Chủ Nhật, 13 tháng 1, 2019

Youtube daily Jan 13 2019

Although the French troops managed to take over Spain and Portugal with a relative ease,

the rebellions against them started immediately and proved that the Peninsular War won't

be concluded as fast as Napoleon expected.

While the siege of Zaragoza was ongoing, situation was changing rapidly in the southern part

of Spain and the iconic battle of Bailen was soon to happen.

Was it the time for Napoleon to step in?

Previously, Napoleon dispatched General Pierre Dupont to re-assert French control over the

south of Spain.

Dupont was a rising star, only recently promoted to general.

This was a huge task for such an untested commander, and he was not given much to accomplish

it.

The core of his 13,000-man force was not even French, but Swiss.

These were experienced regular soldiers, but had been forced into the Imperial army under

duress, so their loyalty was dubious.

The rest of Dupont's force were mostly raw recruits who had never seen action.

Still, Dupont had success in the initial stage of his campaign.

On the June 7th 1808, he seized the strategically-important city of Córdoba.

However, the countryside behind Dupont's army began to rise in rebellion.

Peasants formed guerrilla bands that attacked French messengers and supply convoys.

If the general did not act quickly, he would be cut off.

Dupont was forced to retreat beyond the Guadalquivir river, but was extremely slow due to the loot

his army took in Córdoba.

Soon he was reinforced by two divisions sent from Madrid which brought his troops to 22,000

men.

At the same time Spanish regulars and rebels have started to unite under the leadership

of general of General Francisco Javier Castaños and he had more than 30,000 under his command.

Dupont needed to retreat to Madrid, but received no such order.

To prevent Castaños from crossing Guadalquivir, he moved most of his troops to the place called

Andújar, leaving smaller units to defend the crossing at Mengíbar and the city of

Bailén, which was crucial for the communications with Madrid.

Although Castaños was a novice and never commanded an army, Dupont's passivity allowed

him to take the initiative.

On the 16th of July he divided his army in two and the smaller group attacked Dupont's

main force at Andújar.

However, the primary point of attack was against the Dupont's left flank commanded by general

Liger-Веlair.

Although the crossing was tough, the Spaniards under von Reding had the overwhelming numbers

at this position and outnumbered the French at least 3-to-1.

Liger-Веlair sent messengers to the unit in Bailen, commanded by general Gobert, asking

for help.

Despite the fact that Gobert moved fast, the united French forces were drove back from

Mengíbar and the Spaniards crossed the river.

The French troops, covered by their cuirassiers first retreated to Bailén and then to Guarromán

and beyond in order to keep the passages across the Sierra Morena mountains secured.

Dupont who knew about the engagement and stopped the false attack on his position with ease,

sent one of his units under Vedel to assist his left flank ea rly on the 17th.

In order to move faster, Vedel decided to use the road to and from Bailén.

However, when he reached the town, he received a false message, claiming that the Spanish

are already at La Carolina, so he moved to the north.

The messengers he sent to Dupont were caught.

As a result, already outnumbered French forces were now divided into two groups separated

by at least a day of heavy march.

Von Reding either had a better reconnaissance or was informed by the locals, but he used

the distance between the French and took Bailén.

By the night of the 18th Dupont started to understand the danger of his current position

and decided to move to the north, towards the mountain passes.

He forced marched his troops, which allowed him to create some space with the troops of

Castaños.

However, he didn't know that von Reading is expecting him at Bailén.

Dupont's tired and battered troops reached the stream near the town on the morning of

the 19th.

Although von Reding's troops occupied an elevation and had a very defensible position,

which was only possible to attack from a narrow front, Dupont decided to charge, knowing that

there are more Spanish troops to the south.

Dupont also hoped that Vedel's troops will come to his help hearing the fight.

The French charged 7 times uphill and were even able to break through the first line

of the Spanish troops on a few occasions, but his troops were forced to retreat each

time.

At the same time a few thousand of his Swiss soldiers deserted him and joined von Reding,

who was their compatriot.

Light Spanish troops sent by Castaños started to arrive on the battlefield and Dupont was

now surrounded and offered von Reding to surrender.

Vedel's troops arrived from the north shortly after and even destroyed a few Spanish units,

but it was too late, as Dupont ordered Vedel to surrender.

More than 2000 French were killed and more than 17 thousand became prisoners of war as

the result of the battle of Bailén.

When news of this catastrophe reached Zaragoza in early August, Verdier destroyed his fortifications

and began withdrawing from the city.

The French fell back slowly, by August 17th, they were gone.

They had lost nearly four thousand men.

The Spanish had won, but at a terrible cost, perhaps as high as five thousand casualties.

Palafox was hailed as a hero.

Zaragoza had been saved in no small part by the bravery and determination of her defenders,

but none of it would have been possible without the Spanish victory at the Battle of Bailén.

A few weeks later French commander in Portugal Junot lost to the allied Anglo-Portuguese

forces at Vimiero and surrendered the country.

Napoleon ordered all French troops in Iberia to fall back to the Ebro river, abandoning

most of the peninsula.

At Bailén and Vimiero, Napoleon had lost much more than his soldiers- the myth of invincibility

which had surrounded the French army for nearly a decade was shattered.

But Napoleon was nowhere near giving up his ambition to control Portugal and Spain and

started to gather his forces, planning to personally lead his forces.

While Napoleon gathered his forces, the Spanish attempted to continue the offensive, hoping

to push the French entirely out.

However, by the fall of 1808, they had lost the momentum.

The French had recovered from the initial shock of the rebellion, and the inexperience

and poor organization of the Spanish armies was beginning to show.

The French were able to hold onto their defensive positions without too much trouble, while

Napoleon took his time getting tsar Alexander's guarantees that Russia won't attack France

in his absence.

By November, the French were ready.

The Emperor decided on an audacious plan: he would lure the Spanish forward by feigning

weakness in the French center.

Then, once the enemy was across the Ebro river and over-extended, the French would strike

them simultaneously on both flanks, trapping the advancing Spanish between two pincers.

If executed properly, all of Spain's field armies might be surrounded and destroyed in

one fell swoop.

Contrary to Napoleon's orders, Lefebvre ordered his corps forward early.

On October 31st, Lefebvre's 24,000 men encountered a Spanish force of around 19,000 under General

Joaquín Blake at the Battle of Pancorbo.

The Spanish were surprised, but rallied for a tenacious fighting retreat, preventing Lefebvre

from completing the encirclement of their army.

General Blake had been tipped off to the precariousness of his position, and with his lines of retreat

still open, his army began to fall back.

Napoleon ordered Lefebvre to pursue, supported by another corps under Marshal Claude Victor.

If Victor and Lefebvre were quick, there may have still been time to pin Blake down before

he could escape the trap.

Napoleon's offensive officially began on November 6th.

All along the front, the French suddenly sprung into action, catching the Spanish off-guard

and unprepared.

Some Spanish units panicked and fled, others resisted bravely, but all were ultimately

forced to fall back.

Napoleon had seized the initiative.

The campaign was off to a promising start, but the Emperor constantly harangued his commanders

to move faster.

Despite his entreaties, the French armies were never able to achieve the level of speed

Napoleon envisioned in his plans.

Napoleonic strategy relied on rapid movement, but what was possible in the plains of Germany

or Austria often proved unworkable in the rugged hills of Spain.

Napoleon's great pincers were to converge on Tudela, a town in north-eastern Spain,

site of one of the last bridges over the river Ebro still open to the Spanish.

If the French seized the bridge, the Spanish field armies would be trapped.

Marshal Jean Lannes, who was known as one of the fastest and most aggressive of Napoleon's

commanders, arrived at Tudela on November 23rd with around 30,000 men.

Lannes discovered the enemy had just barely beaten him there.

A Spanish army of around 33,000 had occupied the town and begun to cross the river-- it

would only be a matter of time before they were over the Ebro to safety.

They were led by the victor of Bailén, General Francisco Castaños, but unfortunately for

the Spanish, Castaños was ill, so the inspiring, but less capable General José de Palafox

took command.

Tudela could have been a strong defensive position-- the town is surrounded by hills,

and protected on one side by the Ebro river, but the Spanish army had only just arrived,

and were still exhausted from their rapid retreat.

There had been hardly any time to set up a strong perimeter, and Palafox had made little

effort to do so.

Marshal Lannes was outnumbered, but he sensed the Spanish weakness, and understood the importance

of engaging the enemy before they escaped.

The two armies made contact in the early morning, and Lannes ordered his advance guard to attack

immediately.

This was a small, haphazard assault, but the Spanish were only able to hold them off with

great difficulty.

The French fell back, but this probe had laid bare the vulnerabilities of the Spanish position.

Marshal Lannes's instincts had been correct, and he prepared to pounce.

There was no time to prepare any sophisticated maneuvers; Lannes's plan was simply to launch

his army at the beleaguered, disorganized Spanish, break them as quickly as possible,

and trap them against the other wing of Napoleon's pincer before they could escape.

The assault began in earnest with General Antoine Morlot's division moving directly

against the heights at the Spanish center.

Under normal circumstances, this would be a careless, almost reckless maneuver.

However, Lannes had confirmation from his advance guard that the enemy positions were

poorly-prepared; too far apart to support each other, and that the Spanish troops were

in no condition for a fight.

Morlot's men took the heights.

As the rest of Lannes's corps arrived on the scene, he threw them against the unprepared

Spanish lines.

The French were successful all across the front, and the enemy was forced to retreat.

The Spanish attempted to bring up reinforcements, but as they approached the battlefield, they

found French troops standing between them and Palafox's embattled army.

Lannes was too fast.

It looked like the French might be on the verge of a total victory.

Lannes's corps was only one half of Napoleon's great pincer maneuver.

The second half was due to arrive in Tudela at any moment-- an entire fresh corps under

Marshal Ney, aimed directly at the rear of the Spanish army, cutting off any escape.

But Marshal Ney never came.

Napoleon's plan had looked perfect on the map at headquarters, but in practice, it had

proved impossible for Ney's corps to move quickly enough to rendezvous with Lannes and

take part in the battle.

Without Ney's corps to complete the pincer, the shattered Spanish army was able to disengage

and fall back.

The French inflicted over four thousand casualties on the Spanish, at the cost of fewer than

seven hundred of their own men, but it was not the devastating blow Napoleon had hoped

for.

Most of the Spanish forces escaped to fight another day.

Thanks to Marshal Lefebvre's impatience, much of General Blake's army had escaped

as well.

The first phase of Napoleon's offensive was a success… but total victory had slipped

through his fingers.

In the space of just three weeks, Napoleon and his armies had turned the tide of the

war.

Bonaparte now set his sights on the greatest prize in Iberia—Madrid, but nothing in Spain

was as easy as it seemed.

Thank you for watching the third episode of the second season of our series on the Napoleonic

Wars.

You can watch the whole first episode via the link in the description.

We would like to express our gratitude to our Patreon supporters, who make the creation

of our videos possible.

Now, you can also support us by buying our merchandise via the link the description.

This is the Kings and Generals channel, and we will catch you on the next one.

For more infomation >> Battles of Bailen and Tudela 1808 - Napoleonic Wars DOCUMENTARY - Duration: 16:04.

-------------------------------------------

The Task Force Stops the Experiments - The Blacklist (Episode Highlight) - Duration: 2:30.

For more infomation >> The Task Force Stops the Experiments - The Blacklist (Episode Highlight) - Duration: 2:30.

-------------------------------------------

Benson Reunites Sadie with Her Father - Law & Order: SVU (Episode Highlight) - Duration: 1:30.

For more infomation >> Benson Reunites Sadie with Her Father - Law & Order: SVU (Episode Highlight) - Duration: 1:30.

-------------------------------------------

50+ Best tropical patio design ideas | Garden Ideas - Duration: 6:54.

For more infomation >> 50+ Best tropical patio design ideas | Garden Ideas - Duration: 6:54.

-------------------------------------------

50+ New ideas for your garden | Garden Ideas - Duration: 12:53.

For more infomation >> 50+ New ideas for your garden | Garden Ideas - Duration: 12:53.

-------------------------------------------

5 Weird Uses For Baby Oil You Never Knew Existed | Johnson Baby Oil | Baby Oil Gel - Remedies One - Duration: 2:28.

how many uses for baby oil do you know you may think baby oil is just for

babies and parents but this cheap and cheerful product actually has lots of

secret uses and powers today's video will discuss unusual uses for baby oil

before you watch this video please take a moment to subscribe our YouTube

channel by clicking the subscribe button then tap the Bell icon so you will be

the first to know when we post new videos daily weird and wacky things you

never knew it could do 1 remove your wax remove that buildup of earwax by tipping

your head to one side and dripping a few drops of baby oil into your ear canal

repeat on the other side and place some cotton wool into your ears to stop any

dripping leave for an hour or so and the wax should have softened up allowing you

to gently clean your ear out with a tissue for really stubborn wax gently

heat the oil up before use to keep yourself warm before you head outside on

a cold day rub of generous amount of baby oil into your skin the oil helps to

close your pores and insulate your body so you'll feel that bit more toasty

under those layers 3 make a kid's mosquito repellent make your own

mosquito repellent that's safe to use on the little ones avoid face and hands in

an empty spray bottle mix baby oil with a couple of drops of Dettol it works a

treat for make your skin soft you can spend a fortune on fancy bath oils or

your can just splash some baby oil into your bath for peachy's soft skin and a

few drops of your favorite essential oil in with it and you won't notice the

difference promise be careful coming out of the bath it'll be extremely slippy

and you don't want to hurt yourself 5 you can use baby oil on lips can't find

your lip balm apply some baby oil to your lips for instant relief than to

nice shiny finish have you ever know the unusual

uses for baby oil let me know in our comment section below

if you liked this video give it a thumbs up and share with your friends for more

daily tips subscribe to our channel below thank you

For more infomation >> 5 Weird Uses For Baby Oil You Never Knew Existed | Johnson Baby Oil | Baby Oil Gel - Remedies One - Duration: 2:28.

-------------------------------------------

New VR apps in 2019 - Duration: 1:00.

I've got one of Google's new VR headsets

and I'm gonna check out some of their pre-installed apps for 2019.

Whoa! Okay so this VR experience is showing how real estate developers

are gonna turn this dry and dusty dessert

into a block of 300 apartments. What a vision of the future!

I'm trying the new VR hydrotherapy and it feels so wet.

I feel like I'm really swimming in a pool!

This VR socialising is such an amazing experience.

I love it. This is the best way to socialise

I'm using VR tech to see what clothing will suit me in 2019

I can see trends.

Oh, this will be this is gonna be super fashionable and will really suit me well

Waaaaaaaaaaah!

Wah!

For more infomation >> New VR apps in 2019 - Duration: 1:00.

-------------------------------------------

Nautilus Avenue, Harbour View, Kingston, Jamaica - Duration: 3:05.

Driving east on Dolphin Square

Turn onto Nautilus Avenue

Nautilus Avenue ends

<<< Harbour Drive >>>

Harbour View Stadium just ahead

For more infomation >> Nautilus Avenue, Harbour View, Kingston, Jamaica - Duration: 3:05.

-------------------------------------------

Mega Bomb vs Baby Buddy Born | All Bombs | Kick The Buddy - Duration: 12:58.

Welcome to my video

Thank you for this video view

Like, sub, share, support my channel.

Thank you very much

For more infomation >> Mega Bomb vs Baby Buddy Born | All Bombs | Kick The Buddy - Duration: 12:58.

-------------------------------------------

soi cau xsmb ngày 14.1.HỘI ĐỒNG SOI CẦU. thuận vũ 286.soi cau xsmb chinh xac 100.Thần lô báo mộng - Duration: 23:29.

For more infomation >> soi cau xsmb ngày 14.1.HỘI ĐỒNG SOI CẦU. thuận vũ 286.soi cau xsmb chinh xac 100.Thần lô báo mộng - Duration: 23:29.

-------------------------------------------

Samuel Seo Interview (UNITY Album) - Duration: 24:31.

Hi everyone, this is Umu, and today I'm here with a very special guest. Please introduce yourself.

What's up, everyone? My name is Samuel Seo.

I'm a local musician based in Seoul. Umu: And I was wondering what genre of music you associate yourself with, or if you don't associate

yourself with anything.

Samuel: I wouldn't associate myself to any kind of music, because there's so many possibilities for me to go

to different, jump to different genres,

know what I mean? Yeah it's just, yeah. U: Yes. I really, really respect that.

U: So, we'll just jump into the very first question. I have little categories.

This is general questions: S: Yep U: And I saw, I read somewhere that you've been a pianist since age five, S: Um-hmm

so I was wondering at how your music theory knowledge or classical training with piano helps your songwriting, and maybe could you give us

a few examples?

It's nothing fancy, as a kid I was just messing up with Beethoven and Mozart

like every other kids in Korea. You know, it's kind of typical when you grow up in a Korean family , they start learning piano at early ages, U: Ahh, right.

S: So, it just happened to me naturally, like, nothing fancy, yeah.

U: As you continued, was it the kind of like, forced piano learning, or did you actually... S: Yeah. it was, actually. I didn't enjoy even enjoy it back then.

Umu: So when you were learning piano and you played Beethoven and everything,

did they also teach you music theory on the side, or you just mainly learned the usual pieces?

S: Nah, I just learned the usual pieces. I just learned how to play rather than all the theological stuff.

I wasn't really interested in all that knowledge, you know what I mean? U: Right.

U: When you compose, you do everything by ear?

S: Um-hmm. By myself.

I'm a multi-instrumentalist, so I try to keep everything myself, yeah.

U: Okay, well, yeah, I was gonna ask, because your vocal melodies are so recognizable throughout all the different genres that you try out,

so I was wondering if there are specific types of melodies, specific intervals or harmonies that

demonstrate your sound the best, that you tend to lean towards. S: Whoa, that's kind of fancy, but not that I know of.

I tried all that theological movements during the process of majoring in music as a college student, but

you know, when something becomes the thing that you have to study, it suddenly turns into a thing that's no longer

enjoyable, right? U: Um-hmm, um-hmm.

S: So, I just

told myself, and I just found out that why don't I just enjoy it rather than make an approach like study, you know what I mean? U: Right.

S: Yeah. S: All right. Next question. What is music to you? Is it a form of art, a way of communicating, or just a simple passion?

S: A little bit of this and that, but mostly it's a form of art.

U: Um-hmm S: People do music for all kinds of reasons, right?

U: Right. S: Some of them do it for money, some of them do it for fame and all that, but for me,

I just want my music to be a

invisible form of art that triggers people for my reason--to live happier

and I don't know, a more chill life just by listening to it. U: Um-hmm

S: Yeah, you'll see what I mean when I release my third album next year. U: Ooh!

S: Yeah. U: Ooh, that's so exciting! S: Yeah, it's gonna be amazing, I promise. It's gonna be freakin' amazing, yeah.

U: Okay, but before I start asking for more spoilers, moving onto the next question,

I actually reached out to my YouTube subscribers to see if they had any questions for you about your UNITY album, and

Christine Doe asked, what is your favorite part about writing and releasing songs?

S: Mmmm,

I wouldn't say a part, because music is like the only fun thing to do with my life U: Oh, my goodness, relatable.

S: I know there's a lot of things to enjoy,

but in most cases kind of temporary, right? U: Mm-hmm S: It's at the moment, but music, it just gives me endless

joy for no reason. U: Right.

So, you both enjoy the creative,

in the moment making music process and releasing it to your fans? S: Um-hmm, um-hmm U: Like just everything?

S: Like everything about music is enjoyable to me, yeah. U: Oh, that's wonderful.

S: Yeah U: Okay, which I guess kind of brings us to the next question, which is when you write your music,

do you write for yourself or for your audience?

S: I really don't consider about the audience because I write 100% by myself,

and that's because I want people to hear me out, U: Right. S: since I had no friends for a long time.

U: Oh! S: Well, I do now, but U: Right. S: back went back when I was a kid

I was really a shy person. U: Uh-huh S: Didn't know how to talk to others,

didn't know how to chill out with others and stuff, so

I just needed someone to talk to, right? U: Um-hmm. Right. S: So, that just naturally led me to write about my own self and

just hope that someone will listen, and yeah. U: Okay, moving on to UNITY questions.

So, you mentioned that your title UNITY came to you while collaborating with the studio musicians you featured. S: Um-hmm.

U: What was the recording process like for this album?

Like, did you finish the lyrics and main vocal melody by yourself first and then you got together with

musicians for a jam session to create, you know, the instrumental in the final products, or... S: Before I answer to that question,

I have to say it was

the most fun process I've ever done in my entire career. U: Yay!

S: Yeah, everything happened in one huge recording studio in chauhan area--that's a local name in Korea.

First, I had everything in my mind,

the directions were set, where the instrument to be put and all that but, U: Um-hmm

S: when the instrumentalists came through and started playing all the random stuffs that were not in my head,

I started thinking why don't I just give them some freedom to do their own thing and call the album UNITY?

It's like a mixture of everyone who participated in the album, right?

U: Wonderful, yeah. S: Yeah, it was just random, and the lyrics and the form of the songs did change a lot during the session.

U: Right. This was all done in one session?

S: Yeah, yeah, yeah.

U: That must have been crazy! S: I know.

S: Yeah, but it was fun, you know what I mean?. U: Right.

S: Yeah

U: That's amazing, yeah. S: Because as long as it's fun, it's just good to me. Yeah.

U: There are so many moments of improv, so I was wondering like, okay, uh,

did you want to correct them on anything, or you're just like, know what? You guys take the lead S: Nope, nope, nope,

every bit of impromtu and

even the mistakes that they've made, U: Uh-huh. S: it was perfect. It sounded so human, you know what I mean?

U: Yeah. S: Everything is so digitalized nowadays, and I just wanted to bring the form of

handcrafted music to the world these days, like, yeah. U: Samuel, I can not thank you enough for that. I can not thank you enough.

Honestly, yeah. Cuz, I mean, I've been,

starting last year, I started listening to more and more and more music,

S: Um-hmm. S: and as my channel grew, I started getting used to these typical, you know,

electronic sounds, S: Yeah U: and I started realizing like, you know, what,

I'm going into the world as a musician, and with all these electronic MIDI sounds, S: I know. U: I'm not going to be able to get a job!

S: I know! U: so whenever I hear the acousticness of actual musicians, I'm like, yes! S: Um-hmm. U: Someone's giving them a job, and it sounds so good!

S: Um-hmm! U: So, thank you! S: That's what I'm talkin' about, yeah.

S: Thank you so much. And I guess,

yeah, this is another question about the recording process:

so

when you recorded, did the musicians first record to a click track

and then you recorded the vocals

afterwards over that already recorded instrumental, or did you all record at the same time, kind of like an ensemble?

S: It began as a MIDI work. U: Mm-hmm. U: But like I said, as soon as the

instrumentalists walked into the studio, I just erased all that project and started it from scratch.

Yeah, it was just an ensemble.

U: So, did you like record the vocals first over the MIDI? S: Uh, nope. I got rid of it as well. U: Oh. Oh, I see. Wow.

S: And I kinda changed it during the process of recording instruments, and then, yeah,

instruments first, and the vocal after. Yeah. U: Okay. It came together

so well. Whoo! S: Yeah, it came together. U: And then, what was the most difficult song to record because 'Jazz in My' has that (screaming) screaming,

'Happy Avocado' has so many different styles and background vocals, S: Um-hmm U: and keep things simple,

if not for the drum kit, with like really a lot of improv sounds, kind of difficult to keep a steady rhythm over,

S: Um-hmm U: so I was wondering if one song's recording process was a little bit more difficult than the others.

S: Mmm, since all the instrumental parts were done by the players,

all I had to do was just put my vocals on top of there, right? But it was nothing

difficult during the process, because if I had no idea how to control my voice like I used to back in 2015 or

2014, it would have been hard. But now I know how to play along with the instruments my own style,

so it was rather fun than difficult. Yeah. It was fun. U: I love to hear that.

And also, UNITY mostly contains sounds that we don't often hear in mainstream music, S: Um-hmm, um-hmm. U: like you said, actual, real

instruments and a jazzy style what made you decide to go this direction? S: My fans would know

I'm a 90s kid, grew up listening to a lot of analog-based music and acoustics, U: Um-hmm

S: Rather than digitalized audios.

U: Um-hmm. S: I'm not saying digital is bad, right? U: Right. S: But I just suddenly came to a point where

finding out what fits me well the most is what I grew up jamming onto. U: Ah. S: And the warmth than the analogs and acoustic sound

gave me were it, you know what I mean? U: RIght.

U: So do you feel like you finally found your sound, or you're still wanting to try and... S: Um-hmm.

S: I think I kinda got a clue of what I want to do in the future, and I intend to develop this new possibility.

U: Yeah! Exciting! S: Yeah. Yeah!

U: All right, next is another fan question: S: Um-hmm. U: Chloe Lou asked, what are your favorite lyrics from this album, and why?

S: Uh, 'Keep it Simple': Nothing special was written, but like the name of the song. I usually think a lot, like whole bunch of stuffs--

what to eat today? I have to think about an hour before I eat, where to go,

what to do, what's right--but when I was working on this song, I was literally thinking nothing.

U: Mmm S: I just wrote the daily routine of myself on that song without thinking, so.

U: Uh-huh

It's not about the lyrics, but it's about the approach of the songs that I love the most. U: Right

U: So, I guess you just kept things simple! Well, naturally. S: Um-hmm, I just kept myself simple, yeah.

U: All right, so the first track in UNITY is 'Jazz in My', and S: Um, hmm

U: towards the end, there's this really fun clapping, slapping, snapping rhythms. S: Yeah, yeah, yeah U: Who is the one who recorded that, was that you?

S: Uh, no no, no., it's a body percussionist called Kim San. He's a local one. He has been messing with his body for more than ten years.

U: Whoa!

S: Yeah. He's an amazing person. The ideas of this song was how one's negative use of language

affects other people in a bad way, and so I just wanted to get rid of human voice as much as possible.

So, at first I thought that why don't I just get rid of my whole voice and just leave the

lyrics, but we have to care about the sales and that, U: Yeah! S: and I had to

record my voice,

but I wanted to minimalize, but I wanted a part where it's packed with

no sounds coming out from a human throat,

but only with the sounds made with our hands, and that just naturally made me call him to record. U: Wow! S: Yeah.

U: Cuz, he also, did he

record for 'Happy Avocado'? S: Oh, no, no, no, that was me.

U: Oh! S: That was me on 'Avocado', yeah.

U: Did you take inspiration from his... S: Yeah, yeah, definitely, I did, yeah. U: Whoa. S: And actually I learned some from him during the process.

U: Did you go up to him and be like, hey, can you teach me S: Yo, yo, yeah, yeah, that's what I said.

I just went up to him, and he's like six or seven years older than me. So I just called, I just went, hyung, can you teach me some of that, some of your moves? And he was like, yo, that's cool, man,

I'll teach you some. And we just spent another hour or two, giving me lessons and just applied to it.

U: And yeah, so I'm guessing he did that all at the same time. It wasn't layered at all, S: Um-hmm.

U : in post-editing? Was that just one take? S: Nope. It was just one take. U: Holy cow!

S: Yeah, I know. He's amazing. U: Yeah, that was fantastic. And I think that was an absolutely brilliant choice to

just have so much of the song centered around instrumentals and noises. S: Um-hmm. Thank you

U: And then I didn't include this on the doc that I sent you, but I'm really curious:

What made you decide to stream 'I Got Jazz'? Cuz it really shocked me the first time I listened to it.

S: Oh! U: Wow, that was random!

S: To be honest with you, when I was working on the lyrics for this album, I wasn't really thinking at all, U: Ah-ha!

S: And the jazz with the word jazz, just popped up when I was driving.

It's just happening randomly.

I was listening to jazz music, Umu: Uh-huh S: and I just started singing, "I got jazz in my ride",

and oh, that's sounds random, but

why don't I just put it to my lyrics, and that's the beginning of the song.

U: That's amazing. is the reason why it's first on the album because of the lyrics or

because you feel like maybe the screaming would catch someone's attention and pull them in?

Uh, I just wanted to keep the dynamic of the album, U: Um-hmm S: because, like you know, no other songs on the album is

as aggressive as that track, you know what I mean? U: Right. Um, hmm

S: So, I just wanted to put the aggressiveness on top to make people feel more

relaxed listening to other tracks, you know what I mean? U: Um-hmm

U: Moving on to 'Keep it Simple'.

So, this song has such a free texture under such a structured melody

and, which makes me wonder, I guess you kinda already went over this, S: Um-hmm U: but you came up with the title and lyrics,

or did you come up with the melody and instrumentation of the song?

S: Uh, I came up with the title and the lyrics first, and I wrote it, I finished it, and the rest was impromtu. U: Cuz, yeah,

S: Nothing was set.

U: Wow!

U: Yeah, cuz when I was listening to it, I

thought, wow,

this is kind of opposite, because the instrumentals are so, since they're so improvisatory,

it isn't very simple at all. I can't predict what's going to happen. S: Um, hmm. U: It's you know, it's jazz.

so it was super cool to hear, you know, a more structured melody under not so simple of S: Mmm-hmm.

instrumentation.

S: Mm-hmm. U: So I was curious of

that process. Yeah. S: It just happened in studio.

U: So, basically, it's just everything that happened that day is brilliant, S: Um-hmm U: and meant to be, S: Um-hmm U: and

created one one of my top like, three albums of 2018. S: Thank you, thank you.

U: So, I was also gonna talk about the texture of the song being quite simple. S: Um-hmm

U: So, beforehand, you said that you already had an idea for what instrumentation you wanted

this song S: Uh-huh

U: to have, so what made you decide to have only, you know,

like, piano, bass, drum set, and then vocal line. S: The original version was contained of like 20 different instruments. U: Whoo!

S: Yeah, I know. It's too much, you know what I mean?

U: Yeah S: It had brass set

recorded, it had electronic guitars all distorted, and U: Whoa

S: it even had pick basses that sound really aggressive, and it even

had my voice samples on top,

so, U: whoa

S: it was too messy, at the first version was too messy, that I couldn't even stand listening to it, so. U: Mmm

S: Yeah, so I try to...

How do I say? I mean, I tried to keep it that way but U: Um-hmm

S: later, I just came up that

this is too much. U: Mm-hmm S: Maybe I should get rid of everything and start from scratch, you know what I mean?

Umu: Yeah. And so, once you got to the studio you're like, oh, so we already have our instrumentalists here, let's just... S: Mm-hmm

S: So, I just left my vocal lines, and let's just redo the whole thing, and it just happened. U: Wow

S: Yeah

U: That's great. S: Yeah U: Okay, so, 'Happy Avocado'--holy cow!

S: Yeah U: So, I was originally, I've heard your past songs and

my job on this channel is to basically just check out every single song released every day, just as soon as possible. S: Yeah, yeah

U: But when this music video popped into my feed, I immediately clicked on it, because I really like avocados. I love avocados! S: Ahhh, ????????

U: Yes! S: Yeah U: You may have gotten this question a lot,

S: Uh-huh U: But why did you choose

avocados to be the center of the music video and song. S: Uh, because I'm obsessed with avocados.

U: Yass! S: That's like the only reason. I just wanted to write about how life without avocados was like,

and share with you guys, that's all. U: And so, the inspiration behind the lyrics is like, I guess with Diablo, also,

is just, S: Oh, yeah! U: I guess, happiness that comes with these simple things?

S: Um-hmm, um-hmm,

I just wanted to express that happiness is nothing fancy. We don't need a fancy ride to be happy,

we don't need a fancy house to be happy,

all we need is just something we like, and U: (clapping)

just all that little things that we feel happy about, you know what I mean?

U: Yes! S: And Diablo 2 was one of the elements.

U: Ooh!

S: Yeah U: So, you already answered my question number S: Yeah, three U: ?????????????

S: But I have to say, if you want to play or if you are going to play or if you've been playing,

it has to be Diablo 2, not 3.

U: All right, I will keep that in mind. Yeah it was what my friend who came up with that. S: Yeah, I've been playing that game for like 18 years, and I'm obsessed with it.

U: Right. S: I know. U: Happiness comes from the simplest of things. S: Um-hmm.

U: That's also my life motto, S: Yeah U: so that song really, really vibes with me. It's just, and

it's just the small things that can really make your day.

Yeah, and I'm curious--so, people usually put their title tracks at the top of an album, so why is 'Happy Avocado' fifth?

S: I care a lot more about the flow of an album than sales, U: Um-hmm, um-hmm

S: and 'Happy Avocado' sounded just great when it was put in the fifth, simple as that

U: Wow, do you spend a lot of time trying to order your album tracks? S: Yeah, yeah, yeah, I do. I do, usually. I take about a month,

U: Oh! S: yeah, to organize, before I release.

U: Uh-huh. So you just go through like all the tracks... J: And the reason I can do that is because I don't really care about the sales at all, you know what I mean?

U: I have mad respect for that. Yeah, it's all about creating music S: Um-hmm, um-hmm. U: and just putting out, you know, what you love.

S: I want the Korean music industry to develop in a different way. You know what I mean?

U: Yes! S: They have already the K-pop scene so well done, you know what I mean? U: Um-hmm, um-hmm S: But what about,

then it comes to this question: What about the other part of the Korean music industry? U: Yes

S: Yes, so I just want it to develop, and it's just way of developing music industry here--caring more about the

completeness of an album. U: Mm-hmm S: than the sales. Yeah. U: That--oh, my goodness. S: Yeah

U: I--wow. I am falling in love with your work more and more, as we talk. S: Thank you. Thank you.

U: Yeah, cuz, a lot of songs nowadays are just pure songs,

S: Um-hmm U: and if there are albums, sometimes it's just like they're throwing random songs into it.

S: I know, yeah. U: I feel like this album is art in itself, because you put so much work behind.

S: Oh, trust me, the third one is gonna be much more better than this one. U: Whoo!

S: Yeah. U: Oh, my goodness, wow. I am so looking forward to that. S: Yeah.

U: Okay, next question for 'Happy Avocado':

So, what made you decide to have so many different sections, and to keep changing the hook course

instrumentation background textures instead of copying and pasting what you used before? Was that

instrumentalists' idea, or?

S: Uh, no, it's all mine, actually. I recorded the whole session

U: Uh-huh

S: except the guitar, so. The thing is, I first wrote the song about a year and a half before, U: Um-hmm

S: I wrote it in 2017, then I got just--I had really bad things going on with my life. It was like a disaster in 2017, so U: I'm sorry to hear that, yeah. S:I don't want to remember that year, but

I really got tired of listening to people's voices, people talking,

I couldn't walk among all the crowd, and I even had a hard time on the stage, too, so. U: Um-hmm

S: Back then, I

listened to a lot of

music without human voices. All the instrumental albums, you know what I mean? U: Um-hmm. S: All the players' albums.

And like you know,

all the instrumental albums have so many

Improvisations, U: Yeah S: unexpected textures, and all that, and I just wanted to have all the kind of feelings

into one of my songs, and that happened to be 'Happy Avocado'. U: Oh, gosh.

U: I really wish that I'd filmed my reaction or something, because, S: Yeah so, of course, I clicked on this because I love avocados,

S: Um-hmm U: and then this wonderful, you know, the beginning hook. S: Yeah U: Yeah, that drew me in with these fun,

really fun background instrumentations.

And I was like, okay, I'm gonna like this song if this repeats for the rest of it, right?

Umu: No, you kept changing it, and I love things that change. S: Thank you. U: I was so blown away.

Okay, so now we move on to our final

sum-up questions: S: Um-hmm U: Your fan Isabella asked,

what was the best thing that happened to you this year, since you've achieved so much?

Is there anything else that you would like to accomplish? S: I pretty much accomplished everything that I wanted during my twenties U: Um-hmm.

S: because next year is my last year of my twenties, so

but I guess the most memorable thing I've done in my twenties is,

it's a cliche, but I got my parents a new ride.

U: Yay!

S: Yeah, that's a cliche. U: Oh, well, I mean,

it's always great, you know, to say thank you S: Yeah, I know it's a surprise gift,

I always wanted to do that since when I was young, since when I was like 10. Yeah, that was my dream,

so it's like dream come true, so

I accomplished that. And I don't know,

I still got one more thing to achieve, releasing my third album in 2019. U: Right S: I'm working really hard on that!

U: Right, so that's my very last question S: Yeah U: Since you've been working super-hard S: Yeah

U: on your 2019 album, and in past interview it says it'll be the start of your new career,

S: Yeah

U: So I was---

if you don't mind giving us a spoiler, what genres or styles are you looking forward to do in this album?

S: Mmm...

U: Or is it a secret? S: I can't tell you the details for the album, but it'll be a mixture of everything I've learned throughout my twenties,

both in music and life. U: Uh-huh S: That's all I can tell you for now.

U: Okay S: The title's already set. U: Ooh! S: I can't wait to reveal it,

but you guys have to wait until like next April or May. U: Okay.

U: Are you gonna spend a month ordering the tracks and everything?

S: Uh-huh. I'd say I wrote like 300 songs for my third album. U: Oh, my gosh, wow! S: So, I gotta work on picking

U: Right. S: which song to put now, so.

U: Will we see

more collaboration with studio musicians?

S: I can't guarantee that, because U: Ahhhahahaa

S: This next album is going to be more focused on myself and

showing more how

multi-instrumentalist I am. U: Oh! S: So, yeah. You can expect more of me playing different instruments on that album.

U: Right, so you play piano, and guitar? S: Piano, guitar, bass, drums--

pretty much everything. But...

Yeah, just wait for it. That's all I can tell you. U: Oh, we definitely will. Well,

along with all the other people who end up watching this and S: Um-hmm

U: Me, myself, we are very much looking towards what you're doing next, and thank you so much for doing this interview with me. I had a lovely

time talking with you. S: Thank you so much. Me, too

For more infomation >> Samuel Seo Interview (UNITY Album) - Duration: 24:31.

-------------------------------------------

Xót xa tiệc mặn ở chùa. Phật Học - Duration: 4:06.

For more infomation >> Xót xa tiệc mặn ở chùa. Phật Học - Duration: 4:06.

-------------------------------------------

Quick Start Guide to C# Basics - Variables and Datatypes Part 1 - Duration: 11:26.

Hi there

My name is Pirzada Rashid

In this video, I'm gonna be talking about Variables and Datatypes in C#

Before you start

I want you to open up this URL

Whatever code examples, I use in this video are written step by step here

Code examples have been given a link to quickly test it

and see the results in an online editor without writing a single word

I will also leave all the links at the end Stop and in the description of this video

Let's get started

So What's Variable?

If you look into the dictionary,

you will find that Variable is anything which is not consistent

In programming

A variable is something you want the computer to remember while your program is running

Basically,

variable is a name given to a computer memory location for storing data

which can be reused throughout the program

These are considered primary method for moving information around

Remember,

Variable is always defined with a data type

that means it will hold the value of specific data type

for example

string

integer

float etc.

To avoid compile-time error,

always assign value to a variable before using it

C# is a strongly-typed language

that's why every variable has a type

Basically,

Compiler uses type information to make sure that all the operations in your code are type safe

You create a variable by declaring its type

This must be one of the valid datatypes like

string

int

float etc.

and then giving it a name as its identifier

When you declare a variable,

the computer knows that it has to reserve a place in its memory for this variable

Actually,

you can't just choose any sequence of characters as a variable name

Instead,

C# has some rules regarding variable names that must be followed

These are:

Name should be camelCase

Meaning, first letter of the first word is lowercase,

while the first letter of every subsequent word is uppercase

You can name the variable whatever you like

but it should be Meaningful and Descriptive

And more here…

So the valid and invalid names are:

Remember,

name is case sensitive

Here is the declaration example

To initialize a variable, you need to assign a value

This is done by naming the variable

followed by an equal sign (=) and then value

Here is the example

While you can declare a variable and assign it a value in two separate steps,

it is also possible to do both of them at the same time on a single line like this:

Here is the example

This type of variable is called explicitly typed local variable

where type is explicitly defined

C# 3.0

introduced implicitly typed variable with the "var" keyword

Now you can declare a local variable without giving it an explicit or real type

The variable still receives a type at compile time, but the type is provided by the compiler

Actually, the var keyword instructs the compiler to infer the type from the expression on the right side

It just means that the compiler determines and assigns the most appropriate type for your variable

Remember,

var is optional and it's just for convenience

Here is the example

I am using this online editor for the demo

Let's start with the basic one,

int data type

Short for integer

Integer in math is a whole number without any decimal points

Remember

a variable is always defined with a type

This is how I declare a variable with int data type

It will assign area in memory that will store integer

This is called declaration of variable

It is important to note here

that all the data types are reserved words called keywords

that have special meaning for the compiler

You can see all the keywords in the Code Editor are blue by default

If I misspell keyword

program won't run or build

You can see the error here

Remember the variable naming rules?

Especially this one

I am goanna change a to something meaningful

Now you know,

what to store in this variable just by looking at it

Let's use the variable

This WriteLine is the pre written method used to print out the value

If you try to use the variable that hasn't been declared,

your code won't compile

On the other hand,

if you try to use a variable without assigning a value

also causes an error

In this case the compiler tells you that something is wrong

See this error detail here

Actually,

C# enforces a definite assignment policy.

Meaning, you need to initialize the local variable with the value before using it

Let's assign a value and try again

This is called initialization of a variable

This assignment operator,

takes the value on the right side

and assign it to the variable on the left

That's the actual data that goes inside a variable

C# automatically looks at the variable name

and into the area of memory that contains age variable to print out the value

You can see the output here

Let's declare few more variables

If variables are of the same type

like age and weight

both are int type

then you can define these variables in the same statement in the form of a comma-separated "," list

Or on a separate line like this

If variables are of the different types

than use semi-colon separated ";" statements like this

In order to initialize the variable with a value,

you simply have to use the assignment operator "="

On the left side of the operator is the variable name

and on the right side is the value

Let's print out the variable values using WriteLine method

This is to confirm that the variables contain the values

Once variable declared with a type,

it cannot be redeclared with a new type,

and cannot be assigned a value that is not compatible with its declared type

This is very important point

For example,

you cannot declare an int and then assign it a Boolean value of true or false

If I try to do this

Compiler will tell you that something is wrong

and the editor underlines "true" with a red squiggly line

You can see the error here

That means C# is preventing you from putting Boolean value into integer

If I try to assign string to an age variable like this

Or this

Result would be compile time error,

because string value cannot be assigned to an int type variable

You can also combine the declaration and initialization statements at the same time on the same line, which is more convenient

Click RUN

Everything is fine

Let's replace all the types with var keyword

Using var is very convenient,

but use it only when the type is obvious from the right side of the assignment

Code is working fine

Now the variables are implicitly typed local variables

I have already told you

var keyword instructs the compiler to infer the type of the variable from the expression on the right side

Remember

var can only be declared and initialized in a single statement

Otherwise, the compiler doesn't have anything from which to infer the type

For more infomation >> Quick Start Guide to C# Basics - Variables and Datatypes Part 1 - Duration: 11:26.

-------------------------------------------

U&D: Andrea ha scelto Arianna, Teresa bacia Dal Corso | Wind Zuiden - Duration: 3:53.

For more infomation >> U&D: Andrea ha scelto Arianna, Teresa bacia Dal Corso | Wind Zuiden - Duration: 3:53.

-------------------------------------------

Quick Start Guide to C# Basics - Variables and Datatypes Part 2 - Duration: 6:48.

Hello and Welcome again

You can use built-in method GetType() on a variable to check its type

Let me show you a few examples

Int or integer type

Boolean

String

Character type

You can use number with a decimal point

but it will always be inferred as double by default

unless you explicitly tell the compiler to change it to another type

Let me show you

What, if I wanna change income to a decimal

and hourlyRate to a float?

How do I do that?

Well

to initialize income as a decimal data type

you need to add m as a suffix after this number

Similarly

for hourlyRate, you need to add f as a suffix after this

Let's try again

There are more formatting codes that I am gonna discuss in the future video.

So don't worry about that

You can also use mathematical expression

that might be confusing at first

What happens if I say this?

The right side is being evaluated

and then assigned to the variable on the left

Meaning 3+2 is 5

and 5 * 4 is 20

which will be assigned to this variable

You can also use variables in the mathematical expression

Let me replace values with variables

Code is fine

You can assign multiple variables with the same value using this syntax

Default value expressions are especially useful in combination with generic types

when you don't know in advance what the default value for the given type will be

Rather than providing default value explicitly

you can initialize the variable with its default value using default value expression

Let's see an example

These variables have been initialized with the default value for whatever type you define in the brackets

So, if you specify int you get a 0

and if you specify bool you get a false

but if you specify a reference type like string, for example

you going to get a null

See the result here

Null value is printed as a blank line

C# 7.1 introduced a new feature called default literal expression

which can be used instead of the default value expression

Here, compiler determines the type by looking at the expression on the left side

Không có nhận xét nào:

Đăng nhận xét