The Search Engine Google is showing this Doodle in India for Abdul Qavi Desnavi's 87th Birthday.
Abdul Qavi Desnavi was an Indian Urdu language writer, critic, bibliographer, and linguist.
He has written many books on Urdu literature.
His important work was about Maulana Abul Kalam Azad, Mirza Ghalib and Allama Muhammad
Iqbal.
On this day in the year 1930, Abdul Qavi Desnavi was born in the village of Desna in Bihar.
In the course of a literary career that spanned five decades, he authored a vast body of Urdu
works covering fiction, biographies, poetry, and anthologies.
As the head of the Urdu Department at Bhopal's Saifia College and a member of several regional
and national literary bodies, he exerted a powerful influence on the evolution of Urdu
literature and academic thought in India.
At a personal level, he mentored some of India's finest Urdu poets and writers such as Javed
Akhtar and Iqbal Masood.
For more infomation >> Abdul Qavi Desnavi - Duration: 1:19.-------------------------------------------
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This Is Us - Aftershow: Season 2 Episode 6 (Digital Exclusive - Presented by Chevrolet) - Duration: 6:02.
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Lighting Design - American Theatre Wing - Working in the Theatre - Duration: 23:29.
Alas, poor Yorick I knew him Horatio a fellow of Infinite Jest bloody designer
is using an assortment of lights to frame the stage for the audience to kind
of know what's going on in the show givin the audience a sense of where they
are is it daytime nighttime is it whether a wee in a foggy pond we tell
the audience where to look we give them a sense of mood atmosphere of time of
day we help establish an emotional undercurrent and we're also storytellers
it's really trying to dig deep into the heart of what the characters are doing
it's trying to dig deep into what the story that's being told is so Matt he's
just washed up on shore let's do the background we'll start with the idea
that it's the sky good one best boy like the psychic I must say the actor is the
most important thing on the stage let's warm up the diagnol a little bit very
often as lighting designers we want to kind of Rim the actor and kind of pop
them out from the set so that we have a foreground and a background because the
actor is the one that's telling the story and then we're helping to tell
that story what else do we have up here we could throw a little bit of textural
like a little kind of a cloudy thing
what's great about that how is that it feels like reflected life heating
sebastian i think that's beautiful actually it's so beautiful i wonder if
we could get more of that i see myself as a dual fold lighting designer half
sculptor half painter i might be in ancient days going to dude dude you and
i just cut away a little of the blue and then you see how the costume looks and
it looks a little flat so you take out one light and then put on another one
and all of a sudden the costume and the character becomes 3-dimensional and then
behind them there might be a background and that is when I take out my
paintbrush and put a little blue behind them you know what I'd love to see how
and Matt is it going from daytime to nighttime
20 cows sure so sore this is Q 104 I guess
and then once you go back to q1 I got a 20 count legs sculpting with light is
really a major part of our job especially the bodies you know the body
needs to be sculpted from the side you know from the back I want the audience
to feel like they could they could hear the story being told I pride myself in
being able to light the story will being able to really have the audience focus
on where the actions taking place and to be able to follow that thoroughly
are you ready sir so we're gonna go to dark here
stand-up once
this pearl she gave me I do feel it and see it going into designing the show is
I kind of use this work called formatting and it's a process of hours
and days and weeks with the director set designer costume designer kind of
formatting our way through the production we will have a rough set
model it will kind of start on page 1 of the script and kind of work our way
through it you know one scene at a time and where's this scene going to be and
what scenery is gonna be in it what part of the stage it's gonna be on and how we
transition from getting out of the scene into the fields of hay and things like
that
once I'm hired I read the script and I read the script without thinking about
the light the first time through so that I can just get a sense of what the
script means to me and then I read it again and I mark it up with thoughts
about the lighting but sometimes those thoughts are very simple thoughts like
what time of day is it where does it take place and the next step is very
often meeting with the director and talking about the directors feelings
about the piece because I do believe strongly that my job is really to help
the director with the director's vision the director is very specific about what
he's gonna want in this certain scene you know whether the scenes in a kitchen
or in a basement or how he feels about how it should be lit whether it's just a
little light coming through the window and you know it's a very dark and gloomy
scene with just one lamp over the table that's a chemistry to me that kind of
tells me as a designer I would layer in to his vision of the scene good thank
you good job one of the biggest challenges
is making sure that we're able to get lights where we want them because if we
don't we really can't make the show look good another challenge is that everybody
else was working on the project the set designer the costume designer
the choreographer they all have done their work beforehand so the
choreographer is done the work in the rehearsal hall the directors done the
work in the rehearsal hall when we walk into the theater we are the only ones
who sit down with a completely blank white piece of paper a completely empty
nothing is done yet all the lighting equipment the cabling the dimmers all
the headsets I mean it's really down to the ironing board sores you know I mean
everything has to go in for a production
we established a shop order which is sent out to vendors to get a bid back
and sometimes we have to change equipment that we kind of wanted or we
have to substitute this or that but then after that's all approved by the general
managers we start finalization of all the paperwork that's necessary for the
show to go into a lighting shop that's where the electricians take our
paperwork and they get all the equipment that's on the plot and they mount it the
entire package is rented
Joseph Peggy's world's largest miracle all right specifications in shop water
now we take from paper turn it into life will be forgiving will they gear lay it
out and we prepped it they mark it location dimmer and they put it in the
box and then they'll put it on the truck and load it into the vehicles and we
have no one else in the world which is how we prep our moving lights to take
out human error I'll show you how we do that how many things are stored in here
about millions it's finding it
between millions of choices credible that incredible huh Wow
faster first of all we go to the ERG look at
new equipment but if there are things that we want to do in a show that never
been done before a demo room is an amazing place to do that about the
driving ring
I had just been there two weeks before working on a ballet where we needed to
see if different kinds of material how they took light because we were going to
project some snow on three different surfaces we wanted to make sure that you
could see through one surface to the next surface to the next surface so if
you didn't go to the demo room and then you had all the scenery bill for
thousands and thousands of dollars and then found out that you actually
couldn't see through each level then you're screwed in since the producers a
lot of money and it saves us the anxiety because we know that it's going to work
cause some deeply affect the lighting design of the show because what I have
to make sure is that I make the costumes look the collar that the costume
designer wants them to look sometimes I'll even take the fabric back with me
and pick different colors based on the color of the fabric or how the fabric
takes light just so that I know that I can give the purity of what the costume
looks like in terms of color and feel you know we're always experimenting
we're exploring new layers new elements new types of lights new types of sound
so there is a great collaboration between all departments throughout the
course of putting a show together I don't think that lighting has to be more
spectacular on Broadway I think the most important thing really is the show and
the storytelling but I guess okay I'll admit it yes we push it a little bit and
make it we'll try to make it a little more spectacular
things right now you mean like this a second you mean
about what that droplets like well I was just learning that I don't know what's I
didn't know what that was for just the color that yellow was so pretty we can't
forget that Aladdin is a fairy tale and there's a lot of color in the scenery
and there is a lot of color in the lighting it was all about sort of
heightening reality into a kind of fantasy world so the hope was to really
make the audience feel like they were living in a fantasy
there is something about the adrenaline of working on Broadway because money is
so tight and you have to work quickly and fast and hard and it's kind of it's
almost like working out it's almost like playing a sport okay so you feel like
that's romantic because I absolutely really what I was hoping that you would
find that it would be romantic that way you're going from the energy
and the hot feeling of this wildly crazy energetic number to just this beautiful
romance yeah also I wanted to feel a little bit like her too because he does
great okay he's the orange and she's thick there
you go okay good yeah no it's great necessary off and we're responding so
much to what the other people are doing that I forget myself sometimes because
there's so many people that are in the room that you want to make sure that as
a lighting designer that they're all being taken care of that the set looks
good the costumes look good the the dance looks good but sometimes we just
have to let ourselves go and go with our heart and gut and emotion I'd love to
look at the buildings lit up and then do that that'd be great I think of myself
as a chameleon in many ways I do believe that my job is to respond to the rest of
the collaborative team so I think as the years have gone on there might be
something that I do that makes me Natasha cats I don't know what those
words would be and I don't even know how to look back and think about what my
style is because I believe my style is the style of a chameleon and working
with other people and go to cue next and go to cue next I was not born with the
dream of wanting to be a lighting designer
was born with the dream of wanting to work in the theater I was definitely
born with the dream of wanting to work on Broadway and I was definitely born
with the dream of wanting to work on musicals and plays so when I went to
Oberlin College I worked in all sorts of backstage in the theater and then I got
a full semesters credit to work with somebody in New York City so I worked
with a lighting designer because I just started to do a little bit of lighting
in college and it was started to appeal to me
and I worked on a show called I remember mama at the Majestic Theatre right
across the street from here and the minute I walked into the theater walked
through the stage door I I was hooked go and go to connects it was really
on-the-job training for me gotta cue next gotta do next I had met so many
people working on the show that I lot of people asked me to work with them so I
just continued to work and work and work was 25 years old
I grew up in North Carolina and at a young age I was began working at the
Roadhouse where all the road shows would come in and took a big interest in just
watching how all the lighting package just came off the trucks and were set up
in the theater and just as a young kid I was like 10 11 years old and this was
very fascinating to me how this lighting package could just come off a truck and
get set up and then the performers would come in that afternoon and a show that
night and then we took it all down packed it on the truck and they left and
we were back to bear theaters I've been told that people say that I that how old
weekly has a signature in his lighting
the more I thinking about it I think I do kind of like things that have a
weekly signature to it I kind of use a high side angle that that I apply myself
using a lot of shows and it's a sculpting technique which which works
very well for me
the simple set you know and here we have a whole entire show done on this one set
it's not like a lot of drops flying in and out you know it's just one area and
my job in this show is really to dissect this whole show to really frame it in a
way that there's many locations throughout the course of the 50 songs
that are in the show each song kind of has a new location a new time of day a
different feel whether it's this song as a memory song from the actor to convey
to the audience what's going on during the lyrics of the song in our transfer
from off Broadway up to Broadway for Hamilton the major change that that I
had to do was it off Broadway the ceiling from the stage floor to the grid
was only like 16 feet and moving to Broadway we had 28 feet and so that
meant that I had to change lighting fixtures we had to incorporate some
fixtures into the move that were really a theatrical lighting fixture there were
more kind of a rock-and-roll light that I knew that would kind of like the only
source and was going to work for the show
I think the success of the show is just from how different the show actually is
it's a historical show and it's really you know depicting our history and I
just think the technique of the show is quite different and was just generating
a new type of theater it's introducing that to to the audience's you keep God
keep going through some temples the technology has changed lighting over the
last 20 years incredibly a lot of the old conventional units were a fixed unit
it would just you hug it and focus it really had one job you know it would
take you know a hundred fixed lights to do but one automated lighting fixture
can do now a huge change was moving lights where you don't have to get up on
a ladder to focus light we call them moving light programmers and we say to
them I'd like a blue light on that piece of
scenery and it's done remotely through a computer in the old days when I started
you had to roll a ladder out you had to go to the light you had to move the
light you to put a gel in the light if you wanted a new color you to get the
ladder out roll it out go back up the ladder change the color of the light
which would take time in the middle of rehearsal in time in the morning and now
we don't have to do that anymore because we have these lights that are
remote-controlled that's an enormous change in our
business and then it would just bring it where we
were to the same house so let's just go back where we were on stage
the short version the history of lighting design is that the greatest
pleasure I guess its nature mother nature or whoever whatever whoever you
want to call it because it was all done in the outside by sunlight and then it
was all done by firelight and then as we started to move indoors after
shakespeare's times and we were able to start to control the light on Broadway
when it started there was no credit for a lighting designer the set designer did
it with the electrician as the years went on it became its own profession and
for many years actually was a profession that was really sort of dominated by
women there was somebody called Jean Rosenthal
who really changed lighting in the sense that she figured out a way to do
paperwork so that lighting could be repeated over and over again because how
do you record lighting so Jean Rosenthal is sort of the grandmother of us all
I don't want the audience's to feel like it's just a light show it's a juggling
act to balance between the knowledge of the mechanics and the creativity as well
art has to drive the technical we have to use all this technology as a tool for
what our vision stand inside of it and that line up and make a feel like the
rain is pouring against you yeah and I like what you did when you
did yeah so the rain is it is torrential inquiry against you know when it flashes
you're worried that you better get inside okay or you could die okay
okay hey go for it start running now
move forward in the stage right a little bit you're going against the wind it
pushes you back stage left
fantastic
you
you
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Picture Perfect | A CHRISTMAS STORY LIVE - Duration: 0:21.
For more infomation >> Picture Perfect | A CHRISTMAS STORY LIVE - Duration: 0:21. -------------------------------------------
Bí Cấp Thần Công Tập 02 - Phim Kiếm Hiệp Hay Lồng Tiếng Thuyết Minh | Phim Xưa [PX] - Duration: 4:44:31.
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Abraham Hicks - The importance of love yourself first - Duration: 15:04.
GUEST: - And I have lived my life I feel like in such a way that I...
My strongest desires were for positive healthy relationships
You know, abundance and those kinds of things have come easier to me since I understood that but...
But, relationships....
So, I've had situations in my life...
And tragedy
Upset....
Things that I can't tell you, I feel like I helped to create
If I do have to take all that responsibility...
My question is: how do I stay in love with who I am?
ABRAHAM: - Because your inner being has stayed in love with who you are
And your quest is to seek harmony with your inner being
In fact, every time you judge yourself or condemn yourself or feel bad
That's your indication that you're off the mark if how source feels about you
And don't you think source ought to know?
GUEST: - I do get that. I think.
But it has to do more with...
Is there a line?
Because I've been in touch with a therapist...
ABRAHAM: - Nope! Nope!
[Some laughs at the audience]
[The laughter grows louder]
GUEST: - Can I give you an example?
mmm I don't where to begin, but...
ABRAHAM: - We do!
[Some laughs at the audience]
Relationships are significant because you're interacting with others all the time
And how you feel has a lot to do with how you perceive others
And there's an inordinate amount of care from you and almost everybody
About how others see you
So, there has been for all of your life a tremendous amount of futile attempt
At contouring your life to please others
Which has messed up your own sensitivity to your own guidance system
Almost everybody we would be same pretty much the same thing too
So, as you've been following us here
And we're going to get right to what you're talking about it
Just relax and trust it this is all going to smooth right out for you
As we've been talking here today about this path of least resistance
What most people do
Without even knowing they're doing it
Is that you try to make a path of lesser resistance for that one and that one and that one and that one
And in the process of it, two things happen
One is: you distract them from their own guidance
And two is: you distract yourself from your own guidance
And 3 out of 2 and 4 out of 2 and 5 out of 2 and 6 out of 2
Is it backfires one hundred percent of the time anyway
You just kind of got to let people figure stuff out
and not try so hard to be the factor that makes it better for all of them
And once you decide that that's how it's going to be
And you begin translating that into behavior
Things just get better and better
You can be so good to some that you disable them completely
You can be so good to some that they become almost demanding of more from you
It's like you start a trend where they get used to their sustenance coming from you
And then if you have the nerve to stop it in some way
Then they become sometimes outraged
Because it's like you've cut them off from the good that they deserve
And that they have demanded through you
Well, it's time for you to allow them to discover
That like you and like everyone
They have a stream of care and attention and resources that is going directly to them from source
And you're going to let them discover that for themselves
And you stop holding yourself responsible for things that you can't control
That were never any of your business to begin with
You'll feel way better
Once you start recognizing that
GUEST: - My husband committed suicide
ABRAHAM: - Good for him.
[Some laughs at the audience]
Because every death is suicide. Every death is.
Every death is. some are just more deliberate about the way they go about it.
But every death is a response to that vibration between who they really are
So let's talk about that!
If everything that we say is as it is, and it is.
It all is as we say it is. It is.
It all is as we say it is.
It is.
So, as he's living his life he's putting all of this into his vortex
And, without meaning to, like so many holding himself apart from his own vortex
When you've created a masterful vortex
And you hold yourself so definitively apart from it
It is very hard to take!
So one of two things happen
Either you find a way to find alignment while you're still in your physical body
Or you find a way to find alignment when you're not in your physical body
But in any case, you find a way to find alignment
And everything that we were saying to you
In that sort of hypothetical sense, is our message to you
That you could not have stood on your head in enough different ways
To have made any difference whatsoever
It is not about you. It is not about you.
It is not about you. It is not about you.
It is not about you. It is not about you.
[applause]
GUEST: - I didn't help created that!
ABRAHAM: - So, did every other person on the planet.
If the cat and stop peeing on the couch...
[The audience laughs]
GUEST: - What it created is my family fell completely apart
I have two daughters that are... In a religion
That if you're not in that religion, they have a hard time understanding you
ABRAHAM: - Almost every religions like that.
GUEST: - Yeah! ABRAHAM: - In other word...
Let's just start there: almost everyone has a hard time understanding almost everyone
And the reason for that is
You did not say: "I'll go into this time-space reality and I'll understand everyone"
That would make you crazy!
That's what Facebook is doing to you!
[The audience laughs]
You're so involved in everybody else's lives
You're completely unfocused about your own
GUEST: - Do I just let go though of my grandchildren?
I have eight grandchildren and two daughters
And I can't seem to get to a place where I can accept I don't get to see them
ABRAHAM: - Here's the thing:
Don't get to the place where you accept
That's like we don't want you or anyone
To ever get to the place where you accept that something that you want can't be
But something that will soothe you today, this minute
Immediately
Is if you can accept that you have a vibrational relationship with them
That you can focus upon and get a feeling for all day every day
And don't let the absence of the manifestation
Just because the manifestation isn't the way you want at this red hot minute
Doesn't mean that what you want does not exist
You got to focus unconditionally for a while
And it's our promise to you: when you focus unconditionally for a while
So that your tuned-in tapped in turned on, feeling better
The Universe will orchestrate a way for you to rendezvous with the things that you want
It must be! It is Law!
But that isn't what you've been doing
You've been focusing upon the reality
That's tearing you up keeping you from being in vibrational alignment with your vortex
With what you want
And so what you're getting is what you're a vibrational match to
Its ok!
But it doesn't have to feel so bad. You see?
GUEST: - I get that!
ABRAHAM: - How else are you going to sort it out?
You're going to say: "All right well you, guys, belong to religion..."
"That believes the way that I don't!"
"So, something's got to change either you got to join me or I got to join you!"
And all of you stand there and say to each other: "na na na na na na"
"We're not going! We're not coming."
And so, then you say: "Okay. Then that's got to be the end of it."
"Because if we can't make peace in this."
When we say: no, it's not the end of it! It's the beginning of it!
Because in all of that discord you're launching rockets of desire
You're remembering who you are.
Do you know that as you came into this physical experience as these clusters
that not only are you eternally tied to these children and grandchildren
But all who have come before are also tied
And they are all non physically focused and looking here too
In other words, to be in a place where you have cut yourself off
From the attitude of love
And you're using some bogus thing as your justification for it
You don't want to perpetuate that and then
You don't want to stand in resistance to them
You don't want to wave the red blanket in front of the Raging Bull
And cause them more discord from who they are
If you love your children. And we know you do.
And you love your grandchildren (we really know you do)
But if you love your children (and we know you do)
And you love your grandchildren (and we know you do)
And you love your children (and we know you do)
If you love anyone (and we know you do) then your dominant intention is to help them
As best you can find alignment with who they are
And opposing them and making them wrong and staking your claim
And join them where they're wrong is not the way to go about it
You just got to remember who you all are as Source
And you got to remember how you felt when they were little
And how you felt when they got married
And how you felt... And how you felt... And how you felt...
This is the best opportunity that we have ever seen
Not because it's big and not because it's tragic
And not because it's a big burden
This is the perfect opportunity to discover not just the relief of unconditional love
But the power of it.
When you blame yourself
You're walking around with this advertisement that says:
"I'm to blame! I'm to blame!"
And weaker people who haven't learned about focus
And they don't really care that much about how they feel
Pick up on your vibe and blame you
So you keep getting blamed for stuff that you have nothing to do with
Not because they're looking for a way to blame you
But because you have been carrying that around
Someone who feels guilty will attract someone who has a propensity to blame
This Law of Attraction thing
So, what we want to help you to do is to acknowledge that you've been doing just fine
And that the Source within you adores you
And that this person who made his transition into non-physical holds no blame whatsoever upon you
Or upon himself
Because now he's in a place where he understands what's really going on
So as you relax little by little and get feeling better
And letting yourself like yourself more in the natural way that you will
What happens is...
We may be channeling Taylor Swift
[The audience laughs]
♫Haters gotta hate, hate, hate, hat,e hate♫
♫Haters gotta hate, hate, hate, hat,e hate♫
♫And you just got to shake it off, shake it off♫
[The audience laughs and applauds]
Because you cannot please them
You can't understand
The only thing that you can do is to come in alignment with your Source
And when you do
The return to that steady consistent love
See the thing about relatives is that you got to catch them on a good day
[The audience laughs]
The thing about Source is it's always a good day
But you got to be in the vicinity of the good day that Source is always flowing to you
So as you find these thoughts that are easier for you to hook up with Source
So that you become addicted to that connection
What will happen is you'll find yourself unwilling
And eventually not even capable of focusing upon those thoughts
That have been putting the resistance on your trail
And this is going to be hard for you to hear but it's the reality that we want you to know
It's not the decision of your children that is keeping you from your grandchildren
Is the resistance that you've put on your own trail
In response to what you think they mean or what you think they're saying to you
Feels like it's a reality that they are creating
Because these are demands that they're making
These are edicts that they are putting out there
But that's never what is really happening
Your response to them is just causing you to pile more and more and more stuff on your trail
On your path of least resistance
That's preventing you from what you want
But as you get your attention off of that and on other things
That will begin to dissipate more and more
And then it will one day just feel logical to them
These children are not going to be that old before they begin a requesting time with you
And in their alignment, their connection to Source
Their power of influence will be much greater
And that rendezvous is a sure thing it's a done deal
It has happened many many times in the vortex
And it will bring itself all the way to fruition
You've just got to stop being sad in the meantime
We really want to make that statement to
Anyone who wants anything that hasn't yet manifested
You got to stop being bent out of shape over the fact that the manifestation hasn't happened
Because you're being uncomfortable about the fact that the manifestation hasn't happened
Is what's causing you to put all the stuff on the trail
And preventing it from happening sooner
It's not possible for you to not get what you want
We just don't think you should have to croak in order to get your resistance to go away
That is extreme, but it works!
But we don't think you should have to do that in order for your resistance to be away, you see?
-------------------------------------------
Russian Bot Army Pushes Christmas Race War - Duration: 8:31.
THE DAILY BEAST HAS UNCOVERED ANOTHER WEBSITE THAT WAS
INCREDIBLY ACTIVE ON SOCIAL MEDIA DURING AND AFTER THE
ELECTION THAT WAS ACTUALLY RUN BY RUSSIAN TROLLS.
THE WEBSITE WAS KNOWN AS BLACKMATTERSUS AND YOU MIGHT'VE
SEEN
POSTS BY THIS ORGANIZATION ON FACEBOOK BECAUSE IT WAS ALL
OVER THE PLACE.
A LOT OF THEIR POSTS WENT VIRAL.
RECENT INFORMATION ABOUT THIS GROUP OF TROLLS INDICATES
THAT THEY WERE TRYING TO SPREAD FAKE INFORMATION OR
PROPAGANDA INDICATING THAT BLACK ACTIVIST IN THE UNITED
STATES WERE LAUNCHING A WAR ON CHRISTMAS.
AND THAT THEY WERE SELLING MERCHANDISE THAT SUPPORTED
THIS SO-CALLED WAR ON CHRISTMAS SO LET ME GIVE YOU THE DETAILS.
ACCORDING TO BEN COLLINS AT THE DAILY BEAST:
SO ANOTHER EXAMPLE, THEY PRINTED A LOT OF SHIRTS.
BY THE WAY, THEY SOLD SOME OF THIS MERCHANDISE.
THEY PRINTED STIRRERS THAT MADE NO SENSE TO OBLIGATE
ANOTHER EXAMPLE.
ONE SAID DEER SOCKS, DON'T SHOOT.
SUCK.
A REMINDER THE SHIRTS I USED TO SEE IN TURKEY WHEN I WAS
GROWING UP LIKE IN THE 1970S AND THEY WERE TRYING TO COPY THE LOS
ANGELES LAKERS BUT THEY DIDN'T KNOW WHAT THEY WERE DOING SO
WOULD BE LIKE THE LOS ANGELES SUCKERS, THE LOS ANGELES LAKERS.
ADIDAS.
ADIDAS WAS DONE ON PURPOSE TO TRY TO TRICK PEOPLE BUT THE
REST WAS JUST CLOWN AROMA AND THEY ARE DOING A TROLL FARM
HERE BUT THEY DIDN'T BOTHER DOING ANY RESEARCH SO AND
APPARENTLY THEY ARE NOT HIRING ANYONE WHO SPEAKS FLUENT
ENGLISH BUT THEY ALSO SAY THE RACIST THINGS TO BUT WE
WE'LL GET TO THAT.
LET GIVE YOU ANOTHER EXAMPLE.
THESE ARE APPARENTLY STILL AVAILABLE FOR NEARLY $40.
NOW PEOPLE ARE GOING TO BUY IT FOR THE SCHICK.
JAYAR ALWAYS WERES THE PEOPLE WHO RUN WERE ON TEAMS FOR 15 SECONDS.
YOU COULDNíT REALLY GET THEM.
NOW IT IS GOING TO BE A COLLECTORS ITEM.
BLACK DON'T NEED WHITE XMAS.
THERE WAS ONE THAT SAID THUG LIFE AND THE IMAGERY INCLUDED
HANDGUNS AND CHRISTMAS TREES.
SO LET'S GET TO THE RUSSIAN GOVERNMENT AND WHOEVER IS
PAYING FOR THIS IN THE RACISM.
THEY HAVE A BLACK CHRISTMAS ONLY AND THERE IS A GOD AND A
STOCKING.
WHY WOULD BLACK AMERICANS WANT TO BUY THAT?
BY CHRISTMAS IS WHERE WE SHOOT PEOPLE.
AND THEN THERE'S THUG LIFE REFERENCE AND THEN THEY
SUGGESTED THAT AFRICAN-AMERICANS BOYCOTT THE HOLIDAY BECAUSE
QUOTES, YOU CAN'T AFFORD IT.
I'M NOT SURE THAT ANY OF THIS ACTUALLY APPEALS TO
AFRICAN-AMERICANS WHICH BY THE WAY, I AM SURE BECAUSE IT
DIDN'T.
NONE OF THE STUFF SOLD AND IT DIDN'T WORK BUT THE ATTEMPT TO
DIVIDE US BASED ON RACE IS REALLY DISTURBING.
WAS INTERESTING ABOUT THIS PARTICULAR CAMPAIGN THAT
THEY LAUNCHED WAS BOTH HOW UNSOPHISTICATED AND IN SOME
WAYS SOPHISTICATED IT WAS BECAUSE THESE RUSSIAN
TROLLS WERE OBVIOUSLY AWARE THAT EVERY HOLIDAY SEASON THERE
IS THIS NONSENSE TALKING POINT FROM THE RIGHT IN REGARD TO
A WAR ON CHRISTMAS.
THERE IS A WAR ON CHRISTMAS IN THE UNITED STATES.
THERE IS NOT THAT DIVE SOMEONE HAS SAYS HAPPY HOLIDAYS, IT IS
NOT THE END OF THE WORLD, REQUEST A BUT THEY APPARENTLY
KNEW THAT AND SO THEY UTILIZED THAT TALKING POINT AS A WAY TO
DRIVE A FURTHER WEDGE BETWEEN RACES IN THE COUNTRY AND SO YOU
ARE RIGHT, CENK UYGUR, THIS PARTICULAR CAMPAIGN DIDN'T SEEM
TO WORK AS MUCH AS OTHER CAMPAIGNS EVER LAUNCHED BY THESE
RUSSIAN TROLLS BUT I DO WANT TO GO TO A PRETTY GREAT ABC
VIDEO, ABC NEWS VIDEO ON THIS TOPIC BECAUSE THEY FOCUS
SPECIFICALLY ON BLACK MATTERS US AND SOME OF THE OTHER
STRATEGIES THAT THEY UTILIZED.
TAKE A LOOK.
BLACK MATTERS US.
A STUDYING CLAIM TODAY ABOUT JUST WHO IS BEHIND THE
GROUP PROMOTED IN THIS MUSIC VIDEO.
BLACK MATTERS US.
CONGRESSIONAL INVESTIGATORS USA BLACK MATTERS US WAS
ACTUALLY SET UP BY THE RUSSIANS DURING THE 2016
ELECTION TO STIR UP RACIAL TENSION.
IT IS NOT FAIR.
I DON'T THINK IT IS FAIR.
THE ST.
LOUIS RAPPER WHO WROTE THE MUSIC FOR THE VIDEO SAYS HE GOT
INSTAGRAM MESSAGES FROM PEOPLE HE DID NOT KNOW ASKING HIM
TO WRITE A SONG DEALING WITH POLICE BRUTALITY.
I HAD NO CLUE THAT IT WAS RUSSIAN ANYTHING.
IT MESSED ME UP.
ALL PART OF A SOPHISTICATE GATED CAMPAIGN THAT
INCLUDED FACEBOOK AS, TWITTER POSTS AND EFFORTS TO ORGANIZE
AT LEAST TWO BIG RALLIES, WHEN AGAINST POLICE PERSONALITY.
US INVESTIGATORS BELIEVE IT WAS DIRECTED FROM THE SO-CALLED
TROLL FACTORY IN ST.
PETERSBURG RUSSIA.
IS A WAY TO SUPPRESS VOTES AND STOKELY ARE.
THE LEVEL OF SOPHISTICATION, I DON'T THINK WE APPRECIATED
IT AS A TIME TO
IT WOULD ALSO UTILIZE BLACK AMERICANS FOR SOME OF THESE
CAMPAIGNS AND MAKE IT SEEM AS THOUGH WHAT THEY WERE DOING
WAS GOOD OR LEGITIMATE.
SO, ANYBODY STILL THINK THAT THE RUSSIANS GOVERNMENT IS
PERFECTLY INNOCENT AND THERE'S NO PROOF, THERE'S NO PROOF.
HOW MUCH PROOF DO YOU NEED?
IF YOU HEAR ANYBODY SAYING THAT, THEY ARE BEING PURPOSEFULLY
BLIND.
NOT THE RUSSIAN PEOPLE, BUT THE RUSSIAN GOVERNMENT WANTS TO
TEAR US APART.
THEY WANT TO TEARS APART POLITICALLY, RACIALLY.
I'M NOT A RIGHT-WINGER.
IN THE OLD DAYS WHEN THE RIGHT-WINGERS HAD THIS
WEIRD DISTASTE OF RUSSIA, BACK FROM THE OLD SOVIET UNION.
THE COMMIES.
I'M NOT IN THAT CAMP.
I'M NOT IN THE LEFT-WING CAMP THAT HAS THIS WEIRD LOVE
AFFAIR WITH RUSSIA.
I DON'T KNOW WHY YOU HAVE A LOVE AFFAIR WITH RUSSIA.
IT IS LED BY A DICTATOR THAT IS DESTROY DEMOCRACY IN RUSSIA.
THAT MURDERS JOURNALIST I DON'T KNOW WHY ANYONE IN IT WAS A
PROGRESSIVE IN THE RIGHT MIND WOULD WANT TO DEFEND THE
RUSSIAN GOVERNMENT ARE YOU A LUNATIC?
IT DOESN'T MEAN I WANT TO GO TO WAR WITH RUSSIA.
THAT IS NOT A NATURAL CONCLUSION TO A CAN'T STAND THE RUSSIAN
GOVERNMENT BUT FOR VLADIMIR PUTIN WHO OFFERED ALL AUTHORIZED
ALL OF THESE CAMPAIGNS, ANYONE WHO DEFENDS THEM IN AMERICA
IT'S NUTS.
I DO NOT UNDERSTAND OF A PROGRESSIVE POINT OF VIEW,
RIGHT-WING.
THE RIGHT-WINGERS ARE NOW SO SMITTEN WITH THEIR DINNER
LEADER, TROMP SINCE TRUMP LOVES PRUDENT BECAUSE BOUDIN PROBABLY
BAILED HIM OUT OF MORE BANKRUPTCIES AND NOW THAT
CORRUPTION IS WHAT YOU SUPPORT?
YOU ARE AN IDIOT.
LOOK IT WHAT THEY DID.
THEY ARE TRYING TO TEARS APART GET WHITE PEOPLE TO HATE
BLACK PEOPLE AND BLACK PEOPLE HE WHITE PEOPLE IN THIS COUNTRY.
SO FUCK PUTIN.
THAT DOESN'T MEAN THAT THE CONSEQUENCES OF THAT,
WHETHER IT IS WAR OR ANYTHING ELSE, LOOK, MUELLER IS
DOING HIS INVESTIGATION.
THAT IS A SEPARATE ISSUE.
LET HIM TO THE INVESTIGATION AND SEE WHAT HE FINDS.
DEFINES CONNECTIONS, LET HIM PROSECUTE THAT DIVE HE
DOESN'T, WE DON'T GET THE PROSECUTOR.
I UNDERSTAND THAT THE US ALSO DOES PROPAGANDA.
ANDERSON THE US HISTORICALLY SOME TERRIBLE THINGS IN
FOREIGN COUNTRIES.
I'M NON-FAVOR ABOUT THE
WE TALK ABOUT THOSE THINGS AND CRITICIZE THOSE THINGS AS
WELL, INCLUDING WHEN THE JFK DOCUMENTS WERE RELEASED, A
PORTION OF THEM, WHAT TYPE OF PROPAGANDA, NOT JUST WHAT
THE CIA WAS PLANNING ON DOING TO CUBAN REFUGEES IN SOUTH
FLORIDA JUST TO DRUM UP SUPPORT FOR INVADING CUBA.
WE CRITICIZE THOSE THINGS ALL THE TIME AS WELL.
BUT THAT DOESN'T VITIATE WHAT PUTIN IS DOING RIGHT NOW.
YOU CAN THINK WITH THE US GOVERNMENT IS DOING IS THAT
WHAT THE RUSSIAN GOVERNMENT IS DOING TODAY TO REP AS A
PART IS TERRIBLE.
SO FUCK PUTIN.
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