Youtube daily Apr 12 2018

A multi-car collision turned shots fired

on the crosstown expressway this morning.

Gridlock has kept police from the scene.

Residents are advised to remain in their homes.

The assailant appears to be armed,

dangerous, and wearing...

a red suit. A red suit.

Deadpool.

Negasonic! Come, we have mission.

NEGASONIC TEENAGE WARHEAD: Colossus, wait up.

I've given Deadpool every chance to join us...

but he'd rather act like a child.

A heavily-armed child.

When will he grow up and see benefits of becoming X-Man?

Which benefits? The matching unitards?

The house that blows up every few years?

Please.

House blowing up builds character.

You ate breakfast, yes?

Breakfast is most important meal of day.

Here, protein bar. Good for bones.

Deadpool may try to break yours.

(JET ENGINE ROARING)

For more infomation >> Colossus & Negasonic Teenage Warhead,First Appearance | Deadpool (2016) Movie CLIP HD - Duration: 1:12.

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Supernatural | Inside: Bring 'em Back Alive | The CW - Duration: 1:14.

For more infomation >> Supernatural | Inside: Bring 'em Back Alive | The CW - Duration: 1:14.

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The Originals | Season 5 - Daniel Gillies Interview | The CW - Duration: 1:42.

For more infomation >> The Originals | Season 5 - Daniel Gillies Interview | The CW - Duration: 1:42.

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Autumn Leaves Chords - 5 Useful ways to unlock Extensions - Duration: 19:58.

(Chords Of Autumn Leaves)

- Hi everybody, my name is Jens Larsen.

You probably agree with me that one of the things

that makes jazz harmony really beautiful

is that we can make the sound of the chord really rich

with extensions and alterations.

In this video, I'm going to show you first

a basic set of Drop 2 Voicings that you can use

if you wanna play the song Autumn Leaves.

And then I'm gonna go over a few different versions of this

adding more and more extensions and alterations

and different sounds.

And that way show you of course

how you work with adding extensions and alterations

but also, give you sort of a practical idea

about how these different things sounds

because adding really a lot of alterations and extensions

can really make it more of a theory lesson

than maybe something that you wanna hear

in a context where you know it.

Which is why Autumn Leaves is such a good example.

If you wanna learn more about jazz guitar,

about improvising over chord changes,

checking out some interesting arpeggios or chord versions

then subscribe to my channel.

If you want to make sure not to miss anything,

then click the little bell notification icon

next to the subscribe button.

The first thing that I'm going to do

is that I'm just gonna go over the basic Drop 2 Voicings

that you need to play to first eight part of Autumn Leaves.

And those will be the chords without any extensions at all.

And then, the rest of the five different versions

that I've made, I'm gonna talk about

how I'm adding more and more color

by adding extensions and alterations,

where they're placed in the chord, how they work,

and where you get them from.

And of course, the last version

is gonna be so colored that maybe

it's kinda hard to hear that it's Autumn Leaves.

(simple jazz music) (chord progressions)

The first set of versions

are just the basic chords.

There are no alterations.

There are no extensions added.

And that's really just because

if we have this basic set down,

then it's a lot easier to start molding it

and finding some places where we can add chords

and we have an idea about what the song really sounds like.

It's good to go down to the basics for that reason.

All the chords that I'm using here

are in the beginning Drop 2 Voicings.

And they're all found on the top string set.

The reason why I'm staying with the top string set here

is because it's easier to add extensions

if you don't go too low.

If you're a little bit low on the neck

or low on the string sets then it can also become

a little bit difficult to add the extensions

without it getting muddy.

Without it sort of clashing with

the lower basic power of the chord.

The first chord is this C minor 7.

(strumming)

And then F7 (strumming)

And then I move to this B flat Major 7 up here.

(strumming)

So of course, when I'm down here,

I could have gone to this B flat Major 7

(strumming)

but this voicing has the B flat on top

and the a under it.

And that's maybe not the most constant interval.

So, we can just as easily move this voicing

up to this B flat major 7 so that's what I did.

(strumming)

Then we get this E flat major 7.

(strumming)

A half-diminished. (strumming)

Then D7.

(strumming)

And then the G minor six.

(strumming)

So here was a G minor six

Autumn Leaves is in G minor.

And when you're playing a tonic minor chord

so really the root of the key

then it makes more sense to

make that into a tonic minor chord.

In jazz, usually, that's a minor six or a minor major chord

so here I think the minor six is a little bit more

working better as a resolution.

It's a little bit more consonant.

So that's why I'm using that one.

I could have used like a minor major

(strumming)

but I think this (strumming)

works more as a resolution.

So that's why I'm using that one.

And then after that we get a G7

to take us back to the second eight.

(strumming)

(jazz music)

In this second example

I've started to add some nines and 11s

and the way that really works

is if you wanna add a nine to a chord

then you take the original voicing

so if we take the C minor 7 here

(strumming)

now I wanna have a nine in here,

so the nine of a C is a D.

And the easiest way to add that to the chord

is to just replace the root with the ninth

and then that way I get this voicing

(strumming)

so that's also the first voicing I'm using

so C minor nine (strumming)

and then F nine, so again just,

this was the F in the original voicing

I'm now adding a G instead so that's this voicing.

(strumming)

And then the B flat Major 7 with a nine.

So here I'm actually now using

what could have been this voicing

and then replacing the B flat with a C

so I get this voicing (strumming)

and then the closest on a E flat Major 7 with a nine.

That would be this one.

So you could notice that when I'm playing

an E flat Major 7 with a nine

that in fact that's the same as a G minor 7

because I don't have to play the root anymore.

So if you take an E flat Major 7 like this

(strumming)

and then replace the root with a nine

then you actually get a minor 7

from the third of the chord

so that's a G minor 7.

Then the A half-diminished.

So that was the original voicing

and then I'm adding an 11.

I'm doing that by substituting the third with the 11.

(strumming)

And then we get a D 7 flat nine flat 13

that's this one. (strumming)

And a G minor 6/9 (strumming)

so again, identical to the original voicing

but now I just have

instead of the G I have an A here in the voicing.

And then we get a G7 flat nine flat 13.

(strumming)

And really with a G7 here,

I started with this voicing in the last example

and then instead of the root,

I add the flat nine

and instead of the fifth, I have a flat 13.

On the A half-diminished, I'm adding an 11

(strumming) and not a nine.

And the reason why I'm adding the 11

instead of another extension here

is that the nine that you would have in the scale

in this case because A half-diminished

is a part of a cadence in G minor.

The nine that we would

so to get out of that scale would be a B flat.

And that's maybe not the nicest note to have at that point.

So we get this sound (strumming)

with the base note if I play the base note under it

So therefore, I'm using another extension

an another extension, that's the 11 here.

The D7 that follows it, I also colored

and I would kinda be taking this basic D7

and then I'm exchanging the fifth for a flat 13.

And the root for a flat nine then we'll get this.

I think I forgot to mention that.

As you will see in the next example,

you can use a natural nine on an A half-diminished

but in that way, you start really to change

the sound of the chord

and also, use a different scale on that chord

and that way move a little bit away from the song.

(funky jazz music)

The third example is starting to add more extensions

per chord, so for each of the chords, we have four notes.

And most of the time I wanna have the third

and the 7th in tact

so you can really hear what chord it is.

And then for the root and the fifth

I start messing around with exchanging them for other notes

to add extensions.

And in the second example, I was mostly just exchanging

the nine for the root

but of course, you can also exchange the fifth with a 13

or an 11.

And that's what I'm doing here in this third example.

On the first chord, the C minor

so instead of playing a C minor nine,

I'm now playing a C minor 11.

Which is a bit of a stretch maybe

But I have of course the nine as in the previous one

and then I have exchanged the fifth with the 11 here.

(strumming)

The D 7 is turned into a D 7 flat nine 13.

So it's this sound.

And that's really the use of

a diminished sounding dominant.

That works really well in this context actually.

Also, because we have sort of the contrary motion

of these two voices (strumming)

within the chords when I'm moving

from C minor 7 to F7.

(strumming)

Then I'm resolving that to this B flat

and that's a B flat Major 7 with a nine and a 13.

So I think in the previous one

we had this one. (strumming)

And now I have substituted the fifth with a 13

and I'm moving it up to this E flat Major 7 with a nine

and now we get an A half-diminished in here

I've chosen to, in this case,

substitute the third with a natural nine

so a B and that way we're really changing the sound

of what is happening at this point in the song.

So that's this sound.

So that's coming out of melodic minor.

This is kind of a chord

that's coming out of C melodic minor.

You will also notice that

when I have this top note in the melody

and it doesn't actually fit.

If you check the melody

then the melody here will be a C.

So it doesn't really fit with the melody anymore.

This is moving to D7

(strumming)

with a flat nine and a flat five.

And this is coming out of the altered scale

Well actually you can also see

this is being out of the diminished scale.

But I think that in the context

it sounds more like an altered scale.

And then I'm resolving that to a G minor major

so (strumming)

and then we're also gonna add a six in there or a 13

and then the final chord is a G 7 sharp nine flat five

which is coming out of the altered scale.

(funky upbeat jazz music)

Of course, it's not only about which notes

and which extensions that we're adding to the chord.

It's also about how we lay them out

when we're playing the chords.

So how we voice those notes when we're playing it.

And sometimes, when you wanna add a lot of extensions

and get a specific sound from a chord

then it makes sense to also use all of the voicings

the Drop 2 voicings because they work quite well

but they are a little bit more connected to the

more traditional jazz sounds.

So that's also what I'm doing here in the fourth example.

This first voicing is this (strumming)

voicing for C minor 7

and this is really of a obstructor idea

So we have an e flat which is just the third

and the up structure is an upper structure triad

that's a B flat major triad.

In the second inversion here

and really this gives us a C minor 7

we have this second interval

that's really a big part of the sound on this chord

and for the rest it has an 11

and here have a 7 and then we have a nine

so it's really just C minor 7 with a nine and 11

And I'm moving that into this F7

which is an F7 with a flat 13 and a flat nine

and that's just the Drop 2 voicing

and then we get this B flat major 7 with a sharp 11

(strumming)

so again this is kinda coming out of

this B flat Major 7 with a nine

that I really use a lot.

That's one of my favorite voicings.

But you can also exchange, in this case

the fifth with the sharp 11 to get this Lydian sound

But of course, here we're really changing the sound

of the song

There's no shadow living of Autumn Leaves at this point

But you can add this as a color if you want to.

The B flat major 7 sharp 11

is voiced into an E flat major 7 with a nine and a 13

that's this voicing (strumming)

and from here I'd move into an A half-diminished

and now I have an A half-diminished where

Ive replaced the third with the 11

and the root with a natural nine

so we have this sound.

(strumming)

and this is going into an altered D7

so that's this D7

and the D7 here is with a flat five

and a sharp nine

and then I'm resolving that to this G minor major.

Where here, actually I'm taking away extensions

from this chord.

And I'm just playing a basic minor major.

But because I really wanna have

(dissonant strumming) this sound

so instead of using an extension

I'm just putting some chord tones next to each other

and that way making the sound a little more interesting

and then I'm moving that into this

G7 with a flat nine and a flat five.

You can see that this G7 voicing is really just a D flat

so it's kinda just like a tritone substitution

and you can of course also play it as that.

But you can also just think of it as being a G7

with a flat nine and a flat five.

(complex jazz music)

The first four examples were really focusing

mostly on still keeping the harmony moving

and trying to make voicings that would sorta

lead into each other and here, the last example,

I'm really starting to work more on

just considering each chord a sound

and more of a modal approach

and really just focusing on how does this chord sound

and try to make that interesting.

And a little bit less thinking about

how I go to the next chord or how it really connects.

And that's of course an option to do it like that as well.

If you check out, especially all the later Herbie Hancock,

Tony Williams, Ron Carter, the Miles Davis quintet period

where they play standards,

then this is really how they tend to treat most standards.

And it's a nice way to also have another approach

and to get some really nice colors out on top of the chords.

So the first chord I'm playing here is a C minor with a 13.

So that's a C minor with an 11 and a 13.

You could look at this as being

well, basically, coming out of this C minor 7

and then I replaced the fifth with the 11

and the root with the 13. (strumming)

And then that moves into this F7 altered.

(strumming)

And the thing is, when you have a C minor with a 13,

so the point of a C minor in terms of this sort of

functioning how a two-five-one moves is to delay the A,

because the A is what's gonna tell us now we're on the F7.

But if we put the A into the chord,

then we're kinda ruining that part of it

But we kinda compensate a little bit

by just making the F7 really a dominant chord

with a lot of alterations so that you can still clearly hear

that we are moving to

sort of the next part of the progression.

And that's kinda what I am doing here.

So that's also just why I am ending up with this

flat five sharp nine F7

That's just a Drop 2 Voicing.

Then I move into, and here I am playing an incomplete

B flat major 7 with a sharp 11.

And that's this one.

(strumming)

And that's just root sharp 11 Major 7 and then a nine.

You could of course, look at this as coming out of

this chord and then changing the third into a nine

and the fifth into a sharp 11.

But of course, there's also more ways to look at it

And also, the way that it resolves

is really just (strumming)

we have this F7, and I'm resolving it,

actually up to a C7 13 almost, with a B flat in the base.

So that's the kinda sound that you get.

It's a really different sound.

Then just to make the whole thing breathe a little bit

I'm just using a normal E flat Major 7

with a nine and a 7.

Now I changed two chords here

I'm re-harmonizing the cadence to G minor.

And what I've done is I've added an extra II V

So that is an B flat minor, E flat 7

and I'm playing it up here

so first this (strumming)

B flat minor 7 with an 11

and then turn that into an E flat 7 with a nine

and then moving up to,

instead of playing an A half-diminished

and also just sort of to take it a little further away

I'm using an A minor 7 with a nine

which really doesn't belong in G minor

which is also kinda the point here.

And then moving that into a

D 7 with a flat 13 and a sharp nine

And that's actually kinda pardoning back towards the G minor

and now my G minor chord,

because that's really where we expect to resolve

I've changed that into sort of a G minor chord

that you don't come across too often.

And that's this voicing (strumming)

That's a G minor 7 with a nine and a six

Sorry, it's a G minor six with a nine and a sharp 11.

And this is kinda coming out of D harmonic minor scale

so it's a real different sound.

And I'm really just trying to create a surprise.

This again, is just coming out of just thinking in terms of

how can I color this chord to get that to stand out

or really give it it's own place in the progression

without thinking about how the harmony is really moving

or whether its a dominant or anything

It's just thinking about, this is a nice color for about.

And then I'm moving into this G 7 sharp nine

with a natural fifth, perfect fifth,

and that means that this is probably coming out of

the diminished type of sound.

And actually this voicing, is again,

a B flat first inversion trial over a B.

So it's an upper structure.

A triad upper-structure.

To me, one of the things that I find fun

about playing jazz and accompanying behind other people

is the fact that I can actually also

work with coloring the chords in different ways.

And of course, it depends on the soloist

and it also depends on how you're playing the song.

If you're playing Autumn Leaves as a slow Bossa Nova,

then maybe you don't want to go all out on the

tonic minor shop living cult

But at the same time, the fact that you have this

freedom and that you can try

and make that into sort of a musical statement

behind somebody else.

And together with the rest of the rhythm section

is something that I find really a lot of fun to do.

And of course, if you have a way of approaching this,

because now I've gone over kinda two approaches

in the way that the first part of this

is really about just different functions,

and really keeping the chords in tact.

And the second approach is much more

just about looking at the chord

and finding some interesting colors.

So how do you work with this?

If you have some idea,

if you have a certain type of tonic chord

or one of the other chords that you really like

that I didn't talk about,

then leave a comment on that

I know a few that I didn't talk about

that I use quite a lot.

And maybe I can do that in another video.

But I'm of course, always curious what you guys think

and what ideas you have.

And in general, I find that there is a lot of useful

information being shared on my videos in the comments.

So if you found this video interesting,

then that's definitely something that you want to check out.

If you want to learn more about jazz guitar

and this is the first time you've seen one of my videos

then subscribe to my channel.

The videos that I publish here every week

are on finding some solid methods,

some good strategies, to check out all the interesting

things about jazz guitar and improvising.

If you like this video,

and you want to help me keep making more videos

then check out my Patreon Page.

I am very grateful for the support

that I'm getting from my Patreon's.

And its because of that

that I can keep on making videos every week.

If you join us over on Patreon,

I can also give you something in return for your support.

That's about it for this week.

Thank you for watching, and on to next week.

For more infomation >> Autumn Leaves Chords - 5 Useful ways to unlock Extensions - Duration: 19:58.

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Empresas de vigilancia recaudan nuestros datos personales - Duration: 2:03.

For more infomation >> Empresas de vigilancia recaudan nuestros datos personales - Duration: 2:03.

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2018 College Championship: Postgame Confessional #3 | JEOPARDY! - Duration: 1:53.

(funky jazz music)

- I mean very quickly that everyone kind of

becomes friends and falls into the,

it's like meeting up with mutual friends

or just like finding things in common.

- The nerves didn't really hit until they called my name

for my round, and then like honestly,

I felt like I was gonna throw up a little bit.

- As soon as the game started,

I kind of felt that uneasiness settle in again.

I felt myself coming in early and then

some of the coordinators came up again and said,

"We'll practice with you,"

and they kind of like recited some lines

and I kind of buzzed in.

- It felt like in single Jeopardy,

there was definitely a lot of getting used to things.

Knowing the right time to buzz in, you know.

It's not just about being fast.

You have to sort of almost anticipate

when Alex is gonna say that last word

so that it's your time to buzz in.

- [Alex] Wife. William.

- Who is Jackie Kennedy?

- [Alex] Yes.

- I felt like I played really well.

Had a lot of great categories,

a lot of great back and forth, Alex was fantastic,

he came up and like joked with me a little bit

about a little conversation we had

about the class I went on at Disney World.

- How many fingers does Mickey Mouse have?

- Four, right?

- Okay. (laughter)

- Good answer.

I guess things sort of smoothed out

after the first commercial break.

All right, Spring Break, 200, please.

- [Alex] William?

- What is Daylight Savings Time?

- [Alex] You're right.

- Towards the end, I was kind of picking up speed,

and so I kind of tried to capitalize on that.

I think I hit a Daily Double.

- [Alex] And so there's the Daily Double.

- What is the Dome of the Rock?

- [Alex] You are right.

- Walking into Final Jeopardy,

I kind of played for the wild card.

I did some quick math,

and saw that I could make a pretty decent score

if I wagered a certain amount.

- I was kind of unhappy with my wager,

but then looking back on it now,

it's like, I feel better about it,

just knowing that like, okay,

I still ended up with a good amount of money,

I like my chances.

- Luck turns in your favor sometimes

and sometimes it doesn't

and I think with Final it just happened to be the way it was

and now I'm where I am.

For more infomation >> 2018 College Championship: Postgame Confessional #3 | JEOPARDY! - Duration: 1:53.

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Meet Android 17: MOST SACRIFICED Character In HISTORY Of Dragon Ball Super - Duration: 10:04.

For more infomation >> Meet Android 17: MOST SACRIFICED Character In HISTORY Of Dragon Ball Super - Duration: 10:04.

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Study Tips, Motivation, & Our Biology Playlist - Duration: 4:31.

Captions are on! Click CC to turn off.

Follow us on Twitter (@AmoebaSisters) and Facebook!

Well, it's the time of year when we get comments that some people are going on an

Amoeba Sisters playlist marathon.

So we wanted to give you a few study tips that relate to our biology playlist.

First, when you're studying this content – or any content – we challenge you to

ask yourself why it matters.

"Why is this content important?

How can the information be useful in our world?"

Our Unlectured Series focuses on this, because we think the "why does this matter?" is

critical.

Whether you're learning about the properties of water or mitosis - you'll find it more

meaningful if you can connect it to why it matters in this world.

You know, beyond a grade.

I mean, really, why are we learning about protein synthesis if we don't know why it

matters?

Annnnd I can't help myself - I got to answer this.

Because we wouldn't be alive without proteins!

They make up channels, they are part of structure, they act as enzymes in reactions in our body,

they protect us from pathogens!!

That's just 4 things.

And if a friend or family member has a disorder where a type of protein isn't functioning

like it should, we need to understand why that can have an impact and what kind of treatments

can help them.

We strive to put relevance in all of our videos.

But if you can't answer why a topic matters, find the answer to that before you study it.

When you know the learning actually matters it's a lot easier to find motivation to

study it.

Second, as you're going through our playlist, a few tips - try not to do a marathon.

We make all of our videos less than 10 minutes for a reason!

Set a timer for a short block of time when you will focus on a single video concept.

When that timer is going, make a commitment to keep the other distractions - Twitter,

Snapchat, whatever is popular at the present time – closed.

Consider logging out of them so you don't get notifications.

If you have a lot of content to cover, make a schedule for the time blocks-preferably

over a few days- so you can space it out.

Our videos have subtitles to help with accessibility - they're helpful to have on so you don't

miss anything - click the CC button at the bottom right to see them.

Expand our video details and you'll find we're adding a time stamped table of contents

to many of our videos which may be helpful.

You can slow down or increase the speed of any of our videos.

Although slow it down or speed it up too much and I sound absolutely terrifying…so there's

that.

Pause the video if you run into a tough concept or new vocabulary word - biology has a lot

of those.

Write the word down with either a definition in your own words - or a memorable doodle

- put it on a notecard.

Or on sticky notes and leave them in places where you'll see them!

Also, if taking more substantial notes for yourself, some people find a lot of value

in sketch-noting as an alternative to just writing concepts.

Often we include a concept that we suggest to explore in more depth.

When we do that, we encourage you to write the concept down so you can explore it.

If you have questions when you're watching our videos - especially questions that you

find interesting - write those down so you can find the answer for yourself.

That's part of the very essence of staying curious and keeping an active role in your

learning.

Also - can you teach the content to someone else?

A peer?

Your little sister?

Your cat?

Maybe not your cat.

As a teacher, I'll tell you that the impact of teaching content to someone else helps

you develop content mastery like nothing else.

Finally, when going through our playlist, remember that everyone was, once upon a time,

a beginner in all this stuff.

Including us.

Practice.

Work at it.

Get good.

Don't put a limit on yourself by telling yourself that there's only so much you'll

be good at.

Once you decide to put a label of any kind on yourself, you know what often happens?

You tend to meet your expectations.

Look into that amazing term 'growth mindset'- it can change how you see a lot of your studying.

And not just academics.

You should see our channel's milestone page; it shows our simple start and how much we've

learned by just constant practice in creating.

And, we're still learning all the time.

Which is fine with us- after all, isn't growth all about learning?

To close, we hope our playlist can be a helpful supplement for whatever kind of assessment

you may be facing!

You got this.

Well that's it for the Amoeba Sisters, and we remind you to stay curious.

For more infomation >> Study Tips, Motivation, & Our Biology Playlist - Duration: 4:31.

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2018 College Championship: Postgame Confessional #2 | JEOPARDY! - Duration: 2:16.

(upbeat music)

- The day is a blur, for sure.

You wake up in the morning, you come downstairs

and you meet all these people

that they've kept secret from you for so long.

- Everyone is so nice and friendly.

Like, people told me that,

they're like, "Oh yeah, everyone's gonna be so nice"

I'm like, "Are they?"

Like, we're competing against each other.

But no, everyone's really nice,

so I don't wanna root for them to fail.

- When the categories first came up

I was like, these are really random.

Except for the Hamlet one.

I like, know a lot about Hamlet because I hated Hamlet.

My English teacher was like, "Okay, if you're gonna hate it,

"you need to give me reasons to hate it."

So I learned it really well,

just to tell her how much I hated it,

Uh, Hamlet four,

(electronic chiming)

- [Alex] Daily Double awaits you there.

- Who are Rosencrantz and Guildenstern?

- [Alex] You are right!

- I had a little run on the Nobel Peace Prize category.

- [Alex] Thatcher. - [Thatcher] The Quakers.

- [Alex] That's it.

- [Alex] Thatcher. - [Thatcher] What is Burma?

- [Alex] Good. - [Thatcher] What is a chair?

- [Alex] Chair, correct.

- There was a question about three billboards

outside Ebbing, Missouri,

and the answer was Sam Rockwell,

and I was pretty sure it was Sam Rockwell,

but I wasn't completely sure,

and it was like a thousand dollar question.

- [Alex] Jordan. - [Jordan] Who is Rockwell?

- [Alex] Sam Rockwell, you got 'im.

- Playing with Dhruv made it tough

because he was great at the timing

and he was anticipating it like crazy.

So, I feel like, any question that we both knew,

like he beat me to it.

- [Alex] Dhruv. - [Dhruv] What is Florida?

- [Alex] That's the state.

- [Alex] Dhruv. - [Dhruv] What is a barrel?

- [Alex] Right. - [Dhruv] What is a decibel?

- [Alex] Yes.

- What are dawn and dusk?

- [Alex] That's it.

- There was a point, honestly when,

Dhruv pulled so far ahead

that we were not gonna catch him.

- There was like a little bit of relief,

but then I also had to remind myself

that like, it's not over.

- Be seeing you 2,000.

(electronic chiming)

- Who is Herodotus?

- [Alex] You picked the right one.

(audience clapping)

- This game though, is a runaway for Dhruv.

So for Thatcher and Jordan, you have to keep in mind,

high scores for non-winners.

- I was betting to be a wildcard

I know the average wildcard amount is around $14,000

so I just bet everything I had except for one dollar.

- I always wanted to bet 512,

because um, May 12th is my brother's birthday.

- You really wanna see everyone move on,

but like, especially Jordan,

because we had like auditioned together,

it would be really cool to like,

both be in the semi-final.

- I'm right on the cusp of where wildcards are,

so, it's a stressful situation

because that means I can't, you know,

just relax and watch the next few games.

- I feel, I feel pretty confident that I'll move forward,

and if I don't, it'll be props to everyone else

for putting up some big scores,

but, um, I feel good right now,

and we'll just have to see what happens.

(upbeat music)

For more infomation >> 2018 College Championship: Postgame Confessional #2 | JEOPARDY! - Duration: 2:16.

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Ocean's 8 Trailer 2 REACTION - Duration: 5:11.

I am strongly conflicted about this movie I'm not sure how to feel about it

see I wish that we could just have a movie with men and women in it I don't

see why it has to be either/or it's just really progress right and also while I

absolutely adore the cast a lot of talented women are getting put in the

spotlight here still I hate that they've changed it to a lady crime right instead

of the elaborate casino I mean they can't do the exact same crime again from

from the first two films because everybody's familiar with it but still

having all these women only interested in stealing jewelry from the fashion

heavy met gala I don't know about that and something else I don't know about is

the fact that this hasn't gotten immediately smacked down like the new

Ghostbusters trailer did right out of the gate people didn't even give that

movie a chance sure it ended up only okay but you know people judged it way

before we actually saw it and I'm wondering is it star power and glamour

that makes the difference what does that say about us I'm not sure although it

could also be that the oceans brand is simply not as beloved as the

Ghostbusters brand so there's a little bit more space to play with it all right

let's take a look at this thing did you know this one No Debbie ocean convicted

felon her brother Danny ocean more convicted felon she was present how

would you start so Haiti actors right now do you want to

see the new James Corden Anne Hathaway know me do you want to hit a jewelry

store not exactly the diamond mine yes what

the met three to half weeks and that would be hosting its annual ball and we

are going to rob it sixteen point five million dollars in each of your bank

accounts five weeks from now that's a lot of it not every inch of

this place covers this is most sophisticated security in the world

how long did it take you to figure all this out five years eight months and 12

days why do you need to do this she didn't even have any okay everybody

let's get started here we go count me down three two

came on

she said

dear God that was exact you

Silvia's we prepare for this

we will not be the prime suspects what you do I turn it on I'm still conflicted

it looks fun it looks like a fun summer fling movie right but it looks like a

chick flick it really does it looks like it should be suddenly a romantic comedy

they know for some reason I don't know why and I feel bad saying it but they

don't seem as professional as the thieves in the first ocean you know the

most recent oceans trilogy right I mean I recently reached that movie holds up

very well it's very good and everyone there really seemed like they knew what

they were doing I mean they had funny like little moments where they would

like have banter like that thing you just saw at the end of this trailer but

it seemed like they were having fun instead of maybe not knowing what

they're doing I don't know I don't know I wish they would show a little bit more

more of the cleverness I hope this isn't a situation where it's like oh all these

women outsmarted all these men on the other side I don't know I think they're

not giving enough story I think they're still really selling it on all of these

actresses together in one movie at the Met Gala stealing jewelry and you love

the other oceans movies so what more do you want from us I feel like that's kind

of the selling the selling angle here I would think I would have challenged them

to say how would you promote this movie if there had never been an oceans movie

before it right I don't know what do you think I I think a lot of people are

still gonna see it or are you I'd be curious to hear down below but I just

really again I don't know how to feel like I want to take just take a red pen

to it there's so many problems but I wanted to sit I wanted to succeed which

is why I you know I'm not just you know walking away from it so what do you

think again write your thoughts down below thank you for watching with me and

you can check out some more videos right now

For more infomation >> Ocean's 8 Trailer 2 REACTION - Duration: 5:11.

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Superorganism: "Something For Your M.I.N.D." - Last Call with Carson Daly (Musical Performance) - Duration: 3:09.

For more infomation >> Superorganism: "Something For Your M.I.N.D." - Last Call with Carson Daly (Musical Performance) - Duration: 3:09.

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Superorganism: "Everybody Wants To Be Famous" - Last Call with Carson Daly (Musical Performance) - Duration: 3:23.

For more infomation >> Superorganism: "Everybody Wants To Be Famous" - Last Call with Carson Daly (Musical Performance) - Duration: 3:23.

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Guste III opens past due and over budget - Duration: 2:18.

For more infomation >> Guste III opens past due and over budget - Duration: 2:18.

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NOLA Bike to Work Day - Duration: 1:31.

For more infomation >> NOLA Bike to Work Day - Duration: 1:31.

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Starbucks Music: Best of Starbucks Music Playlist 2018 and Starbucks Music Playlist Youtube - Duration: 3:05:52.

Title: Starbucks Music: Best of Starbucks Music Playlist 2018 and Starbucks Music Playlist Youtube

For more infomation >> Starbucks Music: Best of Starbucks Music Playlist 2018 and Starbucks Music Playlist Youtube - Duration: 3:05:52.

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Toby Stephens Spotlight - Last Call with Carson Daly (Interview) - Duration: 4:50.

For more infomation >> Toby Stephens Spotlight - Last Call with Carson Daly (Interview) - Duration: 4:50.

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Britney Spears on 'Crossroads', Female Friendships, & Acting For The First Time (2002) | #TBMTV - Duration: 6:46.

- I had done the tour, I had done the album,

the tour, the album, the tour, you know?

And it was like, I wanted a little bit of a change.

When I was younger, I'd had

my three best friends, 'til this day,

I still have my Courtney Janson and Laura Lynn.

And I just

I don't know, the whole concept came up

of me being with my girlfriends

and us growing up with each other and I just

I wanted to do a teen movie,

but I wanted to do something that

teenagers could watch and be touched by.

You know?

And all of them have their own little issues but

at the same time, they have each other.

And at the end of the day,

that's what matters.

We all have our problems,

but if we have our friends there

we can talk to them about

you know, that makes you feel safe.

And that was the whole idea behind the movie.

- [Interviewer] Yourself, picking up on your character

first of all,

extremely strong in terms of

she's the bond that keeps

- Yeah - keeps these girls together.

How much of, obviously, now

your involvement in the film from the start.

How much of that was to a certain extent,

a reflection on who you are,

and exactly

- Well the fact that Lucy

she wanted to get away from her small town and

her excuse at the time was to go see her mother.

But in her heart, she knew she was on her way

to be in the contest.

And I think I can kinda relate to that

to a certain extent.

With me going off and leaving my small town.

But other than that,

the character is totally different from me.

Definitely.

Lucy is very,

I think that was probably me four years ago.

Not now, you know?

But Lucy is very naive and

very shy, she's to herself a lot and

so, but the thing that I really liked about Lucy

is that she was very strong.

And I really liked that.

- [Interviewer] Having watched the film

and spoken afterwards, it lends to

people watching the film who are like 15 to 25,

the general consensus that we've spoken to people

is that girls seem to bond a lot stronger.

And a lot younger age than guys at that particular age.

- That's so true.

I totally agree, I remember when I was like 12 and 13.

My girlfriends, we had our backs,

we were very very close.

I don't know if that's a southern thing

or if it's just a nationwide thing

like how it is, you know?

And I think it's cool because

when you make bonds like that,

a lot of times at that young of age,

you do continue to keep that

as you get older.

Still, to this day, when I go home

and I see my cousin Larlynn

we start off just where we left off, you know?

It's just like, hey, what's up?

You know?

And that's a cool feeling to know that you have that.

- [Interviewer] But the flip side of that as well,

and we see this in the movie

between the three of you is

girls can be extremely more envious of each other

in a quicker period.

They kind of fall out with each other and can

say things that is a little bit more pressure

between

- You know it's funny you say that because

when those kind of issues started happening in school,

I just left.

At the age where you're like,

that's my boyfriend!

I left school and I started to do my thing

my singing thing, so

and I remember my girlfriends calling me up saying,

why did this person do that?

Or, listen what happened!

And I'm like, whoa!

What's going on?

It's just that stage you go through

where you're wanting to look pretty

and you're catching guys' attention

and there is, there's that little jealousy thing

going on.

But luckily, I never really experienced that.

- [Interviewer] I mean aside from the experience

of what you're putting on screen,

can you describe to us first day on set

exactly what was going through your head

- What what now?

- [Interviewer] Your first day on set.

- I was so nervous, the first day.

Oh my gosh was I nervous!

'Cause it's so weird, 'cause when I'm on stage

and I'm performing, I feel so comfortable but

that was just a territory that I was new at.

I didn't know what the hell I was doin'.

But once I got on the set and

you're in your clothes, you're in character,

all your surroundings are really getting you

into character.

And it just fell into place.

So, and I had, the team of people that

were working with me were amazing.

Tamra the director,

and the cast that was with me, Taryn and Zoe

the girls, and we just

we hit it off, it was cool.

- [Interviewer] Picking up on Tamra first,

obviously she's had experience before.

Obviously you've been very close to the project.

How much, in terms of support, was she

in terms of exactly how she felt the characters

should be played

in terms of what you should be giving,

how you should look?

- Well of course there was,

she definitely had her opinions on things,

and if I had a question she was really open to tell me,

if I had a question I would tell her.

Lines of communication were open all the time.

And I had two weeks before the thing even started

for me to just to really get a general idea

of the character and

so that was cool, that felt really really good.

I think that helped me a lot for the movie.

- [Interviewer] Obviously meeting the girls

Zoe and Taryn

obviously you'd met beforehand.

But once the cameras are on,

the lights are on, did your relationship

grow with them day by day as filming

continued, were they extremely aware

of the background that you were coming from?

Obviously everyone knows who you are but

were they supportive of your move

and also, extremely helpful in terms of

- Oh, definitely!

Throughout the whole thing,

they'd give me their advice on things and

or they'd say, that was a good scene, Britney

'cause I'm new at this and I'd want to know.

And, or if something happened with them,

I'd be like, ah that was really real, you know?

Like, we were totally there for each other.

Yeah.

- [Interviewer] In terms of

the actual development of the film,

you said you kind of developed the project

from day one and kind of

as the film was being shot were you also

aware of exactly how the film was developing,

in terms of, obviously not in the production role,

but were you sort of realizing exactly what you

originally thought every day,

once you saw the rushes and once you saw

- Was I aware of when it was coming together?

- Yeah

- Oh my gosh, that was one of the coolest things

in the world.

You have this idea and then all of a sudden

you see it on the big screen and are like,

I did that, man, that's cool, you know?

That's like the best feeling in the world,

that's probably why this is one of the things

I'm most proud of that I've done

because it's just,

it's my little project.

For more infomation >> Britney Spears on 'Crossroads', Female Friendships, & Acting For The First Time (2002) | #TBMTV - Duration: 6:46.

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What went wrong at Seven Hills School? - Duration: 2:08.

For more infomation >> What went wrong at Seven Hills School? - Duration: 2:08.

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Fortnite "Impact" Game Mode Datamined | Heavy.com || CACAO TV - Duration: 4:58.

Fortnite "Impact" Game Mode Datamined | Heavy.com

It looks like a new game mode in Fortnite called Impact has been datamined and it sounds like it will center around the comet that players have been seeing in the sky.

The Twitter page TwoEpicBuddies, who have also datamined the Raven skin along with the Tomato Town Guy skin, have uncovered a new game mode in the files called Impact.

A Google Translate of the tweet says the text says the following:.

A new mode is in the game files! Impact! Only solo and probably has something to do with the comet! :D.

The new game mode sounds like it'll be a Solo game mode only, at least to start and it really sounds like it will involve the comet in the sky in some way.

Other game modes in the past have been introduced as Solo only but have been patched to include more players.

A popular theory is the comet is coming to destroy Tilted Towers but Epic Games has not commented on the comet yet.

Most of the Limited-Time Modes (LTMs) in Fortnite feature heavy changes to the core gameplay such as having only Gold weapons or having only snipers so we probably have something similar to look forward to with this new game mode.

No timetable has been release for Impact so all we can do at this point is play the waiting game.

If it's in the game's files we can probably expect the game mode to appear sooner rather than later.

Most of the items that have been datamined so far were close to release so we might be looking at something similar here.

As the comet gets closer that probably means the game mode is coming with it.

The end of Season 3 is approaching quickly so we might end up seeing this game mode close out the season.

The comet crashing into the map would be a fitting end to a season focused around space, even if the final reward is a John Wick skin.

With the leak of the Tomato Town Guy skin came a lot of dinosaur-themed skins which might end up being an indication of what's to come in Season 4.

Since it's believed a comet wiped out the dinosaurs it's possible Fortnite could make a comet revive the dinosaurs.

Weirder things have happened.

Players on Reddit have taken advantage of the new replay system and might have actually found evidence the comet is actually headed towards Tilted Towers.

Using the replay system, one player found a way to look under the map and has found an egg-shaped comet of sorts.

The latest update introduced the 50 versus 50 mode back into Fortnite for a limited time.

This mode, like the title suggests, splits the game in half and puts players on teams of 50 as they work to eliminate the other side.

This mode won't be around forever so check it out soon before it disappears again.

See Also: 50v50 Tips and Tricks.

Fortnite: Battle Royale is out now on Xbox One, PS4 and PC via the Epic Games Launcher. For more Fortnite: Battle Royale coverage, content and guides stay with us here at Heavy.

Make sure you check out the rest of our gaming coverage too.

See Also:.

Top 10 Tips & Tricks Will There Be a Switch Port? How to Get V-Bucks Fortnite Tomato Town Guy Skin Leaked.

For more infomation >> Fortnite "Impact" Game Mode Datamined | Heavy.com || CACAO TV - Duration: 4:58.

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Manchester United target Swansea's Mawson | Transfer News Now #mufc - Duration: 1:16.

Alfie Mawson has emerged as a surprise target for Manchester United as Jose Mourinho looks

to strengthen his defensive options in the summer.

According to The Sun, Mourinho sent his scouts to watch the Swansea centre-back in last weekend's

1-1 draw against West Brom, with Mawson viewed as a potential starter at Old Trafford next

season.

The 24-year-old has also attracted interest from Tottenham, who reportedly balked at the

defender's £40 million price tag.

That hefty fee won't deter United, however, as Mourinho scours the market for new arrivals

to replace the likes of Chris Smalling, Phil Jones and Victor Lindelof.