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Om Nom Stories : How To Make A Friends
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Amazing Fall Front Yard Decorations That Will Fascinate You | Garden Ideas - Duration: 10:29.
For more infomation >> Amazing Fall Front Yard Decorations That Will Fascinate You | Garden Ideas - Duration: 10:29. -------------------------------------------
Space Is Big And Quite Possibly About To Explode [with Demetri Martin] - Duration: 12:50.
[Ted in voiceover] Last time on Our Fascinating Planet.
♪ ♪
A big boom created a universe,
and man looked up at that universe to discover space.
Brave thinkers, called astronomers, brought us to the brink of space,
where brave doers, called astronauts,
were poised to bring us beyond the brink of space, and into the beyond of the brink.
[ theme music ]
Incredible.
Thanks to advances in modern optical technology,
today we can look far into the universe.
♪ ♪
And what we see is breathtaking.
But long before we could use today's powerful telescopes and
gigantic binoculars to enhance our view of space,
man pointed his naked eyes at the sky
and dreamt of traveling into the heavens above.
The first attempts at entering space were primitive and often downright silly.
Balloons, catapults, cannons.
- [ cannon ] - Aah!
[Ted] Cannonpults.
Each more flammable than the next.
Arthur Kindle describes early space travel as, quote, rife with explosions.
Emmet Meriwether famously wrote that it was full of explosions.
And Mortimer Appleby III characterized it as, quote, so many explosions.
Despite the danger, space enthusiasm was high.
And by the early 20th century, the first space planes started to appear,
many of which exploded.
[explosion]
Still, man pressed forward.
[ cannonball ]
♪ ♪
And what's known as the Space Race began.
♪ ♪
The first human in space was a monkey, launched by the Russians in
1956 as a way of taunting the United States during Cold War I.
This led President John K. Kennedy in 1961 to open the Kennedy Space Center.
Its mission was simple, send an American monkey into space to defeat the Soviet
one that had gotten there first.
And with that, the United States space program known as NASA was born.
- [mechanical] - Since NASA's birth,
we've achieved a great deal in our quest to conquer space.
We've launched satellites that charge solar panels for use on Earth.
And we now have space stations where thirsty astronauts can stop for
a snack while they refuel their ships.
And perhaps most remarkably,
we have managed not only to leave a flag on the moon, but also a man.
But we have also discovered how dangerous space can be.
Since the Space Race began, more than 600 astronauts have disappeared
into dark pockets of space,
many vanishing without a trace.
But where exactly did they go?
The answer is fascinating.
♪ ♪
It turns out these pockets of darkness are not so much pockets as they are holes.
In fact, leading astrologers like Stephan Hawkings of Cambridge Oxford have called
- these dark holes-- - Black holes.
[Ted] Due to their blackness and holiness.
And using complex equations and powerful magnets,
Hawkings has proved that these black holes are very real and very deadly.
So how do black holes form?
Well, space is essentially a gigantic fabric the size of everything.
This fabric is constantly being blown by something astroscientists call space wind.
The space wind causes the fabric to move and ripple.
It also blows the various planets around their respective suns,
causing them to orbit.
When the space wind gets too strong,
it can cause the fabric of space to flap about.
When the fabric flaps too hard, stars can shake loose and blow away.
The result is what we commonly call a shooting star.
When a shooting star whizzes away, it leaves a hole,
and this is what we call-- A black hole.
[Esther] What happens to light in a black hole?
Have you ever been to the doctor, and when they look inside your mouth and
they shine a flashlight, it hits the back of your throat and then it just ends.
[Ted] Many scientists believe that black holes not only devour light,
but also other nutritious space matter, like asteroids, comets,
star dirt, and even astronauts.
But how do we detect these black holes?
It's easy to enough to see giants such as Mercury and its tan hoops,
or Uranus and its red anus.
But what about space objects that are much smaller, such as black holes,
which can often be as small as a typical water slide or even a toilet?
Professor Gore Muskhope, head of the Space Department at the state University
of Space Polytechnic, might just have an answer.
A microscope allows us to view small objects, so
we asked ourselves, what if we sent a microscope into space?
♪ ♪
But then, what if we look at the microscope with a telescope?
♪ ♪
[Ted] With the help of GPS, UPS, and
PMS, Muskhope and his team pinpoint the position of a given space microscope.
And then using carefully calibrated miniature rockets,
they rotate the floating microscope until it is aligned with
a corresponding telescope on Earth.
The results are nothing short of incredible.
Millions of feet from my eyeball, I'm looking in pristine detail at bits
of space rock, as if I could almost pick one up and throw it at someone.
Or perhaps just give it to them, peacefully.
But more importantly, using this microtelescopary,
we have been able to locate hundreds of black holes that would otherwise
suck up passing spaceships or astronauts.
But it turns out there's a more profound consequence to all of this blowing space wind.
We've discovered that space wind is not just creating holes in the fabric of space.
It's blowing into those holes and stretching them out, and
that is making even more space.
Space is getting bigger.
Space is very big and very grand.
I mean, there's so much space, especially between the stars and the planets.
I mean, all that dark stuff, that's space.
[Ted] But what does this mean for the future of the universe?
As it expands, what will happen to it?
Imagine, if you will, that this is the universe.
The Big Bang has just happened.
[blowing air] Four billion years.
2.5 million years.
A thousand years.
Present day,
and then...
[pop]
Poof.
- [ocean] - We know the universe will explode,
probably in the next 2 or 300 years.
So today, we find ourselves desperately searching for
ways to outrun this ticking time bomb before it kills us.
If we can travel fast enough through outer space without falling into black holes,
then theoretically we should be able to shoot out of the universe just as it
is exploding behind us.
Which will thenpropel us safely into the next universe.
But in order to achieve this,
we're going to have to go a lot faster than we can now.
We have broken the sound barrier and are just now traveling faster than smell.
However, we will need to fly at the speed of light to outrun our universe,
and this presents problems.
Well, there are many theories about what happens when one travels at the speed of light.
Some believe you would travel through time.
Some say that your body would be stretched like a long piece of spaghetti.
Just as likely, some say your body would be crushed into a kind of ravioli,
but with your innards kind of becoming mushy and
then a sort of a soft outer edge fusilli.
I'm not into pseudoscience, let's get serious here.
I mean, it's probably the spaghetti thing, you get stretched out,
and travel through time that way. Spaghetti, it makes sense.
- [ explosion ] - [Ted] We don't have an answer yet to this puzzle.
Some skeptics say it is impossible for man to travel at the speed of light,
let alone shoot out of the dying universe just as it explodes behind him.
But we must remember, it was also once thought impossible to launch garbage
into space or to send our most dangerous criminals to prisons on the moon.
And many laughed at the idea of colonizing Mars by building small mini-Earths,
which we will fly to the red planet, and then live inside of on its surface.
Yet now, all of these things are a reality.
Today's leading scientists have almost as many ideas for
how to safely escape the universe as there are Milky Ways in our galaxy.
The Space Race continues, but now we know it is not just a race against
the Russians, or the north Japanese, but against space Itself.
We are a strong species, born of this planet but not bound to it.
What we once thought of as a home is merely
a launching pad to an unlimited realm.
Space, an infinite but reachable expanse.
But before we exhaust ourselves trying to conquer this fleeing enemy,
we must ask ourselves, should we conquer space?
We need to conquer space no more than we need to conquer ourselves.
Because ultimately, we are space, especially those of us who dream.
♪ ♪
[ ocean ]
♪ ♪
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Nana Patekar Luxurious Lifestyle, Family, Expensive House, Cars, Bikes, Net Worth And Biography 2018 - Duration: 7:03.
Nana Patekar Luxurious Lifestyle, Family, Expensive House, Cars, Bikes, Net Worth And Biography 2018
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President Donald Trump Stands By Stormy Daniels 'Horseface' Insult | TODAY - Duration: 2:38.
For more infomation >> President Donald Trump Stands By Stormy Daniels 'Horseface' Insult | TODAY - Duration: 2:38. -------------------------------------------
IGO - Thử Thách Lái Xe Không Dùng Tay 100m ( Hands off 100m) - Duration: 17:11.
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la calidad se ve mal no se por que miren la descripcion
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Catastrophic Flooding In Texas Causes Evacuations, Bridge Destruction | TODAY - Duration: 2:36.
For more infomation >> Catastrophic Flooding In Texas Causes Evacuations, Bridge Destruction | TODAY - Duration: 2:36. -------------------------------------------
Images d'un siècle - FELICIEN ROPS - Duration: 2:36.
A part of the collections of the Château de Versailles since the early XXth century
this 146.5 by 116cm painting by Paul Mathey
plunges us into the intimacy of an artist's studio
It is a portrait of Félicien Rops
a Belgian illustrator and engraver who came to settle in Paris in the 1860's
in the context of the Industrial Revolution
when publishing and the press were developing considerably
The painter shows us the engraver at work
examining the proof he has just printed
The cigarette burning away on the edge of the printing press strengthens this impression of work in progress
In this work, Paul Mathey shows us the indispensable elements which are needed to make an engraving
often called an etching ('eau forte' in French, 'strong smelling liquid', because of the nitric acid used in making them)
These elements are the printing press, the copper plates, the chemical products
the ink and buffers which are also called 'poupées'
The skylight in the top left-hand corner of the painting
reveals all these elements and lets the light pass through the paper Félicien Rops is holding
The orientation of the sheet of paper enables us to try and make out from the back what has been printed on the front
It may be a character, or a horse … difficult to say…
Paul Mathey has skillfully managed to give the impression of the transparency of the paper
and create a strong contrast with the darkness of the studio
Through this portrait of an engraver
the painter pays homage as much to one of his contemporaries as to an art which is associated with him
This Romantic vision of the artist has evolved a lot
Today, certain artists employ a team of assistants to ensure the production of their works
Such is the case of artists like Jeff Koons or Olafur Eliasson
Nine other paintings of the collection make up this exhibition
enabling us to learn more about the construction of the French Republic
Discover their secrets now!
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The Return of Shelby the Swamp Man: Treasure Hunting In The Bayou (S1, E1) | History - Duration: 4:40.
For more infomation >> The Return of Shelby the Swamp Man: Treasure Hunting In The Bayou (S1, E1) | History - Duration: 4:40. -------------------------------------------
Gekijouban Mahouka Koukou no Rettousei / Angel's Ladder (Nika Lenina Russian Version) - Duration: 3:57.
For more infomation >> Gekijouban Mahouka Koukou no Rettousei / Angel's Ladder (Nika Lenina Russian Version) - Duration: 3:57. -------------------------------------------
American Pie (1999) Cast | Then and Now 2018 - Duration: 3:30.
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Forgotten Realms Lore - Tieflings - Duration: 5:21.
Hello everybody Jorphdan here the PH is silent.
Today we're discussing the devilishly good looking Tieflings.
Tiefling actually describes a large amount of creatures.
Anyone that is planetouched from the fiendish planes would be considered a tiefling.
Tieflings share some lineage with demons, devils, yugoloths and even some evil deities.
Somewhere in their family history is a fiend of sorts and that can manifest in children
making them look devilish or demonic themselves.
The list of potential monsters that could cause a tiefling is long.
Marilith or succubus, pit fiends, or even night hags.
A rakshasa could also be the cause of a tiefling.
Most tieflings can be identified by their horns, their prehensile tail, and varying
shades of skin color anywhere from purple to red.
But one can be a tiefling with much smaller details, less noticeable signs.
Some might just have pointed teeth, while others have black orbs in place of their eyes.
The common tiefling look though is horns of some sort with an attached tail.
Tieflings physical appearance often depended on their ancestry.
Diabolic or demonic tieflings could have leathery skin, or a forked tongue.
They might smell of brimstone or be unable to cast a shadow.
It's kind of fun and open ended for the player to create a tiefling that looks as
fiendish as the player desires.
They could have no abnormalities except large leathery wings.
Perhaps they just have cat like eyes, or you could go the full path and give them cloven
hooves for feet.
Within the book "races of faerun" there are a list of physical features that are associated
with particular monsters.
Such as cat eyes for Rakshasa and hooves for devils.
Tieflings that have a heritage from an evil deity look different than others.
Those with a connection to the goddess Beshaba might have elk horns.
Those sired by Mask would cast no reflection.
In the Forgotten Realms Tieflings don't really have a culture to call their own.
Because they are born into regular society they do their best to fit into that culture.
Some embrace their fiendish heritage and some do not.
Does your tiefling enjoy the fact that they are a tiefling?
With a foot already in the fiendish planes (or sorts).
Tieflings of this sort seeking an arcane path almost always went with becoming a warlock.
Making deals with extra planar creatures for power might seem easier when you're shunned
away from traditional paths because of how you look.
Or when you discover you could broaden your innate magical skill by making a tiny pact
with a devil.
Most Faerunian tieflings come from bloodlines originated in Mulhorand and Thay.
The result of dalliances with fiends of all kinds.
Thayan tieflings are usually the grandchildren of powerful wizards that made some power play
and brought about a tiefling.
Some embrace the evil that has tainted their bodies, others reject it.
Just like any of the civilized races the decision for good and evil is left up to the individual.
Because they are shunned, or have been in the past Tieflings are slow to make new friends.
Often finding kinship with other tieflings.
They're very slow to trust other races and Half-Orcs are really the only race that tieflings
tolerate as they seem to be going through the whole mixed heritage much like themselves.
Not surprisingly Tieflings make excellent adventurers.
Either embracing the darkness or turning towards the light.
They make great warlocks, but could also be faithful paladins.
Now we get to Asmodeus and the spellplague.
Previously mentioned in my deity videos Asmodeus consumed Azuth and his divine spark to ascend
to godhood.
Click the link in the top right corner for more information.
Also during this time a coven of warlocks known as the Toril Thirteen performed a rite
where Asmodeus would be able to claim all tieflings as his own.
The Toril Thirteen were thirteen warlocks that were descendants of the original thirteen
warlocks Asmodeus made pacts with.
This ritual of sorts cursed all tieflings to bear "the blood of Asmodeus."
Marking all tieflings as descendants of the Lord of the Nine Hells.
This occurred in 1358 DR and reshaped all of the varied style of tieflings we've already talked
about.
Were you a night hag tiefling or a rakshasas tiefling well now you are a Lord of the Nine
Hells tiefling.
This forced most tieflings to all have the same devilish appearance.
This ritual also enabled Asmodeus to become a racial god, ensuring him enough followers
to obtain godly powers.
Eventually Azuth become powerful enough to attempt to take control away from Asmodeus.
It was during the second sundering that Asmodeus freed Azuth with the deal that he would be
able to consume Nanna-Sin's divine spark.
Who was an Untherite god.
This deal was made and Asmodeus has been a deity in the Forgotten Realms Pantheon ever
since.
Despite what some would have you believe Asmodeus exerts no will or power over his quote "children."
Now because of this ritual we have a more uniformed look to tieflings, because their
ancestors became tied to that of Asmodeus himself.
However since then there have been new tieflings that have popped up who are not descendants
of Asmodeus, reverting back to the varied style of tieflings one can find in the Sword
Coast Adventurer's Guide or Mordenkainen's Tome of Foes.
Tieflings have no native home to call their own.
In the North the largest population of Tieflings live in Neverwinter.
Within the city is a violent cult of Asmodeus called the Ashmadai so tieflings aren't
trusted very much here either.
Still many persist in making good names for themselves and for tieflings everywhere.
That's it for today.
Thanks so much for watching.
I know it's typical but I'd love to play a tiefling warlock sometime.
I think a tiefling rogue is on my bucket list of characters too, probably an Arcane Trickster
who is a descendant of Mammon, the great miser who loves coins above all else.
Special thanks to my patrons who make these videos happen, if you're interested in supporting
Forgotten Realms Explained then click the link in the description or at the end of this
video.
Thanks again for liking and subscribing!
I'll see you all in the next video.
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Images d'un siècle - FERDINAND-PHILIPPE-LOUIS - Duration: 3:01.
This portrait of the eldest son of Louis-Philippe painted by Jean-Auguste-Dominique Ingres in 1844
on a 218 by 131cm canvas
is a pure example of the formal portrait tradition.
Ferdinand d'Orléans is given a full-length portrait in his military costume,
a bicorne hat in his hand.
His gaze directed downwards
gives him a majestic, dominant attitude.
Similarly, the decor which serves as a background to the young prince
evokes the splendour of the salons of the French court with their gilded panelling,
wall hangings and richly ornamented tapestries.
Here we see the decor of the grand salon of the prince's apartment in the Tuileries Palace.
This obsessional realism is one of the painter's hallmarks.
The work is carried out in a neo-classical style of which Ingres was one of the main representatives.
The marked outlining of the face
the balance of colour and composition
the subtlety of the light and the rendering of the materials
contribute to counterbalancing some of the pictural anomalies which made Ingres a successful and modern painter
For example, the model's left arm
has been given an exaggerated curve and seems attached to the body only thanks to the lucky presence of an epaulette
The Duke of Orléans was one of the painter's great admirers
A liberal and moderate prince, he was an educated patron of the arts for painters and authors
He had a real friendship for Ingres, and owned several of his works
When he prematurely lost his life on 13th July, 1842
in a road accident at the age of 32
it was a shock for the French people
who had believed they had found a prince capable of reconciling the democratic aspirations of modern France
with the heritage of the monarchic past
To honour the memory of the young prince
his family ordered several copies of Ingres's painting from him
These are today on show in various French museums
This is how the picture of Ferdinand d'Orléans passed into posterity
as an icon of neo-classical painting
as well as precious proof of the friendship between the artist and his model
Nine other paintings of the collection make up this exhibition
enabling us to learn more about the construction of the French Republic
Discover their secrets now!
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Smartphone Hidden Camera Secret Tricks - Duration: 5:46.
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#SampthingDifferent, blucerchiati d'Ungheria: «Uniti per il Doria» - Duration: 4:00.
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BURNING WITCHES - 'Hexenhammer' (TRACK BY TRACK #2) - Duration: 2:04.
‚Don't cry my tears' is he ballad on our CD and sounds rather melancholic
'Maiden of Steel': steel meets steel in this one
The song is about Jeanne D'Arc, about her life and her battles
and in the song you can even hear a solo contributed by Courteney Cox
This is actually the intro to the next song
it's just some sounds and noises that show
how things must have been in the famous witch prison of Bamberg.
'Dead Ender' has a pounding, portentous sound
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Images d'un siècle - LE RETOUR DES CENDRES DE NAPOLEON - Duration: 2:46.
This very big painting by Eugène Isabey of 237.5 cm by 369.5
shows us a dramatic and solemn vision of a historical event.
The painter, a seascape specialist,
depicts the homecoming of Napoleon 1st's ashes.
Since 1821, they had remained on the island of Saint Helena.
Here we see Napoleon's coffin hoisted by ropes on board the Belle Poule,
while the sailors salute the body with upheld oars.
In this dark painting, dominated by the black of the boat's hull
and the grey smoke from the cannons
only the Emperor's coffin, suspended between earth and sky
is in full light
Through his funereal staging,
the artist transforms this episode into an almost sacred or mystical vision 14. 00:01:11,180 --> 00:01:14,400 It was at Louis-Philippe's request (and he was then King of France)
and on the advice of Adolphe Thiers, the new president of the Conseil
that Napoleon's remains were brought back to France in 1840
as Napoleon Bonaparte himself had wished
It is this historic moment that the painter Eugène Isabey interprets in this oil painting
in which we can see some signs of ageing
These cracks, which we can see in some parts of the painting
are very common in XIXth century paintings and irreversible
They are caused by the faster drying of the surface layer of paint
which leads to the shrinking of the preparation layer
which is just below it
Acquired by the King at Versailles in 1842
this painting illustrates one of Louis-Philippe's main acts of national reconciliation
By basking in the aura of Napoleon 1st
and winning over popular opinion
the King of France ensured that his regime would last
Nine other paintings of the collection make up this exhibition
enabling us to learn more about the construction of the French Republic
Discover their secrets now!
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Om Nom Stories : How To Make A Friends | Unexpected Adventure | Season 3 Episode 5 by Kids Tv - Duration: 1:44.
Om Nom Stories : How To Make A Friends
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