Thứ Bảy, 16 tháng 6, 2018

Youtube daily Jun 16 2018

Donald Trump has come up with a new plan to house all of the immigrant children that he

has separating from their parents here in the United States.

And that plan apparently involves creating what they are calling tent cities over in

the state of Texas.

But, more accurately these things are basically little concentration camps to hold migrant

children.

Department of Health and Human Services recently visited Fort Bliss near El Paso in Texas,

where they kinda scouted out about a thousand or so acres that they believe is gonna be

perfect for their little mini-immigrant concentration camp.

They're hoping to house about 5,000 out of the more than 11,000 children that they are

currently holding in this particular camp.

The Trump administration is right on board.

They think this is a phenomenal idea and hey, just maybe, we won't see these pictures of

kids in cages going around on social media anymore.

Here's the reality of what's actually happening.

We found out Wednesday morning that several different detention facilities, is what they're

referring to them as, that are currently holding some of these migrant children, have over

150 different violations for basic human rights and health and safety for these children and

the conditions that they're currently being held.

If they move them over to these little tent cities, they're gonna be able to kinda skirt

regulations.

It's gonna be a temporary facility that will not have to meet the same standards as a permanent

facility.

So they can get away with all kinds of abuses that we already know, according to Freedom

of Information Act requests, have been going on against these children since at least 2009.

This includes sexual abuse, physical abuse, using tasers on these children, all so that

they can make a point and send message to the rest of the world that The United States

has officially become some kind of banana republic.

Reports are showing that it's actually more expensive for The United States to separate

children from their families than it is to keep them together.

More importantly, there is absolutely no reason whatsoever why this is justified.

There is no conceivable reason to strip these children away from their families, away from

their parents whatsoever.

All this is going to do is actually create a new generation of people who hate The United

States.

Much like what happened with the US when we helped bolster Al Qaeda and bolster ISIS.

We're bolstering these children so that they hate this country because of how they were

treated when they were three, or four, or five years old, or maybe in their teens.

We're indoctrinating them by teaching them that The United States is inhumane, inhospitable,

and that we hate them, because that is the official policy of this administration, to

hate them.

To punish them for no reason whatsoever.

Some people could argue, "Oh, well they broke the law.

They deserve to be punished."

It's a misdemeanor.

Crossing the border illegally into the United States is a misdemeanor.

The same as being drunk in public.

And yet, we're treating them like they all just committed a genocide, by locking them

up in these camps.

They're going to hate this country.

And unlike Al Qaeda and ISIS, who hate the United States but luckily we got an ocean

in between us and a couple other continents as well, these people are gonna be right across

our border.

They're gonna hate us because of what we did to them.

Because of what this administration is doing to them every day.

A lot of these kids will never see their parents again.

They'll never know what happened to them.

That's not gonna work out very well for US national security, which is what the Trump

Administration claims they're immigration policies are all about.

We're creating a new generation of anti-Americans right across our own border.

We have nobody to blame but ourselves.

For more infomation >> Trump Trying To Create "Tent City" Camps To House Immigrant Children - Duration: 4:19.

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This will bring MONEY and LOVE for you - Duration: 4:02.

Please SUBSCRIBE to the channel!

Please SUBSCRIBE to the channel!

For more infomation >> This will bring MONEY and LOVE for you - Duration: 4:02.

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Face Off (特化师) - Episode 38 [Eng Subs] | Chinese Drama - Duration: 45:31.

For more infomation >> Face Off (特化师) - Episode 38 [Eng Subs] | Chinese Drama - Duration: 45:31.

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Rai Sentimental 2018 - Kedaba كدابة أغنية رائعة و إحساس قوي - Duration: 5:56.

For more infomation >> Rai Sentimental 2018 - Kedaba كدابة أغنية رائعة و إحساس قوي - Duration: 5:56.

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Anthony Bourdain, Avicii y otros famosos que se suicidaron | Del 1 al 5 | El Espectador - Duration: 3:05.

For more infomation >> Anthony Bourdain, Avicii y otros famosos que se suicidaron | Del 1 al 5 | El Espectador - Duration: 3:05.

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Traces of the Hand (손의 흔적) - Episode 13 [Eng Subs] | Korean Drama - Duration: 7:43.

For more infomation >> Traces of the Hand (손의 흔적) - Episode 13 [Eng Subs] | Korean Drama - Duration: 7:43.

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Escuchando Dragon Ball Super / Introducción: Presentando a Norihito Sumitomo - Duration: 8:32.

Hello, YouTube residents, I'm Dr. Bulma's Father.

¿Do you listen? It's soundtrack.

Dragon Ball Super music, to be precise.

Until today, I haven't found anyone talking about it in depth,

just roughly, and comparing it to other musical works from the franchise.

It's time for that to change.

I welcome you to this series, called

Listening Dragon Ball Super

where we will rewatch every single episode listening to the music,

checking the directors who choose to include it in each episode,

and giving a score to every episode only in function of its music.

My plan consists in watching every episode,

initialy one per week,

and sharing in my Twitter account every individual opinion using the hashtags

#DBSrewatch and #EscuchandoDBS.

The hashtag #DBSrewatch is being used by our partner DBanimators

while he reviews every episode of Dragon Ball Super

focusing on the animators, the storyboards and the direction.

He was my direct inspiration for this.

So, each time I publish an episode review,

I will use #DBSrewatch in english,

and #EscuchandoDBS in spanish.

Link to my Twitter account in the description.

Finally, when we conclude each arc or point of division,

I will join every score in a single video,

where I'll give my general opinion and a final score.

In this first video we will talk about history,

so If it's not your area of interest,

I invite you to wait for the next video.

But ¿who knows?

Maybe you will find this presentation more entertaining from what you expected.

Let's begin.

Listening Dragon Ball Super INTRODUCTION Enter Norihito Sumitomo

I present to you Norihito Sumitomo,

japanese composer born in 1964

who had his musicals studies in one of the most prestigious academies around the world,

Berklee College of Music.

His instrument is the saxophone,

which he used in a recording with the italian pianist,

What we're listening now is a track from said pianist

in which Sumitomo recorded the sax.

The great asian influence is not a coincidence,

for the keyboards and sintetizers are recorded by

Ryuichi Sakamoto, a well recognized japanese musician,

but he's not from who we're talking today.

I would invite you to hear the full Gianni Nocenzi collection,

but you don't imagine how hard was

finding this fantastic piece to me.

If someone, better researcher than me,

finds something and wish to share it in the comments bellow,

I will add it to the video description,

same description where I attached the link to the piece where listening

and the reference to the book Billboard which gave me this information.

Contrary from what we could think because of his nationality,

Norihito Sumitomo has a notorious presence in the western market,

acting in tours with the well known bassist,

Nathan East,

with Bob James, and more.

I include a video of Jack Lee and his band, Asianergy,

where Sumitomo plays an interesting instument called

His appearance in the anime industry began 10 years ago,

when Gainax entrusted him the soundtrack of

Shikabane Hime, Corpse Princess,

from which he composed the music for both seasons,

Aka and Kuro.

Also, he worked composing some tracks for the videogame

GRAN TURISMO 5.

Sumitomo is known for being responsable for the sound of

Professor Layton, for he is the arranger for most of

the tracks recorded by real bands.

This, added to some pieces from the movie Asura

and a brief colaboration in one iteration of Precure!,

is everything I could find about Sumitomo's

work in multimedias not related to Dragon Ball.

As always, I include in the description

Sumitomo's entries in

Anime News Network, and VGMdb.

In december 5th, 2012, Crunchyroll published an article

giving information about the upcoming Dragon Ball Z movie,

Battle of Gods.

This would be the first time Norihito Sumitomo

is mentioned alongside Dragon Ball in a western page,

and it didn't cause much commotion.

It wasn't any surprise that Shunsuke Kikuchi,

former composer for Dragon Ball and Dragon Ball Z,

retired since 2008, didn't compose for this movie,

so we expected to see another composed,

just like in Dragon Ball Kai.

In march 30th, 2013, made its arrival to theatres,

Doragon Boru Zetto, Kami to Kami (Dragon Ball Z, Battle of Gods)

The movie's music reception was mixed,

being considered by some too epic

for its use of choir, (something unusual in Dragon Ball),

or too electronic, maybe approaching the sound of some videogames,

for example the videogames featuring music by

Kenji Yamamoto (I have wishes to talk about him in depth some day).

Regardless of the audience reaction,

Sumitomo was here to stay,

for better or for worst.

And for worst was what many thought when

in april 6th, 2014, arrived to Japan the controversial

Dragon Ball Z Kai, The Last Chapters.

This series didn't get to the small screen with the right foot.

It's been heavily criticized for having a bad pacing,

for its color palette which damage the original work,

and, of course,

a soundtrack for many insatisfactory.

If you allow me to introduce some personal opinion in this presentation,

I will say the fault is on the series direction

and not in the music itself.

The soundtrack has some exceptional pieces,

in the same line of the best works made by Sumitomo for the franchise,

evertheless, there also a lot of electronic music,

not for everyone's taste, and used in some questionable ways,

situation we will see in future videos it happened

in Dragon Ball Super.

In april 18th, 2015, Japan watched

Doragon Boru Zetto, Fukkatsu no F (Dragon Ball Z, revival F),

and this marked the 3rd time Sumitomo worked in Dragon Ball.

The reception of the movie was, in general, positive.

In the soundtrack, we had similar works from those of

Battle of Gods and Kai.

We would listen a darker and more dramatic sound,

with a stronger presence of the choir,

and heavier electronic, and in general

a most aggresive sound compared to his previews works.

Only three months later, in jun 5th, 2015,

Dragon Ball Super started airing in Japan

and that's our cue to end for now.

Norihito Sumitomo is a musician with many years of experience

and great recognition in a not very loud circle.

It's interesting how Toei entrusted a so important franchise

as it is Dragon Ball to someone with

so little presence in soundtracks.

Although he has some begginings not for the taste of everyone,

it's sure to say that, by the end of Dragon Ball Super,

he already conquered the hearts of many of us.

Join to this travel, where we will learn a lot more about the japanese saxophonist,

we will identify the recurrent tropes of his music,

we will appreciate the directors who use the music the best,

and simply this will work as an excuse to watch Dragon Ball Super again.

That's all I have to say for now, but this is not the end,

for we will have many months to expand on this.

I estimate this series will have around 10 episodes.

I thank to you for your stay in this channel

and don't forget to follow the episode-to-episode

in my social network.

Greetings, and until next time!

For more infomation >> Escuchando Dragon Ball Super / Introducción: Presentando a Norihito Sumitomo - Duration: 8:32.

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Softtiles. Soft Tiles Cleaning. Soft Tile Flooring. Soft Wash Tile Roof. ♦DIY CAM♦ - Duration: 1:48.

Hello. With you, "Your country house." In this video, I'll tell you how it fits

starting shingles. First, apply the mastic, see

further we establish starting shingles leaving a gap on drippers with edge 10

millimeter look

further fix the ruff on the nails shingles

we showed you how the starting tile is installed

if you have any questions, write to us or Calling you was your document about everything.

till

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