Thứ Tư, 15 tháng 8, 2018

Youtube daily Aug 15 2018

Richie Sambora Maga Lifestyle | 2018

For more infomation >> Richie Sambora Maga Lifestyle | 2018 - Duration: 8:13.

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Didier Drogba laughs after Petr Cech responds to fan who criticised his distribution - Duration: 2:59.

It quickly became clear on Sunday that playing out of the back isn't Petr Cech's forte

The Arsenal goalkeeper came very close to scoring an embarrassing own goal after he was placed under pressure during the Gunners' 2-0 defeat to Manchester City

It wasn't the only time that Arsenal looked uncomfortable as they tried to initiate moves from the back

Manchester City's high press caused them all sorts of problems and there was a rapturous applause inside the Emirates Stadium when Cech told his teammates to push upwards and he played the ball long

Cech's near-own goal prompted a response from Bundesliga club Bayer Leverkusen that didn't sit too well with the Arsenal 'keeper

Leverkusen wrote on Twitter: "We might know a guy…", before sharing a video of Bernd Leno starting a move that resulted in a goal during his time at Bayer

"In case you all were wondering how to play out of the back…", Leverkusen captioned the video

Cech wasn't at all pleased.He accused the German outfit of lacking "fair competition, professionalism and sportsmanship" in a scathing tweet

Bayer apologised to Cech but the 36-year-old's response still attracted a lot of attention from fans who felt that he had taken the tweets too seriously

One fan even felt that it was rich for Cech to talk about professionalism."Professionalism? How can you talk about professionalism when you haven't improved your distribution after nearly two decades of training? You've embarrassed yourself, your club and the supporters," Twitter user @registability wrote

Cech wasn't having any of it."Maybe try to google what professionalism really means…" he hit back

Didier Drogba, Cech's former teammate at Chelsea, was enjoying it all.He replied to Cech with four crying-with-laughter emojis

Cech's performance against Man City prompted a discussion into whether he deserves to be the No

1 at the Emirates Stadium.Unai Emery spent £22 million to sign Leno and it may not be long before we see him between the sticks

For more infomation >> Didier Drogba laughs after Petr Cech responds to fan who criticised his distribution - Duration: 2:59.

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How to enable incognito mode in YouTube app for YouTube privacy - Duration: 1:14.

If you don't want YouTube to save the record of the videos which you have watched or if

you don't want YouTube app to recommend the videos based on the videos which you have

watched in YouTube then you have to always use YouTube in incognito mode.

For that one what you will do is you will go ahead and open YouTube.

Now tap on this icon here at the top.

If you want to view YouTube app in incognito mode you have to always sign in to YouTube

and select an account.

So, once you are signed into the YouTube app, tap on this profile picture icon and select

"turn on incognito".

Now once you turn the incognito mode what ever videos which you watch in YouTube app,

YouTube won't keep the record of the videos.

So, this is how you can watch YouTube app in incognito mode for private browsing.

For more infomation >> How to enable incognito mode in YouTube app for YouTube privacy - Duration: 1:14.

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Yurtdışına nasıl KOLAY geldim? Kimden Danışmanlık aldım? Danışmanlık şirketi ne yapar?Takipçi sorusu - Duration: 11:39.

For more infomation >> Yurtdışına nasıl KOLAY geldim? Kimden Danışmanlık aldım? Danışmanlık şirketi ne yapar?Takipçi sorusu - Duration: 11:39.

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Yes, Libraries have e-Books! But it's, uh, complicated. - Duration: 8:57.

It all starts with a question: How come whenever I want to check out an e-book from the local

library, there always seems to be tons of holds on it?

Can't they just press control+C a bunch of times?

My name's Peter, and this is stacks and facts.

[intro music]

So. I like reading books.

I like getting lost in a good story, and I like how when I'm reading, the world just

kind of vanishes for a bit and time gets a little... flexible -- like when I'm on a

flight from one place to another, and the experience is otherwise not great.

And to be honest, I'm not super fussed about the book's form, as much as I am about having

access to the book in the first place.

So while I -- obviously -- enjoy experiencing a physical, printed book, in a pinch e-book

is fine.

Sometimes, it's actually what I prefer.

But.

E-Books -- that is, books that are stored and delivered electronically -- present some

unique challenges to how you and I experience them.

And it all comes down to the fact that e-books are digital objects, not physical.

Sure, we may read an e-book on a device of some sort, but the e-book itself is just a

series of bits: ones and zeros encoded onto a hard drive or into memory, and converted

with software to an image, sound, or tactile input and presented to us through an interface.

E-Books, like most digital objects -- think apps, music, and movies -- have a few constraints

that tend to not apply to *physical* objects.

I already mentioned the big one: that the user has to have access to a device if they're

going to consume it.

But they're also subject to different laws.

That's because rather than being your physical property that you can hold with your hands

and *do with what you please*, they are the intellectual property of the authors and publishers

who create them.

This is is not so different from a physical book -- while you may own *the object* that

is the book, the words contained within it are still the intellectual property of the

author or publisher.

That's why you can't just go around photocopying your books and then selling the photocopies

to your friends, without infringing on copyright.

But, you *can* take your physical book, and lend or give it to whomever you want.

This is thanks to what's known as the "First Sale doctrine" in the United States, or

the concept of "exhaustion" in other places.

The general idea is that when a *copyright holder* sells a copy of their work, the buyer

is buying the object, and the rights, to sell, display, or otherwise dispose of it however

they see fit.

The original copyright holder has thus exhausted their rights to the book.

Not to the *intellectual* property -- the story or contents that are printed in the

book -- but the *physical* property -- the paper, ink, and other materials that the book

is made of.

This concept is the backbone of how libraries work.

Once a book is given or sold to a library, the library owns it, and can do whatever it

wants with it (within the bounds of copyright law, of course) without having to pay royalties

or fees to the publisher or author.

Now, since e-books aren't physical objects, you might be starting to see why they're

a little bit stickier.

And because governments have been generally terrible at understanding and legislating

technology, there is no "first sale" equivalent, exactly, for digital information -- which

is a disservice to consumers, and to publishers and authors.

I don't want to veer too much off topic, but many of us first saw this manifest in

a big way in the late 90's and early 2000's when the Recording Industry Association of

America sued literally thousands of people, and Napster, for illegally distributing MP3's.

But that's a whole 'nother video.

Once I make it, I'll put a link to it here so you can find it if you're watching this

video after I've uploaded it!

But if you don't see a link to it, now is a great opportunity for you to click the subscribe

button below if you're pickin' up what I'm puttin' down.

And you can click the bell right next to it, to get notifications whenever I upload a new

video!

So, go ahead.

Make my day.

Please?

So, how do e-books work?

When you buy an e-book from Amazon, you aren't actually buying the book, but a license *to

use* the book.

You're paying for access, but that access is tightly controlled: you can only view it

by logging into your Amazon account on a device that runs Kindle Software.

That software is responsible for 1) downloading the book, 2) verifying that you are who you

are, 3) verifying that you are a licensee for that book, and 4) decoding and presenting

the file that has the book's content.

This is all known as Digital Rights Management, or DRM, and it's how copyright holders maintain

control over their intellectual property in an environment where it's otherwise really

easy to make a copy of something.

And y'know, it makes a lot of sense that this is how Amazon manages their e-books.

At the end of the day, it's in their best interest financially to control their intellectual

property.

Although I couldn't find numbers (corporate secrets being what they are), I feel confident

enough saying this because they make enough money from e-books that they release a new

physical Kindle device almost yearly.

This is mainly because once they're written and the file is created, e-books have almost

no overhead compared to printed books.

But.

The way that they, and other publishers, license e-books makes it difficult and incredibly

expensive for libraries to acquire them.

And it's important to note that the terms of *my* license with Amazon are very different

from the terms of a library's license with publishers.

Now, *my* license specifically says that it's for my personal use only, and that I'm not

allowed to give it to anyone else, unless I loan it through Kindle to other Kindle users,

then my access is temporarily taken away and granted to them instead.

This is okay, but it limits who I can loan my books to: Namely, I can only loan them

to folks who use Kindle, but not to folks who use any of the other e-reader platforms

out there.

And I can't choose to give the license away for good -- say, to my local library, or a

friend, or a school -- if I decide that I just don't want it anymore.

So when libraries license e-books from publishers, they buy their own license that *allows* for

loaning out -- and these tend to look very different from the licenses that folks like

you and me get.

The biggest difference is that I presumably get to keep the license for as long as Amazon

is in business and can provide it to me.

But when libraries buy licenses from publishers, oftentimes they have some form of expiration

built in, which is automatically enforced with DRM.

Once the license expires, the library loses access to the book and can't loan it out

anymore, without buying a new licence.

So after a specified period of time has passed, or after a book has been loaned out a certain

number of times, the license is exhausted and the library either buys it again -- or

gives up access.

And the thing about the licenses that publishers sell to libraries is that they're… expensive.

Like, really, really expensive.

While you and I might be able to buy an e-book for 8.99 off of Amazon, a library might pay

nearly 10 times that amount, especially if it's a new book or a best seller.

This, my friends, is why the library never seems to have the e-book (or audiobook) version

of what I want available when I want it: They're way more expensive, and they expire.

And it's not because it's more expensive to make an e-book for a library than it is

for an individual; it's because publishers are worried that if libraries offered e-books

more readily, people would stop buying them.

Not unlike how the RIAA was afraid that illegally shared MP3's would be the downfall of record

labels everywhere.

They weren't.

Spoilers

Now, I understand where the fear comes from… kind of.

It makes sense to think that given the choice between getting something for free and paying

for something, folks would opt for the free option.

And a lot of people do -- e-books are incredibly popular with library patrons.

But the thing is, people like owning stuff, too.

I love owning stuff! See for example:

[capitalism ditty]

After peaking in popularity around 2014/2015, e-book sales have been down while print book

sales have been going up.

So what if publishers *re-imagined* the purpose of e-books in libraries?

Instead of seeing them as competition to sales of e-books, what if they were seen more as

marketing tools?

Publishers could get creative with how they license e-books, getting more eyeballs on

pages before the books come out, and generating buzz.

Maybe they could work with libraries to offer something like, "enjoyed this book?

Use this link on the last page to buy your own copy for $4!" as a way to both increase

sales for those who want a copy to keep, AND to drive folks to go to the library and build

some goodwill with the folks who know their community's wants and needs the best.

The Libraries. I'm talking about libraries.

Wouldn't that be great?

Now of course I'm just spitballing ideas here, y'all-- but it's because I want to get across the

idea that, if publishers take the time and think about how they could work WITH libraries

to serve communities, rather than seeing them as a competitor -- they might end up doing

some good for themselves, too.

Libraries create readers, readers make more money over their lifetimes, and that money

gets spent on books, so publishers have something to gain from getting creative.

But enough from me -- what ideas do you have?

How do you think publishers can change their pricing model in a way that's good for them,

and for libraries?

If you're a librarian, how would you feel about libraries facilitating something like

discount codes at the end of e-books?

And if you're a publisher or work for one, or maybe if you're an author,

what would make you feel more comfortable working with libraries directly?

Let me know in the comments below, or tweet at me -- @StacksEtFacts.

As always, thanks very much for watching my video!

Be sure to subscribe if you haven't and you like what I'm putting down,

and until next time -- don't forget to ask questions.

Ok bye!

[outro music]

For more infomation >> Yes, Libraries have e-Books! But it's, uh, complicated. - Duration: 8:57.

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Chal Hat Remix Song! Outdoor Dance - Duration: 1:20.

Subscribe Please

For more infomation >> Chal Hat Remix Song! Outdoor Dance - Duration: 1:20.

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強直性脊椎炎治理 專題 - 陳柏滔 風濕病科專科醫生@FindDoc.com - Duration: 1:26.

For more infomation >> 強直性脊椎炎治理 專題 - 陳柏滔 風濕病科專科醫生@FindDoc.com - Duration: 1:26.

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Former Formula One champion Fernando Alonso to retire at season end - Duration: 4:32.

For more infomation >> Former Formula One champion Fernando Alonso to retire at season end - Duration: 4:32.

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Winners of primaries for statewide offices, other Congressional districts | Local News - Duration: 4:39.

For more infomation >> Winners of primaries for statewide offices, other Congressional districts | Local News - Duration: 4:39.

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Astros' offense a no-show as home skid reaches nine - Duration: 5:51.

For more infomation >> Astros' offense a no-show as home skid reaches nine - Duration: 5:51.

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Big-serving Kyrgios saves match point to beat Kudla - Duration: 3:14.

For more infomation >> Big-serving Kyrgios saves match point to beat Kudla - Duration: 3:14.

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Lake Oswego falls one step short of LL World Series final - Duration: 1:58.

For more infomation >> Lake Oswego falls one step short of LL World Series final - Duration: 1:58.

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House Cleaner Has No Class! WARNING - ANGELA BROWN RANT - Duration: 7:59.

What do you do if your house cleaner has no class?

We're going to talk about that today.

Hi, there. I'm Angela Brown and this is Ask a House Cleaner.

This is a show where you get to ask a house cleaning question

and I get to help you find an answer.

Now today's show is brought to us by Savvy Cleaner Training which is a maid and house

cleaner training and certification.

And this particular show, Ask a House cleaner, is produced by

and created by Savvy Cleaner Training.

So you're getting free training right now from Savvy Cleaner Training to help you grow

your cleaning business.

All right, onto today's show which is from a house cleaner who has this question.

And I might mention that if you have a question for the show, you can go to AskaHouseCleaner.com

In the corner, there's a little blue button.

You just click on that button and it's like a cell phone opens up and you just start recording,

and then it sends it to me here at the show.

And if you'd rather send an email, you can send it to Angela@AskaHouseCleaner.com

Both of those will get to me here at the show.

Now, this is from a homeowner who wrote into the show, and I would like to read you her

email because there are a lot of disconcerting ideas in here, and I want you to pay attention

to this.

I'm going to read it so I don't miss anything.

She says: "Hi, Angela.

I'm sorry for writing my question instead of recording it.

I'm not a native speaker and I have a heavy accent.

I had a house cleaner at my house yesterday and she was quite rude.

She started by telling me that I should buy new linens and a new carpet because they are

inferior quality and that my washing machine is small and I should demand my landlord buys

me a bigger one, even though she wasn't supposed to do laundry.

She ended up telling me that I'm a lazy mess because I need a house cleaner, even though

I work from home.

And then she asked me how much I earn monthly.

My first instinct was to fire her then and there, but I didn't want to be the bad guy,

so I asked her to concentrate on her work and I paid her once she was done.

How can one manage such situations?"

Okay, well, first of all, your English is spectacular.

Second of all, I'm ready to punch a house cleaner right in the nose.

This is not how we treat customers.

The fact that she came to your house and she made you feel inferior and she asked how much

money you make and she said that the quality of your stuff was inferior, I would not have

let her stay the next few minutes to clean.

I would have been the bad guy, and I would have said, "I'm sorry, but we're not a good

fit for each other.

Have a pleasant day," and I would have sent her out the door on her way.

Because this is your home.

You're the homeowner.

This is your private space that brings you hope and happiness.

Your home is a place of refuge.

It is a safe place.

And so when you come home, you want to fall in love with the space that you're in, even

if you work from your own home and you need someone else to come in and help you fall

in love with it all over again.

But this is your private domain.

And if someone else comes in and they make you feel less than, that person does not belong

in your home.

Here's my philosophy on that.

In your home, if it's good enough for you, it is good enough for you.

And if someone else comes in and it is not good enough for them, they need to get out.

They do not belong.

They do not belong in a place that is not good enough for them.

If they come and they make you feel inferior, they do not belong as your house cleaner.

I would fire her immediately.

Now for all of the house cleaners that are out there, I would like to say something to you.

When you go to a customer's house, you have the privilege of changing someone's life.

You get to go in, and because of your expertise, because of what you've been trained to see,

you're going to see dust and you're going to see things that need to be clean.

That means you know your job.

But when you go in and you see it, that doesn't mean you need to bring it to the customer's attention.

We've had house cleaners that go in with a white glove, and they run it across the tops

of the doors, and then in disgust, they're like, "You had a house cleaner in the past?"

Okay, that is snooty and that is arrogant, and there is no place for that in a customer's home.

The customer knows they have dust.

That's why they've hired you.

If you go into the customer's house and they are apologetic and they say,

"Oh, I'm so sorry my house is a mess,"

"Not a problem. That's what I do. That's why you called me."

It makes perfect sense, right?

And so you just treat it like yeah, it's an everyday thing.

Guess what?

It is an everyday thing.

Every day you go into people's houses and they have dust and they have dog poop and

they have grime and they have mold and all kinds of stuff, but we get paid to clean that up.

That is our job.

We chose to do that.

And for most of the house cleaners I know, nobody is forcing them to clean houses.

People go into the house cleaning business because, check it out, they want to.

They choose to be a house cleaner.

You don't get to choose to be a house cleaner, and then go into someone else's house and

make them feel inferior.

You do not get to do that.

That is not how you win friends and influence people.

Now there's a homeowner who is afraid to hire another house cleaner because she feels like

she is not good enough.

Whoever you are house cleaner out there, shame on you.

Shame on you.

That is not how you treat customers.

And if you do treat customers like that, you are not going to be in business very long.

Now I don't mean to get upset about this, but I have news for you.

We're all human.

We all have the same basic needs.

Your customer is not better than you.

They are not inferior than you.

We are the same.

We were created by the same creator.

We have the same emotions.

We have the same basic needs in life.

We are the same.

It doesn't matter what all the differentiating things are that our society would make us believe.

We are the same.

When you go into someone's house, you need to come from a place of love and understanding,

because that is the only way that you're going to stay in business.

Now back to the homeowner who had this really horrible experience.

I hope this doesn't taint you from hiring another house cleaner, because I know some

amazing house cleaners, and they are there to make your life better.

And they want to see you as a home business owner succeed in your business, because if

you succeed in your business, that means they stay in business because you have money to

pay them.

They want to make your house beautiful and they want you to focus on your business.

And that is what you deserve.

Your home is a safe place and it needs to be a safe place that you have created with

the best of whatever you have or the lack of whatever you have.

It doesn't matter.

The stuff that we have doesn't matter, because stuff comes and goes.

And when our life is over, it's the legacy we've left behind.

It's not the stuff.

We don't get to take any of the stuff with us.

So yes, it's great to have stuff, and you get to clean it and dust it and all those things,

but you don't take any of it with you when you leave.

All you take with you is the person you have become.

So enjoy your private space, homeowner.

And whoever your house cleaner is, please replace her immediately.

It's not you being the bad guy.

It's you doing what is right for your home.

All righty, that's my rant. And until we meet again,

leave the world a cleaner place than when you found it.

For more infomation >> House Cleaner Has No Class! WARNING - ANGELA BROWN RANT - Duration: 7:59.

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Lake Oswego falls to USA East in semifinals of Little League Softball World Series, 6-4 - Duration: 2:15.

For more infomation >> Lake Oswego falls to USA East in semifinals of Little League Softball World Series, 6-4 - Duration: 2:15.

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Cincinnati Open: Nick Kyrgios forgets his tennis shoes in locker room - Duration: 2:19.

For more infomation >> Cincinnati Open: Nick Kyrgios forgets his tennis shoes in locker room - Duration: 2:19.

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How to Deal with Float Room Humidity - DSP 261 - Duration: 12:35.

>>Graham: Alright, welcome everybody, I actually just recorded that intro with sound clips

from Ashkahn, so I didn't need him in the studio which is good, 'cause he is not here.

So I Graham.

>>Jake: And I'm Jake.

>>Graham: And Ashkahn is off planning the float conference for August 18th and 19th

and in the meantime we're going to tackle some construction questions.

And today's is, "what is the best way to deal with humidity in float rooms?"

>>Jake: Well, that's a tough one actually because we're kind of at odds with ourselves.

We want to build a soundproof box but then we put a float tank in there, which just gives

off a lot of humidity, we let people shower -

>>Graham: Yeah showers - >>Jake: In this room, just gives off ton of

humidity.

So in an ideal world, of course, zero penetrations, no door even.

>>Graham: Yeah, yeah yeah.

Cask of Amontillado style just brick the floater into the room when they go in there, just

solid - >>Jake: That's high quality service.

That's good service.

I would float in that place.

Anyways, though, what it comes down to is we have to put some kind of penetrations in

the room.

Be that for HVAC, are we doing a central, forced air system?

Or, are we putting in exhaust fans?

Or both actually, is what we have have at Float On.

So, we are pulling, you know, couple hundred CFMs, that's how exhaust fans are rated, cubic

feet per minute.

We're running a couple hundred CFM fan in those rooms and ours are pretty much running

24 hours a day.

I've seen a few float centers incorporate moisture sensors where the fan is only turning

off and on when the showers are actually running, but those tend to be running all the time

just because the humidity that you're getting from the tank.

And the humidity that you're getting form the tank is kind of dependent on what type

of tank you have.

If you have an enclosed cabin style tank, you're going to get less humidity through

the whole room than you do for - >>Graham: An open pool -

>>Jake: Yeah, an open pool.

>>Graham: Like our two big open pools definitely generate just the craziest amount of humidity.

>>Jake: I mean, we're not going to keep that room at 95 degrees, 96 degrees.

That's unbearable so we're gonna get the greenhouse effect all the time, no matter what that water

is always evaporating right into your space and you gotta get it out of your space, or

else it's going to destroy your space.

You're going to end up with mold and mildew, you're gonna end up damaging those very, very

expensive soundproofing materials.

>>Graham: And so just to hop in and kind of reiterate what an annoyance this is for a

float tank center.

You don't see a lot of sound studios out there that just have a shower in the sound studio,

so when the drummer gets really sweaty they can just hop in and shower off, you know and

then you have to deal with, sound studios and a lot of there materials made for soundproofing

are made for that and not really designed with waterproofing and the need to vent this

huge amount of moisture.

>>Jake: Often, very porous materials as well, it's a problem for humidity.

>>Graham: Nor do you see like the need to really soundproof a big public pool area,

right?

So, a lot of the waterproofing materials aren't made for soundproofing, conversely.

And it's just this area where float tanks are a little bit special and unique and where

extra care has to be taken because you are essentially just puncturing giant holes in

your soundproofing so you can get rid of the massive amount of humidity we generate.

>>Jake: We're at this weird crossroads of recording studio and steam room.

>>Graham: Yeah, so I'm just thinking of dozens and dozens of hours of trying to think through

this and figure out the best ways to deal with it ourselves.

So yeah, it's not an easy thing to deal with, the humidity because, specifically, of the

soundproofing and this mashup.

Anyway, go on, I didn't mean to - >>Jake: No, no, no, yeah.

There are some options, you know, that you can do to kind of cut down that noise.

One of them being maybe an inline blower motor instead of actually having the fan motor mounted

in the ceiling within the room.

Or, even keeping that blower motor clean, over time as dust starts to build up on it,

it starts to develop almost this white noise sounds that you don't realize until the fan

is actually off.

Or, if it's installed poorly, if a contractor installs this fan and she ends up putting

it too close to the edges and all of a sudden it's reverberating the ducts within your room,

that's gonna resonate through, that's gonna make some noise for sure.

So again, it's always coming down to the installer and how well they're doing with your space

or yourself, how well you're doing with your space.

What are else we looking at for humidity control?

>>Graham: I mean, air exchange is a big one and I guess the typical way that you'll accomplish,

well, so getting the humid air out - >>Jake: Right.

>>Graham: Is one thing.

Pumping fresh air in is another part of it.

>>Jake: Yeah.

>>Graham: And then the other one is things like air conditioners, you know when you have

the coolant in the air that'll actually naturally dehumidify as it gets sucked through the system.

And you do need to make sure that you probably have an air conditioning system that has humidity

and humidity control built into it.

>>Jake: And something to keep in mind from the beginning, where is that condensate pump

going to be located?

You're going to be pulling a lot of moisture out of those float rooms.

We have central air at Float On, our pump is running all the time.

Always pulling humidity out and that needs to be drained somewhere so just keeping that

in mind from step one as well.

>>Graham: Yep, and we just drain ours into our sink, right?

>>Jake: Yeah, it goes into our utility sink because of the afterthought, you know what

I mean?

>>Graham: Yeah, yeah because we hadn't planned from the beginning -

>>Jake: Yeah, the contractor never said anything and they're like, "Oh, yeah and you're gonna

need this pump" and I'm like, well where is that gonna drain to?

And they're like "Uh" and I'm like okay, we have a communication problem here.

>>Graham: As far as like the far side of HVAC contractors not understanding exactly how

much humidity is getting pulled out of the air, I think sometimes of the sheets of ice

that were forming inside of our central blower area.

And just the humidity that was being pulled out and then getting pulled into the main

system was then freezing in the sheets of ice which were falling down from the system

and crashing.

It just sounded like something horribly wrong going on inside there.

And yeah, so we had to put in more controls for that.

If you're not planning on the humidity, the sheer volume of humidity that we generate

day after day then it can wear on both your soundproofing and your ducting.

>>Jake: Yeah, and your duct work, like making sure that they understand how much humidity

there is going to be because those ducts need to be slanted appropriately.

You don't want any water pooling in any of your duct work, that's were things like mold

and mildew start to grow within there.

So making sure you have good drainage plans, another -

>>Graham: And that can work at odds too with flex ducting which is also what you want for

soundproofing, as far as soundproofing solutions.

>>Jake: Everything's a trade-off.

>>Graham: Yeah, so and then there's another soundproofing one, at least on the little

areas where you're crossing over your walls, do a little decoupling.

You know, even if you're using rigid ducting for the rest of it, have just a little piece

of flex ducting that goes over your walls, or what we do is once we go kind of up into

our ceiling, anything that's up in there is flex ducting.

And then anything that's actually surface mounted down in our lobby or hallways or anything

is all rigid.

And that's pretty common as well, but that is if you just have rigid duct going through,

again you can just imagine sounds waves hitting that rigid duct and traveling throughout your

entire space and amplifying and so it kind of makes sense just intuitively that flex

duct is a little better at that.

>>Jake: I think it's also worth jumping back to the need for fresh air in your space.

So, if you have central forced air that's pulling in fresh air all the time.

You know, they say there should be a certain gap under your door to pull fresh air into

the room.

Well, that's, again, at odds with what we're trying to do, we're putting door bottoms on

- >>Graham: Yeah, we want to brick people into

the rooms.

>>Jake: Yeah, like - >>Graham: Gap under the door, what are you

talking about?

>>Jake: So you can see some challenges.

We've seen a few people that had mini-pump systems, heat pump systems.

Our mini-splits, and they are required to bring in fresh air because that's only handling

the air actually within the rooms and so the air then becomes stale and then that's uncomfortable

for your clients.

>>Graham: Yeah and so the, just to describe it really briefly, a heat pump system for

those of you who aren't familiar you don't actually really have these rigid duct systems

going throughout your space to heat and cool it, you have tiny coolant pipes.

And just through thermodynamics and how heat is exchanged between coolant and compressed

and expanded, you're able to reverse the flow in the heat pump and either use that same

coolant to heat or cool an area.

>>Jake: Very efficient systems, but they lack that fresh air.

>>Graham: But yeah, because they only have coolant lines going through, it's not supplying

fresh air.

So although initially you're like, "Oh great, I don't have to puncture holes in things!"

You still do have to go back and puncture holes to get the fresh air in there so, every

system has this requirement for, essentially making sure you're not just suffocating or

oxygen depriving your customers while they're in their float room.

>>Jake: Yeah, and you want them to be comfortable, you know.

When we're thinking about this humidity we're not just -

>>Graham: Right, comfort and not killing.

>>Jake: Not killing, so definitely that.

I mean, I'm not sure which one comes first, but for what it's worth, both of them are

on that list.

We want it to be comfortable for our clients in those rooms as well, when the humidity

climbs up that relative humidity it becomes very uncomfortable for your clients, it's

hard to breathe.

When you have 50, 40% relative humidity is where we kind of try to keep it, but of course

it spike when you're opening doors and everything.

You know, 83 degrees feels like 83 degrees.

When you start climbing up that spectrum and all of a sudden you're at 90% relative humidity,

83 degrees can feel like you're in the 90s -

>>Graham: It's like 2000 degrees.

>>Jake: It's insane, like it's completely uncomfortable and you're flop sweating as

you're trying to like tie your shoes or something like that.

So comfort for your clients as well I think is a big factor and controlling the humidity

within your space.

>>Graham: Yeah, yeah, yeah, yeah, for sure.

If you haven't looked at it, look at relative humidity and perceived temperature.

>>Jake: Oh, its crazy.

>>Graham: And take a look at the scale, it kind of blew my mind when I started researching

this stuff like - >>Jake: But it makes sense, like you feel

these things, you know, like "Oh, that's strange" you always hear like, oh it's the humidity

'cause like Minnesota, man.

>>Graham: Yeah I'd take a dry heat over a humid heat, but it's scientific we -

>>Jake: I prefer no heat, that's why I live in the Pacific Northwest.

>>Graham: And it has to do with our cooling mechanism as human beings, too.

It's just we sweat to cool ourselves off, so the higher the humidity the less our sweat

is actually doing.

And when you're at 100 humidity, in fact our built in cooling mechanism is doing almost

nothing, so it's really easy to overheat.

>>Jake: Dangerous.

>>Graham: Yeah.

So again, kind of nerdy little humidity - >>Jake: Don't kill your clients, right?

>>Graham: Yeah, don't kill you're clients, keep them comfortable in some sort of order.

And, yeah is that about it for ventilation?

>>Jake: Yeah, I think so, yeah, as far as like pulling the humidity out of the rooms,

you're going to get spikes in the rest of your place, too, but -

>>Graham: Yep, so some things to consider again, and no matter what system you go with,

just bear in mind that this is a balance that has to be considered.

How are you going to soundproof it?

This is a discussion you should be having with your HVAC person and it's probably going

to involve, again, fans a little removed, things like using flex duct instead of solid

duct, you might hear things like HVAC boots, kind of big heavy things you attach to the

duct to stop them from vibrating for the rigid ducting.

All of these should be discussions that you're having, you might talk about dead vents, which

we won't go into now, that might be a topic for a different episode.

>>Jake: And talking about this stuff in the beginning, when you're actually writing up

bids because you don't want to be doing this after the fact.

That's where change orders come in, that's where a bid all of a sudden starts to climb

in price very, very quickly.

>>Graham: Yeah, and make sure that your contractor know too exactly how much humidity you're

dealing with.

You'll be doing 2 showers every hour, hour and a half, two hours, something like that,

probably - >>Jake: 2 showers right after each other when

you're changing clients.

>>Graham: Yup, so you know, maybe a shower every hour or more on average and that you're

tank is going to be putting off humidity for every room, make sure they really comprehend

the sheer volume of humidity that your center will be generating and that they're planning

their system accordingly.

>>Jake: And if you're curious to know how your center is performing, like once this

is started, or if you have one that's up and running now.

Hygrometers, you can mount those in your rooms, and they'll tell you the humidity.

>>Graham: You should say hygrometers.

>>Jake: Hygrometer.

>>Graham: With a "g" not a "d".

>>Jake: With a "g", that's right, hygrometers.

And then they'll let you know what you're relative humidity is within that space, so

we rock that at Float On.

>>Graham: Yeah, and you can see it spike during floats inside the float tank, you can see

it vent out when we kind of kick on our main system a little bit heavier in between floats

to really vent everything out.

And yeah, it's interesting data to look at.

>>Jake: It's fun to nerd out.

>>Graham: Yeah.

>>Jake: It's cool stuff to look at.

>>Graham: It's fun to nerd out, for sure and if you have questions of your own, head on

over to FloatTankSolutions.com/podcast.

>>Jake: Thank you.

>>Graham: Thanks everybody.

For more infomation >> How to Deal with Float Room Humidity - DSP 261 - Duration: 12:35.

-------------------------------------------

HOW TO Make A Hot Wire Cutter - Part 1: A Lesson Of Nichrome Temperature Tuning #tech #DIY - Duration: 4:54.

For a future project, I will need to make a hot wire cutter, that will give me a cutting

temperature of 160 degrees celsius.

And as always, let's see if we can figure out how to make one, recycling only parts

I already have!

According to the Jacobs online Nichrome wire application calculator,

40 centimeters of 25 Gauge nichrome wire submitted to 5 volts should give me exactly the 160

degrees celsius I need...

So, time to let the magic happen!

That face when you are yet again confronted with the limitations of your own brain

Alright, that did not go as planned...

Maybe the screw eyes offer too much cooling surface...

Maybe I messed up the estimation of my nichrome gauge...

Maybe I should use nichrome wire and not ribbon...

Maybe she's born with it,

So many questions for a confused mind, that I will try to answer next time...

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