Youtube daily Jun 8 2018

Google are busy at work on their new Android smartphones - the Pixel 3 and Pixel 3 XL.

These upcoming flagships will run the search engine giant's next mobile OS, Android P,

and could be unveiled at a major Google event in October.

And ahead of the phone being announced one of the world's most acclaimed leaks has

revealed shock information about the Google Pixel 3.

Industry insider Steve Hemmerstoffer, who runs the OnLeaks Twitter, has heard from his

sources specs for the upcoming Android flagship.

Hemmerstoffer claims the Pixel 3 and Pixel 3 XL will increase the handsets' display size

to 5.3inches and 6.2inches respectively.

This is a jump from the Pixel 2 and Pixel 2 XL's screen size of 5inches and 6inches.

Increasing the size of the Pixel 3 and Pixel 3 XL's displays will only make these devices

even bigger.

Forbes reported that while the Pixel 3 will slim down the bezels, it won't be anywhere

near as thin as the class leaders.

So it will be the largest 5inch phone on the market.

The Pixel 3 XL meanwhile has, according to leaked pictures, one of the tallest notches

ever seen and will allegedly keep the chin bezel.

So it could mean that the Pixel 3 XL is even bigger than the Pixel 2 XL.

In other news, it was claimed recently that Google are also working on a mid-range Pixel

3.

If Google follow previous release schedules, then the new range of Pixel 3 phones could

be unveiled in October.

The original Pixel and the Pixel 2 both had launch events in October with the release

date for the handset taking place the same month.

For more infomation >> Pixel 3 XL Leak reveals Android flagship could be biggest EVER Google smartphone ● Tech News ● #TECH - Duration: 2:23.

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Road to World Cup, Torreira: «In Russia grazie alla Sampdoria» - Duration: 6:10.

I think the World Cup is the most important thing for a football player,

with the way that we live and breathe this sport.

I'm truly passionate about football,

and for me the World Cup is the greatest stage, so I am very happy.

I watched all the World Cups as a kid.

The one which sticks out the most in my mind is 2010,

because of how well Uruguay did, coming in fourth place,

and playing really well over the tournament, bringing joy to all of us Uruguayans.

We're a small country – only three million inhabitants,

but we're mad about football. Despite being a small nation,

our footballing history is a proud one: we were the first to win a World Cup, in 1930,

and then we made history again in 1950, winning in Brazil.

We have a great past to live up to, and in Russia we'll try to make history again.

The news of my call-up, coming so soon before the start of the World Cup,

was an amazing feeling for me. As a footballer, pulling on the Uruguay shirt is an incredible thing.

Luckily it's come just in time for the World Cup,

and for my involvement in the warmup tournament in China,

from which I've come away very positive.

I hope I'll be able to play a great tournament, and help the team.

I think that I got this call-up thanks to my team, Sampdoria, too.

I've always said that what I do for my club will affect my hopes of playing international football,

and that's been the case. We had a great season playing together at Samp,

so I'd like to thank everyone for their help and support.

The fact that my Dad will also be going to Russia, his second World Cup,

to be a commentator for a radio station from my city, is a wonderful feeling too.

Seeing two people from the same family at the World Cup together will be a marvellous thing.

I have life and football to thank for special moments like this.

The national team had a great qualification campaign.

It had been a couple of times that Uruguay hadn't qualified directly,

and had been forced to qualify through play-offs, so it's a great step forward for us,

playing good football, putting in good performances and playing well at home,

against the big teams above all, which is important in South America, where as we all know there are plenty of strong teams and qualification is very hard.

We're arriving at this World Cup with bags of potential,

and great players who play key roles in some of the biggest clubs in Europe.

As I said before, it's a very strong team, with the best attackers in the world,

like Suarez and Cavani, a great defence, with Godin and Gimenez,

two big players for Atletico Madrid, Caceres of Lazio has had some great games,

and then a brand new midfield, with the arrivals of Valverde and Vecino,

who is doing very well with Inter, and Nahitan Nandes.

So, it's a really strong national team, and we're raring to have a great World Cup.

It's a very hard group, I always say that, because if these teams are in the World Cup,

that means they've been through a long qualification campaign, and have won big games to get here.

Plus, we know anything can happen during the tournament itself.

Things can take an unexpected turn, a team could play the game of their lives.

That's why it will be a hard group, as well as that we'll play Russia,

the host nation, which will be a huge challenge.

We will look to give it everything, and move forward one step at a time.

Our first match of the World Cup will be against Egypt, a strong side,

which has some great players, above all Salah, who I think is one of the best in the world.

So we'll need to play our game, prepare as well as possible and look for the win,

because with that first win in the bag everything else becomes much easier.

It will be an unusual World Cup, missing some iconic sides, particularly Italy,

a nation which is used to playing in the World Cup, and used to winning it too.

Italy will be missing this time, but there are still plenty of very strong teams I think,

like Argentina, France, Spain, Germany and Brazil, which are all contenders to win.

Then there will be us too, and we know we're a team that will always fight hard,

and is used to playing well, so as I said before, we've got a strong team,

with which we can do some great things in this World Cup.

For more infomation >> Road to World Cup, Torreira: «In Russia grazie alla Sampdoria» - Duration: 6:10.

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Roberto Firmino interview | "I had R9's haircut from 2002!" - Duration: 3:09.

For more infomation >> Roberto Firmino interview | "I had R9's haircut from 2002!" - Duration: 3:09.

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Bentley Continental GT 2019 بنتلي كونتيننتال جي تي - Duration: 15:35.

May Peace be upon you In the name of Allah

Of course, the doors are Soft Close

Let's start this beast!

12 cylinder engine

Here is the car key

Very elegant yet very simple!

Open, close, and the trunk

We can see the angles

Great key, it has a storage place

Don't forget the safety belt

140 km/h! Great acceleration!

Don't forget to subscribe and activate Notifications

May peace be upon you

Our Special Coverage episode today is in Katschberg, Austria

We have the all new Bentley Continental GT now in its 3rd generation

A Luxury sport coupe

Stay with us in this coverage! and let's start!

The guys kept the car's DNA

But in my opinion... the car is more beautiful than the previous generation

The most prominent exterior feature is the Chrystal-like headlights design

The car has a new lighting technology so that you don't need to use high beam

And the cars in front of you don't be affected by your lights

it reduces the glare and illuminates all the dead spots

to provide the best lighting possible

From the side...

The front and rear wheel arches kept the muscular design

with a prestigious stance

Especially when you look at the rear wheel arch from the side mirror

It looks really huge

To improve the car's performance, the front wheels were positioned 135 mm forward

This improved the car's performance especially on corners

The car's performance improved in general and its balance improved too

Front to rear weight distribution ratio is 55:45

We can see the number 12 on this vent to indicate the 12 cylinder engine

The car is available with 21" or 22" wheels

The car has the same brakes used on Porsche Panamera

10 front pistons and 4 rear pistons

Brakes size is 420 mm in the front and 380 mm in the rear

The car also has parking sensors and a backup camera

we can see the oval design of the rear lights

With Chrystal touches inside

Frankly speaking it looks better than the previous generation

You can open the trunk by pressing the "B" emblem

Cargo space is 358 liter

The car has a 6.0-litre, twin-turbocharged W12

Each of the turbochargers has double fans

The previous generation had twin-turbochargers but without double fans

This mighty engine generates 635 PS at 6.000 rpm

Maximum torque is 900 Nm

available from 1.350 to 4.500 rpm

These numbers are excellent for a W12 engine

Because you get the engine power at the lowest rpm

This engine consists of 294 parts

It's assembled by hand in 6.5 hours

A brand new gearbox was used in this car

A dual-clutch eight-speed automatic transmission

for faster, more efficient gear changes.

Fuel tank capacity is 90 liter

Urban fuel consumption is 17 l/100km

Extra-urban fuel consumption is 8.9 l/100km

Combined fuel consumption is 12.2 l/100km

And at low speeds a system shuts down 6 cylinders

with the engine running as a six-cylinder for improved efficiency

The car accelerates to 100 km/h in 3.7s

and on to a top speed of 333 km/h

Check its acceleration!

Th sound isolation is great but you can still hear the turbochargers sound

and the exhaust sound on sport mode, when you drop a gear

is melodic and explosive

One comment about the gearbox...

If you want an aggressive sporty performance then you'll find downshifting a bit slow

The "rpm" must be really low to downshift as you want

Driving Modes include;

Sport mode, pure sporty performance

The car sound changes, throttle response changes,

the gearbox shifts faster with a knocking sporty feel

The second driving mode, which I'm using now is "B" for Bentley

When you select this mode the car reads the street

It chooses the right settings to match my reactions and driving style

The 3rd mode is Comfort It affects the suspension system in particular

And finally "Custom" mode where you can choose the settings you want

If you want to change the suspension stiffness or something

The all new suspension system is way better than beore

In the previous generation, the car was very comfortable

with air suspension

Now the car is even more comfortable, with 60 per cent more air volume

The air volume increased inside the suspension system

And if you select "Sport" mode

The increased air volume provides more stiffness

Which provides a better sporty performance and reduces wiggling

One of the things Bentley guys did to improve the performance of this luxurious car

In case you wanted to drive the car aggressively on corners

What did they do?

They used anti-roll bars

with one actuator on the front and one on the rear

If the car wiggles the suspension rises right and left to balance the car

with no inclination to the right or left

They deliver up to 1,300 Nm of torque in 0.3 seconds

So even if you drive aggressively the car stays stable with sporty performance

Another system used to improve performance… It was used before on Bentley Continental Supersports

which I test-drove in its 2nd generation

is Torque Vectoring system

The car has All-Wheel-Drive System

Power delivery change according to driving mode but it's mainly split 40:60 between front and rear wheels

And torque delivery in sporty performance is mainly delivered to the rear wheels

to improve the car's performance on corners

Now, torque vectoring is activated automatically without any help from you

let's say I'm turning to the left and I'm speeding What does the computer do?

It delivers more power to the right-side wheels and applies light braking to the left-side wheels

So that the car can turn left easier

You just drive, enjoy your time and select the driving mode

The car has a central differential lock

Which controls power delivery between the front and rear axles

According to the driving mode selected and to driver behavior

This central differential lock works

It's all computerized, your help is not needed!

The car also has Launch Control system, very simple to operate

Full stop...

Left foot braking…

And full throttle

It works automatically

Let's accelerate!

140 km/h

For a heavy car like this, its acceleration is great!

The car is not light Its "dry weight" is 2244 kg

And it's 100 kg lighter than the previous generation

With this mighty engine, if they reduce the car's weight…

I guess it will achieve exceptional performance

But when I talked to the engineers

They explained that the car weight must be heavy

because this is not a pure sport car

This car is supposed be powerful and vey luxurious at the same time

The car's interior

Everything is all new here even the seats

Except for one part they took from the previous model

Which is the glovebox

and nothing else!

We can see the luxury of Bentley!

When you get inside you smell the leather scent

You can order 12-way seats or 20-way seats

Another type of seats comes with diamond stitching

712 stitches to be exact

The leather hides used in the car is stitched together with 2.8km of thread.

Every Bentley Continental GT's interior is sewn together

by 310,675 stitches

Some shocking electric facts;

Within the car, there are no less than 2,300 circuit boards

8km of wiring

92 electronic control units

You can imagine the complexity of wiring!

The car uses a new chassis the same one used for Porsche Panamera

What else is in common with Porsche Panamera ?

The front screen!

This is a 12.3 inch touchscreen

If the driver doesn't want to see this screen

With the touch of a button

You can hide the screen and reveal these 3 dials

And with another touch You can hide the 3 dials

And show the same veneer used on the tableau

without any screens or dials, for a change!

Let's show the screen, because I like it and I use the navigation system shown on the screen

and on the dashboard in front of the driver

The dials are all new and very distinctive

There are 2 sound-systems available;

Bang & Olufsen 1,500 W, 16-speaker system

and A Naim 2,200 W, 18-speaker system

Control buttons reminded me with the first generation of Porsche Panamera

All the buttons, heated & cooled seats, climate control Everything is here

and driving modes

This is a piano black surface when you touch a button

you find your fingerprints

You can use these 2 buttons to rise or lower the rear spoiler

The space in the rear seats depends on the position of the front seats

If they were pushed back the leg room would be tight

But you have a button here to open the window

There are speakers too, cup holders, and 2 power outlets

One of the new features in Bentley Continental GT

compared to the previous generation

At last, they added a head-up display that shows your speed

and the speed limit via the cameras that detect traffic signs

and of course the navigation system; go right, go left

all of these settings are projected in front of the driver

Driver Assistance Systems include;

Adaptive Cruise Control

rear sensors

a camera that detects traffic signs

Active Lane Assist

adaptive cruise control that adapts to the cars in front of you

to estimate the safe distance

These are standard features in Bentley cars No problem!

We reached the final part, my opinion of Bentley Continental GT

Bentley Motors Company is already famous for its extremely luxurious cars

It goes without saying!

In my opinion, The car is more beautiful from outside

and more beautiful from the inside

Performance improved, and fuel consumption improved too

In all aspects, the car has improved compared to the previous generation

What I wished they had done ...

The brakes are made of cast iron , they could have used carbon ceramic brakes

A heavy car needs powerful braking

The cars brakes are powerful and their performance is exceptional

But carbon ceramic brakes are more reliable

specially in high speed cornering

The driver would be more confident

The car will be available in Middle East by September 2018

All the cars that will be produced this year are already sold

The car's price in Middle East starts from 1.05 million AED

You will see it now in many currencies

Our coverage has ended for today, I hope you enjoyed it

If you have any questions or comments I'll be answering you personally on ArabGT.com

Towards an Arab Name Among Nations" with ArabGT

Godspeed!

For more infomation >> Bentley Continental GT 2019 بنتلي كونتيننتال جي تي - Duration: 15:35.

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Apple Motion Professional Training 27 - Animated Handwriting effect - Duration: 20:20.

My name is Stanislaw Robert Luberda with AV-Ultra and in this lesson

We're going to be talking about creating a hand write effect in Apple

Motion for your titles or logos what you're looking at right now is the little project I put together for

A buddy of mine named George who runs seed creative. in talking with him

I thought hey, you know what this be really cool to put together as a tutorial and he said, "Go for it, dude!"

So I thought hey, let's go ahead and put this together

in my example on AV-Ultra motion lesson

27 and you can see we have something very similar

I have just some text being revealed and I have some

calligraphy little Scrolls being built on and I have some text and then this

title design down here

If you take a look at my project you can see this is built up of several different things

we have a layer just

For our background, which I made into a drop zone if I wanted to I can replace this out pretty quickly

I have a separate group just for my camera and in my camera. I have a series of different behaviors. I have my

Flourishes clone layers, which are just clones of my side flourish

I have my elegant text that has a mask on it. I have my title design that has a behavior on it

And then I have some reveal groups which you can see are just white mats that I use to reveal this project

So let's go ahead and get started

If you open up AV ultra motion lesson 27 start

You're gonna see that we have our elegant text and I have these flourishes. This can be used for

Logos or any kind of text but there are some caveats that go along with this

The first caveat is as of right now

There's no way to write on or auto trace some of this stuff that we're going to be doing

We're actually going to be hand tracing out

Some of these items and we're going to talk about why that is a little bit later

the second part is there's no good way to publish this as a template and be able to change things out unless

It's just a basic text layer. Like we have at the very bottom where it shows up as title design something like that

We can go ahead and pull this out

But if we wanted it to animate on and hand that's not something that we're gonna be able to do automatically

So let's go ahead and get started with building out this lesson

The first thing we're gonna do is we're gonna turn off all of these different groups for right now

and the reason is I'm gonna go through the example and then we're gonna talk about how that's built out so you can see how

It's built and then we can keep going with the lesson

I'm gonna just grab my text tool and I'm gonna just write out fancy and for my fancy

I've opened up my text and I'm gonna go ahead and I'm gonna change that

Something pretty dark and we're gonna make this quite a bit bigger

I'm gonna Center this we're gonna make this pretty big and I'm gonna change this from edwardian to

English for your purposes if you don't have English you can really use any any font whatsoever

I'm choosing to use a little bit of cursive for right now

but you can use the same technique to reveal anything that you'd like whether it be a logo or a font the next thing I'm

Gonna do is I can see that there's a lot of space in between my letters

And what I want to do is I just want to connect them a little bit and that's a personal choice for me

So I'm just going to take my tracking and just pull that a little bit closer something like a minus

Six point five five percent I'm gonna grab that fancy and we're gonna put them in his own group

We're gonna close the main group now that I have my fancy we're gonna call this title

and I'm just going to Center him up the way that I'd like if you go to your library and you go to your

Behaviors you're gonna notice that you have a write on behavior

I should be able to just grab this write on behavior and drag it on to my

You'll notice that that's not working at all

And the reason for that is this write on behavior will only draw or erase the outline of a shape over time

Technically, these aren't shapes shapes are referred to as vector objects

So if I grab my pen tool and I make a circle around here and I go to my inspector and turn off the fill

And turn on the outline now

What I can do is I can grab my write on on that eze ei as I play through my timeline

You'll see that it will draw on

so what can we do to use this kind of write on behavior along with our

text I'm gonna zoom in on my

this here and I'm gonna create a new group and this new group is going to be called the

Text reveal in my text reveal

I'm gonna grab my pen tool and I'm just going to trace out this F in fancy

so I'm using my two tangents here get something pretty close and

to hold on to one tangent

I'm holding on to alt option

And I'm dragging out just one so that lets me control just one of these and I'm not being a hundred percent

Perfect with this because way that we're going to animate this over time

It doesn't necessarily matter for getting things. Absolutely

Perfect

And now that I have that I'm gonna click off of it and that's gonna create a shape I'm gonna go into my inspector

I'm gonna turn off that fill and I'm just gonna keep that outline and what I want to make sure of is that I'm covering

Most of that line as much as possible so you can see that it's not really covering it too much right here

So I'm gonna go to my width

I'm gonna bump that up just a little bit and now we're gonna do the same thing for the rest of this F

So I'm just gonna call this busy

Af1, I'm gonna go ahead and finish the rest of this F. I'm gonna click and drag just to get some tangents

And again, I'm just gonna get fairly close to what I want

So that way I can continue to work with my tangents and you'll notice that even I'm holding on to one

It's still moving both of them

and what I can do is I can right click on my

Tangent and I can break the handles what that will do is it lets me move each one individually

Click off so it makes a shape and I'm gonna rename him

F2 and we're gonna turn off his film leave his outline and I'm gonna turn him off right now just cuz he's in the way

Let's continue to make the rest of this F. So I'm dragging this out

I've got a circle here. So I'm going to make this tangent come up and then all the way down

so now I have my f1 my f2 and my

F3 I can see that it's not a hundred percent covering everything and that's okay for right now

What I'm gonna do is I'm gonna take this title

fancy and we're gonna right-click it and we're gonna add an image mask and

Now that I have this image mask, I'm gonna go ahead and put this text reveal right in there

Well change that

F3 will turn off that fill and you'll notice what happens when I turn off these fills

We have just the stroke it changes it into a brush stroke

Whereas if we have a fill it treats it like a shape layer

and now if I go to my library

I'm gonna go to my write on behavior and I'm gonna drag this on to my

F1 and you'll notice what happens in my timeline is it fills the entire timeline?

That's not what I want

And if I just shrink that down and I play this back well now we can see that this is revealing over time

So I'm gonna do that with the rest of my items really quick

I've animated my brush strokes coming on and now I can finesse this just a little bit more if you

Remember when I have my image mass. Ah

if I turn this on and off you can see that parts of it seem like they're cut off a little bit and the reason

For that is my texts reveal isn't covering everything completely

Well, how can I mitigate something like that?

if I go to my individual shaped strokes that we've created before and I go into my

Inspector the reason why we had to change this into an outline is because we wanted to just follow that path

but we also want to be able to animate and work with this stroke by default if it is a

solid outline you cannot access this stroke only the

Geometry, so I want to be able to adjust this stroke over time if I change my outline from solid to airbrush

Suddenly my stroke lights up and if we take a look at this it softens out just a little bit

So it looks a little bit more like an airbrush and that's fine for what we're doing right now

I'm gonna go to my stroke and under my stroke

We have a width over stroke. And if I twirl this down you can see we have this almost this mini

keyframed timeline across here and what this means is the

Scale from the very beginning of our stroke to the end is gonna change over time right now

It's just flat

so it's not going to change if I drag this down to say zero you can see it's very very thick and then it gets

Very thin same is true. If I go in the other directions I pump this up it's thinner here and then goes around there

It's a little hard to see so

Let me go ahead and turn off the main group so we can see that a little bit clearer

and I'm also gonna turn on my alpha overlay so I can see what's

solid and not solid

So now we've got a pretty good cover across I'm gonna do the same thing with my f2

We're gonna change it from outline to airbrush. We're gonna change this width over stroke and I'm clicking there to make a new. Keyframe

I'm just gonna double click in here. We want a little bit thicker right in through this area right in through here

And then again at the very end something to be aware of because we're revealing this whole word

We want some of our strokes to be a little bit thinner than others

So for example when we're coming around

This a or some of these characters that have very thin lines

We want to make sure that we can thin out some of that mask. Otherwise, we're gonna get bleed through over here

So as it reveals, it's gonna be really chunky and that's not what we want. I'm gonna go ahead and close this up

So we can just take a look at this

Reveal, so that's looking pretty good. I'm pretty happy with that. Now that we have those concepts

What I'm gonna do is I'm gonna get rid of this text reveal in this title

And we have our main group and in my main group

I've got my title design with my elegant and my side flourishes

if I open up elegant

you can see I've already got a mask layer in there and

That is in my reveal group

If you open up my word

You can see that I've actually traced out each individual letter and inside each individual letter. I've got that right on behavior

I just have it turned off

If I turn on this right on behavior turn that on for all of them and you see as I'm playing this back there all

Animating in at the same time and that's not necessarily what I want

For example, my a is going to start right away, but my L won't start till let's say that E is complete

So if I just turn off all of these layers and we just have our E

And I want to say it's going to take about

15 frames to draw out that e I'm gonna go into that right on behavior in that east stroke

I've already traced out and hit the letter O and what that means is it's gonna write on from there to there and right around

This time that's where the L is gonna start

so I'm gonna click on this write on behavior and hit I

And we'll go a little bit further with that and hit oh you can see I'm just kind of stacking these out one right after

the other

So, let's take a look at how that build on you can see that my East Arts just a little too soon

So I'm gonna give that a frame back

The next thing I want to do is I want to animate these flourishes to reveal over time as well

So I'm going to turn off this elegant just focusing on this

There's actually quite a lot of these on my screen if you if you take a look right now

And I'm eating all of these with that write on behavior is gonna get a little tedious

so it'd be great if I can just cut some of that work in half really what we're looking at is to

Clone layers of an original that I have here and that is my side flourishes

My side flourishes are just built with this flourish grass. And this trays dot both of these by the way are

Included in your library and content. So if you are looking for some of this stuff you can actually find that in here

I just grab some of these and plop them in here so we can do this lesson together

So everyone should be able to access the same material you'll notice that my flourish grass

Has an image mask and same with these tray dots in there. I can see in my reveal group

So if I want to animate this with that same write on behavior, I'm gonna follow that same concept

I'm not gonna do the whole thing

Just gonna do one of these and then you can see so the first thing I'm going to do is go to my reveal group

And we're gonna make a new shape and I'm just gonna draw this one out here

Then like that and

I'm gonna call this flourish one

And then the next thing I'm going to do just for our purposes is I'm just gonna make a big old box

We're gonna call this

Remainder reveal I'm just gonna turn that reveal group and turn off that word for right now in my flourish one that is again made

a fill by default

I just want it outlined and airbrushed and we're gonna go to that stroke change that with over stroke

Have it very very large at first and we're gonna use a it right on behavior one more time on that

Flourish one and we're gonna adjust the timing of it here

To about here so first that's gonna build on and then we're gonna take this

Rectangle I'm just gonna scoot it back

To about here and I'm gonna make a keyframe for the properties

I'm gonna go to the scale and I'm gonna put a keyframe on the X and the y and we'll go to about

three seconds and we're gonna scale that up really really big and the X and the y

I'm gonna turn that layer off and I'm just gonna group these to its own group and call it flourish reveal

So if I take this side flourish?

I'm going to add an image mask and we're going to use the image mask of that flourish reveal so over time

First we have that stroke and then we should have that rectangle

Come out and reveal all the rest of it

So if I turn on that rectangle again real quick, we should be able to see it expand over time

I'm just going to turn that off so we don't necessarily see it

And now that I have this side flourish, and I actually just hit the letter K and make a clone of him

We're gonna turn off the original side flourish. I'm going to click on side flourish again and hit K one more time

so now we have two clones what I'm going to do with clone two and clone three is I'm gonna take clone three

And we're gonna change the Y rotation to 180

so basically now we have the

opposite and if I drag this over to this side turn on my elegant text so we can kind of lay things out a little

Bit better I play this back

Line the however, I want Center that out

now that we have all that animating on let's go ahead and animate this title design and what we're gonna do with this is a

simple text

Sequence behavior and we're just gonna have this rotate in I'm gonna drag that rotate in we're gonna go in the inspector

Open up the controls and we're going to change the spread to one

We're gonna change the animate to words and let's just make sure that this isn't going to take too long

Take that rotate in and we'll trim it down to about four seconds

So now as that kind of plays in should have the word title

rotate in and then design

The next thing we're gonna do is we're gonna add a camera to create that nice movement that we saw in our example

I'm gonna go ahead and I'm going to change this to draft quality and quarter quality for right now

We are gonna be working with a bit of depth of field

The next thing we're gonna do is add a camera and right away

We're gonna put him in his own group and you'll notice if I move my camera around right now

It's not doing anything because my layers are still in

2d now something really interesting is gonna happen here if I change my main group to a

3d layer check out what happened to my clone layer, it totally disappeared. So how do we get around that?

I'm gonna change this back into a 2d layer

and if I regroup this and I make this into a 3d layer now my camera will work and I'll still have my

clone layers

So effectively what we're doing is we're flattening out all those different items in the main group into its own

two-dimensional

composition

that's just a nice easy way if you have things that are working kind of funny try just

Grouping it and then working with a little bit more do the way that the layer stack and consolidate down

That's really gonna help you out. The next thing we're gonna do is add a behavior

And this one we're gonna add a framing behavior, and I don't want my framing behavior to take up the whole time

so we're gonna go to the one second mark and hit I and go to the four second mark and hit o and so if

I go to the beginning just want to be able to see where this e is coming in for our framing

We're gonna put Group one right into that. You're gonna see it's gonna zoom out quite a bit

That's because Group one is very very large right now

So if I go back to my framing and I go to my framing offset

we're just gonna change this Z to about zero and we're gonna change our X to about

fifty and if I go before my framing behavior now

I can start working with my camera to line it up a little bit better

I'm going to zoom in on that letter E

and the reason why we put it in its own group is so that way we can rotate it and control it just a little

bit more than we could before so if I scale this group down and I

rotate this a little bit more and I have a little bit more control then I didn't have

previously

Go back to my group

And we're using the group and the camera controls to give us a kind of

Movement that we can't normally get when we just have the camera by itself

So now if I have this start up and see that our frame behavior kicks in and because we scale that, you know

we're gonna have to change that frame behavior a little bit if I play this back we're gonna change how that

animates on by changing our path offset so halfway through

Now we have this elegant title design come in

So we're gonna just take this at the very beginning and we'll stretch out our framing behavior

Maybe a little bit here. So as this kind of draws on

We can follow that again. I'm just gonna work with that path offset a little bit

Will change this position and rotation time to about 60%

And we can finesse this any which way that we choose for me that's looking pretty good

The only other thing I'm going to change is this transition to an ease both

So it's just a little bit smoother as it comes in

The last thing I'm going to add is a bit of a depth of field. So we're gonna go to our behaviors camera movement and

Focus for our focus we want to take our main group and drop them in there

And for this we're gonna have to make sure we have our depth of field turn on

So make sure you have your depth of field turned on. Let's go to half res and

Normal, and we want to focus this just towards the end when things coming in to frame

So I'm just scooting my focus towards the end of that framing behavior and at the very beginning of my timeline

I'm gonna open up my camera and it's depth of field. We're gonna change this focus offset and this near focus

Crank it up my fire focus my focus offset

So that way as soon as it starts building out things start getting into focus

And again, if with this framing behavior, we can just fine-tune that a little bit more instead of orient current

orient to final and

There we go. So that's a way that you can animate your own handwriting or

Logos and really reveal whatever you'd like whether that be flourishes or like little touches to lower thirds

Again, my name is Stanislaw Robert Luberda with AV-Ultra. Hopefully you found this useful and i'll see you next time

Thanks a lot for watching

For more infomation >> Apple Motion Professional Training 27 - Animated Handwriting effect - Duration: 20:20.

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Sớm Chồng - Thu mỹ | Sáng Tác: Vũ Quốc Việt (MV OFFICIAL) - Duration: 5:18.

For more infomation >> Sớm Chồng - Thu mỹ | Sáng Tác: Vũ Quốc Việt (MV OFFICIAL) - Duration: 5:18.

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How to start a bonsai tree collection - Cotoneaster part 3 by mikbonsai - Duration: 8:04.

Hello everyone and today we are going to

be looking at a Cottonester which is

part of How to Start a Bonsai Tree Collection.

So stay tuned.

Hey it's me Iqbal Khan, if you have not yet

subscribed to mikbonsai then click the

subscribe button and hit the bell icon to

subscribe and receive notifications as I

upload new videos.

Hi folks here is the Cotoneaster that was started from a

cutting, its coming along quite nicely

and if you haven't seen the part 1 & 2

of How to Start a Bonsai Tree Collection

I will put the link up on the info cards

on the top right hand corner of this video.

I am now going to start cleaning up

the top of the pot. There are a few weeds

which have crept in since we last worked

on it, so I'll quickly remove these and

then we'll carry on and work on the top

of the tree.

Right we are now going to add

to the cleaned up bought a few chicken

pallets and that is the fertiliser that I use.

Well having added the chicken pallets I am

now going to top up these with some fresh

bonsai soil which happens to be

Cat litter.

I have cleaned the pot of all the weeds

and debris and also added some

chicken pallets and topped it up with

bonsai soil in this instance it is the

cat litter that I use.

I did wire the trunk to give it this shape

and I am now going to remove the wire

and the wire is quite thick and the easiest way

to remove it is by cutting it with a wire

cutter, so I am going to use one of these.

This is the first loop and I am pressing

the wire cutter against the trunk and

we will just cut right through the wire

and it just comes off, it's just sitting

there and I'll remove it with this pair

of tweezers. There we are that's the first

part of the wire which has just been

removed and we'll go down the tree

repeating this, cutting one loop at a

time. This is the next loop and I'm going

to cut there and you'll see it fall off

there we are that's the second of the

loops which I've just cut.

At the bottom of the tree and I'm continuing

removing these wires by cutting them.

Here's the next bit and as you can see

it just falls off and the last is the bit where its

coming out of the soil.

Right I'll just use these Tweezers to

pick them up and that's the fastest way

of taking the wire off.

You can't risk recycle it as it's been

cut, but it does work and it's very quick

and we'll pull out this wire which

was buried in the soil.

These leaves are too close to the trunk

and also they're going from the bottom

of this branch here, so I'm going to

remove that, any growth which is so close

to the trunk makes the tree look very

young and juvenile so such

growth should be removed.

And gradually I will work my way up the tree.

This is a new growth so I am going to

grow that into a branch and this is too

close to the lower branch so and this we

will take out.

I'm going to leave this branch

and also leave that and here

there are too many branches coming from

the same point so I'm going to reduce

some of these and in doing so I'll just

have a quick look as to what's happening

here so this is growing upward so we

will remove that and then we've got

these two and we will remove this one

and let this branch grow and

we will wire it to go about 90 degrees

to the left.

I'm going to leave the small branches

and see what happens when they grow

longer and if I can use them I

will if not and they'll be removed at a

later stage

but this branch is coming off.

This branch I'm going to remove now

and the growth very close to the trunk,

that will be removed as well there's another

branch trying to come out at the back

so that I can remove it my fingers its very

very small and will allow this to grow

and it will be wired up and then up here

we are going to shorten these, up here I am

going to remove this branch as its going

straight up, so we'll reduce it in height

to about there.

This growth is very close to the

trunk and there are too many branches so

I am going to remove these branches and

it's very very small and too close to

the trunk and we don't need a branch there,

so that's come out and will do the

same thing with this one here

and it is another one at the back which

I can use my fingers to remove and

again anything too close to the trunk

should also come off so I'll remove that

use the scissors and same thing with this

one here.

The apex is very very top-heavy

compared to the rest of the tree so I am

going to prune it and reduce these

branches at the top quite considerably.

I have worked on the crown and the apex

and thinned it where the branches were

growing into each other and hopefully

it's a bit lighter at the top and not

more compact so that's where I'm going

to leave the apex at

moving down the tree I have wired

this branch here I'm going to use the

same wire to wire this branch in the

opposite direction and they will be moved

in different directions so we will

quickly finish this part

right so that's the tree after we have finished working

on it and I'll give it a quick turn

that's the lack of the tree and that's

where we started. I will have to give the

tree a turn as it sits in the benches

because at the moment all the growth is

going towards the front and I'll make

sure that that happens from now onwards

right folks that was the Cotonester

which was grown from a cutting and is

going to be part of my How to Start a

Bonsai Tree Collection and you will see

these trees develop over the years and

I'll be doing regular updates.

Thanks for watching.

This is Iqbal Khan for mikbonsai

in West London, until the next time.

and now for the after thought

Two flies are playing football in

a saucer and one says to the other

make an effort we are

playing in the cup tomorrow.

You dig !

For more infomation >> How to start a bonsai tree collection - Cotoneaster part 3 by mikbonsai - Duration: 8:04.

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Sonam Kapoor Childhood - Rare Unseen Childhood Pictures Of Bollywood Actress Sonam Kapoor - Duration: 3:28.

Subscribe For More Upcoming Videos

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चुलीवरची गावरान वांग्याची भाजी - Gavran Style Vangyachi Bhaji - Aloo Baingan Sabji Recipe - Archana - Duration: 4:47.

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2018 Modified Striping Yamaha R25 Black Green Lime Ducati | Mich Motorcycle - Duration: 2:06.

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Vital Gear (ヴァイタルギア) (JP) (iOS / Android) Gameplay - Duration: 17:46.

A policeman

Agavege

A policeman

I'll give it a strange game

Eat at Hoshino Genki

Decision version

Are you calling?

Do it anyway

I'm hungry

Rice ball is a new gym?

I am bored of getting tired of becoming a coward.

Everyone

Is it still not?

Beyond any trials

A dream like a zombie is dream

Animal cutting paper

Metroid

Urugamanda

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Wheels On The Bus Song | Color Scooter For Kids | Fun Learning - Duration: 31:17.

The wheels on the bus go round and round.

round and round. round and round.

The wheels on the bus go round and round, all through the town!

The wipers on the bus go swish, swish,swish.

swish, swish, swish. swish, swish, swish.

The wipers on the bus go swish, swish,swish, all through the town!

The horn on the bus goes beep, beep, beep.

beep, beep beep. beep, beep, beep.

The horn on the bus goes beep, beep, beep. all through the town!

The babies on the bus go waa waa waa.

waa waa waa. waa waa waa.

The babies on the bus go waa waa waa, all through the town!

The mommies on the bus go shh shh shh.

shh shh shh. shh shh shh.

The mommies on the bus go shh shh shh, all through the town!

The wheels on the bus go round and round.

round and round. round and round.

The wheels on the bus go round and round, all through the town!

One little, two little, three little numbers four little, five little, six little numbers

seven little, eight little, nine little numbers ten little numbers...

One...

Two..

Three..

Four little numbers...

Five...

Six...

Seven...

Eight little numbers...

Nine...

Ten...

Ten...

Ten little numbers…

One little, two little, three little numbers four little, five little, six little numbers

seven little, eight little, nine little numbers ten little numbers...

One...

Two..

Three..

Four little numbers...

Five...

Six...

Seven...

Eight little numbers...

Nine...

Ten...

Ten...

Ten little numbers…

For more infomation >> Wheels On The Bus Song | Color Scooter For Kids | Fun Learning - Duration: 31:17.

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Color Bikes With Superheroes | Children Education | Fun Color Learning Cartoon | 10 Little Numbers - Duration: 21:02.

One little, two little, three little numbers

four little, five little, six little numbers

seven little, eight little, nine little numbers

ten little numbers...

One...

Two..

Three..

Four little numbers...

Five...

Six...

Seven...

Eight little numbers...

Nine...

Ten...

Ten...

Ten little numbers…

One little, two little, three little numbers

four little, five little, six little numbers

seven little, eight little, nine little numbers

ten little numbers...

One...

Two..

Three..

Four little numbers...

Five...

Six...

Seven...

Eight little numbers...

Nine...

Ten...

Ten...

Ten little numbers…

The wheels on the bus go round and round. round and round, round and round.

The wheels on the bus go round and round, all through the town!

The wipers on the bus go swish, swish,swish. swish, swish, swish, swish, swish, swish.

The wipers on the bus go swish, swish,swish, all through the town!

The horn on the bus goes beep, beep, beep. beep, beep beep, beep, beep, beep.

The horn on the bus goes beep, beep, beep. all through the town!

The babies on the bus go waa waa waa. waa waa waa,waa waa waa.

The babies on the bus go waa waa waa, all through the town!

The mommies on the bus go shh shh shh. shh shh shh, shh shh shh.

The mommies on the bus go shh shh shh, all through the town!

The wheels on the bus go round and round. round and round, round and round.

The wheels on the bus go round and round, all through the town!

For more infomation >> Color Bikes With Superheroes | Children Education | Fun Color Learning Cartoon | 10 Little Numbers - Duration: 21:02.

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Những Ca Khúc Bolero Trữ tình Hay Nhất 2018| Nhạc Trữ Tình Bolero Chọn lọc Nghe Là Nghiền - Duration: 48:04.

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Ramadan Special | Dr Zakir Naik Bangla Lecture | Episode 13 | 2018 [Re-Upload] - Duration: 17:52.

AK Computer Network

Have Done This Video

For more infomation >> Ramadan Special | Dr Zakir Naik Bangla Lecture | Episode 13 | 2018 [Re-Upload] - Duration: 17:52.

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✅ Un grillino al G7, ma con l'aereo blu. Ma Conte promette, "d'ora in poi aerei di linea..." - Duration: 2:03.

ROMA – Il presidente del Consiglio Giuseppe Conte è giunto questa notte a Charlevoix in Quebec, Canada, dove oggi e domani prenderà parte al G7

[App di Blitzquotidiano, gratis, clicca qui,- Ladyblitz clicca qui –Cronaca Oggi, App on Google Play] E' giunto ovviamente in aereo, purtroppo però quello di Stato, non l'aereo di linea

E' lo stesso staff 5 Stelle che si è premurato di diffondere la precisazione: ci hanno provato fino all'ultimo ma un posto non l'hanno trovato e quindi si sono dovuti rassegnare all'utilizzo dell'esecrato "aereo blu"

Purtroppo perché si è dovuto a malincuore rinunciare a una photo opportunity di impatto addirittura globale, altro che il bus del presidente della Camera Roberto Fico, o del taxi dello stesso Conte (al primo tentativo però se ne tornò a casa con la sua bella Jaguar): il nuovo premier di un vero governo del cambiamento che viaggia come tutti i comuni mortali, vuoi mettere che schiaffo morale alla anacronistica elite mondiale riunita per il G7

Ci tengono a precisare anche, sempre dallo staff, che l'aereo non è quello che per semplicità chiameremo Air Force Renzi

"Quello che hanno preso tutti i presidenti del Consiglio prima di lui", prova a minimizzare il deputato dem Michele Anzaldi

Ma la questione è tutt'altro che conclusa: "Per le prossime volte, soprattutto nelle tratte più brevi, Conte prenderà i voli di linea", assicurano dallo staff governativo