

Ahhh!

Sam, southwest rooftop.

Who the hell's the other guy?

About to find out.

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Game of Thrones / Angels in America, Part One / Oh, Hello! – misc. - Duration: 16:57.

So it's that time of year again, where I look forward to every Sunday. And not for

church, but for R-rated church. Game of Thrones is going to be on for, like, the

next seven weeks and I am excited. As a big, you know, book fan of the series I

loved the show from from day one. And even as it's diverted a little bit from

the series, and now we're in completely uncharted territory where I really have

no idea where it's going. I still am a really really big fan. Now that's not to

say that it's beyond criticism. I think there are certain storylines that have

been complete garbage (Dorne). And there's some things that, maybe, haven't lived up

to my expectations. But then there's stuff that has totally exceeded my

expectations. Like the whole Battle of the Bastards

that happen last year. I thought that was just a fantastic hour of television. I

was on the edge of my seat the entire time. So even while certain storylines

kind of either evolve to great things or kind of slowly die and whimper away,

this is still a great television show. So I want to

preface it with that. So I've only seen the first episode so far, even though

when you see this the second episode will have aired already. And this is just

what I wanted to say with some of the main characters that we are following. Arya!

How we start off this season is super awesome. This is where I've wanted this

character to reach to, ever since it's been (essentially) foreshadowed from her

first kill all the way back in season 1. She is now the badass Stark who's going

around and she is going to revenge her family like no one has ever revenged.

Before now the only small criticism I will have, I think that they really

fumbled the ball over the last couple years of her training. I think in the

book that's going to make it a lot more impactful because it'll be, like, in dozens of

chapters of her having lost her sight, gaining her skills, amassing this amount

of information so that she can go and accomplish it. In the show, because

they've had to truncate it so much, it's like: well we lose our sight for one

episode, we figure out how to use some powers for one episode, and then we're

off to do our revenge piece. And it just didn't feel as climactic because of what

it could have been. But I like me some dead Fries ... Freys.

Whatever. You know you know who I'm talking about!

By the way, this is a quick sidenote, of what supreme acting from Walder Frey.

That actor, who's been in like countless British shows and Harry Potter.

Phenomenal! Like was able to act like he was a twelve-year-old. He acted like Arya

Stark in his facial mannerisms, so that you can you subtly know, "oh, I

know what's going on here." I think that the Cersei and Jaime plotline is

starting to be interesting. I mean I don't know if I entirely buy Cersei

completely throwing her family under the the cart, so to speak. But I think that

she might be just going completely mad at this point. I don't, again to really

super nitpick, I don't understand how the Iron Islands was able to, you know, build

however many they said like a few dozen warships, in the span of like two or

three months. But whatever. It's fantasy. It has dragons! My hot take is I didn't

care that Ed Sheeran was in the episode. It didn't detract for me, it didn't add

for me, it was just like he's there. Whatever. Although everyone on Twitter

thought it was the worst thing ever, so whatever, that was a thing! I

think the best single plotline for this entire episode is the Hound

storyline. You actually see him being redeemed in some ways. Which is something

that this series has done so phenomenally well. Showing shades of grey

to each character. No one is a hundred percent evil or a hundred percent good.

There's kind of ... through those of shades of grey that runs through all these

characters and we've seen the Hound from Season 1 grow over the last couple

seasons. Of almost dying, his relationship with

the church, I guess, last season. Until now where he comes back to that

house where he stole their money and left them to die. Understanding that this,

this was not the right way to accomplish this. And finally Daenerys is

in Westeros! it only took 7 freaking years for her to get here. But she's there. Those

dragons are gigantic! And for me it worked,

honestly, that last scene worked. I saw a bunch of criticism online about they

really didn't like the five minutes of complete silence. But for me, if you think

about this character who was, you know, ripped out of her home at a very young

age, has been in exile for that long, to finally come home ... to finally be back

where her ancestral home should have been, for me it worked that this is like ...

we have to, you know, have this moment. She needs to be acclimated back

into this. And then we have that smile, and "let's get started" and boom! We were

back into Game of Thrones baby! Now because we have a kind of short season,

I'm thinking that every episode needs to fire and all cylinders.

I'm hoping that there is some payoffs, like the Littlefinger and Sansa storyline.

If we never see Dorne again that'll be great.

And I'll never look at soup again, let's put it that way. With Sam

and the chamber pot. So I'm interested to see if he is literally just going to be

there in the plot, just to simply be like "oh hey there's some ancient stuff that

we all need to know" or "I'll reveal what the audience needs to know so here it is. I'm

going to send it over to Jon." We'll see. And we'll see if the Sansa and Jon, kind

of like, fisticuffs continues on. A lot of interesting things that they

brought in. I'm excited for the new season. I'll probably talk about it every

week for the next seven weeks and bore you to tears. Let me know what you

thought down in the comments.

Jen, you know this from living together for a while. But there's two things that I

hate. One is intolerance, and the second is British people. So we decided to do

something really interesting, really cool. Something I know that has existed for a

while, that I've never participated in. Which is seen a live

theatrical performance, like a live on-stage with real people (real actors). But being

broadcast into a movie theater. So we got to take part in this. We went and

saw Angels in America, Part One: Millennium Approaches. I think that was the

full title of it. This is a play that ... well actually, before we get into that there's two

things. Number One, have you ever gone to something quite like this, where it was like

a live play being broadcast? JEN: No. And I had seen previous for something like that. I

had actually seen a documentary that was brought into Calgary because enough

people signed up for tickets and they were talking about that. And I never went

far enough to figure out how to go see it because I thought it was really cool ida.

KYLE: It seems to be more and more common. I know there is the Met

from New York, is broadcasting certain operas and plays. I really

wish Broadway musical theater would start to do that, because I would

literally pay $40 just to go to a movie theater just watch that. JEN: yeah. KYLE: money left

on the table, I think. This was specifically being broadcast from London.

Now two things: I don't actually know how legitimate it was, like, a live broadcast.

I feel it was a live-to-tape thing. And then they just broadcast it to a bunch

of theatres. yeah oh sorry yeah but there's a cool

because when you walk in and you're hearing and seeing like the actual crowd

and the audience there and then Aselton commissions so when there's an

information that happens then you get up and you go and stretch your legs makes

me want that to happen every movie now because it's just a

great like great I can stand up they don't feel cramp and I go and buy a four

dollar lemonade from the concession stand

yes yeah it was amazing I honestly think Lord of the Rings would have been

incredible with even just one intermission and really the Killick I'll

double the concession sales I bought double concession that's right

right who doesn't like double concession yeah so this play if you're unfamiliar

with angled in America this was a play that was written by the playwright Tony

Kushner and I believe is about 20 years ago is in the early nineteen nineties

regardless and I do remember that in the early 1990s in the details very

specifically about the AIDS crisis in the 1980s love and life and it's I think

subtitled a gay Fantasia because physically this is not as a

straightforward like realistic play there is phantasmal elements have

happened there is dreams that people enter into there are visions that people

see there's actual angle that come down from the top spoiler alert but it is

called angles in America yeah I do want to call out those specifically the

people who are a part of this production namely Andrew Garfield and has a main

role we fold him and his boyfriend as Andrew Garfield contracts the AIDS virus

and then his his boyfriend's reaction to that is his Horseman is played by

Russell - no excuse me it's played by James McArdle but then we have made some

lane in a very dramatic role in these gal played a bunch of different

different roles here as well I'm in Russell Tovey the other main actor in

the production each of them plays sometimes multiple different roles which

if you want to go into like theory and and really pick it apart you can you can

talk about a few things I want to keep this fairly surface level I what did you

think of the production itself I really liked it I've never seen and I know it

wasn't technically led but I've never seen a play at that high level right

that those kinds of wins enlist axes of authority so absolutely incredible and

I really appreciate how they treated the characters I know there's been some

critique about Andrew Garfield thank you can't be in some place well just

something about him in the gay community oh yeah there's all this well we won't

get into that I thought he did a phenomenal job

I even got a degree - it's really interesting to take a character like the

ones he played and hyperbolas it too much and you could get it to be too

campy of a presentation of gay culture there it says subtle nuances you could

tell that it was based on possibly a real person that he may be spent some

time with and the complexities of yes it can have that very typical gay s and

Lisp but it can turn into other tones and and he flipped in and out of it

really comfortably I really appreciate it I think that that's what I get drawn

to the most of them as a bisexual I mean there's a lot of this but I identify

with and there's the character to work you have absolutely internalized

homophobia the people who can't come out the people are out but I have to every

single person they're surrounding family dealing with the fact that people are

dying from this virus they know what that means but no one's actually saying

what is actually going on a lot of subtext in' and new ones it's happening

this with this decent capsule elements that are there going on with tony

kushner wrote this play he was intending to just to be one three-hour play ready

kind of got away from them he said I cannot do this justice if I only spend

time three hours of these characters so this part one is what would book three

and a half hours long there is a part two that we're going to be seeing next

week that is about four hours long so there's going to be a lot of play that

is those devoted to these characters funny little stack though the life they

actually cut out three minutes is very very young which was kind of hilarious

because it's like getting to this really dramatic point and then we'd like froze

up and like crash the system and then we're just looking at this like save

screen because if we got a free movie deal out

of it a nice peck on another event that we can come to you for free so wasn't

completely and we did get to see it right when people were leaving the

theater and they're saying sorry here's these extra tickets it said oh wait I

think we got it and so we got to watch the end which is great I'm really am

glad we got to catch that and we still got a free ticket for another event so

that were promised if you were Canada look at the Cineplex scheduled for Angel

America I know that there are few other performances that you'll be able to

actually see and if you're interested in this if you're other countries I don't

know I have no idea this is the National Theatre in London so I'm assuming they

do broadcast it to like the US and to other parts of the UK but you can look

it up from there yeah there's an encore presentation I'm really looking forward

to part two I was a big fan of this yeah and I'm pretty sure just knowing kind of

how the East crisis ended I am going to be a blubbering mess but showers all

right bring your tissues right all right well let's not freeze up in a way she's

people time I'm killing time before I go and see a movie so I wait here in my car

but I wanted to tell you about this Netflix thing emphasis something called

oh hello on Broadway this I have to I have to preface everything I'm about to

say that this performance is so made for me that even though I really liked it

nobody else is so be aware be forewarned so what this is there was a limited

engagement performance on Broadway where you could go buy tickets and watch this

live show called oh hello and it started to crawl John Mulaney and they perform

as these like very old like in their 80s gentlemen with all the makeup in the

hair who were you trying to be actors and their views have been living

together for 40 years and are now putting on this show this

play about not only their life but also kind of the the trappings of shame in a

way so that's kind of what the plot is but really what it turns into is that

there it's partly scripted partly improv partly like crowd work it's a comment

both on the feeder cattle love letter to the theatre but also really poking fun

at the theatre as well so that's all of these things and it's so specific and so

bizarre and I like it a lot but I cannot in good faith recommend anyone else

watch this it's again very very specific to those types of things so if you're

like alternate comedy if you're into theater I think there's a lot of stuff

to like here try and check it out you'll know within five minutes whether or not

this is the show for you if you have not correct a smile or if you think

everything is just really dumb pushed up it's not going to get any better from

there but for like the Broadway fan that I am for the theater fan that I am I was

all about this and I am also a fan of Nick Kroll and John Mulaney themselves

so if you like those types of back type of comedy then there's going to be some

some stuff to like hear - there's a special guest that the interview halfway

through and I'm not going to spoil who it is but one of my heroes and they're

able to like have this really cool back-and-forth that feels very natural

it's it's part of the entire play but it's also just really good improv at the

same time so yeah oh hello on Netflix check it out if you're interested

try it for five minutes if you don't like it push stop this is a free country

don't do things that you don't like to do huh I should crack a window

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