Thứ Sáu, 16 tháng 2, 2018

Youtube daily Feb 16 2018

Home this was for the holiday like the holiday season it was 70 $80 79, but let's take a look at what it has three speakers three speakers guys 3 speakers and it here is the cover the speaker cover

Hey guys it's little Josh Minecraft and today we are doing a Google home unboxing

For more infomation >> Google Home Unboxing - Duration: 9:37.

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Bruce Wayne Meets Arthur Curry (Aquaman) Scene | Justice League (2017) CLIP (+Subtitles) - Duration: 3:39.

BRUCE: I'm asking for your help.

I believe there is a stranger who comes to this village from the sea.

He comes in the winter when the people are hungry and brings fish.

He comes on the king tide.

That was last night.

Icebergs in the harbor, four months since the last ship got through.

Well, this stranger doesn't come by ship.

There are enemies coming from far away.

I need warriors.

I'm building an alliance to defend ourselves.

Look, I'll give you $25,000 to talk to this man right now.

-Outside.

Tell me what those three boxes are and I'll make it $30,000.

You should get out.

Can you at least point me to Atlantis?

Arthur Curry.

Also known as Protector of the Oceans.

The Aquaman.

I hear you can talk to fish.

ARTHUR: So let me get this straight.

You do it dressed like a bat? Like an actual bat?

It's worked for 20 years in Gotham.

Oh, that shithole.

When the fight comes, we'll need you.

-Don't count on it, Batman.

'Cause I don't like you coming here,

digging into my business and getting into my life.

People from Atlantis tell me, "Do this."

Now you say, "Do that."

-I wanna be left alone. -Is that why you help

these people out here in the middle of nowhere?

'Cause you can just leave?

I help them 'cause no one else does.

If you want to protect them, you need to work with me.

"Strong man is strongest alone."

You ever heard that?

That's not a saying.

That's the opposite of what the saying is.

Yeah.

Doesn't mean I'm wrong.

You ever hear of Superman?

He died fighting next to me.

My point exactly.

What's in the three boxes?

It's ancient history.

What is it?

Mankind's melting the polar ice caps,

destroying the ecosystem. They got it coming?

Hey, I don't mind if the oceans rise.

How about if they boil?

Dressed like a bat.

You're out of your mind, Bruce Wayne.

Doesn't mean I'm wrong.

For more infomation >> Bruce Wayne Meets Arthur Curry (Aquaman) Scene | Justice League (2017) CLIP (+Subtitles) - Duration: 3:39.

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Woman charged in road rage shooting - Duration: 1:37.

For more infomation >> Woman charged in road rage shooting - Duration: 1:37.

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Fast and Furious 9 New Trailer (2018) - Fast and Furious 9 Official Trailer - Vin Diesel - Duration: 3:13.

WorldTrend Entertainment

For more infomation >> Fast and Furious 9 New Trailer (2018) - Fast and Furious 9 Official Trailer - Vin Diesel - Duration: 3:13.

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It's Spectacular Easy Way To Grow Aloe Vera Plant At Home! - Duration: 3:03.

It's impossible to deny the positive effect that plants have on people and the environments they're in.

There are an infinite amount of plants you could choose to have in your home,

but one of them deserves special consideration

aloe vera it's pretty is useful as a first aid kit and easy to grow in

today's video we'll show you how you can grow aloe vera at home and tell you all

about its health benefits there are hundreds of species of aloe vera but

we're going to talk about lace aloe and Sao Paulo

both of these have big thick leaves and their natural components are very

medicinal according to a study performed by nasa aloe vera is great at purifying

the air and absorbing toxic substances in the environment and as if that wasn't

enough this plant has several medicinal uses with its antiseptic and

antibacterial properties aloe vera can be used to cure cuts scratches or bug

bites since it quickly repairs the epidermis tissue it can also be used to

treat burns its natural gel is able to renew and hydrate your skin improve its

elasticity and keep away wrinkles the gel is also prescribed to people with

psoriasis pruritus or eczema its natural fiber relief scolds and tones your

digestive tract when used regularly it can treat irritable bowel syndrome

ulcers gastritis swelling and heartburn after learning some more about its

benefits you're probably asking yourself how you can plant aloe vera at home

since its really resistant and doesn't need a lot of attention it's really easy

to grow find the sunniest part of your home preferably outside if you don't

have a garden or yard you can use a balcony or windowsill the most important

part is for the aloe plant to get as much Sun as possible buy a big pot

because aloe vera grows quickly and has strong roots you can use the soil sold

at gardening stores you don't even need to buy

plant or seeds just find someone with a plant and ask them for one of the leaves

with a few roots and you're set water the plant once or twice a month only if

you live in a very dry climate a lavera almost doesn't need any water so be

careful not to soak the dirt always water your plant at the beginning of the

morning 10 a.m. or at the end of the afternoon 4 p.m. when the Sun isn't as strong.

For more infomation >> It's Spectacular Easy Way To Grow Aloe Vera Plant At Home! - Duration: 3:03.

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Manchester firefighters train for ice rescues - Duration: 1:36.

For more infomation >> Manchester firefighters train for ice rescues - Duration: 1:36.

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Red Sparrow Movie Review - Duration: 8:30.

At first it seems like Red Sparrow

is a modern day Alfred Hitchcock movie!

For more infomation >> Red Sparrow Movie Review - Duration: 8:30.

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10 SURPRISING THINGS THAT HURT YOUR HEART! HEALTH TIPS 2018 - Duration: 5:07.

surprising things that hurt your heart get the heart facts you know that a bad

diet and too little exercise can hurt your ticker but there are lots of sneaky

sources of heart disease that you may not be aware of

here are some you need to know about and heart smart steps to help you keep

healthy dental problems need extra motivation to brush and floss every day

people with gum disease are more likely to have heart disease too the connection

isn't clear but some experts think bacteria from your gums may move into

your bloodstream leading to inflammation of the blood vessels and other heart

problems see your dentist every six months for check-ups make an appointment

right away if you spot redness or soreness on your gums or changes in your

teeth shift work working at night or irregular hours raises your risk of a

heart attack according to a recent study from Western University in Canada

researchers say shift work has a bad impact on the body's circadian rhythm

aka your internal clock and they think that harms your heart so if you don't

work regular day hours take extra steps to lower your risk of heart disease get

exercise eat a balanced diet and see your doctor for regular check-ups

traffic delays anyone who's ever been stuck in bumper-to-bumper traffic will

tell you it's stressful that may be why research links spending a single hour in

traffic to higher odds of having a heart attack high noise levels like the kind

you hear on a freeway are also linked to heart disease if you can't avoid

traveling during rush hour squash stress by listening to relaxing

music or share the write and chat with your fellow passenger early menopause if

you're a woman and you go into menopause before you turn 46 your odds of having a

heart attack or stroke may be twice as high as those who go through it later a

drop in estrogen a hormone with ticker friendly effects

may play a role ask your doctor to test you for heart disease risk factors like

high cholesterol snoring if your partner says you regularly snore or you sound

like you're gasping for air while sleeping see your doctor you might have

a serious condition called apnea it can happen when your airway is partially

blocked and it causes you to have causes in your breathing the disorder is linked

to high blood pressure and irregular heartbeat strokes and heart failure

treatments can help you breathe easier and lower your risk for heart disease to

hepatitis C if you have this liver infection you're more likely to have low

cholesterol and low blood pressure than people who don't have the disease but

even so you still have a higher risk of heart disease researchers think Hep C

may cause inflammation of the Botes cells and tissues including those in the

heart work closely with your doctor to keep tabs on any heart symptoms not

getting good sleep when you routinely get less than 6 hours of shut-eye a

night you raise your risk of higher blood pressure and cholesterol it

increases the odds you will become obese and get diabetes - both of which can

hurt your heart that doesn't mean you should sleep your way through the day

when you spend more than nine hours horizontal on a regular basis it raises

your odds of getting diabetes and having a stroke major risk factors for heart

disease baby your brain body and heart aim for seven to nine hours of slumber a

night an unhappy marriage a good match makes your heart happy and healthy older

adults who are content in their unions have a lower risk of heart disease than

those who aren't according to a recent study from Michigan State University the

likely cost stress when you're stressed you're more

likely to make bad diet choices and do other things that can hurt your ticker

like drink too much alcohol what's more stress hormones may have a

negative effect on the heart so consider seeing a couples therapist

or clergy member together if your marriage isn't a happy one loneliness

when you spend time with loved ones it's wort stress and helps you stay

active lonely folks may be more likely to have heart disease if you're not near

family or close friends get connected by helping someone in need or adopt a dog

or cat volunteers and dog owners might

For more infomation >> 10 SURPRISING THINGS THAT HURT YOUR HEART! HEALTH TIPS 2018 - Duration: 5:07.

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Behind the Scenes of Race Ratings: The Candidate Interview - Duration: 4:49.

Oh, hello!

Welcome to the Inside Elections enclave of Roll Call's world headquarters.

I know it's hard to believe, but this is where the magic happens.

The dirty secret about political handicapping is that there isn't a magic formula to the ratings.

At times it can be more of an art than a science.

Don't get me wrong, there's a quantitative side where we digest polling and analyze past

election results.

But there's a human side to the reporting as well.

One of my favorite parts of my job is getting to meet with candidates.

It's an opportunity to learn more about them, from them.

It's better than just reading about them online.

It's cool to meet with candidates before they get elected and before they even get

to the national stage.

But I realize that meeting with reporters can be intimidating for candidates, particularly

when my former boss and friend Stu Rothenberg had a reputation for a loud bark.

He's really not that way in real life.

So I thought it might be helpful to demystify the candidate interview process for those

of you considering a run for office or who are just interested in what happens behind closed doors.

Here we are outside Roll Call's offices downtown, near the White House.

On your way in, on a warm day, you can glance at BLT and you might be able to catch a member

of the president's team having a nice lunch.

Be careful though, because if you overshoot the building, you'll end up at the New York Times.

Once you're in the lobby, you're gonna have to check in with security.

Then I'm gonna have to come down, it might take me a few minutes to get here, because

I'm usually on a very important phone call or I'm working on a breaking news story.

So I always know when a candidate is about to come in because Nathan breaks away from

reading whatever Seahawks blog occupies his time, and he goes to the closet.

It's a very Mr. Rogers thing.

Usually he dresses like an 8th grader but he has to go to the closet and get his jacket

so that he looks more professional.

Up on the second floor, we'll search far and wide for an open conference room.

Now, make sure you don't bring a large entourage because we won't have enough chairs and

we'll assume you can't take care of yourself.

But the best-case scenario is that we'll have the grand conference room, which is large

enough to seat a small village of people.

Now, by this time you should've read Six Things Losing Candidates Say, because if you

don't, you risk saying one of those things and we will burst out into laughter during

the interview.

These candidate interviews won't just be with me.

Also in on the meetings will be my Inside Elections colleague Leah Askarinam,

and Simone Pathe or Bridget Bowman from Roll Call, depending on which state your from.

Then we will give you

business cards.

There will also be a Roll Call photographer.

Thomas is great, but just ignore him.

Your job is to act natural while there is a camera in your face.

Now, if you can't pass this test, you probably aren't cut out for Congress.

The roadmap of the interview is pretty straight-forward.

I'll start with a funny joke.

Then we'll walk about your bio, past professional experience, other elected offices and other races.

So Nathan starts with the same joke every time.

He says, "Let's start with the tough questions.

What's your date of birth?"

And then he looks around to see if anyone is laughing and everyone just smiles.

Alright, now we start with the difficult questions — what's your date of birth?

It's not only a great joke but it's an important first question.

Three candidates in 17 years have refused to answer and two of them lost.

One of them won.

But I don't want to mention him by name.

From there, we'll talk about the current campaign including your top issues, your consulting

team, fundraising, and your path to victory.

You know what, in order to make this easier for you, why don't we go ahead and list

all the questions for you.

The truth is that if you think those questions are scary, you're probably not going to

survive a competitive campaign.

Now, at the end of the interview, I usually end with another hilarious joke and then we'll

be on our way.

As we walk to the elevators, I'll probably try to find a random connection to your district.

Maybe my college roommate's cousin used to live there.

Then you'll be on your own to go downstairs.

Just pay attention to who you're riding down with because it might be one of our colleagues.

Well, that's about it — the candidate interview.

I hope that helps a little bit.

And come by and see us.

We look forward to meeting with you just before you become programmed with all your talking points.

For more infomation >> Behind the Scenes of Race Ratings: The Candidate Interview - Duration: 4:49.

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B2B sales in Russia and the USA: key differences - Duration: 34:09.

Alexey Pelevin CEO and founder of Pravo.ru

For more infomation >> B2B sales in Russia and the USA: key differences - Duration: 34:09.

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Fishing with Joe Bucher! Season 30 Episode 06 - Duration: 21:23.

(slow groove guitar music)

- [Joe] Welcome to this week's show.

Inside this episode, we feature

three separate topics and conditions.

In segment one, VRP Evinrude Outboard's

regional sales director, Luke Sweet,

joins me on an early summer muskie outing.

After that, I'm crankbait and jerkbait fishing

a tightly-schooled group of bass

over a clump of milfoil weeds

on a cold, misty, overcast day.

Finally, Rich Belanger from St. Croix

joins me on a mid-August, still,

overcast afternoon, and some super-exciting

topwater muskie fishing.

It's all coming up, so

stick around for the action.

(rock music)

- [Spokesman] Fishing with Joe Bucher

is brought to you by Recon boats,

made by craftsmen, built for fishermen.

Evinrude, E-TEC, G2, the outboard

that changed everything.

St. Croix, best rods on earth.

Yeti, built for the wild.

Joe Bucher Outdoors, still number one

in big game fishing products,

and by your Wisconsin Chevy dealers.

(rock music)

- Hey folks, welcome to our muskie episode.

We've got Luke Sweet from Evinrude.

Great seeing you on the show.

Regional sales director for Evinrude, and

also regional sales director for Muskie Temple.

(both men laugh)

It's funny, Luke and I are out here

on our first muskie voyage together, and

you've been a hunter

and fisherman your whole life.

You're just talking about elk hunting

and all this other stuff.

You're a big-time outdoorsman, and you guys

make fantastic products, and we're out here

just having fun trying to catch a muskie,

and we're raising a few, right?

- We've raised probably a dozen fish

already today, so.

- It's been pretty good, but

we kind of tweaked the retrieval a little bit,

didn't we?

- Yeah, you talk about changing the tempo

a little bit, give it a little burst

of speed, let it back down.

Give it a little burst of speed.

I tried that the second time,

and we hooked up.

- Folks.

- And she came right up out of the water.

- Oh yeah, I'll tell you what,

that was some fantastic, and wait till you see

this, folks, the way this fish jumps,

but it just goes to show you, you've seen it

on my TV show many times, where I talk about

do not get too rhythmic, you know.

Whether you're working on a jerkbait,

whether you're working a topwater lure,

whether you're working the spinner,

do not get too rhythmic, 'cause if you get

too rhythmic, they follow.

But.

- Change it up a little bit.

- Change it up a little bit,

and look what happens.

(rock music)

You know, so that fish is coming on it,

it, that's what gets them to go.

- You guys are tuning me up, I'm practicing.

- Oh, you're doing it, man,

you're doing it.

- [Camera Man] He cast it a mile.

- Yeah, he's, I just

fish?

- Uh, no.

- Fish, fish!

We're in, we're yeah!

- Whoa.

- Hey!

- Game on, game on, game on.

The burst worked, Chris.

The burst worked.

- There we go.

- Nice job, too, huh?

What do you think, Chris?

Luke's got a good fish on here.

Oh, it's a battler, man.

Watch her, watch that troller motor, now.

Watch that troller motor.

Easy Luke, easy with 'er.

Oh, Luke.

- There we go. Coming up.

- This fish is hooked from here to tomorrow.

You ready?

You got 'er too low.

I can't see 'er, I can't see 'er.

Right here.

Yeah!

(both men laugh and scream)

- Alright.

- That's awesome, that's awesome.

You know what's funny about that?

You and I have come close three times

down this pass here.

- Changed the tempo.

- Changed the tempo.

We were just talking about the burst thing.

Folks, we were just talking about the burst

on the buck tail.

Bursting the bait, I mean,

what was that, two casts with the burst?

And boom.

- Yeah, yeah.

- "I think that, I think that was a weed."

No, that was a fish.

(both men laugh)

Hey, hey baby.

Alright.

You don't mind me pulling the fish out, do you?

- No, please.

- Alright, let's get ahold of this baby here.

Ladies and gentlemen.

Hey you know what's cool?

These people from Evinrude actually can fish.

How 'bout that, Luke?

What do ya think?

Oh, she's hooked great, Luke.

She's just hooked great.

You know what I'm gonna do?

Let me see here.

I think I'm gonna unhook her right in the net,

and there we go.

Thank you.

- She did it herself.

- She did it herself.

What do you think, ladies and gentlemen?

I think he's,

I think Luke,

Luke Sweet is a killer muskie guy.

And now you know, Luke, now you know,

that the burst works.

- First fish of the day.

- The burst works.

- Changing the tempo.

- You got 'er, buddy? You got 'er?

You sure? You got 'er?

- Yeah.

- There you go, folks.

Way to go, dude.

- Second cast, we changed it up a little bit,

switched the tempo bringing it back in,

a little burst, and bam.

- Love it!

We'll be right back.

- And she came up out of the water.

- She came, oh I tell ya

that was the jump of the year.

(Luke laughs)

Doing it, man you're doing it.

[Chris] He cast it a mile.

Yeah, he's, I just,

fish?

- Uh, no.

- Fish! Fish!

- Oh my...

We're in, we're yeah!

Hey!

(rock music)

- [Spokesman] The official music sponsor of all

Fishing with Joe Bucher episodes is Yeti.

(slow groove guitar music)

- I actually caught a fish?

I actually have a fish.

I got a nice fish on.

Oh, good-fightin' fish too.

I don't know what it is, but boy,

it's a good fighter.

Cold-water cranking, my friends,

cold water.

Oh, it's stayin' down, whatever it is here.

What is it?

Nice largemouth.

Water temperature barely cracking 50 degrees.

Black bottom bay largemouths.

Classic pattern.

Cold water, early spring.

Alrighty, let's see what we got here.

Using my Frabill cranking net here.

Crankbait net.

And fishing with crankbaits.

Put you back.

And what we're fishing with here, my friends,

lipless crankbait.

Spots like this you could try spinner baits,

jigs, swim jigs,

crankbaits, spinner baits.

What I've got here, I've written about this,

I've talked about this, I've filmed it.

The classic north bay pattern.

We're on the northern end of a lake.

When you find, certain lakes have this,

certain lakes don't.

When you find, if you're looking for a good,

cold front, early spring pattern

for bass, one of the best things,

this works for wallies and pike by the way,

and crappies, too, and blue gills,

get on the north end of the lake.

You're gonna have primarily northerly wind flows.

Get on the north side of the lake, and find a

dark bottom weedy bay that's got

some kind of a gravel or sand shoreline

makes it even better, because eventually

the bass'll probably slide in there to spawn,

as well as the crappies and the bass.

And what you're going to find is

this dark bottom absorbs more heat.

It's slightly warmer.

Holds all the bait fish.

Holds all of these bass in like, and pan fish

in a pre-spawn, they're like in a lockdown

holding pattern when the water's in

the high 40s, low 50s.

And then you just bomb cast these spots

with various lures until you find out

what they like, and then you're going to find

schools of fish just kind of scattered

on these spots.

When nothing else produces, these spots produce

early in the season.

(slow groove guitar music)

Oh,

Oh, no no no no no no no.

It's funny, once in a blue moon that works,

a little bow and arrow.

Oh, there we go.

Huh, got snagged up on that spot,

did a little bow and arrow flip with my rod

to try to get it unsnagged and caught a bass.

So when I'm fishing along here, see now

I caught that first fish on a crankbait.

Switched tackle here, and that's what

I was saying when I started, it's like,

you know, you might catch

these fish on crankbaits.

Let me get off of here just a little bit.

You might catch these fish on crankbaits.

You might just catch one or two

on a crankbait or spinner bait

and have to go after 'em with a jig, you know.

You just don't know.

In fact, I'm just gonna hook him right over

the side here, underwater.

Good lookin' fish, huh?

Now, now, now.

There you go.

(slow groove guitar music)

(slow groove guitar music)

Got a mixture of largemouth

and smallmouth in here.

What you're gonna find out too is

with most of these suspender jerkbaits

is you get most of your strikes on the pause.

One of the big ways to trigger these fish

when you're fishing with this bait, too, is

is just to mix it up.

Don't do anything rhythmic.

You get into too much rhythm, the fish

just have a tendency to follow

the bait, even bass.

You learn that in the muskie world.

(slow groove guitar music)

So, are the bass right here?

I just gotta throw the right bait on 'em?

Yep, yep, that's what it was.

I'm on 'em now.

Yeah.

Jerkbait fishing,

suspender jerkbait fishing.

Cold water bass.

Yeah.

You got it.

Not a floating minnow, like we grew up fishing.

It's suspender.

You can see it suspending in the water,

as I release the bass.

So what we're fishing with here

big casting gear.

I've got one of St. Croix's new

Bass X-Series rods.

Medium fast, six foot six,

I've got fluorocarbon,

I've got 15-pound test fluorocarbon line on here.

There's a whole bunch of different, good

suspending minnow baits out there.

I mean there's a bunch of them.

And I'm fishing with the bait casting gear.

I've got one of Daiwa's TATULA reels here,

the five point five to one, and

I like the little bit slower gear ratio

in the cold water fishing.

Cold water here.

Water's barely 50 degrees, and

tested, I tested this area out with a variety

of different lures, till I found the lure

they really want.

Now we're gonna see if I can catch some more.

(slow groove guitar music)

Yep, there's, I think there's another one, see.

Okay, now I caught a fish

on three different baits.

Three different baits, just testing

so the fish are here.

So I caught a fish on crankbait, a jig,

and a suspending jerkbait.

They all caught fish.

There ya go.

What do ya think of that, huh?

These black bottom bay bass

and sometimes in cold weather,

you just gotta check out,

test a bunch of different lures.

One fish will usually tip you off

that you're close.

Then you gotta try some other baits

to see, different categories of baits,

to see which one is the best for the day,

or the best for the time, that hour

or so that you're out there.

Sun's coming out, maybe the fish will pick up.

We'll be right back.

(rock music)

- [Spokesman] This featured segment

is brought to you by the Musky Shop.

- Hey folks, welcome to our muskie segment.

Rich Belanger, St. Croix.

- Good morning, Joe.

- Best net man in the business, one of my...

- Well, thank you.

- Well, you're just, you're just killer,

man, I'm telling you, it's unbelievable what

a great partner you are, and you know,

we're talking, you and I always are on

field test trips, trying to bring

great St. Croix products to all of our anglers,

and in the muskie world, we just tagged

a big fish on a Walkin' Raider.

- Mmm-hmm.

- Surface, a zigzag bait.

- But Rich, tell the folks quickly

what makes the best kind of bait for this,

for these glide baits, jerkbaits,

this is a surface glide bait,

so to speak, right?

- It is, yeah.

Very similar to your

your underwater Raider as well.

But to get the proper action on those baits,

typically you're gonna be working

straight down, right?

- [Joe] Right.

- [Rich] Move, move, move, move.

- [Joe] Yep.

- So, a longer rod's gonna hurt you.

You're just slapping the water.

So this particular model we kept at

seven foot six, alright,

but it's gotta have a ton of power,

ton of backbone.

So this is the extra heavy power,

with the fast action, right?.

So you're gonna get that top 18

is where you'll get your movement,

and then it's gonna shut right down.

But you need that top 18 to have

a little movement.

- [Joe] Yes.

- [Rich] To make those baits work.

- [Joe] Yes.

- [Rich] With that little twitch,

so you don't want to have to do it big.

- Yes, it's also nice

once you hook the fish.

- Yeah.

- Have a little bend in the rod.

- It's a quick set, and

you drive 'em quick.

- You know what's interesting.

What I love about this rod, too,

the elite in particular, folks,

is that the 76 jerk.

- Mmm-hmm.

- And the jerkbait stick is, extra heavy,

is a great rod to begin with, but boy

when you go to the elite series,

the way you guys have got,

this is like the ultimate jerkbait,

zigzag topwater bait ever made,

and I don't know that you could ever

improve upon it.

- Well that whole series.

- It is great.

- You know, we've shaved every gram of weight

out of there that we could.

The best components in the world

on those blanks, I mean it's,

it's like you said.

It'll be hard to improve it.

We'll try.

- Man.

- We're never gonna stop trying.

- It's a great stick, man.

So you wanna 76 extra heavy fast,

80-pound grade, piano wire leader,

make sure your hooks are real sharp.

Bay casting, high-speed bay casting reel.

This happens to be Diawa Lexa 400.

And, you can't beat this elite,

this elite 76 extra heavy fast

on these big fish, man.

Watch it in action.

(slow groove guitar music)

- Got one.

- [Rich] There it is.

- Come on up, Rich.

Let's get 'er quick.

(both men laugh)

- Way to go, birthday boy.

- Birthday boy on a Walker Texas Ranger.

I like that.

Oh, Walker Texas Ranger, eh?

- Time to get 'er out.

- That's the kind of day you catch a fish on

that kind of a bait.

- Time to get 'em out.

- I think we caught every fish

we've ever caught on a Walker on a trip with you,

it's always been on these midday...

- Midday, flat.

- Overcast, flat.

- No wind.

Let that be a lesson to ya, folks.

- Sweet, nice job.

- Took the wind out of me.

- Come on.

(both men laugh)

- [Rich] There it is.

- Come on up, Rich.

Let's get 'er quick.

(both men laugh)

- That's a pretty fish, too. - Oh, baby.

It is a beautiful fish, isn't it?

- Yeah.

- Big male.

We'll see you next week, folks.

(slow groove guitar music)

(blues guitar music)

- [Spokesman] Fishing with Joe Bucher

is brought to you by Recon boats,

made by craftsmen, built for fishermen.

Evinrude, E-TEC, G2, the outboard

that changed everything.

St. Croix, best rods on earth.

Yeti, built for the wild.

Joe Bucher Outdoors, still number one

in big game fishing products.

And by your Wisconsin Chevy dealers.

For more infomation >> Fishing with Joe Bucher! Season 30 Episode 06 - Duration: 21:23.

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Myth of the visionary. How to build a business using lean innovation principles - Duration: 25:46.

Brant Cooper Co-Founder of Moves The Needle, author of The Lean Entrepreneur

For more infomation >> Myth of the visionary. How to build a business using lean innovation principles - Duration: 25:46.

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Cook's Corner: Chocolate almond tart - Duration: 3:21.

For more infomation >> Cook's Corner: Chocolate almond tart - Duration: 3:21.

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Graphic Scores: Beyond The Written Note - Duration: 6:31.

hey, welcome to 12tone! imagine for a second that you're a session musician who's been

hired to play on someone's album.

you walk into the studio, sit down at the piano, open your sheet music and see… this.

what do you do?

what do you play?

I mean, you could just complain that this isn't real notation, but if you do you'll

probably lose the gig, so might as well try to figure it out.

it starts with this shape here, which could represent a rising and falling melody.

(bang) it gets bigger and smaller, so maybe that's volume changes?

(bang) or maybe you're supposed to play a second line with the appropriate distance.

(bang) and what's the deal with this bit here?

there's lots of interpretations, and none of them are obviously right or wrong.

welcome to the world of graphic scores.

this is a movement that started in the mid-20th century to challenge the idea of what written

music could be.

modern western notation is a very precise thing: it tells you exactly what to play,

and exactly when to play it.

that level of clarity feels natural and obvious to us now, but it's actually a relatively

recent idea.

or, ok, it goes back at least to the Ars Nova movement in the 14th century, but really,

compared to the age of music, is 700 years really all that long? for quite a while before

that, the most popular system was called neumatic notation, which started out as just a way

to remind singers about the general shape of the melody.

a piece of neumatic notation wasn't all that useful unless you'd already learned the song

by ear. over time it became more and more precise, allowing students to figure out the

intended melodies without having to hear it first, until it eventually became what we

have today.

many graphic score composers argued, in effect, that this pendulum of specificity had swung

too far, that modern notation was too precise, and they started to experiment with other

approaches.

we've talked before about eye music, which is the practice of writing music unconventionally

in order to make the score look more like its own work of art.

this could mean using fancy note-heads, or arranging your staves into a shape, like a

heart or a bicycle. with eye music, though, the actual intended notation is still clear.

there's no real question about what you're trying to communicate.

it's like those big, stylized letters you see at the start of chapters in old books:

they look fancy, but you can still tell what letter they're supposed to be.

graphic scores, on the other hand, are often a bit more ambiguous.

a lot of graphic works are a form of what's called aleatoric music, where some important

compositional decisions are left up to chance or, in this case, up to the performer.

aleatoric composers relinquish some amount of control over their work, allowing broader

interpretations. in the case of graphic scores, they do this by using unclear, often symbolic

notation, forcing anyone performing it to reach their own conclusions about what it's

supposed to sound like.

one famous example is Cornelius Cardew's infamous work Treatise.

Cardew was an avant-garde composer in the 60s, and worked with Karlheinz Stockhausen,

another pioneer of graphic scores.

Treatise was his magnum opus, 193 pages of lines, shapes, and symbols, meant to be played…

however you want.

he gave no specific instructions on what any of his symbols meant.

for instance, page 54 includes this, which I might interpret something like this (bang)

but I bet if you tried to play it, you'd wind up with something completely different and

maybe a little less literal.

but that doesn't make this random: we're both trying to evoke the same shape.

if I were to play this (bang) it'd be pretty hard for me to argue that it was based in

the score.

I mean, I might be able to, but I'd need a really good case.

the score isn't just an arbitrary set of pictures: it's still a roadmap, and it needs to be followed.

Cardew, like many graphic score artists, didn't intend for performances of his work to be

improvised: he wanted players to develop their own sets of rules for what various things

meant, effectively converting his ambiguous score into a clear, precise one in their heads.

so while your interpretation might vary from mine, it shouldn't vary within itself.

as a brief aside, Cardew came to hate his avant-garde period later in life, attacking

his own works, as well as those of Stockhausen and other avant-garde artists, as elitist

and out of touch.

that's not really relevant to the music, but if I didn't mention it someone else would've.

anyway, back to the point.

beyond performer interpretation, the composer themself could still impact the sound of the

piece.

many graphic works were composed for specific performers who had worked with the composer

enough to know their preferences. for instance, Cardew often worked closely with a piano player

named John Tilbury, so Tilbury's performances were informed by a deep understanding of Cardew's

intent.

another example is David Tudor, who was the intended performer for many works by famous

avant-garde composer John Cage, including premiering the controversial 4'33".

modern performers of graphic score works often take the time to study the composers, getting

a sense of what they may have wanted in order to more accurately bring their visions to

life.

sometimes graphic scores even go the other way: György Ligetti's composition, Artikulation,

is a series of electronic noises that he originally notated with charts, but it was later transcribed

by Rainer Wehinger into a well-known graphic work, using various symbols to artistically

represent the different sounds.

there's a link to that in the description.

here, the musical composition is fixed: what's open to interpretation is just how to write

it down.

but let's get back to that piece from the beginning.

you know, this one.

this piece, called Solitude, by Hans-Christoph Steiner, isn't like that.

it's actually a complete, precise score, it's just meant to represent something that musicians

from the Ars Nova period never imagined: sampling, or taking audio clips from other songs, editing

them, and putting them together in new ways to make new music.

each color represents a different sample, and the shapes show the volume and panning

that sample should be played with.

there's only one correct interpretation of the score, which Steiner kindly uploaded to

soundcloud.

there's a link, again, in the description.

this brings up another important use of graphic scores: filling gaps in modern notation.

our current system is centuries old, and it privileges the sorts of information that composers

back then cared about, like notes and durations.

while you can always write things in if you need them, by default it contains very little

information on things like timbre and intonation, and nothing about technological issues like

panning and effects.

the rise of computers has fundamentally changed what we can do with music, and our traditional

notation systems are struggling to keep up.

this brings us to the last, most recent development in graphic scores: MIDI art.

MIDI, short for Musical Instrument Digital Interface, is a way of storing note information

to be reproduced by samples or synthesizers.

it's actually what I use to create the audio examples for these videos.

anyway, MIDI data is stored on what's called a piano roll, which is basically an alternative

notation system where each note is stored separately, and you can see all of them at

once.

this makes it easier to overlap various parts, and if you're clever enough, it also allows

you to draw pictures.

the most famous example of this is probably by youtube musician Andrew Huang, who used

it to draw a unicorn that was also a pretty decent piano piece.

there's a link to that in the description too.

MIDI drawings kind of blur the line back to eye music, since they still communicate most

of the same stuff as traditional notation, but I'm counting them here 'cause I think

piano rolls are different enough, and besides, I forgot to mention them in the eye music

video.

anyway, thanks for watching, and thanks to our Patreon patrons for supporting us and

making these videos possible.

if you want to help out, and get some sweet perks like sneak peeks of upcoming episodes,

there's a link to our Patreon on screen now.

you can also join our mailing list to find out about new episodes, like, share, comment,

subscribe, and above all, keep on rockin'.

For more infomation >> Graphic Scores: Beyond The Written Note - Duration: 6:31.

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Why Obi-Wan Kenobi HATES Flying - Duration: 3:08.

For more infomation >> Why Obi-Wan Kenobi HATES Flying - Duration: 3:08.

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Billboard Pops Up On Busy California Highway Overnight, 4 Words Make Maxine Waters PANIC - Duration: 4:17.

Billboard Pops Up On Busy California Highway Overnight, 4 Words Make Maxine Waters PANIC.

Overnight, a billboard popped up alongside a busy highway in California, where Hispanic

GOP candidate Omar Navarro is challenging Maxine Waters for her seat in the U.S. Congress.

Waters began to panic when she saw the large sign because four words exposed her dirty

secret to many of the same constituents who have been voting for her for years.

On Thursday, Omar Navarro shared a photo on Facebook which had his supporters cheering

and his opponents — most of whom are longtime fans of Rep. Maxine Waters — in a state

of panic.

Navarro, who is just 29-years-old, is challenging Waters for her seat in the U.S. Congress.

Navarro's photo depicted a billboard which has been erected along a busy California highway.

Maxine Waters' ugly mug is plastered across the left side of the massive sign, and on

the right side, the message to voters is loud and clear: Rotten To The Core.

Adjacent to Waters' face on the right side of the billboard is a picture of an old apple

core which has begun to rot, much the same way the congresswoman has after years and

years on Capitol Hill.

The sign also states that Waters has been "Named 'Most Corrupt' by C.R.E.W.

5 times."

Indeed, Maxine Waters' corruption has been well-documented, although it hasn't stopped

her from winning re-election in California, where Democratic politicians are the ruling

class.

Most recently, a Federal Election Commission report of receipts and disbursements revealed

that the California Congresswoman paid more than $10,000 for tickets to the Broadway show

"Hamilton" and wrote it off as a "fundraiser expense."

Of course, this is the sort of thing which should induce calls for term limits, but in

Communist California, corruption is a way of life for politicians.

The California billboard which calls Waters out for her dirty deeds appears to have been

funded by the Stars and Stripes Forever PAC, a grassroots super PAC launched in 2013 with

the goal of appealing to African American voters with a conservative message.

"2018 represents the greatest opportunity in our lifetime to enact a truly conservative

agenda for America," states the PAC's website.

"Our goal is to help the GOP win a 61 seat majority in the Senate, enough to overcome

any Democratic filibuster," the website continues.

"Obtaining a filibuster-proof majority is crucial to confirming conservative judges

and rolling back regulations and legislation that cripples our economy," adds the website.

"We remain committed to our strategy of directed outreach to African American voters,"

the PAC writes.

"By placing black radio ads in key states such as Indiana, Michigan, Missouri, Montana,

North Dakota, Pennsylvania, Virginia and Wisconsin, we aim to affect the outcome of those senatorial

races," the website goes on.

"If we're able to win 9 of the 25 seats now held by Democrats, we can accomplish our

mission," it says.

"Moreover, our long-term goal is to win one-third of the African American vote on

a regular basis."

Maxine Waters has done absolutely nothing for the black community, despite her many

years in Congress.

In fact, President Donald Trump has done more for African Americans in this country in just

the first year of his presidency than Waters has in her entire career.

This was evidenced by the most recent jobs report, which showed that black unemployment

has reached the lowest numbers ever recorded, proof positive that a conservative agenda

is far better for the black community than the Democratic standard of trading votes for

freebies.

Despite the tremendous work that President Donald Trump is doing for African Americans

in the U.S., Maxine Waters has been leading the charge to impeach Trump, as he is a huge

threat to her.

Omar Navarro, on the other hand, supports President Trump and his agenda.

The right choice is overwhelmingly clear for California voters this election season.

what do you think about this?

Please Share this news and Scroll down to comment below and don't forget to subscribe

Top Stories Today.

For more infomation >> Billboard Pops Up On Busy California Highway Overnight, 4 Words Make Maxine Waters PANIC - Duration: 4:17.

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POWERDIRECTOR SEM MARCAR D'ÁGUA - (DOWNLOAD NA DESCRIÇÃO) - Duration: 1:55.

For more infomation >> POWERDIRECTOR SEM MARCAR D'ÁGUA - (DOWNLOAD NA DESCRIÇÃO) - Duration: 1:55.

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Cómo se investiga en Humanidades Digitales - Entrevista con Vittore Casarosa - Universidad de Pisa - Duration: 5:01.

Hello Youtubentes, how are you? this is Juanjo Boté,

and

today we are here with Vittore Casarosa from University

of Pisa. He's a researcher there.

and he specially does research,

he's between Library Information Science and Computer Science.

So we are going to talk with him.

The video is in English.

so if don't understand English by any reason,

just below the video you have the captions.

do you agree?

So, we start

Hello Vittore. Buenos dias.

Thank very much for your introduction.

Now I'm going to speak in English.

Yes, I think is better for both.

Yes for both.

OK.

You're from University of PIsa.

You're a researcher that you mix Information... Library Information Science and Computer Science.

Which is your speciallity exactly?

What did you dedicate these last years?

Ok. So, let me

give you some background

in the sense that

I'm mixing the two because,

my background is really in Electronic Engineer.

because the time I graduated,

there were no Computer Science degree. Ok, yeah...

[laughs] they were just beginning

Yeah, you had to wait for further.

but then I've been, most of my activity,

has been in the beginning

with databases and image processing.

So, it was just pure computers. Ok. Yes..

and then, let's say about 20 years ago,

I lended, let me say in the new field

emerging field of digital libraries.

which was again the combination of

computers and libraries.

That's when I've started being

post into the humanties and applications and libraries.

and ACAIS and so on.

So, there's how I started to be gold in this type of activity.

Oh that's perfect.

emmm,

How do you conduct a research in your field?

I mean, you have

to deal with lots of things.

people, databases, how do you conduct that?

What is the methodology you more, you more or less or in big ideas, you do?

OK. So, let's say

In the last years

most of our interest, my interest

I'm collaborating with other universities

has been to try to understand what are the requirements

for higher education institutions, I mean unversities

to prepare the new information professionals. Ok

today they're called data scientist, because so the big data

basically just only five years ago, they were called

information professionals. Yes...

which...it's the same but different name.

yes.. but...I think that there is one, one, connotation

that information professional is

no longer a librarian, an archivist

or a museum curator.

The Information professional somehow should be across

across some disciplines...of those boundaries.

and so, for the research

in this type of research,

there are really no databases

and other things.

So the methodology is basically surveys

and interviews.

So it's a mixture. Qualitative and quantitative..

so it's a mixture of quantitative and qualitative.

Ok. That's perfect.

I have another question. Is...

Which advice could you say to any student

or a PhD student or M.A. students

in Library Information Science

regarding to research?

In their professional life or

What can they do?

Well, this is what we were already discussing

The first thing it might be,

Should be

that they try to find

what is the specific field

of their interest. Ok.

So, to be passionate in some way.

Yes, to become an expert in some specific

sector.

I would say for humanist could be History

or epigraphist

or.... let's say philology.

but even to select.

because, you should select

what you like.

Yeah, you have to concrete

I like that.

and then, let me say.

in parallel with that,

you should really

get a good knowledge

of the Information technology tools

of course.

suitable for your sector.

So, to have skills on technology.

how to deal with technology.

They need. Because today wherever

I mean for a hand science

it's a given. You can't do it without computers.

No. For humanistic sides is more

and more the fact that

if you want to do

innovative research

you have to know and to use

information technology tools.

Ohhh..That is

no way out.

Ok. Thank you very much.

That's all for today.

That's all for today

So we watch together on the next video

Any questions leave your comments below. See you soon. Bye.

Bye. See you soon.

For more infomation >> Cómo se investiga en Humanidades Digitales - Entrevista con Vittore Casarosa - Universidad de Pisa - Duration: 5:01.

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How we've been launching AmoCRM in the USA - Duration: 26:08.

Mikhail Tokovinin Co-founder and head of AmoCRM

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