-I want to embarrass you a little bit.
Come on. It's always fun when you come out.
But look at this. You're on the cover of "Vogue."
-I know. Isn't that crazy?
-I mean, did you ever think that you'd be on American "Vogue"?
-Of course not. -Come on.
But this -- I mean, you're big-time.
This is the big deal. -It's so lovely of them.
I'm so, so honored to be on it. But that's not me, really.
That's a lot of amazing people's work.
-No, but that -- What do you mean?
This is you.
Are you not good at photo shoots?
-I mean, that one was done --
-All you have to do is look like you.
-[ Laughing ] No.
-That was an amazing photographer.
If it's an amazing photographer, it's good.
-Who was the photographer in this?
-David Sims is his name. -Oh, really? David Sims?
-Yeah, he's a very, very clever man.
-But this is --
Have you ever been on "Vogue" in England?
-I have, yeah. -Wow.
-Yeah. -So you've done this before.
Is it different that you're on an American "Vogue"?
-It's different because I didn't have to
see it every day at home.
-'Cause you live in England. -Yeah.
So I can sort of pretend it didn't happen.
But there I am. Can you put -- I mean, just --
-I will put it away. I know, I know.
I like to embarrass you. I'm sorry.
I want to talk about "Saturday Night Live"
before we get into everything.
You're hosting. -I am.
-You're hosting "Saturday Night Live."
-I am. [ Cheers and applause ]
-How is it going? Are you excited?
-I'm so excited.
-Do you know "Saturday Night Live"
from England? -Yeah.
We don't have it in England. It's not broadcast.
But I think it's one of those things that is everywhere.
You know it. You know if there's been
a really good sketch because everyone watches it on YouTube.
-Yeah. And how's everyone treating you?
Is everyone being nice? -Really lovely.
Like I'm supposed to be there
when I just feel like a complete imposter.
-No. Oh, my gosh.
It's gonna be great. I mean, what day is it?
It's Thursday now.
So you're in blocking at this point.
-Yeah. -You're gonna love it.
It's the greatest thing ever. -Yeah.
-You performed live in front of people, right?
-Yeah, I've done theater and stuff.
But I feel like I should be more nervous than I am.
I feel like there's something wrong with me.
I'm not having sleepless nights.
I'm just sort of going, "This is fun."
But I think, on Saturday, I'll be like,
"This isn't fun anymore." [ Laughter ]
This is "Serious Night Live."
-We have you in two big movies out,
"The Girl in the Spider's Web."
This is a big, giant movie for you.
I know the book series.
Is that what made you want to do this film?
Reading the books? -Yeah.
'Cause I had read them when I was about 23.
-And the "Dragon Tattoo" -- it's the same type of idea
but different series, right?
-Yeah, different writer. -Yeah.
-And I'd never read a character like that, and I never --
I was a young woman reading a character
that's kind of an amazing thing, really.
And then, I'd seen those performances
of Noomi and Rooney -- best names ever.
-Yeah, that's true. -Noomi and Rooney.
-Noomi and Rooney.
-And I just thought it was incredible.
So, once I kind of heard about it
and then started really reading the books,
I couldn't not do it. It was one of those things.
-How do you explain the film to everyone?
It's an action-packed thriller. -Yeah.
-You're disguised as --
trying to hack the codes, like nuclear codes.
-Yeah. It's --
Lisbeth Salander is at the center of it,
and that character, which is really fascinating.
It's just a real thriller.
Like, you go into the cinema, and then you come out,
and you go -- [ Breathing heavily ]
-Yes. Because that's what you want when you go to the theater.
You want a popcorn movie. It's good. Yeah.
-Yeah. -And then "First Man."
I told you this last time you came on,
but congrats on that. Amazing reviews on that.
[ Cheers and applause ]
Some awards buzz for you, but you should -- well-deserved.
I mean, it's great.
You and Damien Chazelle,
who is one of my favorite directors.
I love that guy. -He's great.
-Have you heard from the family at all, the Armstrongs?
-Yeah, well we were in touch the whole time we were shooting.
-Oh, you were? -They were lovely.
I'd e-mail them every once in a while and say,
"Did your mom cook you dinners,
or was it, like, a microwave meal?"
like, ridiculous questions, and they were always so kind to me.
But they --
You know, when you're making a film about real people,
mine and Ryan's concern was definitely
that they were our audience.
-Were you intimidated to do an American accent?
-Um... -No. You've done it before?
-I've done it before.
I've never done it with a coach.
I've always just sort of done it badly.
[ Laughter ]
Like, wasn't that -- This time, I was much more
kind of I felt more confident about it.
But you just never -- When you're doing an accent,
sometimes, like, some weird thing comes out of your mouth.
You don't even know what it is.
Your mouth makes funny shapes.
-You knocked this one out of the park.
It's fantastic. Congratulations on that.
[ Cheers and applause ]
I want to show a clip and just see Claire Foy.
Here's Claire Foy in "First Man."
Take a look at this.
-Jan, the ship is stable. They're gonna be all right.
-He's okay, Jan. -I need you to go home.
-Fine. Turn the box back on.
-I'll see what I -- -Now.
Turn the box back on now.
-Well, there's security protocols --
-Well, I don't give a damn.
I've got a dozen cameras on my front lawn, Deke.
Do you want me telling them what's going on?
-Jan, you have to trust us. We've got this under control.
-No, you don't. All these protocols
and procedures to make it seem like you have it under control.
But you're a bunch of boys making models out of balsa wood!
You don't have anything under control!
-Yeah!
You tell them what's up! Yes!
[ Cheers and applause ]
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